Some Quick First Impressions: Mawaru Penguin Drum, The Idolm@ster and Usagi Drop

Mawaru Penguin Drum

Short Synopsis: Our lead character has a sister with poor health.
And in the end, this was a wonderful first episode. There was a ton of different stuff that stood out here, but the most important part is that on top of having a ton of neat ideas, this also has an incredibly charming cast of characters. The acting isn’t as subtle as with Kami-sama no Memo-Chou or Usagi Drop, but the characterization is so well directed and colourful that these still are some of the best characters of the season. The different characters play off each other wonderfully, making actual good use that they’re siblings and know each other for their entire lives. Now, on top of that it has a smashing soundtrack, the best background art of the season (and it knows this), it has very strong direction, makes excellent use of repetition, it’s actually got a number of new visual ideas, the transformation sequences kick a ludicrous amount of ass, the plot twist in this episode was an awesome and unexpectedly delivered way to start the story off and the final second… just the final second. This series really knows how to combine its mostly light-hearted and enjoyable mood with dark plot twists. This. Has style. And what’s better is that there are still 23 episodes left.
OP: Perhaps a bit too mellow, but greatly stylish.
ED: Weird visuals and a great song
Potential: 95%

The Idolm@ster

Short Synopsis: Our lead character is a cyborg Frenchman wearing a frog suit and riding a unicycle for all we know.
Unlike Uta Prince, The Idolm@ster actually tries out something new. The problem is that I have no idea whether that new idea it’s trying out is actually any good or well executed. Here’s the thing: this series takes the format of an interview: we have a guy with a camera running around, asking questions of all of the idols in this series in order to establish everyone. The guy with the camera is completely bland and doesn’t even speak (seriously: all his lines are just subtitles), and in this manner this series tries to show its huge cast of characters. Now, there are several problems with that. First of all: this series isn’t really clear what shots are shot by an in-story camera and which ones are out-of story shots: the guy walks around, you can see the girls talk to him and answer his questions, but the view jumps around so much, even to shots that are just completely impossible to film with an actual camera. This series doesn’t establish which ones belong to the camera guy and which ones don, unless the lead character also possesses magical teleport powers or something. Second of all: this show has a huge cast. There are like, 20 different characters. This show tries to give character to all of them, AT THE SAME TIME. This first episode is obviously nowhere near enough to make them anything more than blatant stereotypes, and the voice actors didn’t really make things better, as they pretty much acted out the exact stereotype that their character was meant to represent. And yes, there are quite a number of annoying characters here. Still: this is something new and I at least appreciate this series for going in a bit of a different direction, and the chaos of this episode did have its charms beyond the annoying bits. I’m a fan of series with large casts when done well, but the IdolM@ster is really going to have to put in effort to make everyone step away from their stereotype. It isn’t impossible though: there is still hope.
ED: Unfortunately, this one turned out to be nothing more than generic J-pop.
Potential: 50%

Usagi Drop

Short Synopsis: Our lead character is forced to live together with his aunt.
Usually introduction episodes are meant to give a taste of what’s to come. With Usagi Drop though, things are very different from usual: it starts off with a funeral. It shows people together who normally would never be together, it shows them in mindsets they usually would never be in, and most of the people we saw here in this episode are likely to never appear again. It’s definitely an interesting way to open up a story, and this episode really showed some nice things you can do with that format. There already was a lot of implied character development, plus the characters played really well off each other. This was realistic. The drama was really subtle: there was none of the overacting you usually see in anime. This episode especially rocked in how it let everything play off naturally: it didn’t force anything: it just established its characters and gave them the opportunity to let things play out themselves. In the next episode we should really see the direction where this series wants to head for, but this episode sold me already. This is solid like Noitamina should be. Now all that’s left is to actually create a full story for 11 episodes. Plus, this series does deserve plus points for again including a main character who isn’t in his teens or twenties.
OP: Finally another series that goes back to Noitamina’s tradition of weird OPs. It’s quite a charming one.
ED: Relaxing song with pretty neat images
Potential: 85%

Somne Quick First Impressions: Nyanpire, Kamisama Dolls and Morita-San wa Mukuchi

