One Punch Man Season 2 – 10 [The Encirciling Net of Justice]

by Lenlo, posted in One Punch Man S2

Welcome one and all to a rather surprising week of One Punch Man Season 2! This week the animation was mostly fine, and interesting things happened, so let’s just jump right in!

Starting off, I rail against the series a lot, but credit where it’s due. The sections of the Garou fight done by Aoki look pretty slick. This man is carrying OPM on his back at this point it seems. As he is responsible for basically every well animated shot of the season. From Tank Top Master to pretty much every Garou shot, Aoki is our guy. He seemingly has fun with it all as well. The thick black lines, fun angle and dynamic camera make it much more of a treat than anything else seen in this episode. Just look at other cuts of the fight to see that for yourself, or Darkshines… shininess? Neither were particularly great, but for this series, they were on the upper end. I just hope that the 2 big finale fights coming up soon are given the same treatment.

Once again a short post, as OPM really speaks for itself I feel. Outside of Garou, there isn’t much to like. Saitama’s segments with King were fine, if blandly delivered. It’s a bit sad when a video game fight has better animation than some of your legitimate ones to. Darkshine also just came off a bit weird, and I wouldn’t blame anyone for being concerned about his design. He is made to be a caricature, every S-Class hero is. From the Samurai all the way to Genos. I don’t believe ONE intended to be offensive, and rather just wanted to portray the japanese stereotype for a black man. Regardless, having followed this manga for awhile, it doesn’t bother me much. All of the S-Class heroes get some development later on, but not in this season. Hell, maybe not in any season with how this one is shaping up.

Suffice to say, while the episode was decent, the series as a whole is still woefully disappointing in almost every department. Maybe Aoki can save the ending. I wouldn’t hold my breath.

Dororo – 23 [The Story of the Demons]

by Lenlo, posted in Dororo

Welcome one and all to the penultimate episode of Dororo. We have brutality, we have drama, and we have a boatload of philosophy. Its everyone Game of Thrones Season 8 said it would be, but wasn’t. Is it too late to make that joke? Regardless, this was a good week for Dororo, so let’s jump in.

Starting off, I was iffy on the production this week at first. Some of the opening scenes were… off, like Hyakki’s horse just panning down the screen. But as the episode went on this became less and less of an issue. With Hyakkimaru and Tahomaru just dominating the screen. This is everything I wanted from their final showdown. Sure, the road was long and meandering to get here, but visually it was a treat spanning 4 different scenes. From the fields, to the riverbanks, up to the castle to the current finale. I loved it all. Sure, the other side scenes weren’t fantastic from a production standpoint, but they had a lot of story value. Acting as a sort of break between sections of the fight, so we don’t get tired of swords clashing over and over. Simply put, Dororo looked great this week, the story striking to as well.

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Mix – 11 [Try Pitching]

by SuperWooper, posted in Finished Series: Sports, Mix

Good news for all you Mix fans out there: the show is likely to be two cour, as the Wikipedia page for its timeslot doesn’t have a replacement listed until October. That means three more months of baseball, romance, and mystifying Japanese puns before Hero Academia S4 kicks Mix off the air for the fall season. I’m very glad for the extension, as the show has settled nicely into its high school phase, and is dedicating entire episodes to character work before kicking off the baseball season. Fans who got into this series for the home runs and double plays might be disappointed with its simple, conversational style, but I find every scene to be rewarding, both taken on their own and viewed as groundwork for the future.

Take Haruka’s character, for instance. After breaking out of love interest hell last week, we learn plenty more about her in the follow-up: her folks are living apart, she’s still in contact with her mom (who slips in and out of their apartment before Goro comes home), and she feels blessed to have two parents who follow their dreams. The scene where she and her dad discuss the surprise visit is funny, as Haruka repeats her mother’s claim that she could only write comedies while living with Goro. Then there was his attempt at subtly asking whether Mom left any money behind – another in a long series of jokes about his mooching ways. But it wasn’t all laughs, either. The scene also played host to a touching daddy/daughter moment, as Haruka affirms that she’s proud of her single dad for doing what he loves. On top of that, it’s worth noting that she turns away from him and back to preparing dinner before “I feel blessed” passes her lips. Though the music is placid and the mood sincere, you can read that she still struggles with her family situation, which I’d bet my bottom dollar will resurface in the future.

