Category: Other:

Some Quick First Impressions: Akuma no Riddle, Mushishi Season 2 and Jojo’s Bizarre Adventure – Stardust Crusaders

by psgels, posted in Some Quick First Impressions

Akuma no Riddle

Short Synopsis: Our lead character battles assassins
Yup, this one turned out as expected. Akuma no Riddle is a series that tries to look all cool, but shining behind that is the ridiculous stupidity of the premise. And now don’t get me wrong: I like really far-fetched premises, but not when said premise goes out of its way to include a school in a setting it totally doesn’t belong. I mean really: this just is another one of those school battle shows that’s perhaps a bit grittier than usual. Nothing else stands out. It did not make up for this premise in the slightest. The characters all just have one quirk that they try really hard to shove down the viewers’ throats, especially with the snarky characters. Add everything together and yeah, I see no potential. I didn’t even have enough interest to finish the entire episode.
OP: At least it’s not bad j-pop
ED: Vocalist does a pretty bad job…
Potential: 30%

Mushishi Season 2

Short Synopsis: Our lead character can see strange creatures called Mushi.
Jojo is glorious and all, and that’s of course fine and dandy. But let’s not forget what that show really is: a dose of adrenaline that you watch before you start punching an angry bear or something. It’s consistently awesome to watch, but here comes the real deal: Mushishi goes a whole lot further. It’s on a whole different level. This is intelligent; this is art, this series, more than anything else, has its own vision and doesn’t care about anything else. It’s the best of its genre, and based on this episode, the creators still are incredibly competent: the atmosphere, the animation, the pacing, the mood: everything fits perfectly. This really creates something much more than the sum of its parts, that individually are already amazing. Best show of the year? Something would have to go really weird for it not to be the case. Heck, this show is the best of its genre. Aria, Natsume Yuujinchou? Eat your heart out. This episode again had a wonderful story. It’s told from the perspective of a sake brewer, and more than anything, they portray him as an actual human being. This episode is quiet, but they showed a very authentic story of his that made perfect use of both his childhood as his current life.
OP: HOW CAN THIS NOT BE THE SINGLE BEST OP IN YEARS?
ED: HOW CAN THIS NOT BE THE SINGLE BEST ED EVER SINCE THE FIRST SEASON ENDED?
Potential: 100% (Really, it is that I once vowed not to go above 100% with my potentials)

Jojo’s Bizarre Adventure – Stardust Crusaders

Short Synopsis: Our lead character kicks ass with magical powers and strange poses.
Oh, this was glorious. This is the Jojo that I remember: completely over the top with weird powers and just lots and lots of energy.What I especially like this time is that it’s really a story that spans many generations. We have the main character, his mother, his grandfather and his great-great grandfather all playing a major role here. Obviously its’awesome to see everyone back again, while at the same time seeing this series go into a completely different direction again. The first Jojo was pretty much the ideal son-in-law, while the second was completely crazy in every way. The third meanwhile is dark and gloomy. The reason he works is because of the context of the rest of the series: every single other character being a complete and utter extravert. The good thing also is that this show wastes no time in explaining its powers, hopefully hinting at only few training arcs (yet again, thank god). And at the same time there is one thing that this show still does really well: alternating huge powers, with really small ones. Joseph’s camera trick was hilarious, for example.
Potential: 100%

Some Quick First Impressions:Bokura wa Minna Kawaisou, Blade & Soul and Selector WIXOSS

by psgels, posted in Some Quick First Impressions

Bokura wa Minna Kawaisou

Short Synopsis: Our lead character moves into an apartment with a cute girl.
Brains Base seems to have found themselves their own niche: well produced romantic comedies. But here is something they totally missed: comedies don’t necessarily need to be well produced. They need to be well written. Take the Holy Grail from Monty Python for example: it was produced on a shoestring budget for movie standards, but what made it so memorable was the script and the ideas they put in. The script and ideas in this series are… mediocre. Just another kid who starts living in a mansion where a hot girl happens to live in. And the jokes… their delivery is pretty bad. I didn’t really laugh. There were a few times that I was about to, however every single time the show blew that away by awkward timing or focing their laughs way too much. So yeah, I’m not recommending this one.
OP: Mellow, but still nothing more than just a character introduction, though the words and books were nice.
ED: What a corny and sappy song.
Potential: 20%

Blade & Soul

Short Synopsis: Our lead character talks little and kills people
Blade & Soul is the perfect example of how not to do your trailer. Why? It highlighted everything terrible about this anime with a bunch of really badly animated fights plus some ridiculous outfits. And it’s true: the animation in this show is really clunky, the action scenes have awkward animation, and the designers of this series really need to watch this video. However, for some strange reason the creators seem to realize these flaws, resulting in a few interesting positives: the music is actually very good, plus the fights, while plentiful, are kept small and quick. And that for a show that’s based on a game: that takes guts. Because of this, the focus can fall much more on the characters. They’re not anything special, but they work, albeit clunkily acted at times. This episode at the least depended a lot on its atmosphere, which is something you don’t often see with its contemporaries. The question now is: can it keep this up. The atmosphere needs to be like this for the rest of the series. The characters need stuff to do and they need interesting stories. I can already predict: the moment that they will switch over to comic relief is where this show will collapse and start sucking really bad, because with this execution, you can’t deliver good jokes. It’s just impossible. This episode worked because it avoided a lot of common pitfalls.
OP: Bleh, generic
ED: Simple but effective, although the vocalist still can’t sing that well.
Potential: 50%

Selector WIXOSS

Short Synopsis: Our lead character fights a children’s card game in order to make a wish.
Um… Selector WIXOSS, why? Just why? From a technical standpoint, you’re a very good series. Characters are animated in a lifelike manner, the voice acting is pretty good, the production values are pretty much at the high end here and you can see that the creators focus a lot on the details for a series that is about battling proxies. Perhaps a bit too shounen, but it was obviously hinting at a few interesting things to happen in the future. So where the heck did the incest come from? Really? You really thought that was necessary? It’s not edgy anymore. Everybody does it. Screw you, just show some siblings that don’t want to try to get into each other’s pants for goodness sake!
OP: Meh, pretty generic.
ED: This one’s pretty nice
Potential: 20%

On knee-jerk reactions

by psgels, posted in Special Articles

You can’t please everyone. And I don’t usually do this, but I do want to give a bit of an explanation for my last post, the preview, due to the surprisingly large amunt of people putting me down on how I jumped to conclusions for a lot of series, and how I should do more research. To that, I have to say the following:

On general, writing the preview for a large season like this one takes about half a day. Not half a workday, I seriously spent more than half an actual day to write some of my previews. This one was not as large as normal, but I’d still say it took me about 8 hours in total to write. to the pepole claiming that I should do more research: could you please hand me some extra time in order to do the research for EVERY single series that’s coming out? Because it took enough time on its own to write everything there already.

