Category: Some Quick First Impressions

Jouran: The Princess
of Snow and Blood

Short Synopsis: Emo magical-girl show set in period Japan.

Lenlo: Everything about Jouran screams that it’s trying too hard. It has this futuristic Tokyo reminiscent of Osaka in last year’s Akudama Drive. But where that leaned into its campy sci-fi setting and story, Jouran is taking itself way too seriously. Everyone is stiff backed and talks as if showing emotion is a cardinal sin. Meanwhile the story throws us right into the middle of some kind of monster espionage, something the Mars Red premiere did far better I feel. At least the background and world building itself is good. Jouran makes good use of bright, rich colors to offset the dark outfits of the leads and dreary outside world. And as janky as it sometimes looks in motion, I do like the breath effect on the monsters’ faces revealing their skulls, it helps sell their otherworldly nature. I just wish… I just wish Jouran knew that it was an alternative history steampunk monster show as much as we did. Because it would really benefit from toning down the grimdark and toning up the characters.

Potential: 35%

Armitage: Sigh. I was so excited for this one. It had all the ingredients for success I look for in a series: Strong female lead, an interesting world brimming with personality, gorgeous character art, yet the whole thing doesn’t ever come together. The story of Jouran takes place in a lovingly crafted Meiji era setting, featuring all the period accurate umbrella-crossbows, lightsabers and shapeshifters. Yet, it somehow manages to make its world feel so very hollow. There is some anti-shady organization, going about some anti-shady mission to stop some shady people from doing some shady thing. You are never given a reason to care for anything. No matter how stylized and pretty the characters look, they just come off as empty husks solely present for plot progression. Jouran is setting itself to be a monster-of-the-week action show but it doesn’t boast the animation chops to back it up and ultimately, its decision to sacrifice on character writing turns it into the last thing you’d expect from a show featuring said umbrella-crossbows, lightsabers and shapeshifters: a generic slog.

Potential: 25%

Shaman King

Short Synopsis: There’s a tournament for spirit mediums to control the fate of the world or something [or, JoJo’s Basic Adventure].

Armitage: Man, them skittles just keep tumbling down on their own. So far two of my highly anticipated premieres from the season have managed to disappoint me. And not in the same vein as shows from last year which were let down by the production difficulties. My main issue with Shaman King (and Jouran) is that it’s built up on a premise and characters so generic that not scrolling aimlessly on your phone during its runtime becomes a monumental achievement. From the talking bobble-head of a sidekick to the run-of-the-mill delinquent baddies to the tediously unfunny comic relief, everything is so drenched in a salad dressing of mediocrity that it’s near impossible to see the healthy stuff underneath. I mean, I really want to like this show as its entire atmosphere just feels so reminiscent of the good ol’ days of early 2000s shounen staples but unfortunately, this premiere just feels like a mere regurgitation of those very tropes. For now, I am going to stick with it since I was informed by the manga fans that this was expected to have a rocky start. But it better git real gud, real soon.

Potential: 15%

Amun: I’ve never seen the original Shaman King, but I heard it was a shounen OG. I came in hoping for the next Hunter x Hunter. What I got was…a worse DragonQuest? The biggest similarity to Hunter x Hunter was the anatomically incorrect humans – missing was the charm, adventure, or, well…fun. Let’s stay with character designs for a moment: these were really bad – even worse than Gee Gee no Kitaro, somehow. The main character is completely devoid of personality….wait, that’s on purpose?! That’s terrible. The comedy is shout until it’s funny…except I’m not even sure it could have been funny. Underneath all of these glaring problems is an insidious, but fatal flaw – the animation was not good. If you’re going to have a weak plot or mediocre characters, you need something visually interesting – Shaman King had nothing. This is a stinker. But I will keep watching until chibi-Winry Rockbell shows up, so you have until then to get it together, Shaman King!

Potential: 10%

SSSS.Dynazenon

Short Synopsis: Random people need to save the world from monsters by using giant, toy-looking mechs!

Amun: Disclaimer: I don’t know this franchise that well – I’ve only seen the modern SSSS.Gridman, so that’s all I have to go off. As with Gridman, the human story here in Dynazenon is fantastic. And the mech battle scene is so incredibly childish, you wonder how they ended up in the same show. Gridman kept me engaged by exploring the characters and the mystery of the show (even if some viewers didn’t feel fulfilled by the conclusion) – I suspect Dynazenon is going the same route, just with a different quirk or cause. But it’s such a tale of two shows – maybe the human element requires the absurd backdrop, who knows. All that to say – I liked Gridman for the characters and writing, and I see quite a bit of that here in Dynazenon. I just scratch my head at the integration of Dinosaur transformer mechs into a serious story.

Potential: 60%

Mario: All I can say is everything about Dynazenon’s premiere just clicked with me. It reminds me of all the best qualities of its spiritual predecessor, Gridman, while still having confidence enough to be its own thing. The show utilizes visual storytelling that drops hints about the interpersonal lives of our main characters before throwing them together to pilot giant mecha and I absolutely love both halves. We see a glance of these characters coping with their inner struggles through smart yet minimal images: Yomogi slips the cash gift from the guy his Mom dates to the donation box, Yume looks at the calendar from her deceased sister’s room, a shot of a messy room more than informs us on the status of shut-ins Koyomi and Chise. In a show where there is always doubt if the world they are inhabiting is real or not, these characters’ insecurities remain both real and relatable. The complete lack of BGM in the opening, the naturalism of the conversations and the smart visual storytelling set up for a bombastic climax that is pretty much in sync with Gridman’s DNA – if you’re a fan of that show (like I am) then this is a must-see. For once, Dynazenon’s premiere is the product of a team at the top of their game. Here’s hoping they can carry this level of quality throughout its run.

Potential: 80%

Koi to Yobu ni wa Kimochi Warui

Short Synopsis: A womanizing salaryman harasses a high school girl after she saves him from falling down the stairs.

Wooper: Spring 2021 is setting the bar very low with Koikimo as its first premiere (not counting a HeroAca filler episode). Its adult male protagonist isn’t just a pervert – he’s a straight-up psycho. After one of his past sexual partners embarrassed him in front of his underage crush, he shoved a napkin in her face and smeared her makeup, then threatened to pluck out her eyelashes. How anyone could find him tolerable after that display is beyond me – not that he was charming beforehand. The little moans he made after getting a phone call from Ichika (the high schooler) were fucking weird, and his indifference toward her discomfort gave off major predator vibes. Ichika got in a few good jabs as she rejected his advances, but she also called him and left a record of her cell number at one point, so defense clearly isn’t her strong suit. I’d want this show scrubbed from my memory even if it were lavishly produced, but it isn’t – the animation is a notch below competence, and the backgrounds are so poorly conceived that they violate basic architectural principles. Stay clear of this one unless you have a May-December fetish.

