Japan Sinks 2020 Anime Review – 22/100

Masaaki Yuasa is, without a doubt, my favorite director in anime. His 2014 adaptation of Ping Pong the Animation is my favorite anime of all time, while Tatami Galaxy sits at a close 2nd. Among his more recent works, Devilman Crybaby was imperfect but ultimately a visual treat, while Keep Your Hands Off Eizouken is my current anime of the year. The man has a visual style unlike any other, and the works he adapts often resonate with something deeply personal, to put it simply, utterly human. So when I heard he was working on another series, also to be released this year, I was ecstatic. That it was based off of a famed novel from the 70’s and would be his last work as President of Science Saru only fueled this fire. I was expecting something incredible, a rival for Eizouken! Sadly, Japan Sinks was nothing of the sort.

Simply put, Japan Sinks was a complete and utter failure, the likes of which I was not prepared for. There are themes to be found, and moments of Masaaki Yuasa’s usual brilliance to be found. But they are few and far between. The tone is jarring and throughout the whole thing I wasn’t sure if I was supposed to be laughing, crying or just shocked. Japan Sinks is, in a word or two, jarringly inconsistent, questionably paced and poorly timed in regards to current world events. With all of that said, the ending score should come as now surprise, it was an utter failure. But the question remains as to why, why did it fail, why does it not work? So without further ado, let’s talk details, and strap in because this is going to get wordy. Also fair warning this review will contain spoilers for Japan Sinks.

(Disclaimer: I am working to make 50 the new “average”. 70 is not an average score people. 70 is above average. Also apologies for how long this took, motivation was low with this piece.) Continue reading “Japan Sinks 2020 Anime Review – 22/100”

Tower of God Anime Review – 56/100

Whatever many might say, Tower of God is not the first Korean work to get an anime adaptation. From the obscure Shin Angyo Onshi to those people barely know were originally Korean such as Freezing. Whatever the reason, be it heated diplomatic relations or just disinterest in the works, Japanese adaptations of Korean works are rare. So to see one of Korea’s largest series in Tower of God, originally created by SIU and read by millions, get one is a momentous occasion. Its success could mean the opening of the door for other Korean series, such as The Breaker. A possible breath of fresh to what sometimes feels like a stagnating industry. Its failure could mean that door stays shut for a long time to come. So the question is, is it good? Adapted by Telecom Animation and Directed by Takashi Sano, this is Tower of God. Let’s dive in.

And warning, this review will contain spoilers for Tower of God.

(Disclaimer: I am working to make 50 the new “average”. 70 is not an average score people. 70 is above average. Carry on.) Continue reading “Tower of God Anime Review – 56/100”

Princess Tutu Anime Review – 91/100 – Throwback Thursday

I am not a Mahou Shoujo fan. The first one I ever watched, like many, was the Sailor Moon dub while growing up. It was fine enough, but as I grew, I eventually came to just ignore and tune the genre out. It wasn’t for me, it was silly girl stuff. In recent years, having met new friends in the community and traded recommendations, I was reintroduced to it. Whether it be watching Hugtto Precure or Symphogear for the r/anime awards or Penguindrum via contract, it’s the most Mahou Shoujo I have seen in years. And I hated almost all of them. They were either so sweet they gave me diabetes or had their head stuck incredibly far up where the sun don’t shine. The last one I remember actually enjoying was Madoka Magica, which is hardly an accurate representation of the genre. And then came Princess Tutu.

On paper, going by its title and promotional art, I should hate Princess Tutu. Directed by Junichi Satou, the man behind 2018’s Hugtto Precure, and made by Studio Hal Film Maker, it looks like everything I should hate about the genre. And yet as I watched Princess Tutu, it became very clear to me that this was nothing of the sort. Everything from its direction like a ballet to its tragedy-soaked story and characters felt so much richer than any Mahou Shoujo I had seen before. So much so that I don’t mind spoiling where this review will go by saying right here at the top that Princess Tutu is the best Mahou Shoujo I have ever seen. So as someone who self-describes as “Shounen Trash” and is routinely dismissed as such, please listen when I say: stop reading and give Princess Tutu a shot. You may be surprised.