And consider this: I could have left these series out completely, but that’s dismissing them even more. In this preview, I at least tried to write a sentence on why shows don’t interest me (on a personal level), because I at least repsect the series enough to want to do that. And I find it important to be able to see the big picture for a season, so you can try to see a bit of the trends that are going on. There are two types of shows that I don’t include: kiddie shows and sequels of series that I haven’t watched. The only reason for that is that I’ve really run out of things to say about them, and leaving a comment about every single one of them would really just end up with me, copying and pasting the same thing again and again and again.

Of course, doing research is fun, and I really want to be able to continue to do research for the series that really interest me. But here’s the thing: when a show has a tagline that the main character’s sister has the hots for him, I’m instantly turned off and not motivated to do that at all. I know it’s shallow and all, but at this point I cannot give every single show a chance. Because of that, I resort to my own experience and hunches to try and guess which series will be worth my time. (Because yes, this is my blog and I write purely my own opinions and impressions). A big green flag is when the premise of a series excites me. A big red flag is having incest in the premise. Want to know why? Because the last series where I’ve seen incest featured so prominently that was actually good was Koi Kaze. That was a long time ago, especially considering how many incest shows there are!

Let me explain my taste here, and what I’m looking for: I’m looking for the big picture. I’m looking for a series that has a good story, an intriguing setting, solid and fun characters, interesting visuals, great music. A series in which all of this comes together. I’m looking for the signs that predict such a series, and a lack of upright creativity doesn’t spell out much good in that department. If you can’t even think of a solid premise, then what am I to expect of the rest of the series then? Perhaps one good episode or something, but that’s nowhere near enough for that I’m looking for.

You may have a great political plot in your second half, and you may have this really detailed look at tennis, but if the rest doesn’t come together, then there’s just something missing. Of course they are only previews, but that’s why I also always try to watch as many first episodes as possible. I mean if your story is good, but when it’s told in a dry or boring way, then it’s still not really exciting. I love shows that have tons and tons of talking and complex plots, like Mouryou no Hako, the Tatami Galaxy, or Ergo Proxy, but all these series also remembered to have an outstanding presentation, with characters and plots that stood out right from the start.

You have series that take their time in the first half to build up, only to get fired off in their second half. However, you have series that are completely boring in their first half, only to suddenly get watchable in their second halves, and you have series that in their first halves take their time to set everything up and build up some stuff here and there about their stories, characters and setting, and bring everything together in their second halves. The latter is the only one I’m interested in. The build-up paying off.

The difficult part is ofcoure trying to point out these kinds of shows. That’s the thing that makes things really difficult: what shows are really building up to something, and which ones aren’t. First of all it helps if it’s not an adaptation, because especially the lazy manga adaptations have a tendency to just not pay off and end randomly. I don’t like that, so unless I can see a good ending working out, an adaptation, especially a manga or light novel-adaptation gets minus points. These stories furthermore were written for a totally different medium, and they take a skilled writer and director to skillfully make them work as an anime. This is not something that’s given!

Second of all, there is this thing as a solid execution that excuses a lot about a slow pacing. I don’t care how incredibly slow you are, if you’re interesting then I will watch you. A great example of that is Aku no Hana: the pacing was incredibly slow, but due to how well the characters were animated and brought to life, it worked. A lot of Bee-Train series are also great examples: they really use their music as part of the storytelling, and while they have a lot of first halves that are goofing off, they’re actively building their setting and characters in a way that perhaps sounds really boring on paper, but gets the viewer really familiar with them in practice. Plus, say what you want about Bee-Train: their series all start with a lot of creativity. That’s what I like.

But this also goes for things as very good acting, believable characters. Something needs to grab me, and most of the times this isn’t the story, but rathe the way in which it’s told. I know that this sounds a bit against what I said previously, that I want series with creative premises, but that’s the thing as well: there is a deal of subjectivity in here. It’s not something you can explain so easily. On one hand, the story doesn’t matter the most, but on the other hand: there’s not so much you can do when you start off like every other show with a bunch of teenagers who fight with magic and are on a high school.

So yeah, if I insulted your favorite show, I absolutely don’t hate you or anything. It’s just that I don’t like the series, and I’ve been disappointed too many times by similar series to really get excited about it. If you insult me about having a bad taste, then that’s not magically going to change my taste for the better. The great thing about this world is that everyone has different tastes, and this blog really is purely written from the perspective of my own.

Spring Season Preview

by psgels, posted in Seasonal Previews

So, I’m just going to continue to write articles whenever I have inspiration. One thing I always loved doing is compile these previews for the upcoming season, and that still hasn’t changed. There are a few changes now though, because I don’t feel like going into detail about all of the crappy shows that come out every single time, so my entries for them are very much simplified in order to save time. Also, my standards have become much harsher. Series that I was previously willing to give a chance right now are most likely shows that I’m not interested in anymore, due to a huge amount of red flags showing.

For example, in the past I probably would have praised this season for at the very least not containing anything that is absolutely utter crap, but the problem with that is that it glosses over the fact that there is so much mediocrity coming out. The only silver lining I can offer is this: there are hardly any pointless sequels. At the very least there are a lot of attempts at new series, and the sequels that are there, are there for a reason. And in the end, there are a few series with a very good pedigree that I’m looking forward to.

Series that I Don’t Look Forward To

Sengoku Musou

Why I don’t like it: Sengoku Musou is yet another piece set in the sengoku era, just like the countless other shows that preceded it. It really looks like a generic clone of the other series: everyone has weird outfits, the focus is on fighting. Nothing here looks like they put any effort in it.

Soul Eater Not

Why I don’t like it: I watched about half of Soul Eater. When I saw this promo material, I really had to do a double-take. I mean dear god, how much can you moefy something? The original soul eater had its own style, but this looks just like a generic cloned show about cute girls. The trailer’s even worse. Everything looks generic.

Baby Steps

Why I don’t like it: Boring show about this guy who has no skills and joins a tennis club. The same thing we’ve seen many times before, just with tennis. The only mitigating factor is that it’s got a really good direction for the action: Masahiko Murata, but he won’t be able to save this premise.

Haikyu!!

Why I don’t like it: Yet another high school sports series, this time with volleyball. And really, the premise looks to be incredibly generic again without much creativity. At this point a sports series really needs to come with something really impressive in order to be able to beat the standard that was set in the genre a few years ago. The director of Cuticle Detective Inaba is not one to do it.

Brynhildr in the Darkness

Why I don’t like it: Okay while it’s good that Arms is finally stepping away from doing these crappy fanservice shows, this one looks like a boring “boy meets supernatural girl with loads of mysteries”-story, without much more. The trailer has good music, but put the focus too much on bad action and a pointless swimsuit.

Mekaku City Actors

Why I don’t like it: Oh hey. Did you know that Shaft really likes NEET? Well, if you didn’t: here is another one! Obviously my Shaft-bias is working against this series, though granted it does look slightly better than their usual series. The show has promise if the right people were behind it, not Shaft.

La Corda D’Oro Blue Sky

Why I don’t like it: The first la Corda D’Oro was already incredibly contrived and so it really did not need a second season. For those who don’t know: it’s about this talentless girl who receives a magical violin that makes her able to play beautifully and make her compete with the top music students at her school. The same creators as the first season also seem to be behind this one.