Potential: 0%

Mario: In order to make an engaging romance story, the leads need to be likeable enough and you need to sell the chemistry between them. Sadly, based on this first episode Koi to Yobu fails on establishing these factors. While I’m not as salty as Wooper, the male lead is unlikable. Even if you look past the age gap, the fact remains that he has absolutely zero regard for the girl’s feelings, which gives off an off-putting vibe. Real life has taught me that when a person can’t take “no” for an answer, they are the most dangerous. On top of that, his sister and Ichika’s parents have no reservations about their relationship, so it looks like an easy route for her coming to “accept him”. The plot so far doesn’t elevate the romance, sadly – the first episode relies too much on “coincidences” to put these two together. It’s not offensively bad (when it comes to romance anime I’ve seen much worse), but if you, like me, are turned off by this “psycho” boy, or by the alpha-male-eccentric perspective, then it’s best to steer clear of this.

Potential: 20%

Godzilla SP

Short Synopsis: A pair of scientists investigate a string of unnatural occurrences that have something to do with Godzilla… probably.

Mario: Such an intriguing mess this first episode was. If it didn’t say it in the title, I wouldn’t have known that it is from the Godzilla canon, and in this instance that ambiguity works for the show’s benefit. This premiere takes its time building suspense by following our leads investigating strange phenomena, as it’s usually the case that monsters lurk beneath abandoned military buildings like the ones here. The characters sound too smart for their own good but for now the expressive character designs are keeping me engaged. Moreover, I am genuinely impressed by the background art, which looks very textured and detailed. So production-wise, this new version of Godzilla looks pretty good. The story is intriguing but feels uneven at times and I have doubts that it can stick the landing safely. As far as the first episode goes, though, you can bet that I am interested.

Potential: 50%

Lenlo: Mario calls this a mess and he’s right, but it’s not one I take kindly to. Not only did we go an entire 23 minute episode of a show named Godzilla without hide nor hair of the titular monster but instead we got saddled with a bunch of technobabble vomiting pieces of cardboard. That might be a bit of hyperbole however I honestly wasn’t engaged by anything they said or did nor any of the mystery-like premise. Maybe it’s my fault for expecting something else but it really feels like Godzilla has found a way to make giant robots fighting monsters boring. I figured that would be Dynazenon’s territory but someone beat it to the punch. Still, Mario is right that character designs are good and the backgrounds are detailed. Maybe Godzilla will stop feeling like a B-movie monster flick now that the monsters are actually arriving.

Potential: 30%

Mars Red

Short Synopsis: It is the 12th year of the Taisho era and vampires stalk Tokyo, both foreign and domestic. Only Code Zero, Japan’s first vampiric task force, can protect the country and find out where these vampires are coming from.

Lenlo: Mars Red started off much stronger than I expected. The animation is choppy and the whole show being made for ultra wide screen, meaning those bars are coming back, are a concern. But the direction was on point. It’s like Director Kouhei Hatano has taken the words “show don’t tell” and tattooed them on his chest. Whether it be clever recurring use of the plays poster, snappy cuts such as on the bridge implying violence without showing it, or a well placed timelapse. For a show where the animation itself can best be described as “rough” I thought Mars Red looked pretty good. Add on to that some stellar VA work, that “Jokanaan” was chilling, and you have a recipe for something good. My major concern at this point is that this was not in the manga, this entire first episode was anime original and so I don’t think it’s going to be indicative of the final product. If they can keep this tone, this directorial style, as Mars Red shifts to a more stereotypical narrative then I will be happy. I’m just not sure it can.

Potential: 60%

Amun: Mars Red is a show I’m cautiously optimistic about – I mean, Violet Evergarden Vampire Edition sounds pretty good, right? Well….there are some problems. For starters, this first episode was a wee-bit contrived; I’m happy to suspend my disbelief a bit, but come on now. I’m also not entirely sure who the main cast is – probably the blonde dude is the vampire, the journalist girl might be the replacement love interest, but it’s unclear yet if the colonel is going to be the lead or if he was just an introductory vehicle. We might see these characters the rest of the season or one more time in passing. Hard to say – wouldn’t be surprised either way. The animation is overly ambitious for the resources available – there were some particularly rough panning shots. I know what they were going for, but they just don’t have the animators for it. If that’s apparent in episode one, I don’t feel great about the prospects for episodes 7-13. That said, the world looks amazing and the episode’s direction and pacing were spot on (plot holes aside). Unfortunately, too many shows start strong only to fall apart halfway (Wonder Egg Priority, anyone?) – and I smell blood in Mars Red’s waters already.

Potential: 40%

Dr. Stone: Stone Wars

Short Synopsis: A science whiz freeze dries ramen to give himself the edge in an impending war.

Wooper: I have to respect Dr. Stone for launching into its second season after the briefest of recaps. Many long-running anime in a similar situation would spend 10+ minutes holding the audience’s hand during the catchup process, or else fill time with a thin side story to remind us who the characters are. Of course, it helps that Stone’s limited animation keeps the per-episode work on the low side, so the story can progress without delay. That’s been this show’s M.O. from the beginning, though, so there’s no sense in docking points for it now. Rather than concern itself with looks, Dr. Stone is all about concepts, and the tactical introduction of freeze dried food and mobile phones into a prehistoric setting is a hell of a concept. I’ve got to shout out the series’ music, as well, which is easily the best component of its production. The soundtrack is not only varied, but well-deployed, bridging scenes by extending and cutting songs at just the right length; the return of that seamless experience is just one of the reasons to be glad for Dr. Stone’s return. I won’t be watching this one week to week, but it’ll probably get the marathon treatment around the mid-year mark.

Potential: 60%

Lenlo: Like Wooper says, Dr. STONE launched right back into the story with a gusto I found impressive. Even the way the recap was done, presenting it as Gen telling a story, was a nice bit of detail. Meanwhile the episode itself did a good job of reintroducing characters while still moving the plot forward. Bringing them in slowly, giving each of them things to do or small lines to remind us who they were. By the end of the episode it felt like the series had never left at all! As for the animation, while it was never Dr. STONE’s strong suit I do think the way it balances between comedic exaggerated gags and serious, sharp linework is praiseworthy. Personally, my only major concern is the shift in focus towards the Stone Wars conflict. Dr. STONE was never an action series, and its combat scenes in the first season prove that. Maybe we will see an improvement here, but if not I fear that we may be in for a bumpy ride anytime the science isn’t front and center. All in all though, if you enjoyed the first season of Dr. STONE then I would wager you are going to enjoy this. It just needs to give us more of the same.