Without further ado, let’s talk details, and strap in because this is going to get wordy. Also fair warning this review will contain spoilers for Princess Tutu. So if you haven’t watched it… fix that.

(Disclaimer: I am working to make 50 the new “average”. 70 is not an average score people. 70 is above average. Carry on.) Continue reading “Princess Tutu Anime Review – 91/100 – Throwback Thursday”

Runway de Waratte Anime Review – 39/100

It’s hard to deny, this was a pretty good season for anime. From my personal favorites of Keep Your Hands Off Eizouken! and Dorohedoro to returning series like Haikyuu and My Hero Academia. Standing out amidst this crowd of new and returning anime was going to be difficult. With an acclaimed Manga at your back and a decent amount of fanfair though, you would think a series might have a chance. Sadly, that is not the case for Runway de Waratte. Even going so far as to say the odds were stacked against it from the start doesn’t really explain the trainwreck that is series. So what happened? Was it that this was only Studio Ezo’la’s third production? It probably isn’t Director Nobuyoshi Nagayama’s inexperience, this isn’t his first rodeo. Or does it go deeper, all the way to the source material? Let’s dive in and find out, shall we?

And fair warning, this will contain minor spoilers for Runway de Waratte!

(Disclaimer: I am working to make 50 the new “average”. 70 is not an average score people. 70 is above average. Carry on.) Continue reading “Runway de Waratte Anime Review – 39/100”

Keep Your Hands Off Eizouken! Anime Review – 90/100

It’s not often an adaptation suits a Director as perfectly as Keep Your Hands Off Eizouken suits Masaki Yuasa. Of course you have works like Gen Urobuchi’s Puella Magi Madoka Magica or Satoshi Kon’s Paranoia Agent. Yet those works were originals, dreamed and created from the ground up by the directors for the anime. Yet here we have someone else’s manga, their work, fitting together perfectly with a renowned industry veteran. Everything from the narrative to the visual aesthetic of the series seem tailor made for him. The highly detailed backgrounds and setting to the rough character designs. The subject material and focus on animation itself to Yuasa’s own life experience in the industry. It’s an aligning of the stars that oh so rarely happens, yet when it does we get something amazing. And that’s what we got this season with Eizouken. Let’s dive in.

(Disclaimer: I am working to make 50 the new “average”. 70 is not an average score people. 70 is above average. Carry on.) Continue reading “Keep Your Hands Off Eizouken! Anime Review – 90/100”

End of Evangelion Anime Review – 86/100 – Throwback Thursday

During my previous review of Neon Genesis Evangelion, I criticised it for a lot of things. The tanked production value as the series ran on and Studio Gainax ran out of funding/time. Anno’s often insane direction or story, which sometimes made sense and sometimes didn’t. Most of all though, I criticised it for it’s ending, which effectively left Evangelion as a slightly disappointing unfinished product. But what would happen if Gainax… didn’t run out of time? If Anno had another chance after the original divisive ending? What if they just made two, completely new 40 minute episodes to replace it? Well ladies and gentleman, that’s how you get End of Evangelion. Is this finale to the fabled series a roar, to replace its previous whimper? Does it make any more sense than the TV finale? Will Shinji get in the damn robot? Let’s dive in and find out.

And one last thing! There will be spoilers so we can talk about the work in its entirety, both the TV series and End of Evangelion, no vagueness here. You have been warned.

(Disclaimer: I am working to make 50 the new “average”. 70 is not an average score people. 70 is above average. Carry on.) Continue reading “End of Evangelion Anime Review – 86/100 – Throwback Thursday”

Neon Genesis Evangelion Anime Review – 77/100 – Throwback Thursday

It’s not often that I get to review seminal works in a medium. I read and watch them often. Vagabond, Monster and Berserk are some of my favorite manga. Meanwhile Fullmetal Alchemist is perhaps the epitome of Shounen. But not once have I thought I could, and should, transcribe my thoughts about them into a single review. To boil down my feelings on them to a scant 4,000 or so words and a final, numerical score. Yet here I am having to do the same for a work arguably more important than any of the ones I mentioned previously. A work so universally known in the community that its like Japan’s Star Wars. I am of course talking about Neon Genesis Evangelion (Director’s Cut), directed by Hideaki Anno and made by the now fallen from grace Studio Gainax. With that, there is no point to dawdling anymore. Let’s dive in.