Bokura wa Minna Kawaisou

Why I don’t like it: Brains Base doing romance again, but it doesn’t really look promising in any way. A generic premise without much to say about the different characters other than that they look boring, Apparently it’s from the people who adapted Blood Lad, so if you liked that one you might give it a chance.

Futsuu no Joshikousei ga Locodol

Why I don’t like it: The director of KissXsis doing a 4koma adaptation about two idol high school girls. Do I need to say more? Moving on.

Blade & Soul

Why I don’t like it: Gonzo doing another MMORPG adaptation. You know, if this was the old Gonzo then I would have been slightly interested, but this? This looks like your generic battle anime with silly powers and no substance. However, what is the director of Steins;Gate doing there? Maybe this could- no, wait. The trailer contained some really bad action so never mind.

Inu Neko Hour

Why I don’t like it: All 47 Japanese prefecutres…. as dogs. Okay, I thought that this would be a random catgirl show when I first saw the title. At least it’s creative. It’s in no way going to be a good series, but at least it’s creative.

Mahouka Koukou no Rettousei

Why I don’t like it: This series has this one line in its premise when I looked it up on ANN: “the young woman who feels far more for her brother than sibling love”. Yeah. It’s one of those shows. Beyond that, it’s a high school show about magic users, so yet again another really bland and boring premise.

Black Bullet

Why I don’t like it: Boring fighting show with a ridiculously complicated reasoning in order to try and explain why the fate of humanity rests on a bunch of teenagers. It fails. Great background art though.

Akuma no Riddle

Why I don’t like it: Another ridiculously stupid premise: there is a school, where one of the students is targetted by 12 assassins who all disguise themselves as random students. Lots of early warning signs, like loads of snarky characters and character-designs that look exactly the same aside from just some hair swapped around. Unfortunately it looks like just another battle show without much creativity.

Soredemo Sekai wa Utsukushii

Why I don’t like it: I think the best way to describe this one, is if you see it as the director of Fushigi Yuugi doing a similar series. The premise of a princess being sent off to a young king who somehow did a really good job at conquering at least has that same feeling. The premise does seem rather juvenile, though and I don’t have much hope for it.

Kanojo ga Flag o Oraretara

Why I don’t like it: The director of Space Brothers doing a crappy harem show. Well, so much for him then.

Atelier Escha & Logy: Alchemists of the Dusk Sky

Why I don’t like it: The one thing that this series has going for it is that the people adapting it have more than a decade of experience. An RPG adaptation isn’t necessarily bad, if enough things work well. However, the central focus of this series seems to be fighting with alchemy. Boring! Been there, done that!

Gochuumon wa Usagi Desu ka?

Why I don’t like it: Kazuyuki Fudeyasu is working on this project, and he is a great writer who uses lots of emotion in his storytelling. If only the story he’s going to tell this time was a bit more than “a girl works at a cafe and cute girls drop by”. I mean have some variety at the very least: advertise with a diverse cast. Why does everyone have to be a cute girl on the promotional material? In this way everyone just looks like each other!

No Game, No Life

Why I don’t like it: OH MY GOD, THE EYE CANDY! Anyways, this one probably is the most interesting show in the list that I’m not interested in, it looks good, it’s got a very good director and adapter. I would have given it potential, if it wasn’t for a few red lights that I saw here. First of all, there’s the overabundance of cute girls. They try to hide it, but when you look at the trailer you see lots of shots just being cute girls demonstrating flashy powers. Been there, done that. The premise of this show is that all violence has been outlawed. That’s definitely not something that you can gather from the trailer. The whole premise of this show depends on the games that nations need to play in order to compete with each other. If you can make these games creative and inspired, then that would make a good series, but you don’t do that by focusing way too much on these flashy powers. That’s boring!

One Week Friends

Why I don’t like it: This show. It’s a cross between 50 First Dates and Kimi ni Todoke! It’s probably going to be the best school series on this list, but it lacks a bit of ambition if I have to be really honest here. You can make this work really well, but only if you really put in the effort, which I don’t think these creators will be able to.

Mangaka-san to Assistant-san to

Why I don’t like it: Yet another ridiculously complicated excuse to have two characters frisk up each other and just show some touching some boobs. I mean I’m not denying that some mangaka indeed draw inspiration from their girl/boyfriends for their sex scenes and all, but that doesn’t mean that you have to make an entire series about it. Here’s an idea: how about we make a series that’s about a guy and a girl, who are in a healthy relationship and are living together after about a year of dating? Outrageous right? You can show all the sex you want!

Kamigami no Asobi ~Ludere deorum~

Why I don’t like it: Ahem. Let me quote the premise for this series, because this is too priceless not to share: “Kusanagi Yui is ordered by Zeus, a god and the headmaster of a school he created, to teach the meaning of love to young and handsome gods. The reason he has for doing this is to cancel the negative effects of the weakening bond between the world of the divine and the world of the humans.” – This has got to be the most ridiculously far-fetched premise I have ever seen for a bishie series, and with stuff like Uta Prince already existing that has to say something!

Series I Am Looking Forward To

Fuun Ishin Dai Shogun

Summary: ” In the late Edo period, Japan had experienced an unprecedented crisis by Kurofune (Black Ships), the ships from foreign countries. But a giant robot called Onigami, which has existed since ancient time, dispelled the Kurofune ships and the exclusion of foreigners was accomplished. The story begins in Japan where Meiji restoration in 1868 didn’t happen.” – (Taken from ANN)
Produced by: ACGT, JC Staff
Director: Takashi Watanabe
Script: Dai Sato

Impressions: This one looks like crap, and it probably will be. However I do want to put your attention to the two main people in charge, who are two of the biggest trolls walking around in the anime business. Takashi Watanabe, I know he is intelligent. Otherwise he could not have directed something as Boogiepop Phantom and Starship Operators. Most of the time though, he just acts like a complete idiot. Dai Sato goes the same: this guy is a really talented writer with a drive to create unique works of art, however has been known to sell out if he’s assigned on a project just to make money. It also doesn’t really help that the art for this one is horrible.

First-Glance Potential: 20%

Hitsugi no Chaika

Summary: ” Toru Acura is a 20-year-old retired soldier meandering through life now that the war has ended. He encounters Chaika Trabant, a 14-year-old sorceress carrying a coffin, and follows her in hopes of finding meaning to his life again. The two travel with Toru’s adopted sister, Akari, the employed member of the group and thus Toru’s source of income.” – (Taken from ANN)
Produced by: Bones
Director: Sochi Masui
Script: Touko Machida

Impressions: Yes, there is hope! This series can be seen as the spiritual successor to Scrapped Princess: it’s based on a novel by Scrapped Princess’ author and the director is also going to return. Now while I wasn’t the biggest fan of Scrapped Princess, I did appreciate what it was trying to do. It just could have been done better, so here’s to a second chance. The premise of focusing on a war veteran after a war has ended? That’s actually pretty nice. Simple, but you can do stuff with that. I do have to put a question mark to the promo art though: that puts the emphasis on fighting with magical powers. Don’t do that! Focus on the psychological aspect!