Potential: 65%

Slime Isekai S2

Short Synopsis: A shapeshifting teacher quits his job and re-assumes command of a nation of monsters.

Lenlo: I’ll be honest, I lost interest in Slime about halfway through the first season when it shifted away from a game of fantasy civilization and towards a more action focus. When it does that, Slime has a tendency to abandon all that made it interesting and become just another isekai power fantasy. Sadly, that appears to be what we are seeing here as well, with the episode ending on yet another pointless fight. There might be some potential in the politics focus and maybe we will get to see more development of them as a budding nation, but I don’t have my hopes up. That said, if you liked the end of the first season then it appears you will be getting more of the same here.

Potential: 30%

Wooper: That Long Title Ending with Slime is back for another season of pretty yet patronizing nation-building. This is the only show in the reincarnation genre that I’ve ever managed to tolerate for a full cour, let alone two, but I’m not sure whether I’ll continue with it beyond this point. The backgrounds are still attractive; detailed, geometrically-pleasing buildings and stylized vegetation make Tempest look like a place where you might actually want to be reborn. The characters are also neatly drawn – the series’ motley depiction of goblins and ogres is one of the best things about it. Meanwhile, the tendency to worship its ultra-powerful, meccha kawaii hero continues to be one of Slime’s worst qualities. Rimuru’s strength is essential to the series because it allows him to rule benevolently, I get that, but if you played a “MC gets praised” drinking game while watching this show you’d be dead in a matter of hours. It subtracts from the challenge of raising a country from scratch, a process that looks to be this season’s focus as Rimuru welcomes hostile messengers and sends envoys to neighboring kingdoms. Will the show concern itself more with the intricacies of that process, or push the “slime to win” button and gloss over the things that make it interesting? It’s essentially a coin flip, hence the grade.

Potential: 50%

Log Horizon S3

Short Synopsis: A group of MMO-bound players deal with setbacks in their quest to return to the real world.

Lenlo: I struggled for a long time to figure out what to write about Log Horizon here. It doesn’t feel as if anything has really changed, yet is this a good thing? I still remember the characters fondly, and the general plot along with it. The setting is still nice and I enjoy the continued focus on MMO-style politics. But anime has changed since 2014 but it doesn’t feel like Log Horizon has changed with it. Everything about its production still feels the same as it was 6 years ago and I can’t help but feel underwhelmed by that. Maybe as it goes I will rediscover my passion for the series, but for now I can’t help but look at it and think that my nostalgia might have lied to me.

Potential: 40%

Non Non Biyori Nonstop

Short Synopsis: A shy high school girl travels to the idyllic countryside for some flute practice.

Wooper: Non Non Biyori is often lumped in with “cute girls” shows, but I’ve always viewed it as an iyashikei series first and foremost. You need only watch the first two minutes of this episode to confirm its healing powers; they depict, in near-silence, a series of beautiful rural landscapes, followed by the quiet morning routine of a curious country girl. The show’s habit of implying actions without visualizing them allows NNB to maintain that mood for long stretches of time. For example, the still image of a shrine with a floor pillow in front of it allows the viewer to absorb Renge’s honoring of a family member without pushing the viewer into a sad place. Of course, the show can be humorous and charming, as well, and this premiere was certainly both. The girls’ creation of dolls with toothpicks and tape led to an absurd set piece, and the musical bond that formed between Renge and new character Akane was both comically and tenderly executed. Come for the scenery and stay for the laughs, or vice versa – either way, Non Non Biyori has you covered.

Potential: 75%

Mario: I can point you to the first minute and the last minute of this premiere to highlight the appeal of the Non Non Biyori franchise. The first minute uses a deliberate pace and slowly takes us to the calm, peaceful everyday life of the Japanese countryside before Renge enters the picture with the sound of her recorder. The last minute showcases Non Non Biyori’s sharp comedic timing and punchlines when we realize whom Renge wanted to play music for. The rest of the episode is no fluke, either, as in the first half the girls carry such a strong and natural chemistry and bounce off each other neatly, while the second half focuses on a new character. It has variety, it controls its pacing with grace and it’s always a blast to see these cute girls doing whatever cute things they can think of.

Potential: 70%

Ex-Arm

Short Synopsis: A teenager wakes up as a disembodied brain sixteen years in the future and learns that he was responsible for Japan’s destruction.

Lenlo: I’m not quite sure how to rate this. Ex-Arm is not simply bad. It’s… advanced bad. Ex-Arm is so bad that I can’t give it a 0% without changing my scores for everything else, because nothing deserves to be on the same level as Ex-Arm. The CGI? Terrible. The camera work? Abysmal. Name literally any aspect of a production? I don’t think they even tried. I’ve watched some bad anime for these before, hell I have even reviewed some on this site. Japan Sinks of last year was one such anime, but even it wasn’t THIS BAD. Ex-Arm isn’t even the funny kind of bad either. It’s like someone took the Berserk 2016/17 people and told them to try even less this time. This does not look like it was made by professionals and there are series on Youtube by amateurs better than it in every respect. Makes sense since the man directing it has never made an anime before. At all.

So yeah, don’t watch Ex-Arm, forget about its existence. It’s going to win Worst Show next year and it’s not even close.

Potential: -100%

Wooper: Ex-Arm’s first episode was a truly terrible piece of work, but I’m glad it exists. That’s not because its floaty, disjointed combat sequences made me laugh, or because its piss-poor facial modeling reminded me of Sonic Adventure from 1998. It’s not because the lack of clarity in its script made it a perfect guide for how not to write your dystopian novel’s prologue, or because the show’s blatant ugliness creates a strong case for the superiority of hand-drawn animation. All of those things are true, but none of them come close to Ex-Arm’s greater purpose: showing arrogant anime bloggers the error of their ways.

I’ve been doing this for over three years now: sitting in my ivory office chair, legs tucked under my boring IKEA desk, typing up a storm about the new depths to which anime sinks every three months. Though I’ve never misrepresented my feelings about any of the premieres I’ve viewed, my propensity for hyperbole has led me to make unfair criticisms. It took a show as wonderfully inept as Ex-Arm to show me that. How could I dismiss other shows on the basis of their pandering plots and awful art direction when a failure like this one was just around the corner? All the scornful words and failing grades I’ve given to past series are like rags to me now. I gladly renounce them in light of anime’s newest, most shameful benchmark. May it reign for years to come.