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Kimetsu no Yaiba – 11 [Tsuzumi Mansion]

by Lenlo, posted in Kimetsu no Yaiba

Welcome to another episode of Kimetsu no Yaiba! This week we finally meet the rest of our leading group, find a new Demon and deal with some… odd tonal issues. Lets dive in!

Starting off, Zenitsu. I have to say, whatever Yaiba is planning with him, so far I am not impressed. The man was just so incredibly… annoying. Right off the bat I am not the favorite of this cowardly archetype. Yet Yaiba did what it does and dialed him up to 11. With the entire first half just being his whiny voice ad-nauseam. Simply put, Zenitsu was way over-done at the start of the episode. Really putting me off him. It’s sad to, because there are definite hints to more around his character. With Zenitsu splitting the food Tanjiro gave him, or actually fulfilling his role as a Demon Slayer when he could run at any time. Yaiba makes it clear there is more to him. Yet because of the opening 11 minutes, both his character and the episode as a whole, suffer.

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Fruits Basket (2019) – 11 [A Really Wonderful Hot Spring]

by SuperMario, posted in Currently Watching:, Fruits Basket (2019)

Fruits Basket gets a bit better this week, though not by a wide margin. This week is a return of Momiji, the most childish character we’ve seen so far in this show (until we learn that he’ll reach high school next year). The White Valentine approaches, and he wants to bring Tohru to the onsen as a thank-you gift. Fruits Basket so far has been, for me, formulaic. Not in a way that it repeats its structure, but more in a way that it uses established tropes for its main events (or is it the one who invited all these tropes? It’s hard to tell but one thing I can say for sure is that it feels dated nonetheless). So a hot-spring/ beach episode would be right in its money. As a whole, I don’t mind this episode as it still provides some solid moments, but I still have that feeling of Fruits Basket padding its material too thin. At this point the trio’s dynamics are pretty much in the balance now, and unless something significant can throw off the balance, they don’t progress as much as they hope to. Drama, after all, is an essential part of character development.

It’s Momiji’s involvement that gives this episode a change of fresh air. While he isn’t the character that I’m particularly fond of (at this moment we just see the childish side of him), his narration regarding the grim story that his class read, remains the best moments of the episode. As per Fruits Basket tradition, one of its strengths is the way it can draw out the emotional tale based on its flashback or story-within-a-story like this one. The content is certainly grim and dark, but it’s the way Momiji reflects on that story that we have a glimpse of his deeper feeling here. It’s not a totally convincing storytelling though, as it OBVIOUSLY allures Yuki and Kyou to Tohru’s current selfless act, but by its own it’s a perfectly fine story that would fit nicely to any Andersen’s sad fairytale classic.

The other nice moment that we don’t see very often, is when Yuki getting loose and laughs at Tohru’s clumsiness. As he remarks “I have never laughed like this even to my parents”, we could see the way his tight upbringing has a profound effect on him, and how with Tohru he becomes much more relaxing and just being himself. That comes with a cost, though, when you think about it, that he will become more emotional dependant on Tohru, and who knows what would happen to him if Tohru’s going away for good. There’s a romance in the air as well as Yuki making a really romantic gesture (that makes our Tohru blushing) before faking it as a joke. Go all the way, dude!

There’s another newcomer to this cast. The frail innkeeper, in a typical Fruits Basket character stock, is a mixture of two extremes. Frail and vulnerable at one moment, aggressive and violent when it comes to Kyou (many characters in Fruits Basket seem to be overtly aggressive towards Kyou alone, huh?). She’s actually a mother of an original Zodiac member, Ritchan the Monkey. I’d say that we will have a proper introduction of this Ritchan pretty soon, probably in the next episode, and I hope that he will be a worthy addition to this ensemble cast.