And one last thing! An End of Evangelion review will soon follow this. I am aware it completes the story, but this review is for the TV anime and that alone. I have not watched it yet. The movie will cover everything and how it completes the series as a whole. Also there will be spoilers so we can talk about the work in its entirety, minimal vagueness here. You have been warned.

(Disclaimer: I am working to make 50 the new “average”. 70 is not an average score people. 70 is above average. Carry on.) Continue reading “Neon Genesis Evangelion Anime Review – 77/100 – Throwback Thursday”

Vinland Saga Anime Review – 90/100

There are only a handful of manga out there that I believe to be masterpieces. Works such as Berserk, Vagabond and Monster. That come to define a time in manga history, such as Berserk. That are perfect in their execution like Monster, or are a work of art in every panel like Vagabond. Fewer still are the manga that get anime adaptations worthy of their legacy. We need look no further than the recent Berserk anime adaptations for evidence of that. However, I believe that Vinland Saga, written by Makoto Yukimura of Planetes fame and adapted by Wit Studio has gotten, just that. An adaptation that captures the beauty and story of the original peace. That not only adapts it faithfully, but also designed specifically for an anime’s format. Changing what needs to be changed for the new medium, without losing much of the original work.

So onward friends, for honor and glory! The review awaits!

(Disclaimer: I am working to make 50 the new “average”. 70 is not an average score people. 70 is above average. Also this review contains minor spoilers in song names and such. Carry on.) Continue reading “Vinland Saga Anime Review – 90/100”

Dr.STONE Anime Review – 71/100

There are few genres more ubiquitous than Battle Anime. From classics like One Piece and Naruto to the modern like Kimetsu no Yaiba and Black Clover, they are everywhere. Constantly trying to one up or explore the idea in new ways. As a consequence of this, a sub-genre began to appear, cleverly called “Non-Battle” Battle Anime by Super Eyepatch Wolf. In these kinds of anime, it rare for a conflict to be physical in nature. Whether it be cooking in Food Wars or gambling in Ultimate Survivor Kaiji, a punch is rarely thrown. Dr.STONE by TMS Entertainment however takes this one step further, removing the battle portion entirely, unless you count battles with nature herself. And it is here, in the survival and science rather than physical combat, in a celebration of what it means to be human, that Dr.STONE excels.

Without further ado, it’s time to get into the review.

(Disclaimer: I am working to make 50 the new “average”. 70 is not an average score people. 70 is above average. Also this review contains minor spoilers. Carry on.) Continue reading “Dr.STONE Anime Review – 71/100”

Mononoke Anime Review – 75/100

I have reviewed a lot of odd shows recently. From Paranoia Agent to Serial Experiments Lain, they each had their own… je ne sais quoi, their own unique flavor. Keeping with that trend is Mononoke, a sort of Horror Anthology reminiscent of Tales From the Crypt or a Stephen King short stories collection. Though where those went for a more classic sort of horror, Mononoke aims more for a permeated dread. Working to bring horror from the actions of man, but basing it on traditional Japanese monsters. Like a sort of mix between Stephen King and Mushishi. Little jump-scare horror, with more slow built environmental and naturalist horror. How’s that for a sentence you thought you would never read, eh? Made by Toei, directed by Kenji Nakamura and spun-off from the final arc of Ayakashi: Japanese Classic Horror, I believe Mononoke succeeds at just that.

So without further ado, let’s dive in. And make sure to stick around until the end to find out what series will next be featured on Throwback Thursday!

(Disclaimer: This review contains spoilers. Also, I am working to make 50 the new “average”. 70 is not an average score people. 70 is above average. Carry on.)

Continue reading “Mononoke Anime Review – 75/100”