Potential: A Humbling Experience

Wonder Egg Priority

Short Synopsis: A lonely girl is granted a chance to reverse her friend’s suicide by fighting monsters in another dimension.

Mario: How is that for First Impressions? Wonder Egg just blows me away for daring to do things its own way. It has a lot to say though, switching back and forth between the real world and dream world, between the present and the past, between its lighter moments and its heavy themes such as bullying and suicide. I can’t blame the PVs for being vague because basically after this episode I still can’t tell you what just happened or what route it might take (and whether it will crack under its own weight – but hey, it’s an egg), but like Flip Flappers (the show I’m most reminded of while watching this) I can tell you what this show is about. It’s a literal psychological journey of a girl (or many girls) to find their connection and their own self-worth, to overcome their guilt and their shortcomings. The trippy, surrealist visuals are my jam, and the character designs are a delight. Not only does this first episode prioritize visual storytelling (there’s a lot of show-don’t-tell here), they do that in smaller scenes with subtle character expressions and gestures as well. One such scene is where Nagase sits next to our main girl in her tent. It’s a quiet moment that perfectly captures the tension between them. At the end, in a mere 20 minutes, I found myself intrigued, impressed and most of all, touched.

Potential: 90%

Wooper: My experience with Wonder Egg Priority was dominated by perplexed interest, but once I reached the final seconds of the premiere and heard Kanata Aikawa’s final “Tsuzuku!” a huge grin overtook me. This was such an assured start to a series that will inevitably go down as one of the year’s boldest experiments. It deals largely in metaphor, with escalators descending into dream worlds and humans hatching from eggs, which put me in mind of another director whose name I’m sure has already popped into your mind. That’s about the highest compliment I can pay to a first episode, but there’s more to admire here than layered abstraction. Main character Ai Ooto has a modern, Masayoshi Tanaka-influenced look, but the high cheekbones of several other girls seem to stem from Yuri Kuma Arashi’s elegant character designs. The hair animation is really good, too, and it’s tied back to Ai’s nervous curiosity, obscuring and revealing her differently-colored eyes as it shifts and sways. The soundtrack’s use of carnival music is both playful and suspenseful, and the concluding surprises promise a depth of imagination that stretches far beyond a single episode. I can’t wait to see what the next one looks like.

Potential: 85%

Kemono Jihen

Short Synopsis: A spirit detective travels to a quiet country town and meets an immortal half-ghoul child.

Wooper: This was better than I thought it would be. Kemono Jihen’s first episode was a pretty straightforward adaptation of the manga’s prologue, but it did manage to elevate itself in a couple ways, the most obvious of which was the music. I liked SK8’s melodic pop punk tunes quite a bit, but this show one-upped it with ease, drawing on chimes and woodwinds to create a traditional soundbed that matched its country setting beautifully. This is a modern production, so synths and strings came crashing in at the usual points, but the more subdued or playful moments were highlights for sure. The solidity of the character art was quite pleasing, as well, though there was a lack of harmony between people and backgrounds during some wide shots. The narrative setup itself is nothing impressive, and the twist at the end doesn’t carry nearly the impact that the author likely intended, but some good voice performances and a blessedly quiet shounen protagonist have me interested in the series’ future.

Potential: 60%

Mario: There’s something about Kemono Jihen that I’m not sold on yet. Maybe it’s because I am never too hot on shows based on supernatural procedures. Or it could be because I still find the relationship between Inugami and Dorotabo to be weak despite how this premiere tries hard to build up their relationship. Or maybe the characters’ dead eyes just bug me. In any case, the show doesn’t grab me the way it should. All that negative assessment doesn’t disregard many elements that Kemono Jihen did excel at: the production is strong, the show’s themes are intriguing and the twist in this episode mostly works. This is just a prologue for the main story, so the true test will be in the next few episodes. Let’s see if it manages to win me over by then.

Potential: 30%

Idoly Pride

Short Synopsis: A manager at an idol production agency flashes back to his first job.

Mario: Guess what? Another idol show that doesn’t suck. It really says something when the first episode of an idol show doesn’t feature many actual performances (for better and for worse). The bad thing about it is that it’s undeniably cutting corners. As smart as that method is I’m still afraid about its production values, and the ED further confirms my worries with the glaring CG model dance. On the bright side though, it means that its focus isn’t just on the idol industry – they delve more into character development and motivation, which for me is a plus, as by the end I did care about the MC. If Idoly Pride carries the same level of details to its 10 (!) idol characters then we have ourselves a winning show here. For now I remain optimistic.

Potential: 40%

Wooper: During first impressions season, I tend to watch anime with my fingers on my laptop’s pause and screenshot keys. It’s become something of a reflex to capture images I like from new premieres, which is why I was surprised to find I’d taken zero shots of Idoly Pride by the end. Then I thought back on what I’d just watched, and my surprise evaporated. This is a drab-looking show with discount Bunny Girl designs, still montages in place of dance routines, and the same closeup of the main dude’s face repeated around ten times in the span of twenty minutes. The main type of scene between him and Idol Girl involved him being a stodgy realist, then getting taken aback by something cute or inspiring that she did or said as the camera held on his confusion. I know that anime regularly leans on that trope, but Idoly Pride used it with alarming frequency, as though the protagonist’s brain were running a program that couldn’t decode cuteness or inspiration. At least it had a story, though, instead of running wild with all the idols that appeared in the first minute. That has to be worth something… right?

Potential: You tried

Mushoku Tensei: Isekai Ittara Honki Dasu

Short Synopsis: A pervert loser dies and is reborn as a…pervert magical baby.

Amun: Ah…everyone okay over there, Mr. Anime industry?  Just wanting to check in and make sure.  Is there some childhood trauma that you guys need to talk about?  Something you need to get off your chest?  I’m here for you guys, and I’m just getting a bit worried – imouto infatuation is weird, but we’re starting to branch out to parents now.  This has been the kink of a few TV anime, and I’m sure some “niche” ones as well.  We’ve got a hentai hikikomori who has full consciousness as a baby and is ogling his mom…Sorry, I’m just going to be stuck on that.  That’s a bit far for me.  The show’s characters are definitely made with love, and the plot is perfectly generic, so that’s as advertised – I’m just a bit concerned about the childhood trauma of this author and his particular tastes.   So the short and long of it – a cookie cutter, decently animated isekai with a mother complex.           

