The Yamato-hen is a bit of a step back from the Houou-hen, but really: who cares. With such a brilliant franchise as Hi no Tori, it’s still a very good and enjoyable movie!
I think that the biggest flaw for this one is that it becomes a bit too preachy in the end, the morals and values it tries to push on in the end are a bit too obvious, and the love story between the lead male and female just doesn’t live up to some of the other stories of Hi no Tori. It just misses something.
However, it has plenty of good stuff to boast. Like all of the Hi no Tori stories: it’s a great celebration of human evolution and progression. It tells of conflicting ideals, difficult choices that have to be made, betrayal and tragedy. It again puts a huge emphasis on character-development (something that a whole lot more movies should do!), which is powerful and creative.
I have a lot of respect for Osamu Tezuka, but that’s mostly because of his creativity, and his will to go with things that nobody else would think of. With Hi no Tori, however, he established himself as a truly brilliant storyteller, and Rintaro again did justice to this story, even though it’s not as good as the Houou chapter.
| Storytelling: | 9/10 – Tons of creative twists, despite the simple story. |
| Characters: | 8/10 – Well developed, but some of them are a bit preachy at times. |
| Production-Values: | 8/10 – Good art, animation and music. |
| Setting: | 8/10 – One of the very few stories that tells about Japan’s tribal age. |
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Have you thought about introducing some social bookmarking buttons to these blog posts. At least for twitter.