Nyanpire

Short Synopsis: Our lead character is a vampire and a cat.
Gonzo is back! Unfortunately, I do have to say that this is Bad Gonzo. This was just… very poorly produced and it looks more like the commercial for a crappy j-pop band. Here is the thing with this series: its episodes are only 4 and a half minutes long. Only 3 minutes are actual content. The rest consists of a 90-minute live action music video that’s supposed to be the ED. That’s 33 percent of this series! I don’t think I’ve ever seen such a big percentage completely devoted to OPs and EDs, but the worst part is that the ED is pretty much the worst ED of the season. The dancing and choreography are all terrible, in the “we try to be funny but totally aren’t”-way. As for the actual content… it was pretty dull. It’s understandable that the animation is very simple, but the acting was really bad as well. The entire episode was the main cat looking for food, but any attempt of it to be cute didn’t work thanks to bad voice acting and timing.
ED: Live action mixed with traditional animation doesn’t necessarily have to be bad. But here it’s utterly terrible.
Potential: 0%

Kamisama Dolls

Short Synopsis: Our lead character has a sister who can summon a god.
Here’s a show that realizes that it’s only got 12 episodes to work with! Dear god, it put a ton of stuff into just this one episode without feeling rushed (it does have very large mood-swings, though). It established the main cast, it gave them depth, it showed their background, it fleshed them out, it introduced the main villain and made him one heck of a force to be reckoned with, it did romance, comedy, action, mystery and adventure all together. This entire episode felt like a strong standalone thriller. The writing was rock-solid and the animation courtesy of Brains Base was excellent, the action scenes were awesome too and the few cliches that were there were made up by great characterization. It’s a bit of a shame that the promotional material only showed the main characters’ little sister: she’s like, the only teenager in the entire series so far, with the rest being adults.
OP: Holy crap, what a song! Ishikawa Chiaki’s vocals are amazing, the track itself is very inspired with this latin-ish theme and the visuals are based on a great visual idea.
ED: More traditional for Ishikawa Chiaki, but still a great song. Spoiling the next episode is a bit less of a good idea, though.
Potential: 90%

Morita-san wa Mukuchi

Short Synopsis: Our lead character is shy.
Ah, that figures. Morita-san’s episodes are only 3 minutes long. I was really wondering how the heck the creators were going to deal with this TV-series when the OVA already was ridiculously poorly produced. Having short episodes makes this slightly more bearable, but this remains a gimmick series: it’s entirely about the lead character being shy, and this episode just consisted out of a few typical scenes where shy people have problems with. Being shy myself, I can understand where the creators are coming from, but it all just feels way too shallow. It just lists these scenes with predictable outcomes, its comedic timing misses the mark completely and the characters are just one-dimensional stereotypes who are entirely dominated by their quirk. It had its charms and at least this was much more bearable than the OVA, but I still fail to see the point in watching this.
OP: Really feels like it was thrown together at the last minute.
ED:
Potential: 10%

Some Quick First Impressions: Natsume Yuujin-Chou San, Yuruyuri and Ikoku Meiro no Croisée

Natsume Yuujin-chou San

Short Synopsis: Our lead character can see youkai.
Oh, it’s wonderful to see this one back again. It still has the dreamy atmosphere it always had, and the way this episode started off with another episodic story was great to get back into it again. It’s a basic, but very charming story about another youkai who met Natsume’s grandmother a long time ago, and this episode once again did a great job of showing her story while keeping things simple. It may not have been the best episode so far, but it had a lot to like. The animation still is really good, and this episode also stressed some of the character development that Natsume went through in the first two seasons. It’s a very relaxed episode that did its job really well. Oh, and it also was great to see Nyanko-sensei again.
OP: Well built up song with a good use of instruments, though the visuals are a bit unremarkable.
ED: Simple and relaxing, fitting this series perfectly.
Potential: 90%