First-Glance Potential: 50%

Nanana’s Buried Treasure

Summary: ” original novel centers around the treasure of Nanana, a ghost who was once a beautiful but NEET (Not in Education, Employment or Training) girl. A boy named Jugo was disowned by his father and forced to transfer to a high school on the “Special Student Zone,” an artificial island. With only 40,000 yen (about US$400) a month to live on, Jugo chooses a low-rent apartment that happens to be haunted by Nanana. Jugo and members of the school’s adventure club join a “treasure hunt royale” on the island for the Nanana Collection, a treasure that possesses a mysterious power.” – (Taken from ANN)
Produced by: A-1 Pictures
Director: Kanta Kamei
Script: Hideyuki Kurata

Impressions: Well, it IS a Noitamina about teenagers, and granted this does look very sketchy, there are other parts of the story that seem like they have ambition in them. For that I’m interested. Kanta Kamei is a solid director after what he has shown with Silver Spoon and Bunny Drop, and my inner mystery-fan might find this one interesting.

First-Glance Potential: 50%

Selector WIXOSS

Summary: “Hope, desire, greed. Girls with each of these feelings in their hearts are being swallowed into the vortex of a dangerous game…” – (Taken from ANN)
Produced by: JC Staff
Director: Takuya Sato
Script: Mari Okada

Impressions: Mari Okada again, this time accompanied by the director of Steins;Gate and JC Staff. This can work. The trailer looks quite impressive: it knows its atmosphere, and this seems to become quite a psychological series that ties these six girls together. I see potential here to become a very interesting series, and Mari Okada can actually go all-out psycho here. Note: a good story takes balance: you can’t just go psycho all the time and think you can get away with it.

First-Glance Potential: 80%

Knights of Sidonia

Summary: ” It’s been a thousand years since the Gauna, a strange alien race with no known method of communication, destroyed the solar system. A portion of humanity managed to escape using enormous “seed ships” like the Sidonia, which have allowed them to maintain the population while drifting through space. Nagate Tanikaze is a young man who has been raised deep in the bowels of the ship. When he goes into training to pilot the huge robotic weapons known as Gardes, Nagate is entrusted with piloting the legendary unit known as Tsugumori. Nagate and his fellow pilots put their lives on the line against the Gauna, in the ultimate battle for the survival of humanity.” – (Taken from ANN)
Produced by: POLYGON PICTURES
Director: Kobun Shizuno
Script: Sadayuki Murai

Impressions: Sadayuki Murai is one of the best people at adapting stories currently in the business. He brilliantly adapted Mouryou no Hako, the final two seasons of Natsume Yuujinchou and Boogiepop Phantom for their anime format. This time it’s a manga written by the creator of Blame, which seems to be quite a famous manga, although I’ve never read it. It’s in full CG so the faces look a bit awkward, but the trailer has me intrigued and it looks very good. Just one thing: please let that girl do more than just hold the main character’s hand and get dragged along. If you do that then I’ll drop this show really quickly.

First-Glance Potential: 80%

Captain Earth

Summary: “One night right before summer vacation, Daichi Manatsu, a second-year in high school, sees a weird round rainbow floating in the sky above Seed Island (Shuushi/Tane Island) and ventures there alone. He has seen this rainbow before. With the memories of his father’s mysterious death and an encounter of a mysterious boy and girl, Daiji arrives on the island while the alarm of a building labeled “Earth Engine” is going off. Someone asks him if he’s a captain, just as robotic intruders from Uranus called “Kiltgang” arrive. The battle around the shining stars is about to begin.” – (Taken from ANN)
Produced by: Bones
Director: Takuya Igarashi
Script: Yoji Enokido

Impressions: Do you know what this is? This is the creators of Star Driver making another series! Basically, what this means is the following: this will be a mecha-series made by people who haven’t been into the genre, and therefore aren’t the most familiar with most of its conventions, as seen with the Galactic Pretty Boy. What has me most interested here is that there are some people involved who can deliver some really great series. Bones is very solid as an animation studio, Takuya Igarashi directed Ashita no Nadja, and Ouran High School Host Club (series that really stood out in their presentation), while Yoji Enokido wrote Revolutionary Girl Utena, Redline and parts of FLCL, and Rahxephon. Yes, there is talent here! One side-note though: the visuals are boring and standard. The robot and characters look generic.

First-Glance Potential: 85%

Ping Pong

Summary: “Tsukimoto Makoto (nicknamed Smile) is a quiet high-schooler who’s been friend with the loud and energetic Hoshino Yukata (nicknamed Peko). They’re both in the table tennis club and are very good at it, though Smile’s personnality enables him from winning against Peko. The club teacher however notices Smile’s talent and tries to make him gain some sportive tenacity.” – (Taken from ANN)
Produced by: Tatsunoko Production
Director: Masaaki Yuasa
Script: Taiyo Matsumoto

Impressions: I said before: at this point sports series have to bring something very impressive to the table. These are the people to do it. The guy who wrote Tekkon Kinkreet and Masaaki Yuasa. Two people who have an amazing eye of bringing people to life. That’s what a series like this needs. The premise is generic here, so they’re going to have to do something very special here to make it work. But if anyone can, they will. The trailer already showed signs of potential.

First-Glance Potential: 90%

Jojo’s Bizarre Adventure: Stardust Crusaders

Summary: “” – (Taken from )
Produced by:
Director: Kenichi Suzuki, Naokatsu Tsuda
Script: Yasuko Kobayashi

Impressions: I remember how incredibly fun the first season of Jojo’s Bizarre Adventure was. And the great thing is that every arc is significantly different, with different characters to do things with. This is the series you need to be at if you want over the top action, because it will deliver, and much, much more. It’s one of those series in which both the source material rocked, and the animation really managed to bring the characters alive. This will be chockful of adrenaline!

First-Glance Potential: 95%

Mushishi: Zoku-Shou

Summary: “They are neither plants nor animals. They differ from other forms of life such as the micro-organisms and the fungi. Instead they resemble the primeval body of life and are generally known as “Mushi”. Their existence and appearance are unknown to many and only a limited number of humans are aware of them. Ginko is a “Mushi-shi” who travels around to investigate and find out more about the “Mushi”. In the process, he also lends a helping hand to people who face problems with supernatural occurances which may be related to the “Mushi”.” – (Taken from ANN)
Produced by: Artland
Director: Hiroshi Nagahama
Script: Hiroshi Nagahama

Impressions: Well, what can really be said here? One of the best anime ever made, getting a second season in order to animate the rest of the manga chapters that the first season never got to, all by the same creators and the same director. Hiroshi Nagahama is a brilliant director who screws every possible convention in order to get the best out of his work, no matter what. There of course is the danger of expecting too much, so I’m not going to expect this to blow my mind. And I’ll try to get to the 1-Hour special as soon as possible.

First-Glance Potential: 100%

Some Really Quick First Impressions Plus a Small Rant

by psgels, posted in Some Quick First Impressions

I’m tired, and I’m soooo far behind. More details on why below, but I do want to finish my impression of this season, but with so many series looking like each other I’m going to do a quick version of the shows that I missed. I’ll try to catch up on the second episodes the upcoming week. I’m really sorry for all the delays.