 

Sarazanmai – 10 [I Want to Connect, but I Can’t]

by SuperMario, posted in Currently Watching:, Sarazanmai

The body count keeps rising up in the final stretch of Sarazanmai. With this episode we get to the end of Reo and Mabu’s pair, and it’s certainly a bittersweet experience. As it turns out, we eventually learn that Mabu sacrifices his “desire” to Reo in order to physically stays behind him. So it’s Reo who upsets by Mabu’s change and ruins their relationship. Their star-crossed love certainly touches on many Sarazanmai’s core themes, those being the desire to connect with the one they love but even to their best interest, they’re still failed to reach it. Well, there’s this evil Otter who asserted himself as “desire” and “take whatever form others desire the most” that always want to mess with others, but Mabu’s final confession to Reo, knowing the outcome, that is emotional powerful and closes their relationship in a bitter end. For Sarazanmai, although the term “connection” is shouted by all the characters, Sarazanmai’s philosophy isn’t simply about the ability to connect (although there are plenty of these – take Haruki and his younger brother, for example), but it’s also about the love vs desire, the feeling of love vs physical temptation – and more than our trio, Mabu & Reo relationship is a perfect illustration of that theme.

With the cops’ relationship, while they fully love each other, evil Otter is the one who exploits their desire from each other. What Otter believe is that love and desire can never be in conjunction with each other, and that the desire is some form of sin (to extract love or desire – if you hit “desire”, you’ll turn into kappa zombie). With that I can understand the condition he gave to Mabu: if Mabu wants to stay with Reo, he has to give up love. Sarazanmai further explores that central theme by having the Evil Otter in the form of Reo going on top of Mabu. It’s all the fitting (and bittersweet) that when Mabu decides to embrace his true feelings with Reo, his heart explodes. Although now in retrospect, I would love to know more about the Cops (who we learn used to be kappa themselves), especially in the first half we barely know about them, the show did wrap their tragic story in an emotional note.

At the same time, we get the reveal where that Dark Kappi in cage is our Kappi split in half. While I don’t mind this flow of information, the manner in which Sarazanmai displays, info-dumping us with details we can’t figure out by ourselves, is a tad bit disappointment. I have never been fully invested by the Kappa vs Otter war, and now I have come to believe the show has the same opinions because they are hardly relevant in this final stretch. Otter turns out to be a manifestation of each character’s desire, but where exactly does he born and how many of them?

In a way, I still think that the 1-cour structure fits Sarazanmai’s story neatly, as the show resolves the Mabu-Reo conflict one episode before the finale, which means that the last episode is when the spotlight again squarely focus on our main trio. And what a series of twists and turns in the final moments when Toi shows up to demand the Golden Dish, when Kazuki in on his verge of reviving Enta. The after-credit scene immediately resolves this conflict, but at a price of Toi being exploited by Evil Otter. Toi is broken at the moment, which serves as a perfect victim for Otter. Only 1 episode left, Sarazanmai is on its way for an ultimate roller-coaster ride.

Carole & Tuesday – 10 [River Deep, Mountain High]

by SuperMario, posted in Carole & Tuesday, Currently Watching:

“Do the gravity bounce?”

Once again it’s GGK’s performance becomes my favorite of this week, and Angela’s style still is too mainstream for my taste. With the pacing of this episode I am more certain that this Brightest Mars competition is gonna take up the first half of the series. Things don’t look good for our duo, though, with a string of mishaps that go against their way period to their semi performance, some of them are good, some are cringe-worthy. On the positive side, Etergun becomes this round’s guest judge is an interesting move that I’m eager to see him facing up Carol & Tuesday again. Although I still find it strange that Ertegun still has no idea about the contestants at this point. On the opposite spectrum, Tuesday’s whatever-reason she’s still hang up on Cybelle is stupid, which makes it worse by the way the show intensifies that as the way the duo is “out of sync” (the bit where they’re just barely missed each other in the elevator is just dumb). Then we also have Carole failed give her birthday gift to Tuesday (why? You had all the time in the world since basically you’re living on the same roof now). Then as if the show doesn’t feel these are enough, they make sure to give Carole and Tuesday hell by having Tuesday injured by this bomb present box or whatever the hell it is. Sorry to be grumpy but all these developments are way too half-baked.