Potential: 10%

Mario: There was a thought that was constantly on my mind while I was watching this episode: “why wasted so much effort for this?” Mushoku Tensei’s visuals are better than at least half of the shows I’ve sampled so far this season, and it all amounts to nothing with a generic story like this. The MC’s death in “real life” couldn’t be more stale, the world-building is overly familiar and the ecchi (to put it very mildly) couldn’t be more creepy. But what is worst for me is the “life lesson” the protagonist comes to learn after all this: he appreciates life and gives it another chance. WHAT? By escaping his very real life and living in this wish-fulfillment fantasy? That message is pretty problematic, doesn’t matter how I slice it up. Plus he gains OP power within the first episode, so what more is there for him to gain except for a harem of girls and recognition that he would never have in his previous real life? It’s just sad, really.

Potential: 0%

Horimiya

Short Synopsis: Two Japanese teenagers have secret identities. Except they’re boring.

Amun: The multi-coloured shadows are weird. Like the anime just randomly T-poses in different colours for some reason. But seriously…for a show I had pretty high expectations for, that premiere was…okay? It felt a bit heavy handed, honestly. Let’s get this out of the way – no one can help but compare it to Toradora. And by that measure, this first episode fell far short. But on its own merit, Horimiya felt…like there’s not much of a ceiling. Either this show is going to continue at a breakneck, break-heart speed or stagnate to the point of nauseam. I felt the characters were painted with heavy lines and don’t feel like they have much room to change – something that Toradora did incredibly well. I guess it might get better, but I’ve got a bad feeling this show has more pretention than performance.

Potential: 25%

Mario: What struck me first and foremost after I finished watching this first episode of Horimiya is how straightforward the setup is. There’s no earth-shattering external events that cause them to stay apart (like in Koi to Uso or every version of Romeo & Juliet), there’s no internal conflict that pulls them apart (not yet), it’s just a simple story of a girl and a boy seeing different, real-er sides of each other and growing closer because of it. Their chemistry is amazing and even with just this one episode it feels more genuine than many other anime that depict romance. In addition, I like the visual motif of these two characters and their shadows, signifying their outer appearances vs their hidden sides. On that note, I found Horimiya laid it on a bit too thick as it repeated that point too many times (at one point even spelling it out to the audience). The production is decent most of the time, and the dialogue for me is delightful… most of the time. On one hand I appreciate the natural exchanges between the two main leads, but at the same time Horimiya has a tendency to overreact. The most head-scratching part, however, lies in its first few minutes with the creepy comments by the teacher, something I hope the show won’t rely too much on. To sum up in one word, Horimiya is a delight.

Potential: 70%

Cells at Work: Code Black

Short Synopsis: One rookie red blood cell encounters the difference between promotional videos and reality.

Mario: Dang, how was I wrong about this? It turns out that the first episode of the original Cells at Work 2 is just better than this one, no contest. While I initially thought that Cells in sick bodies would make a more gripping show to watch, Code Black is guilty of making it heavy-handed and sucks the charm out of its premise. We have the typical set-up of a new Red Blood Cell who soon learns about the harsh reality of the job, we have the oversized-boobs White Blood Cell which makes no freaking sense and we have the typical bullying senpai – this feels like your average high school anime all over again with a different setting. On a positive note, I like the difference in the other cells’ behavior on and off camera – it’s fun to see the disparity in attitude – but like I mentioned above Code Black doesn’t aim for “fun”. That disparity is there for dramatic effect, and as a consequence the initial spark of watching how your cells work in animated form vanishes. Learn to loosen up a bit and have fun, will ya?

Potential: 30%

Amun: Mario wasn’t terribly enamored with the gritty reboot of Cells at Work: Dying Body Edition, but I thought it was…interesting at least. I kind of like the other side of the coin, a body that isn’t healthy. My complaints – I don’t love the weird shadow texture that’s being applied, and the White Blood Cell’s “plots” could be toned down. Let’s be honest – there’s only so much personification a single cell can take, and I think Cells At Work: Black is starting to bump up against that limitation. Still, the ingenious conversion of organs to buildings and clever adaptation of science are all still here – just missing a bit of the levity. I’m still a fan though, even if I feel a little shamed into working out.

Potential: 60%

Jaku-Chara Tomozaki-kun

Short Synopsis: Japan’s best Smash Bros player takes etiquette lessons from a high school hottie.

Wooper: This show is basically a self-help guide for incels. The first half largely consists of a shaggy-haired gamer’s complaints about attractive people living life on easy mode, while the second confronts him with the idea that he hasn’t put in enough work himself. That confrontation comes courtesy of the cutest girl in his class, who is naturally also a skilled gamer – though not as skilled as the protagonist, of course. We wouldn’t want to get too crazy with our shitty wish fulfillment plots! She takes the main dude under her wing, laying out objectives like “smile more” and “talk to three girls in a single day” for him to achieve. Of course, this rehabilitation project is just a pretense for the anime’s true purpose, which is laid out in the OP: gather a bunch of cute girls around a lonely nerd. “Woman fixes man” is among the worst romcom types in existence, so using that as a framework and then dumping a bunch of feel-good crap on top is insulting. I’m sure this series will have its champions, but they could do a lot better than watching another episode of Tomozaki-kun.

Potential: 0%

Amun: Amun’s liveblog of this premiere: This isn’t very good. Halfway through – I’m pretty bored. I guess it’s supposed to be inspirational or something. There’s just a lot of talking and some super smash hos going on – oh wait, that would have been actually interesting. There is just so much talking. I’m just so bored. Please. It’s still going. Why is this happening to me. Oh look a little sister. And the clubroom from Yahari with sewing machines. It’s over. Upon seeing this, I’m not surprised the birth rate in Japan is dropping.

Potential: 0%

SK8 the Infinity

Short Synopsis: A skater boy introduces a Canadian transfer student to the world of underground racing.

Wooper: The thing I found most striking about this episode was its design work. All the characters were attractive and easily distinguishable from one another, and I mean all the characters – even crowd members were given unique outfits, hairstyles and expressions. That kind of detail counts for a lot when you’re trying to build a world like this one, because SK8’s premise is frankly ridiculous. The show’s midnight races are supposed to be top secret, but the abandoned mine course they’ve built is so brightly lit that you could see it from space. There’s also a snowboarder who duct tapes his feet to a skateboard and slaloms downhill at 60 mph on his first attempt, because all extreme sports are the same, bro. Despite all this stupidity, this anime looks to be a lot of fun because its characters move and speak dynamically. Reki is passionate without being obnoxious, and Langa is cool-headed rather than dull. The former uses big gestures to communicate, while the latter is given life via minute facial expressions – it’s a neat dichotomy that I’ll be observing each week this season.