No-Rin: This one really was terrible. Beyond moronic characters, incredibly annoying acting, and an incredibly pandering premise.

Sakura Trick: I like yuri because for some reason, creators know how to make some really fascinating series when they have lesbians in them (or even better, bisexuality), not just for the sake that there are lesbians in them. Sakura Trick is a show about girls making out. I’m not kidding: so much of this episode was about the awkward moment of the first kiss. Stupid premise, boring characters. Moving on.

Sekai Seifuku: This one had me intrigued for a while. Who are these people? How are they related? Why do they want to destroy the world? However, then the giant monsters showed up and everything turned generic and characters started wearing the most ridiculous outfits. Uh, the women, I mean. Also, as for why they’re conquering the world? It’s all instigated by a little girl. I see no potential in them developing this into anything worthwhile

Wizard Barristers: This was actually not half bad, for a first episode. Especially the animation here surprised me, coming from Arms. This just shows how much good production can trump a production studio’s reputation when it’s really trying, because this probably contained some of the best animation of the season. My big worry is consistency, because the creators here totally aren’t known for that. I know I have this cynical view now, but there have been too many series in 2013 that betrayed my trust for a good plot and characters. I really hope that 2014 will get rid of this cynicism…

Nisekoi: Oh boy, a shaft-series that actually doesn’t feel like an animated slide-show and the characters actually talk about stuff that’s relevant for once. It’s just too bad that this is the most generic premise for any series they’ve done so far (boring high school romance love triangle). Heck, everything that happened in this episode was standard romance fluff that we’ve seen done hundreds of time before. They did recycle the Sayonara Zetsubou-Sensei despair-look, but hey. At least it’s a move in the right direction…

Inari Konkon: Oh thank god, finally! A school series that puts emphasis on thinking and learning. It comes up with situations that actually challenge the characters instead of being so mind-numbingly bland. With the current season I was really fearing that my taste had completely changed with how so many different series bored me to death. Now, this is obviously similar to Gingitsune, which I in the end found to be a bit too corny to work. This series doesn’t have the instantly likable characters, however it puts the characters in interesting situations. It’s about bloody time a show does that. You’re supposed to take characters and think: “what situations would get the best out of these characters?” – not “how can we make this character instantly likable outside of any context whatsoever”. That’s not sustainable in the long run!

Oneechan ga Kita: Yeah, the very first scene we see is about the main character walking in on his sister changing. Aside from that, this this was disturbing and weird when they turned the sister into this obsessive stalker.

Silver Spoon: A big reason for the past delays… was the first episode of this season. I have no idea what happened, but I set myself to watch it, and I just could not force myself to sit down and watch it. Why? This has some obviously good characters and it’s a look at farming… and yet something inside me just did not want to watch it. So thank god I finally managed to sit through it. And yeah, it was okay. The romance was a bit annoying (misunderstandings are rather boring…), but you know? It offered a look at school life in a far more detailed way than the other school shows, and the characters remain very versatile and down to earth. And yet, something inside me keeps yelling that I do not want to watch this…

Silver Spoon is objectively good, but I think that I’ve been to objective this season, and need to go back to my roots: creative and engaging series that most people gloss over. When criticizing, some parts indeed boil down to “does it make sense, does it know the writing rules, et cetera”, but the most important part that’s about whether you really like it or not is entirely subjective and incredibly difficult to really describe well. It’s this X-Factor that some shows have and others just don’t. I mean, say what you want about Nobunaga the Fool, for me it was one of the most entertaining first episodes of the new season due to how amazingly pretentious it tried to be. People made fun of me when I gave it such praises, and I realize that even though I’ve been blogging for a long time, I still notice that I still take all my comments very personally to the point where I’m trying to please everyone, instead of doing what I really want to do.

The thing with taste is that there are very different ways people look at anime, and connect with it. And I’m not talking about that “Type A and Type B otaku” that you see at places, that’s way too simplistic, not to mention that I never really considered myself an otaku (though granted it’s a term that many people have different definitions of). In the end what I really noticed is that I love series that are ambitious and combine storytelling, characters, animation, music, setting and symbolism into one whole that is larger than the sum of its parts.

And I need to really convince myself: only you know your own taste best, every taste is unique and worthwhile, and judging others for their taste in anime is most often… quite immature.

Sorry what you had to witness these inner ramblings of mine.

Some Quick First Impressions: Wake Up Girls and ZX Ignition

by psgels, posted in Some Quick First Impressions

Wake Up Girls

Short Synopsis: Our lead character needs to find some idols.
I’m late with this. I want to finish these first impressions, but I’m tired. And so, in its infinite wisdom Wake up girls decided to have an hour-long first episode. And it’s an idol series! I am not going to watch this one all the way through, however I do want to say that it’s among the better of its genre. From what I watched of this episode, the focus was on the scouting of these girls. That was pretty interesting, and the girls aren’t as overly moe about their personalities. Obviously it’s still blatantly there, but they aren’t trying to shove it down the viewer’s throats. It actually cares about characterization for once. Now, this is not my kind of series and I know that I won’t have time to watch it, but if you like idol shows then this one isn’t bad to keep up with.
Potential: 60%

ZX Ignition

Short Synopsis: Our lead character fights with supernatural creatures/angels.
Okay, so I was under the impression that this was a kiddie show. Well, not so much, actually. I mean the characters are a lot older (one of the characters is 19… despite looking nothing like it), and it actually was moderately entertaining. The entire episode was told a bit out of chronological order, which also spiced things up. The main character isn’t your typical wimp, which also helps. A lot happened in this episode which either means that this will be a fast-paced series, or they blew most of their ideas in the first episode. However, when you look at the context, this series falls apart a bit. You have monsters fighting each other because… of stuff. The monsters all have these really cheesy names because… of stuff. The main character also is important because this angel fell onto him because… he just happened to be where she happened to fall. This episode didn’t explain anything, and while enough explanations may follow, I saw no hints at any sort of depth whatsoever so far.
ED: Copy paste song, boring as usual.
Potential: 60%

Some Quick First Impressions: Engaged to the Unidentified, Pupa and Hozuki no Reitetsu

by psgels, posted in Some Quick First Impressions

Engaged to the Unidentified

Short Synopsis: Our lead character has to marry against her will.
I’ve found my surprise of the season with this show. Now don’t get me wrong, the premise is horrible and something that we’ve seen many times before. This series would have been incredibly boring, if it wasn’t for one character: the little girl. You’ll know who I mean when you see her. She made me laugh quite a few more times than what I’d like to admit. I mean, on one hand she uses moe like no other. But on the other she’s like this really weird combination between a child and an adult. Her eloquence is one moment really polite, and the other incredibly childish. The rest of the cast… well they try what they can with a premise of suddenly learning that your grandfather has arranged your marriage behind your back, but the drama is forced and cheesy. That little girl though… she made this worth the watch. The danger with these characters is of course that it’s really difficult for them to carry the show on their own. I mean, this series needs to stay fresh for an entire season. I did not see hints that it will, but who knows?
ED: Generic J-Pop
Potential: 60%