As for the performances themselves, Angela changes her song at last minutes (thanks to Tao’s godsend gut feeling) and shows the judge that she has range. I find the bickering between Gus and Angela’s Mama through Roddy is amusing. They sure get along well. At this moment I have no idea how the show handles Cybelle and Tuesday relationship. I hope I am in the wrong but it’s more likely that the one who sent the bomb gift was Cybelle, since she knows about Tuesday’s personal information. If that is the case, the show’s handling of Cybelle character is indeed very shaky. Well, not much else to say in this layer-thin episode beside that with Benito’s head over heels with Pyotr’s performance, I suppose Catherine will pick Carole & Tuesday and that would make Ertegun the one who holds the decisive gun regarding the duo’s fate. We all know the result but let’s see how the show handles all this.

Serial Experiments Lain – 7 [Society] – Throwback Thursday

by Lenlo, posted in Serial Experiments Lain, Throwback Thursday

Hello all and welcome to another episode of Serial Experiments Lain! Apologies for the lateness and brevity on this one, was/am feeling rather sick as this week wrapped up. Oddly enough, the addled state of mind may have helped me understand Lain better. As this week we get a lot of answers, the Knights become more active and the line between Reality and Wired gets even thinner. Lets dive in!

Starting once again with Production, Lain did a lot of interesting things this week. Not that Lain isn’t interesting normally, but it got really experimental with it this week. Specifically, I am talking about the homeless man and his VR headset. Lain tried a lot of different filters to this, experimenting with odd changes to the footage. Whether it be taking real life footage and applying some kind of filter over it or just screwing with reality. It was a lot of fun to look at, and I really enjoyed the homeless man, even if he wasn’t a lead character. Basically, we got to see a lot of the tech/Wired aspect of the show, and I thought that was good. Now though, onto the actual story content of the episode.

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One Punch Man S2 – 9 [The Ultimate Dilemma]

by Lenlo, posted in One Punch Man S2

Sigh, it was nice having a free week of no OPM. No disappointment, not falling opinion of an acclaimed manga series. Just free time and no post I had to write. Now we are back though, and JC Staff has once again screwed it up. So join me as this week we talk music.

For me, the biggest issue with this week was the choice of music. Simply put, OPM S2 not only doesn’t have any good original tracks, but it reuses the same ones to much. For example, the “emotional” music of this episode was used a ludicrous amount. Being thrown over every scene they could. One or two of these is fine, its a fine piece of music. But when played over and over and over, it loses all power. And that’s not even mentioning if the scene even fits the music in the first place. Really, the sound design has been horrible across the entire series. From punches, to VA work and now to music, the general quality of the sounds in OPM are simply disappointing.

Sadly, I am going to have to cut this one short here though. While there isn’t much to say beyond this, I feel bad for leaving such a short post. But I seem to have come down with something, and its making even writing coherent sentences now difficult. Hopefully it clears up tomorrow, and I can get Lain written up for you. Until then though, suffice to say, OPM S2 is still a dumpster fire and if your actually still watching it, I pity you. Its not worth your time and I promise you, its not going to get a good score here.

So, my shame at writing virtually nothing aside, I will see you next week!

Dororo – 22 [The Story of Nui]

by Lenlo, posted in Dororo

Another week, another episode of Dororo. This time we follow up with Nui, the mother, Hyakki falls off the deep-end and Tahomaru gets one up on his brother. Lets dive in!

Starting off, recently I have been skipping the production portion of these posts. 22 episodes in, you know what your getting at this point. However, recognition where its due, Dororo looked good this week. Outside the battles everything was a standard, acceptable quality. Nothing worth really getting hung up on. However I found Hyakkimaru’s scenes to be a treat. The fire and depiction of the flaming horse looked great. Everything was stylized and in general I found it a joy to look at. Someone clearly had a lot of fun with the almost liquid fire effects we saw, the wind, and the motion of Hyakki atop the horse. It makes it clear that, when MAPPA wants to, Dororo can standout and look good. It’s just not often that Dororo does so, nor is it particularly consistent. Now though, onto the story.

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