Wooper: We’ve reached the third week of the new anime season, and you know what that means: it’s time for the hopeful anticipation of viewers everywhere to be ground into the dust of unmet expectations! Or maybe that’s just me. None of these series had showings poor enough to take them off my radar, but a couple of them are inching away from my range of interest. Shows like Jujutsu Kaisen and Kamisama ni Natta Hi are holding down the fort just fine, though, so an early misstep from the B-team isn’t the end of the world. You still get to read my complaints about a couple of recent episodes, though – and they might not be the ones you’d expect.
Maou-jou de Oyasumi 03
Maou-jou continues to be a fun weekly diversion, but there’s not much more to it than fun. Princess Syalis always completes her quests, so the show doesn’t offer much suspense – it’s her unconventional methods that serve as mild surprises each week. And what’s more surprising than stumbling upon a genie trapped inside an ancient grimoire? For most fantasy anime, the answer would be “nothing,” but according to Syalis-hime, even the latest edition of Shonen Sunday would provide more entertainment. If it isn’t contributing to her forty winks, she’s not interested, so Alazif (the spirit within the grimoire) comes and goes within the span of five minutes. The middle segment was based entirely on misunderstandings, so I could take or leave that one, but I did appreciate the detail put into the last one. The princess made use of items acquired in previous episodes for her jailbreak, creating a string of neat callbacks, and the forest she explored had an enchanted feel that paired well with the interior of the Demon King’s castle. This show may be a sleeper, but it gets a lot of mileage from that simple vibe.
Majo no Tabitabi 03
Witch Weekly busted out a two-parter for this episode, but neither story provided me with much food for thought. The first was marred by cheap computerized textures, both for the overhead shots of the meadow from the opener and the curse that afflicted the sentry at the end. A better visual representation of his poisoning would have done a lot for the conclusion, but even if the art had held up its end of the bargain, the story boiled down to “beautiful flowers can be dangerous, too.” Elaina didn’t have a participatory role in the story, and that’s fine – but if she’s going to be little more than a guide, the people she meets have to carry their weight.
The second story had the same failing, despite using more time to develop its scenario. A slave girl’s sadness at being shown a bottle full of happy memories might be touching or profound, if not for the fact that she, her master, and his son (the memory bottler) underwent precisely zero change during the episode. Majo no Tabitabi is so lesson-oriented that it hardly seems to care where it leaves its characters; the wrap-up here involved Elaina summarizing a similar story she’d once read, and criticizing the moral as being heavy-handed. Based on what I saw this week, I’d have to agree.
Continue reading “Fall 2020 Summary – Week 3” →