Pupa

Short Synopsis: Our lead character eats stuff.
I really am puzzled for this one. I’d really like to know the story behind this series. How did it get made? Who are responsible for it? Why was it made? I mean, clocking in at only four minutes (three if you ignore the OP and ED) this was obviously made on a shoestring budget. The animation shows the same: there was hardly any inbetween work done here, and the animation that is there looks incredibly jerky. And yet the art itself is very good, and the soundtrack also rocks. Tomomi Mochizuki is a brilliant director who really knows his stuff, so he has to have some kind of idea or vision behind such a series that obviously is going to be short with only twelve episodes. Was this like a project to train some new people at Studio Deen or something? Does that explain why it was delayed one season? I mean, the episode had a good atmosphere, although it was a bit weird and really really short so there was no time to let things sink in. What’s going on here?
OP: Love the art, although it is a bit lazy.
ED: It’s like… the creators made a long version only to hear that it had to be cut incredibly short
Potential: #$@?%

Hozuki no Reitstsu

Short Synopsis: Our lead character works as an executive in hell.
Thank god, finally. Houzuki no Reitetsu was the first episode for which I can really say that yes, it was well written. It already was amongst the top series to look out for, and it did not disappoint. It blows the entire season out of the water in terms of creativity, but it sets itself apart with its script. The way in which the characters talk to each other is delightful. A lot of this series is simple smalltalk, but thankfully the creators did not listen to the Shaft-school of writing dialogue, but they kept things meaningful and to the point, while at the same time throwing in tons of references to Japanese mythology, but also weirdly talked about things like wildlife and Ayer’s Rock. It also weaved in its comedy very nicely: it only makes a joke when it’s got something funny to tell. Some of the jokes were quite clever, something you wouldn’t expect of anime lately where most of the jokes are simply quite crass.
OP: The best OP of the season, introduces the characters with a weird song and trying something different for a change.
ED: This was weird, but still better than the other EDs we got to listen to this season.
Potential: 95%

Ranking all of the past Winter Seasons till 2000

by psgels, posted in Top 10 Anime

Over the years, even when I just started blogging, I’ve seen enough people get tired of anime, claiming that anime in the past used to be so much better. I remember that I kindof saw their point, however there were plenty of awesome series to keep me watching. However, after the current state of the season so far, I really do long for the anime of the past, and they seemed so much more diverse.

However, the big trap with these statements is to over-glorify the past. “Yeah, the past used to be so much better, in my days blah blah”, so you need to be careful with these kinds of statements: you forget the boring parts and only remember the things that stood out. So because of that I decided to take a good look back at the past winter seasons. I’ll rank all of them, but I’ll talk about them in chronological order. For each picture, I’ll use a picture of the series that turned out to be the best, by the standards I hold today.

Once this season has ended, if I feel motivated enough, I’ll also include it in this list.

Winter 2013


This was a really bad season. The only remotely good non-sequel show to come out of it was Kotoura-san. It had a very strong first episode for a school series, and managed to keep it up for 1 cour. Beyond that, the obvious stand-out was a sequel: Chihayafuru, which admittedly was just fantastic. AKB0048 unfortunately was not as interesting as I hoped it to be, and Amnesia and Tamako Market had promising first episodes, only to crash down horribly. Apart from that, the school setting was again very prevalent (Boku wa Tomodachi ga Sukunai, Mangirl, Sasami@Ganbaranai). Lots of series looked the same, but there also was some historical fantasy here and there (Maoyuu, The Hakkenden, Senran Kagura). Out of around 31 series, I only found three of them actually worth watching.
Rank: #11

Winter 2012


This was a season in which suddenly there were three ambitious science fiction series airing at the same time: Rinne no Lagrange, Mouretsu Pirates and Aquarion Evol. Out of those, only Rinne ended up not fulfilling its promise, but still it wasn’t bad. On top of that there was a solid horror-series with Another, and three really solid comedies in the form of Poyopoyo Kansatsu Nikki, Danshi Koukousei no Nichijou and the incredibly random second season of Tantei Opera Milky Holmes. Natsume Yuujinchou came with its amazing fourth season that gave a ton of depth into the people around him. So yes, I would say that this was a very good season, with a pretty decent variety as well. Aside from mecha and comedy, there also was slice of life, sports, fantasy and romance. I would call this a very well rounded season.
Rank: #7

Winter 2011


This season stood out due to three absolutely amazing series: Level E, Mahou Shoujo Madoka Magica and Hourou Musuko. All three together covered the entire spectrum: one was a brilliant comedy, another brilliantly deconstructed the mahou shoujo genre, and another was a brilliant look into what it is to be a transgender. These three alone made this season worth watching, and on top of that we also get a pretty decent closure to Kimi ni Todoke, a “so bad it’s good”-comedy Mitsudomoe Zouryouchuu, and Gosick, an adventure series which started out questionably, but ended beautifully. The downside to this season was that there were a lot of stinkers. Fractale is the most notable for having a wonderful premise, only to completely ignore it, but Yumekui Merry had the same fate: great premise and execution, but just cut off in the middle leaving nothing resolved. Dragon Crisis just went worse as it went along, and Kore wa Zombie Desu Ka also failed to stay funny. Not to mention the epically bad Rio Rainbow Gate, Infinite Stratos and another Oniichan series. A season of huge ups and huge downs.
Rank: #6

Winter 2010


Oh boy, I remember how this was a stinker when it came along. However, looking back on it, it’s not the worst, it’s better than the Winter of 2013, however that season was backed up by a very strong Autumn season, while this one… wasn’t. So we were stuck with Durarara, a series which thankfully had a fantastic first half, only to have a much less interesting second half later on. The one series that stood out was Heartcatch Precure, the series that showed how much you can do with the mahou shoujo formula. Katanagatari also was interesting and fresh with its wordplay, but the problem with these series was that they paid out very slowly: Heartcatch Precure only started in February and had 50 episodes, and Katanagatari only aired once a month. Apart from that there were series that had interesting premises and were nice to watch, but never really were meant for greatness, like Cobra The Animation, a revival of the classic TV-series, and Sora no Oto, which at the very least had a very intriguing setting (really rushed ending though!). However, this also was the season in which the barriers of good taste got lowered significantly: Seikon no Qwaser was pretty much borderline porn. With a measly 17 series total that aired, things did not look good for anime at the time. However, things recovered afterwards.
Rank: #10

Winter 2009


Winter 2009 was weird. It was stunning, completely stunning. Birdy the Mighty Decode still stands in my top 10 because of it. White Album was incredibly annoying, but ultimately worth it and a unique romance. Ride Back started out rather weird, but it turned out to be a pretty unique mecha series about an adult female who drove this cross between a motorcycle and a robot. Maria-sama ga Miteru surpassed itself, Shikabane Hime was weird, but ultimately awesome to watch, and Hajime no Ippo also completely surpassed itself. It was glorious, and yet there were so many annoyances at the same time with how the Tower of Druaga failed to live up to its hype, Natsume Yuujinchou’s second season was not as strong as the first, Koukaku no Regios didn’t go anywhere, Kurokami failed to deliver, and Munto turned out to be nothing more than a blatant recap. I also remember complaining about how there were way too many sequels this season. And true, the amount of sequels at the very least has never been as overwhelming as in this season. 2009 was definitely the year with the most conflicting feelings.
Rank: #3