Yuriyuri

Short Synopsis: Our lead character is a random junior high school girl.
Well, here we go again. Here’s the thing: this first episode of Yuruyuri wasn’t half bad. It’s an episode of a bunch of random junior high schoolers goofing off, but it had a number of good jokes, it made sure that its characters, while annoying, weren’t at least one-sided stereotypes and this pretty much was the best animation we’ve ever seen from Dogakobo. It could have been much worse, but the thing is: this remains a show in which nothing happens beyond the antics of a bunch of cute girls. I’m not saying that that on its own is bad, but those series tend to have one really, really big disadvantage: they get incredibly repetitive. Take A-Channel: it could have been decent but devolved into an onslaught of boob jokes and characters repeating their quirks over and over. Denpa Ona? Nice coming of age drama until the characters just kept repeating themselves and the horny aunt just kept hitting on the male lead. Astarotte no Omocha? Heartfelt until it couldn’t stop talking about panties and generic romance cliches. And the thing is: the first episode of Yuruyuri has yet to show any hint that it won’t follow the same path. It only had a few bad fanservice jokes, but you can bet your hat that once they run out of jokes they’ll start groping boobs on a daily basis. On top of that, the main character is a complete airhead. And while she was far from the most annoying airhead out there, there really is little what you can do with such a character in the long run.
OP: The usual generically upbeat j-pop song that will get annoying really fast.
ED: This just feels like the second part of the OP song…
Potential: 45%

Ikoku Meiro no Croisée

Short Synopsis: Our lead character gets to take care of a young Japanese girl.
Oh my god. That was almost too adorable. This was once again an unbelievable first episode. This time in the incredible undeniable charm that this episode has. This goes beyond being just cute: just about everything about the lead female is just ridiculously charming. The animation isn’t trying to be anything big, but it is really consistent and does a great job of bringing the cast alive, plus you can also see the amount of detail that has been put into the background art. The lead character isn’t just an ordinary character: he’s a blacksmith. His shop is full of all kinds of interesting designs and furniture and a lot of attention was put into making the art as authentic as possible. Heck, the creators even got a number of fluent French voice actors as the narrator and vocalists. I really have to say that Satelight are making brilliant use of their French roots and connections here. Overall: Sato Junichi did it again. This once again was brilliant characterization. Although I do have to say that it is very dramatic. It needs to take care not to devolve into melodrama as the show goes on.
OP: A bit of a mundane OP, but quite well animated.
ED: Adorable. Just… adorable.
Potential: 90%

Some Quick First Impressions: Nurarihyon no Mago – Sennen Makyou, Sacred Seven and Kami-Sama no Memo-Chou

Nurarihyon no Mago – Sennen Makyou

Short Synopsis: Our lead character leads the youkai.
Okay, this season is definitely being adapted by different people. This episode fitted this series much, much better. It’s like, an improvement in every way. You can really see that the director of Hyakko worked on this: it has the same timing, the same camera angles, and there are actually jokes put in the lighter moments that are really similar to Hyakko’s delivery (oh and for the record: I really liked Hyakko and consider it among the better high school comedies out there). What’s more though, the animation also really got an upgrade, and actually looks really good. Characters look less like cardboard boxes, and the creators even found a way to get Rikuo’s hair to move. Finally after Giant Killing we get to see again that Studio Deen DOES know to create some eye candy. As for the story: I have no idea whether or not it’ll be better, because this episode animated a chapter that the first season forgot to animate and inserted at the weirdest point in the final episode. Peoeple kept promising that Rikuo’s friends would play a much lesser roles in the later arcs, but this episode still was all about them, so I’m not sure where they think they’re going with this.
ED: Neat visuals, catchy instruments, though cheesy vocals.
Potential: 75%

Sacred Seven

Short Synopsis: Our lead character is the legendary hero who will defeat evil.
Here’s the thing with this first episode: this series needs 24 episodes. With that, it can make a great plot and cast of characters. Without it, it’ll probably have a difficult time. With this series, I really would have liked it if the creators put a big more imagination into the setting. I know who wrote this and the creators could certainly have been able to do something more than just another high school mecha show. But the thing remains that this episode was quite solid. The action is good, the characters are a bit emo, but with the right development they can really work (hence the 24 episodes) and it will probably make an entertaining, yet unremarkable series. The big problem is that it has very little that makes it stand out aside from small things like the OP and the fact that the main character is riding around on a very tiny motorbike. Those were really cool, but they also were just gimmicks. This show takes too many elements from other mecha series, and doesn’t even go with the most interesting ones. It lacks a signature, and will the creators be able to create this during the rest of the series?
OP: Yuki Kajiura delivers again.
ED: Yuki Kajiura delivers again.
Potential: 70%