Potential: 70%

Lenlo: Yuri on Ice did it for ice skating, Hajime no Ippo did it for boxing, Welcome to the Ballroom did it for dancing and now Sk8 is going to do it for skateboarding. This was unironically the best and most entertaining first episode of this season. Someone on this team has a tremendous love for skateboarding and its community, and it shows. The care put into how the characters move, the aesthetic, the in-anime community around the sport. It’s soaked into every facet of this show. Sk8 isn’t just an anime based around skateboarding because it’s cool. Sk8 IS skateboarding. And I loved it. I have a slight worry about the “Cute Boys Doing Cute Things” vibe I sort of get from it, similar to Hyp Mic from last season, but even with that I loved this premiere and will without a doubt be watching it this season.

Potential: 95%

Project Scard: Praeter no Kizu

Short Synopsis: A bulletproof gunman chooses a successor with whom to entrust the fate of a lawless city.

Mario: GoHands has such a bad reputation that everything from them ought to be viewed through a harsh filter. But I’m here to be a contrarian on this one: this premiere about hot boys fighting against the system is pretty solid. Cheesy? Yes, but the sentimental ending works to set things up in the future. What it sets out to do is sell a brief relationship between the “Hero” and our MC – I can’t say it succeeds based on how quickly the plot goes, but I’m not lying when I say that they’re the most interesting characters in GoHands’ body of work (which admittedly is a low bar). We have a setting that immediately establishes the conflict between the hotboi team – or as they term it, “Scards” – and the other organizations. Visually, it’s a GoHands production alright with an over-saturated color palette and those weird white dots everywhere on-screen, but otherwise I don’t take much issue with it. Like Shaft, it has become their in-house “style” so we’re better off just rolling with it. It has some dynamic action scenes, though. I reckon the show will get dull later on, but after this first episode I am willing to give it more tries.

Potential: 50%

Wooper: As the credits rolled on Project Scard’s premiere, GoHands’ logo appeared on screen, accompanied by the slogan “Animation entertainment to advance.” My question is, advance what? The number of eye doctor visits taken by the average anime fan? The blazing light sources and blue-green color filters on display here would certainly accomplish that purpose. Maybe they intended to advance people’s free time, since about five minutes of Project Scard’s first episode involved characters explaining what had just happened in the previous scene. How thoughtful of GoHands to put a skippable segment into their show so we could make a sandwich midway through! Or maybe they wanted to advance the downward trend of people’s expectations for media mix TV adaptations – that would make sense, since this was one of the worst I’ve seen in recent years. There are just so many ways to interpret “Animation entertainment to advance,” but you know, that’s the mark of a great slogan: it really makes you think!

Potential: 0%

Kai Byoui Ramune

Short Synopsis: A girl who cries mayonnaise is treated by an eccentric “doctor.”

Lenlo: So to be perfectly honest, this is just a bad discount Monogatari mixed with a bad discount Great Teacher Onizuka. The doctor solves occult diseases that are based in your emotional/psychological troubles just like Monogatari, except the actual emotions and ways of fixing them are (at least from the first episode) trite and straight forward. Meanwhile its trying for the same sort of wholesome conflict resolution as Great Teacher Onizuka, confronting the parent and having the truth talk and realizing what is really important to you, but it does so in such a superficial “look at me” manner that it lacks all the heart Onizuka had.

If Monogatari was too wordy for you but you still want something occult akin to it, or Onizuka is too dated for you and you are ok with bargain bin heart-wrenching resolutions, then maybe this can be for you. Personally though? All I see is Walmart brand anime where everything in it was done better somewhere else.

Potential: 0%

Mario: The “solving weekly supernatural cases” anime is not entirely new in this medium, with HellGirl and xxxHolic or GeGeGe no Kitarou coming to mind. And even within that sub-genre Ramune ends up at the bottom of the barrel. While the manga was first published in 2017 (and is still on-going), it has the look and feel of a much older anime. And I mean that in a negative way, with the titular doctor being the main offender. First off, his unorthodox method of curing patients is intentionally ambiguous and makes us slightly uncomfortable – but I was more turned off by his “shout-until-it-sticks” behavior. Worse, while I appreciate how the sickly girl’s current issues deal with psychological stress, in the end she’s just a victim of her shouting doctor and screaming one-dimensional mother, so I feel the solution was pretty unearned. Add to that an annoying MC, unremarkable cast and even less remarkable production values, and unfortunately Ramune doesn’t offer much.

Potential: 10%

Beastars S2

Short Synopsis: One wolfie boy cannot decide whether to eat or “eat” a rabbit (why not both?).

Amun: For starters, I love the OP (and ED? I think they’re one song?). Sounds like Billie Eilish, Japan edition – pretty fitting for the amount of angst present. This premiere is angling more towards the horror undertones we were promised in the first scene of the first season and then promptly ignored for the furry love triangle. The production still looks great, and the plot is progressing fine – Beastars is best when it’s toeing uncomfortable lines. I don’t see anything that tells me it’s time to abandon this furry fleet of ships.

Potential: 65%

Mario: It’s business as usual here in Beastland. The second season picks up a few months after the concluding events of the first, and the gang is back to their normal lives. It’s a quite a low-key start after the climax of last season, merely introducing our mains and their new status quo. I’d say that this returning episode is a bit slower than I would have preferred, with Louis and Juno making way-too-brief appearances… Heck, even Haru doesn’t appear that much. It focuses more on old school “mystery” much like the start of the first season, and we are bound to meet new characters, which is always welcome. The visuals keep up from the stellar previous season, and the OP is an eye worm. Although this episode doesn’t really provide a lot of meat to chew on, it’s always great to have Beastars back on board.

Potential: 50%

Soukou Musume Senki

Short Synopsis: A girl gets transported into a mecha world, which she must save by fighting monsters.

Mario: Ho boy this one was bad. Story-wise it clumsily follows two girls in present-day, before clumsily forcing the main girl into the middle of a mecha fight. Visually, the cel-animated part is sparse in animation and looks stiff at all times, but it is still better than the CG battles that look outright horrible. Then there are 2-3 full minutes of transformation scenes, plus the main girl is so out of her wits that it’s painful to watch. This show is just too generic and offers nothing new to the table. It’s exactly what it aims for at the end: A toy advertisement.