Winter 2008


This season was one of the best winter seasons ever. The reason was the sheer quantity of amazing series that aired. Porphy no Nagai Tabi is a series that today can not be made: 52 episodes dedicated to a children’s novel, coupled with stunning background art. Gunslinger Girl’s sequel was very controversial due to the style change, but I loved it. Shigofumi had an awesome concept of a girl who brought back letters from the dead, and True Tears is one of those unique romances in which you never really know what the characters were thinking. Hakaba Kitarou seamlessly combined horror with comedy, Aria the Origination was an amazing conclusion to the Aria franchise and Spice and Wolf was a really intelligent look at medieval economics with excellent characters. THIS. This is what a winter season should be. There was something for everyone, many risks were taken and many series delivered in well thought-out ways. There were a few disappointments, but none of them were really big disappointments. Just a few series that burned out in their second halves (Zoku Sayonara Zetsubou-sensei and Sisters of Wellber 2), and the obviously bad series like Rosario to Vampire were in a minority and could be easily avoided.
Rank: #1

Winter 2007


The 2007 season had much less quantity. However, what it lacked there, it made up for in quality as it premiered two series that would grow out to be absolute classics: Les Miserables and Nodame Cantabile. This definitely was a season for the people into classic literature or music. No other season has ever been able to deliver two of these masterpieces at the same time. If you look at the rest of the season, the you’ll see lots of action: generic action series or series about people with powers fighting each other, that never really stood out. Rocket Girls was nice, and Master of Epic also was this unique little comedy series. There also was slice of life, sports. That’s the big difference between this season’s lackluster series: in 2014, everything looks like each other. In 2007, things were uninteresting, but at least they were different.
Rank: #5

Winter 2006


This was the first winter season I actively followed. And what a season it turned out to be: Ayakashi ~ Japanese Classic Horror, Ergo Proxy and Rescue Wings together. All incredible series, aimed at adults, yet all completely different. Beyond that there was a really solid romance series situated in a hospital with HanTsuki, Magikano was hilarious back when Seiji Kishi was still good. Plus, Nerima Daikon Brothers: an actual animated musical that never got fully subbed, yet was really fun to watch. There may not be as many series here, but here is the thing with this season: all these six series were incredibly well thought out. They had some really interesting ideas and they took their risks, instead of rehashing the most popular thing around. All of these series set out to challenge the status quo and do something never done before. Even Magikano, as its brand of humour was still fresh back then.
Rank: #4

Winter 2005


Here we get to the point where I haven’t seen every series that came out, so my view of this season has also a few impressions here and there. This was an average season, that delivered two really strong short series: Air and Starship Operators. Romance and space opera. Beyond that there was the short comedy Gag Manga Biyori. Beyond that, there’s lots of romance, mecha and kiddie shows. I mean things like Mahou Sensei Negima, Peach Girl, Jinki Extend: I saw small fragments of them but none of them really looked like they had potential. This actually reminds me a lot of the season we’re currently in.
Rank: #8

Winter 2004


This is a weird season since there were two utter classics that aired with strange schedules: Ghost in the Shell’s second season aired two episodes at the start of each month, and Paranoia Agent started in february. Especially Paranoia Agent was absolutely fantastic in every single way. But yeah, this season absolutely rocked. One of the best action series out there in the form of Jubei-chan 2 also was shown here. That’s three completely amazing shows in one winter-season, and the rest of the season, even the not interesting ones, are incredibly varied. There are fanservice series, but plenty of historical ones, there is a comedy, there are series aimed at a young audience, and old audience, plenty of series that took risks and series that just stayed with the status quo. The balance is perfect here.
Rank: #2

Winter 2003


The top three series this season were all really inspired: The Big O’s second season really knew how to play with the mecha genre, Ashita no Nadja was a really creative shoujo adventure that we nowadays never get to see anymore, and Wolf’s Rain, although the execution left a bit to be desired here and there, really stood out with how its main cast consisted out of wolves, and I absolutely cannot fault its setting, which was incredibly imaginative. Beyond that though, this was a small season. Most of the other shows were just harmless fluff or just plain bad series. Oh, and Licensed by Royal, which I haven’t seen but admittedly does look interesting.
Rank: #9

Winter 2002


One thing to note is that ten years ago, the seasons were much smaller. This season, ignoring the kiddie shows, had about 16 anime. The best of which was RahXephon, which was an intelligent mecha series, definitely. Also good were the adventure series Patapata Hikousen no Bouken for the younger audience, and Fullmetal Panic, for the older audience. Nothing standout like in previous years though. Kanon also premiered, starting the trend of key adaptations, and Onegai Teacher aired as well. Nothing much stands out, but there are lots of cute girls, along with generic action series in which the enemies are strange supernatural beings.
Rank: #12

Winter 2001


Here we get to the part where the winter season was pretty much insignificant. The only series that are noteworthy are Arjuna (a nature series, admittedly very creative) and Tales of Eternia. Ojamajo Doremi also had one of its seasons here, but apart from that… there was hardly anything. That I’ve seen, at least. The thing is that there are surprisingly many series that feature adults as their protagonists. There are 14 series in total, and while most of them indeed do look uninteresting to me, they don’t suffer from the problem of not trying out different things.
Rank: #14

Winter 2000


Only 9 series aired in total. 9. That’s nothing. One series stood out from the bunch: Boogiepop Phantom. Fantastic show if you want to work hard in order to understand a series. Kazemakase Tsukikage Ran was also a very solid period piece. Beyond that though were mostly kiddie shows (we saw Mushrambo and Mon Colle Knights on Dutch TV, actually), but yeah, it’s apparent that producers at this age didn’t see much into winter seasons, and any series airing there is a mere coincidence. I’ll stop my overview here then.
Rank: #13

Conclusion

So, what did I conclude from this? Well, globally, these years can be divided into three periods. In the first period, until about 2005: relatively few series were released, and among them were two or three series that really stood out as amazing series, only 2004 had more and falls more in the period that came afterwards. The rest of the series were meh, however they were varied and were different from each other.

The second period is what I’d like to call the golden age of anime. It lasted from 2006 to 2009, including 2004 (and 2011 and 2012, I guess). The season size got much larger, and with that the amount of amazing series also increased. Every season had so many series that worthwhile. There was something for everyone and so many series came up with interesting ideas, rock solid executions. There were meh series, and series that didn’t deliver, but even amongst them was enough good stuff and things were varied.

And the third period started in 2010. Globally, things returned to having two or three really standout, really good series, with the rest not really being remarkable. But here’s the kicker: as opposed to the first period, the amount of series per season still is huge. There are as many series as in period two, and most likely even more! The result is that while a decade ago, you had the same amount of standout series, this time they’re surrounded by heaps and heaps of generic series that on top of that all look the same and don’t try to be anything new, different or fresh. You get piles of series that are all trying to fit into the same niche and therefore all just end up watering each other down due to the huge amount of competition.