Kami-Sama no Memo-Chou

Short Synopsis: Our lead character meets a girl who is Not in Employment, Education or Training and who works as a detective.
Holy crap. This was well written. I mean, heck: this was incredibly well produced. Rock solid in every single way. The premise of this series of yet another guy who finds yet another genius detective does far from justice to this episode. The cases and especially the dialogues are intelligent, the side-characters all are portrayed with exceptional detail and are miles away from the usual stereotypes. The story in this episode was great and really well built-up as well, but in particular it was the voice acting that really made this episode shine and bring the characters alive. This is a series which has episodes of 45 minutes, and it really makes use of that to make everything play out slowly. This was creative and the few jokes it put into this episode really worked. My only complaint is JC Staff forcing in their usual incredibly out of place fanservice shots at the end of the episode. They really need to stop doing that, because that was the only blemish on an otherwise consistently excellent first episode.
OP: Unremarkable music, but inspired visuals.
ED: Hell yeah, rock and roll really well done. Great visual direction as well.
Potential: 95%

Some Quick First Impressions: Kaitou Tenshi Twin Angel – Kyun Kyun tokimeki Paradise and Blood-C

Uta no Prince-sama Maji Love 1000%

Short Synopsis: Our lead character enlists on a school for idols.
This. Was camp. Heck, if you took four body-builders and made then play bagpipes while playing monopoly they still wouldn’t be as camp as this. I’m not sure how the creators did it, but they somehow succeeded in getting every single scene in this episode to not make any sense whatsoever. This show takes every reverse harem cliche, and takes it even further. The guys in this episode are completely ridiculous stereotypes, drawn by girls who I can only imagine haven’t spoken to guys in ages: that’s how ridiculously hammy they all were. Seriously,t his series takes bad acting to a new level. An sich, there is nothing wrong with campness: Antique Bakery did it and did this with great results. The thing however was that Antique Bakery had real characters. This is just a collection of badly acted stereotypes with an extra dose of sparkle. The one positive point is A-1: they made sure to make this show look good, plus the soundtrack too is surprisingly good. Whenever characters aren’t singing, though.
OP: This one is just… wrong.
ED: Again: it’s well produced, but the vocals are pretty bad.
Potential: 20%

Kaitou Tenshi Twin Angel – Kyun Kyun Tokimeki Paradise

Short Synopsis: Our lead character are magical girls who fight crime.
What the..? This is really weird: at first sight this series seems exactly like the OVA. In fact, the entire first scene was completely borrowed from the OVA. However, as the series went on, it became clear that there was one major difference that changes pretty much everything: they changed the villain! If you never saw the OVA you might wonder why this is such a big deal, but here is the thing: the OVA was meant to subvert the magical girl genre: it showed that fighting crime shouldn’t be taken lightly and it uses its far superior villains to teach the lead characters not to goof off just because they have special characters. In this episode however, the creators swapped this villain out for a bunch of total idiots. The result is that this series is now a really camp kaitou-series, with the bizarre effect that it tries to deliver a bunch of really weird scenes straight. This episode tries to take itself seriously while pulling a number of horses who have long since been beaten to death. This isn’t in the way most harems keep repeating each other. This episode was full of the plot devices that nowadays only appear in parodies. They’ve been long since beaten to death that writers don’t even bother with them anymore, and here this show comes and expects them to still make sense. It just doesn’t work, especially with all of the silly acting.
Potential: 20%

Blood-C

Short Synopsis: Our lead character hunts monsters.
Oh boy! Talk about a standard set for the rest of the season. This episode was rock-solid in every single way. Even the Noitamina series are going to have their hands full on trying to come close to the level of detail in this episode. Especially the big action scene at the end: now THAT is how you animate a fight scene. This episode also really screamed Clamp, but I really mean that in a good way. It has some of the elements that return in a lot of their other series, but also plenty of new stuff for them, not to mention the rock solid characterization. Saya is a teenager this time (who has nothing to do with the Saya of Blood+, by the way), but most of this episode was laid back and made excellent use of this to establish the main cast. They already seem like a unique bunch. Everything was really well acted, the pacing was really fluid, the characters are strong. All that’s left now is an engaging story. Please, someone say that this will go on for more than 13 episodes!
OP: A strong contender for the best OP of the year. Utterly gorgeous with music that fits it perfectly.
ED: Simple but effective.
Potential: 95%