Potential: 0%

Lenlo: Is it weird that I liked this show more before the giant robots, mecha suits and 2 straight minutes of transformation sequences? I thought I had finally found one of those shows that’s just girls talking and hanging out that I could enjoy, before it goes full on Symphogear. That said, this does seem better than Symphogear, however low that bar is. I like that it’s already playing with ideas such as what our lead has lost, that they can die in this world, it’s not just a game, etc. I have no idea if it will stay this way or fall into the same traps. But if it can avoid becoming just another terrible season of Symphogear then I might be able to have some fun with this one. Not much, but some.

Potential: 25%

Ore Dake Haireru Kakushi Dungeon

Short Synopsis: A lowborn noble acquires godlike adventuring skills through no effort of his own.

Wooper: This is the early frontrunner for Worst Premiere of 2021. It ticks pretty much every box of badness possible, especially with respect to the cast: Kirito look-alike protag, sister who’s obsessed with him, childhood friend with two massive “personalities,” and goddess who grants the main dude a bunch of powerful abilities on a whim. He already had one super-powerful skill, but it gave him migraines that could only be cured by kisses (I swear I’m not making this up), so he was clearly in need of a few others. Life point counters pop up on screen throughout the episode so we can track his progress, including how much mana it takes him to shrink his FWB’s tits. Armed with these incredible powers, he decides to apply at the local hero academy (cleverly named “Hero Academy”), and ends up shattering their entrance exam’s high score by several orders of magnitude. Oh, I almost forgot the best part: the main character’s name is Noir Stardia. NOIR STARDIA! It sounds like something out of a fantasy-themed porno – come to think of it, I’d rather watch one of those than another episode of this show.

Potential: 0%

Amun: Oh come on now, it wasn’t that bad…wait. It was pretty bad. Pretty sure they’re also going for “kink by committee”, with representatives from the imotou faction, the chains-bondage bloc, and vanilla-childhood-friend party, reporting in. I guess I’m a little more favorable to the visuals, since that was passable, but the story and characters are not great. I’ll give it another episode or two, but this feels like 100-man to me – pretty bland. Go watch the other weird revenge-healer isekai this season if you want something more extreme.

Potential: 1%

Back Arrow

Short Synopsis: A ripped nudist emerges from an extraterrestrial capsule and transforms into a gooey robot to defend an old west town.

Wooper: It takes a special kind of trust in your show to base its name on a pun (Back Arrow is a mishearing of the Japanese word for idiot, “bakayarou”). It’s a fitting title, since the whole thing is pretty stupid. It’s the special kind of stupid that anime does rather well, though, where an unwieldy blend of styles and story elements is carried by confident presentation and in-your-face characters. Back Arrow is a dead ringer for the less operatic Gundam series in that way – Turn A especially, given its use of both terrestrial and cosmic motifs. The gaggle of troublemaking children (who double as cheerleaders for the main character) are highly reminiscent of Gundam, as well, only they’re animated with considerably more skill than most entries in that franchise ever managed. As a matter of fact, this whole premiere looked pretty nice. Back Arrow’s “world within a wall” setting doesn’t intrigue me, exactly, but it does feature a lot of pretty geography, with treacherous cliffs and cascading waterfalls giving it a real sense of place. The featureless CG mechs sucked, but pretty much everything else had me entertained – I’ll give this one at least two more episodes.

Potential: 65%

Lenlo: What the fuck did I just watch. Like, I get it, it’s the same guy who made Promare and BNA, wrote Kill la Kill and the Gurren Lagann movie, but what is this? Is he just recycling ideas? Going crazy? I’m really not sure. Because we have a male Ryuko, TTGL’s giant robots, cowboys, techno samurai and… a wall. I honestly have no idea how to even rate this show because after BNA this could easily be a trash fire, but after Promare it could maybe be good. I think the only answer is to uh… watch another and see what happens?

Potential: ???

Kumo desu ga, Nani ka?

Short Synopsis: Most of a class gets reincarnated as rich people. One unlucky girl is reincarnated as a spider.

Amun: First things first – I’m not a fan of 3DCG. I get that it’s necessary – hand animating this show would be insane. Particularly the frog venom fight was fully rendered and stood out – in a bad way. Other than that, Spider-isekai exceeded all expectations. My goodness, the spider character (currently unnamed) is dynamic, well animated, and weirdly cute. It’s strangely impressive that this show can use a spider as such an expressive canvas. I’m also not one to normally comment on VAs, but unnamed spider-chan’s is on point. Nice work Aoi Yuuki! There’s some other plot around reincarnated class members (and the obligatory guy in a girl’s body – that felt a bit forced, to be honest), but the star of this show is clearly our darling spider.

Potential: 90%

Wooper: Ordinary anime series tend to put a lot of effort into their first episodes in an attempt to ensnare potential viewers. KumoDesu is not an ordinary anime, though – it’s an amateurishly directed botch job from none other than Shin Itagaki, the man behind Berserk 2016. That fact will be sufficient cause for most of you to stay away, but for you lucky few whose eyes were never scorched by that show’s repulsiveness, I’ll elaborate on this new spider show’s failings. For one thing, the main character is rendered in unconvincing CG ninety percent of the time, and hardly seems to make contact with the ground whenever she’s shown crawling. The Arifureta-esque starting cave is totally computer generated, as well, so Itagaki can wreck his own show with the pointless camera revolutions and extreme closeups for which he is now infamous. The self-aware dialogue about light novels made me wish that the poison-spewing frog from the show was real so that it could shoot acid into my eardrums. The only thing I didn’t hate was Aoi Yuuki wailing, “Oh, Jesus!” after witnessing her new arachnid siblings cannibalizing another spider. In short, it’s shit.

Potential: 5% (solely for the absurd ED)

Tenchi Souzou Design-bu

Short Synopsis: A new member joins the design team that handles God’s outsourced animal designs.

Lenlo: This is weird. I really expected to dislike this series to find it boring and yet… I was engaged. By Edutainment. I really enjoyed the comedic, yet informative nature of this show. How they worked through possible evolutions/designs of animals, explored different ideas such as with the birds, and ultimately saw how they played out. Or how they explained why Pegasus won’t work, or eventually landed on Giraffes. It was really interesting and the real life animal segments worked surprisingly well. Each of the main team members seem to have actual personalities and tastes/preferences with their work/animals as well. I don’t think this is going to be an Anime of the Season contender and I have no idea if it will actually be able to keep this up long. But as far as first episodes go, I actually really enjoyed it. It’s weird yo.