Because of this, the stakes to stand out get higher, so more money is poured into the animation budget. The financial risk is higher, so in terms of storytelling you can’t take many risks either, so people opt for safe scriptwriters and series with interesting ideas are really hard to greenlight. Because of how everything is overcrowded, series that have certain elements in them tend to sell more, so every series needs to have those elements in them in order to also compete for sales. Even the good ones, leading to the excessive amounts of fanservice you see in nearly every show today. I mean, it cannot be a coincidence that Kill la Kill and Space Dandy, the TWO series that set out to try something new and different, both being ended up so crass at the same time.

So yes. I’m not saying anime is dying. I’m saying anime is in dire need of a new business model. The current one is fifteen years old now, and the lack of innovation is starting to hurt. The industry thankfully isn’t as far south as the gaming industry is, however something needs to happen. Be bold! Be creative! Screw conventions!

Some Quick First Impressions: Hamatora, Super Sonico The Animation and D-Frag!

by psgels, posted in Some Quick First Impressions

Hamatora

Short Synopsis: Our lead character is a detective.
Okay, I now feel really sorry for Noragami for mistaking it with Hamatora. Sure it was boring and all, but at least it was well told here. Seiji Kishi has no sense of timing whatsoever. This episode was a huge mess, and while it wasn’t such a huge waste of potential like Dagan Ronpa, under a good director I could have seen potential here. Seiji Kishi, let me explain something to you: think of any anime there. Do you recall those random background shots that they keep showing? They do that for a reason: to establish the setting, so that we know where the current scene takes place. You can’t just take that out in an attempt to save time. The same goes for small-talk: the purpose of that is to build your characters and show what kind of people they are. You don’t need to make every sentence in small-talk funny, and you by all means don’t want to force a laugh, because now we got this incredibly stupid analogy about that egg of Columbus that just doesn’t make any sense. A lot of directors and writers nowadays have completely missed the point of build-up! Adapt the freaking story so that everything fits well, don’t try to cram everything in! Pick the right points you want to focus on! Make the story flow already!
OP: Nice and artistic, but the song sucks.
ED: Dull and formulaic j-rock.
Potential: 0%

Super Sonico the Animation

Short Synopsis: Our lead character is a gravure model.
Watching this episode really made me facepalm, and realize even more what a terrible state the anime industry is in. It’s not that this episode was terrible. This show does remain incredibl commercialized, being basically nothing more than a way to glorify the incredibly moe mascot of some company. And the moe indeed went through the roof in this episode. But guess what? It wasn’t that bad compared to its contemporaries. The thing with Sonico is that she’s a mascot, so she needed to be portrayed in an as good light as possible. The creators knew that all too well, and in the process they created an actually good character. The thing is: Sonico works hard. She does well in school, she can take care of herself with a part time job, she performs in a band, she models. She has an actual life! Usually characters just have one hobby. One thing that they do, and nothing more. Sonico actually has an interesting life. Sure, there are cliches and the gravure part was cringe-worthy and the preview for the next episode showed that there is no point in watching beyond this first episode, but the creators here delivered a more complex character than a lot of other uninspired series out there. Only because she’s a mascot and therefore cannot be put in a bad light. When such a sell-out actually trumps you, it’s time to start wondering what the hell went wrong.
ED: The CG! It burns!
Potential: 30%

D-Frag!

Short Synopsis: Our lead character is forced into a club.
Comedy is hard. Anime can do good ones, however they’re in the vast minority. D-Frag is about a game design club that doesn’t really do anything (well, where have we seen this before?), who need to recruit new members and they reel in this one weird guy. And to be honest: it doesn’t really get better. The whole gimmick of the series is that it’s got weird characters who all have this “element”, like the water girl throws glasses of water around, and the “earth” girl plays with sandcastles. The jokes are all badly delivered, they lack inspiration, they try too hard. I see no potential.
ED: Oh god the terrible vocals!
Potential: 0%

Some Quick First Impressions: The Pilot’s Love Song, Nobunagun and Nobunaga The Fool

by psgels, posted in Some Quick First Impressions

The Pilot’s Love Song

Short Synopsis: Our lead character goes to school and falls in love.
You know? It might be because I didn’t read the premise for this series careful enough and all, but I expected this series to be a little more… interesting. I expected this series to be about airplanes. Instead, we got a series about this teenager who goes to a new school with his sister, and meets a cute girl and they instantly fall in love with each other. Also they fly some planes here and there. It’s another one of those series that has inexplicably teenagers piloting airplanes in the army, despite there being enough capable adults who can probably do a much better job of it. Also, there is a giant floating island in this series. So what do the people decide to do with it? They dedicate it entirely to one single school. Even taking into consideration that this was set up by nobles, it’s an incredibly contrived set-up. Oh, and there’s also drama. We have no idea what yet, because this episode only hinted at it. Without any subtlety whatsoever, but it did hint at it. This show is like all cheerful and stuff, and suddenly out of nowhere a character goes “oh my god I hate you so much!”, only to drop it again. The movie was about a simple escort mission. That was interesting! That was about characters who at the very least looked and acted like adults.
OP: Bad J-pop
ED: Pretty good, in the spirit of the series at least.
Potential: 30%

Nobunagun

Short Synopsis: Our lead character is the reincarnation of Oda Nobunaga.
Okay, so shounen action. I’ve gotten bored with it mostly. Like with Noragami, it’s all just too standard and… just not exciting. Nobunagun wasn’t one of those series, to my surprise: the action here is pretty good here for a show that’s supposed to be about this high school girl. I’m not sure about the exact reason why, but this does have energy. It’s got a good atmosphere, and does go all out when it needs to, with a pretty good soundtrack. The creators also tried to go a bit into the main character’s head, which did make up for her rather awkward acting at the start. So yeah, I enjoyed this episode, however: what’s in it for the future? They’re just going to fight these same monsters in the same way over the entire series? That’s going to get old very fast.
ED: Hard rock? Okay. It’s good to hear something other than J-Pop for a chance.
Potential: 50%

Nobunaga the Fool

Short Synopsis: Our lead character is a 15th century warlord… sortof.
Shoji Kawamori’s gimmick is that no matter how implausible, he can stick mechas in any kind of premise. The big difference between him and the likes of Seiji Kishi or Shinbo is that he always manages to do this in a different and fresh way. This series is unmistakably his, but at the same time I did not expect him to take the 15th century warring states era that has been butchered so many times by now, and stuff giant robots, flying spacecraft, Joan of Arc, Leonardo Da Vinci and tarot cards all together. The scale of this first episode was huge, and it sounds really promising. It introduced a ton of characters, and most importantly: they were all fun to watch. They’re all characters who have been cameod to death, but this series made them fresh again, even Oda Nobunaga. It also created its own backstory and lore that combines East with West, and Old with New. The episode was actually build up very well and it juggled its different characters around so that we could get a good view of Nobunaga, but also the rest of the cast. Oh, and the soundtrack. Bloody amazing, they did it again. If the rest of this show is like this episode, then we’re in for a treat!
OP: A background OP, this one will probably change…
ED: This one is a bit overproduced.
Potential: 85%