Some Quick First Impressions: Blade, Rou Kyuu Bu! and Double J

Blade

Short Synopsis: Our lead character hunts vampires.
And the final installment of the marvel adaptations is Blade. Once again, a solid opening. It really seems like Iron Man was the bad apple in the series, because the others had some pretty good starts. Blade too: this episode was an interesting combination between horror and action, and it hit a lot of right notes: the animation isn’t as good as the X-Men, but it still convincingly takes second place: the action looks gorgeous and the images are very creative, especially that birth scene. The protagonist Blade kicks ass, the female lead looks to be an interesting co-star, the creators made the right decision to immediately establish and introduce the main villain, and there are no teenagers in sight. Oh, and this series of course also deserves points for having an actual black characters. It’s been ages since we’ve had one of those. Overall, this episode feels like it takes the middle ground in the Marvel franchise: it doesn’t have the animation nor setting of the X-Men, but on the other hand it also doesn’t have Hisako and it doesn’t try to pretend to be anything more than it is. On the other hand it doesn’t have the fight choreography of Wolverine, but the animation and acting is much better there (although there is still quite a bit of ham). If this gets done right and if it manages to combine the best out of the previous X-Men series, this could very well become the best in the series.
OP: Pretty much what we’ve come to expect from the Marvel-series, although I have to say that I like the designs a lot.
ED: Unlike the other Marvel anime EDs and a lot simpler. It works.
Potential: 80%

Rou Kyuu Bu!

Short Synopsis: Our lead character gets to coach a junior high basketball team.
Okay. Look. I have been looking forward to this season a lot. It’s promising to be an awesome season. But this was completely abysmal. In every single way. The creators did it: they somehow succeeded into making every single character a pain to watch. This is complete and utter fanservice with some of the most terrible script-writing, just caching in on popular trends. The voice acting is utterly terrible from the moment the five lead girls opened their mouths, and aside from that they all are completely stereotypical. The entire episode was just uninspired dialogue and fanservice over and over, but the worst thing is that it actually tries to take itself seriously: this episode kept hinting in the most unsubtle hints that half the cast has a dark past with some of the ham-handed build-up imaginable. This is pretty much the archetype of what’s wrong with modern anime.
OP: The song… is exactly the same as every other generic moe girls OP. Seriously, it’s like a direct copy with perhaps a bit of a louder drum base.
ED: Brings obnoxious to new levels.
Potential: 0%

Double J

Short Synopsis: Our lead character is a random high school girl.
What happened to the days of Hanoka, when the flash anime actually put some effort in their animation? Seriously, Double J is the latest in a string of utterly horrid Flash shows that could have easily been out-produced by a bunch of high-schoolers. I can only imagine how ridiculously cheap these are to make, and ever since Tono to Issho they just keep coming and coming, but there really has been an explosion of them during the past year (most of which I refuse to review). Double J is an evil one, though. It is a very evil one. Most of the episode was exactly what it says on the tin: random girls talking. It’s far from the worst of the genre because at the very least it didn’t try to deliver the most awful jokes with a straight face. But then the ED arrived and they showed that the producers actually DID get a really good animator for this show. Seriously, if the rest of the animation of this series was even a tenth of how good that was, I’d watch it. Instead we got these ridiculously cheap series that just hope that some random otaku find the girls cute enough to buy it…
OP: Just a random CG thingy that even I could have made with the right tools.
ED: Now this is some awesome animation!
Potential: 10%

Some Quick First Impressions: Appleseed XIII

Appleseed XIII

Short Synopsis: Our lead character is an elite mecha pilot.
Whoa early! I thought that Appleseed was only set to appear for another ten days. I guess that this is a preview episode or something? In any case: yeah, this was already better than the two movies. It’s not like it already is deeper than the best parts of the 2004 movie, but this episode focused more on the relationship between Deunan and Buriarios than the two movies combined. That’s the kind of stuff you need this early in the story. Having said that, though: this episode was very sappy. I mean, I wouldn’t be surprised if Deunan was on her period for the first half of this episode. In terms of the graphics: the faces look as weird as most other 3D series: it’s the botox-faces syndrome, but at least they’re moved nicely. Apart from that though, this episode looked excellent. It’s especially good at lighting and those kinds of effects, and the insertion of the symbolic images to the Greek Mythology were also a nice touch.
OP: Nice idea with great designs.
ED: Really short, but I like how they even stuffed symbolism here.
Potential: 80%