Potential: 75%

Amun: Heaven’s Design Team’s first episode landed at the top end of my expectations. We’ve seen this format a couple times now – this is basically the professional version of Seton Academy (complete with the explanation cuts on actual animals). Where Heaven’s Design Team gains better marks is the lack of perversion or furry bait – plus better focus on story and characters. The animation is pretty dull, but we expected that going in – this isn’t the highest budget show from the season. I’m curious if we keep the episodic nature or if an overarching story will occur – if I had to guess, the final project will be humans. The interactions between team members, the various revisions, and failed prototypes resonate true for anyone who has ever been involved in product design. I’m sure the cast will expand to include other professional supporting roles. All in all, there’s definitely space in this story to be good. Probably not great, but definitely good.

Potential: 75%

Yuru Camp S2

Short Synopsis: Rin prepares for a solo camping trip to ring in the New Year, while her friends discuss their holiday plans.

Mario: It’s hot as hell here Down Under so I can’t say I’m in need of its warmth, but cozy and comfy Yuru Camp does indeed excel at creating that feeling. The premiere of this second season traces back to Rin’s very first solo camp and it’s just a joy to watch. She makes mistakes all the beginners make and it adds an extra level since we know how experienced she is now. This new episode wastes no time to display detailed backgrounds, chill soundtracks, and confident, slow pacing that threatens to envelop you and put you into a comfort zone. The second half goes back to the present day and while it’s not as enjoyable as the first half, the natural flow of characters’ dialogue and interactions are fun to watch. I’m still a bit ehh on our animated mascots because it just takes me right out of the flow, but all in all, this premiere is a winner.

Potential: 70%

Wooper: Even though it’s been three years since Yuru Camp first aired, its return to the small screen feels seamless. The new OP and ED are performed by the same artists as before, the earth tone backgrounds are still picturesque, and the pinecones still squeak their customary hellos when the camera captures them up close. That sense of familiarity is a perfect fit for this premiere, which eased us back into the show with a flashback to Rin’s first camping expedition. She’s the group’s most experienced camper, so the sequence where her younger self learned to set up a tent and took notes on starting a fire was very welcoming. “It’s okay if you’re new,” Yuru Camp seemed to be saying. “Everybody has to start somewhere!” Those opening minutes were the highlight for me, but the girls’ present-day conversations did give us some hints as to what we’ll be seeing in the next few weeks – meeting some extended family members sounds like a fun prospect. This is a series designed to be watched with a blanket on your lap and a mug of hot cocoa in your hand, so it’s come along at just the right time for those of us in the northern hemisphere.

Potential: 75%

2.43: Seiin Koukou Danshi Volley-bu

Short Synopsis: A star volleyball player moves to the boonies after his harassment of a former teammate ends in disaster.

Wooper: Just as Skate Leading Stars aims to escape the shadow of Yuri on Ice, this show (which I’m dubbing “Volleybros”) has its own Little Giant to slay. It’s not off to a bad start, either – the animation might not be a match for its older cousin, but it’s still pretty good, and the light-accented designs give it an entirely different look. The characters’ heights are more pronounced, as well, which comes into play during not just volleyball practice, but also the high number of dialogue-driven scenes. Volleybros is just as much a drama as it is a sports anime, and it wants you to know that right off the bat. Sulky and confrontational are two of its cast’s more common modes of operation, and two mentions of a transfer student’s dark past bookend the episode with as much subtlety as a spike to the face. Parts of this episode put me in mind of Hanebado, the schizophrenic badminton show from a couple years ago, but there was plenty of good conversation between the two leads, as well. They’re a poor match for each other, but they’d prefer not to be – that’s a tough dynamic to capture in a single week, and Volleybros did a decent job of it. I don’t know if I’ll watch another episode of this, but I hope somebody does – it’s not the knockoff that many will assume it to be.

Potential: 60%

Lenlo: I went into this expecting knockoff Haikyu, but surprisingly wound up with something completely different. Where Haikyu is a more fast-paced action type of sports show, “Volleybros” as Wooper puts it is much slower, but not in a bad way. I agree that it did a decent job with the lead’s dynamics though at times it does feel like it’s ripping off Haikyu a bit. My main hope here is that the “dark past”, which is a bit more extreme than Kageyama’s though the same in function, is properly used and integrated into the story. I want it to be more than just shock value for this initial episode and to see the event handled with the proper weight and respect the subject deserves.

Production wise Volleybros didn’t do too bad either. The animation definitely isn’t as dynamic or expressive as Haikyu but Director Yasuhiro Kimura of Golden Wind fame isn’t letting that hold him back. Instead of relying on sakuga magic he actually has some pretty clever and well timed cuts to add impact and a feeling of speed to the sport. If he can keep that up then I think Volleybros will hold up well, despite the occasional weightless block that the ball just bounces off of. All in all I am tentatively excited to see where this goes and will definitely be keeping up with it this season. I just hope it doesn’t go the yaoi route…

Potential: 75%

I★CHU Étoile Stage

Short Synopsis: A group of idols face expulsion from idol school unless they sell 3000 CDs in three months.

Lenlo: I hate how much effort went into the opening shot of this series, I really do, because it actually looks kinda good. I have no idea if this is a one off, if it will all get replaced with CGI models, or if fans might actually get a well-animated bishounen idol series. But the fact remains that production wise I★CHU shocked me out of the gate. Beyond that though… I don’t really have much to talk about. It’s a bishounen idol show, what you see on the tin is what you are going to get. Wooper may be right, there may be some small arcs for the characters here and there, but with how large the cast is I don’t expect any of them to do anything meaningful. Meanwhile I have never liked the premise of idol schools to begin with and the Idol industry in japan itself is uh… very concerning.

So yeah, if you like Idol shows then you might have a winner here with some decent production and solid but flat characters. If you don’t, then this show isn’t for you. I know it’s not for me.

Potential: 1%

Wooper: We’re only three months removed from the premiere of Hypnosis Mic, which had the best opening shot of any bishounen idol series I’ve seen. With that in mind, I sat down to watch I★CHU, feeling it would be premature to dismiss the subgenre’s next offering sight unseen. It seems my optimism was rewarded, because even though this show is even less substantial than a pack of soggy tissues, it didn’t give me second-hand embarrassment the way bishie anime typically do. There are close to 20 idols in the cast here, and while this episode didn’t do much more than assign gimmicks to each one, I got the sense that decent arcs were in the cards for a few of them. That feeling comes mostly from the earnest teambuilding of the show’s primary trio, who managed to put on a crowd-pleasing performance after some initial dysfunction. It was a plot befitting a children’s show rather than a late night TV anime, but it also wasn’t terrible. Oh, and the principal of the idol school (for there must always be an idol school) wears a bear costume, so there’s that.

Potential: 10%