Some Quick First Impressions: Inazuma Eleven Go

Inazuma Eleven GO

Short Synopsis: Our lead character wants to play football.
So, on one hand this is a typical kiddie show: we live in a world which is entirely dedicated to football, we have a random teenager who has a simple personality yet a lot of passion for the sport, and there are evil people who abuse their superpowers in order to… close down a school’s football club. Oh, and we live in a world where footballs are like boomerangs: they always come back no matter where you kick them. In terms of that, this was a very formulaic episode. Nevertheless, it’s been a while since I saw the opening episode of a kiddie show actually being able to build up tension this well. This episode was quite silly, especially the guy who was supposed to be the bad guy, but I’ve certainly seen worse kiddie shows. The most notable of it all was that the dramatic scenes actually worked despite the cheese.
OP: Sung by a guy who is really trying to compensate for the fact that he can’t sing.
ED: Generic J-Pop
Potential: 35%

Some Quick First Impressions: Moshidora

Moshidora

Short Synopsis: Our lead character enlists as the local school baseball team manager.
Here’s the weird thing about Moshidora, besides its premise: most series try to stand out with their first episodes. They really try to catch the audience’s attention. Moshidora doesn’t do that in the slightest. This episode was mundane, the budget was the minimum of what would be tolerable, and there are no attempts made to make the setting seem any more exciting than it already is. It’s clear that this show has hardly any production values and there are a lot of still frames all around For the most part of this episode I just kept wondering whether anything was actually going to happen. And yet, this series is definitely not bad. This show knows how to write characters, it knows how to stay away from making them pure stereotypes, and despite being slow-paced, it’s not wasting time either. This first episode explored the different characters, it took a look at the baseball club’s history, and it introduced the principles of Drucker’s management book neatly. These characters are not bad, and I’d much rather see Trans Arts put focus on their writing insttead of their animation.
OP: Quite dull
Potential: 60%

Some Quick First Impressions: Ao no Exorcist and Deadman Wonderland

Ao no Exorcist

Short Synopsis: Our lead character is the son of a demon.
So, this turned out to be Shikabane Hime without its subtlety and without the girls. It’s definitely very shounen, even for the usual standards of the Prime Time Anime of the season, but it definitely has its good points. While it’s definitely aiming to be the epic of the season, it also can be quite charming when it wants to (that scene with the little girl and her father in particular was done really well). The characterization is also pretty good as well: the lead character looked like a moron on the promo art, but he’s surprisingly normal throughout most of this episode. That of course also has its disadvantages, most notably the way in which this episode started with him meaning well, but causing trouble at everything he does. Those kinds of scenarios are really getting old now, but at least this episode put more meaning into those scenes than just wasting time or going for cheap laughs. Oh, and the good news is that according to ANN, this will be 24 episodes. That’s definitely good news because 12 would not have fitted this story.
ED: I like the concept of a car driving across a highway, but the vocals remain cheesy.
Potential: 75%

Deadman Wonderland

Short Synopsis: Our lead character is sent to prison for a bunch of murders he didn’t commit.
Okay, we’ve found our horror seriers of the season. Seriously, that was intense. The majority of this episode was pretty much nothing but the creators doing everything in their powers to torment an innocent fourteen year-old boy. This definitely wastes no punches; heck, it delves into the bizarre, just to be as disturbing as possible. This show is definitely not trying to build up suspense of disbelief, which could hurt it in the longer run. The prison that the lead character ends up in in particular is just completely crazy, based around some rules that would normally cause a complete outrage and I can only imagine the deranged sociopaths that actually created it. But at the same time that’s also one of the potential strengths of this show. It may not have an ounce of subtlety, but this episode definitely was very creative. It has both huge flaws and huge strengths, so this really can go anywhere. Provided, of course, that twelve episodes are enough. the length will probably be the single biggest pitfall for this series.
ED: Unfortunately this is just a boring composition. Does not fit the dark mood of this show at all.
Potential: 80%