Category: Other:

Some Quick First Impressions – Back Street Girls, Shichisei no Subaru and Banana Fish

by SuperMario, posted in Some Quick First Impressions

Back Street Girls

Short Synopsis: Yakuza boss turns 3 yakuza underlings into popular idol girls

Lenlo’s Review:

I have to say, Microsoft Powerpoint has come a long way since the early 90’s. I was so confused by this series, I legitimately stopped to check if I hadn’t paused it or something at one point. Turns out, no, it just has less frames than a weekly manga chapter. Seeing that though, I decided to try something. I went and read the manga. And you know what? This anime is just fan-colored panels slapped into a powerpoint presentation. Like seriously. This is adapted almost 1 for 1 from the manga. I was so surprised I skipped straight past anger, bargaining and depression and went straight to acceptance. Seriously though, just read the manga. It will be faster. And if you have to have the voices, just treat is as an audio book or something. Slap it on your kindle. You’ll probably have a better experience.

Potential: 0%

Aidan’s review:

Now, I don’t consider myself an expert on animation production but just this once let me offer a piece of advice. If you are going to create an anime of a manga then maybe you should…I don’t know…animate it? I swear to god this was literally a slideshow of the manga on screen, absolutely bare minimum effort required to technically classify this as animation. No, this is as one reddit user put it, moving manga. Well at least I can feel safe in know they series won’t be taking any talent away from JC Staffs other anime this season. So the presentation isn’t doing the show any favors which causes the jokes to fall flatter than they should. I like the general idea of this story but overall it’s just the same joke repeated over and over. I wouldn’t bother with this one.

Potential: 0%

 

Shichisei no Subaru

Short Synopsis: a group of childhood friends come to terms with the loss of one member, in RPG

Aidan’s review:

Wow this game sounds terrible. You really can tell the author hasn’t really much experience with MMOs or just doesn’t really care about fleshing it out to a point of being believable. I mean one of the party has the power to see into the future…how the hell would that work mechanically? Also a boss that literally deletes your character if you happen to die to it? Who in their right mind would design a boss like that, literally no one would risk it unless it had some game breaking reward. Well I guess hackers would just cheat it but I guess hackers don’t exist in this world. But allow me to be blunt and say I hate this anime, I hate it very much. There is bad anime but then there are anime which are like a personal insult to me for seeing something so lazily written with nothing really thought out just makes me furious. This is a story where the author wants to put his drama down without thinking out any of the aspects to make it feasible. The plot points are so agonisingly obvious that I can map out the character love pentagram just from the first episode alone. This story is clearly gunning for a mixture of Anohana and Sword Art Online and does neither to any level of satisfaction. For the RPG aspects are ludicrous and the drama so forced that I want to grab the writer by the neck and scream in his face “Learn how to goddamn write you stupid ass HACK!” So yes, quite unpleasant. I may be as uncouth to say it made me rather hot and bothered. Well, pip pip, tally ho, fuck this show.

Potential: May this show burn in hell and apologise to writers everywhere

Lenlo’s Review:

So… are we entirely sure the UI and town/backgrounds wasn’t lifted wholesale from SAO? Is this made by the same people? Am I being punked? To be serious for a moment though, this series has issues. I really can’t add anything onto what Aidan said except this: The most fun/entertaining part of Subaru was listening to Aidan as he watched it. Really, the thing I look forward to most each season is the possibility of something like this that just drives him up a wall. If you don’t care about things making logical sense, of laying down and following set rules, you might get some fun out of this. I don’t expect the drama to be all that great, its very melodrama-ey and simply not as well crafted as Anohana was. I actually think the ridiculousness of the MMO aspect takes away from what is basically a rehash of Anohana’s mostly grounded (excluding the ghost) story of coming to terms with loss. But the twist at the end was unexpected and kinda makes you wonder where its going to go. Consider my interest peaked enough to hear how it goes, but expecting the worst. Also, someone help me convince Aidan to watch it through the season.

Potential: 15%

Mario’s review:

Well, people are right to suggest that Shichisei is a mixture of Anohana in a Sword Art Online RPG settings, even the characters resemble the cast in Anohana, let alone the twist that brings us to the present day. It does run through many forced developments and strain credulity a bit, like the love interest bit and WHAT THE HELL? THEY ARE PRIMARY SCHOOL’S KIDS. But at the same times I’m not lying when I say this twist does grab me and I want to see how they deal with it in future events. The characters, then, will have to shoulder all the emotional weight, and as far as this first episode goes, NO, they still aren’t fleshed out beyond their established traits yet. It might get frustrated later on, but for now, I’m mildly interested to see what comes next. I’d say that the best way to know if the series works for you is to see how’s your response regarding that plot’s turn. I don’t mind another Anohana-inspired drama if it’s done right.

Potential: 40%

 

Banana Fish

Short Synopsis: A young gang leader becomes embroiled in a drug-related plot and befriends a Japanese reporter.

Mario’s review:

No question about it, Banana Fish is kool and stylish. From the NY settings to this mafia feud to the compelling characters, Banana Fish grabs you in the first moment and never leaves you.The story so far is fast-pace and thrilling, without ever sacrifice the characters’ motivation and they provide just enough information for us to process. For only the first episode, Ash proves to be an interesting lead, confident, sharp but has enough ‘weakness’ to make him believable. I’m not too fond on the other lead, Eiji though. So far he’s dragging the show down and that yaoi tone is so obvious it’s rather distracting. It helps that the production is sublime: many striking shots and the animated sequences at the bar are simply stunning, and the memorable soundtrack with the gritty backdrop make this the best-looking and stylish show we’ve seen so far this season, and that Banana Fish, whatever it is, will prove to be a wild ride for our Ash and Eiji. Sign me in for this wild ride.

Potential: 80%

Wooper’s review

Now this is more like it. Banana Fish feels like it was assembled by a creative team that actually gave a shit about the material they were handed. Check out the graffiti and the sunlit streets that bring its stylized version of New York to life. Listen to the show’s musical palette, which moves seamlessly between genres to feature bass, boom bap, electronic, and even metal (there’s only one dud in the bunch, during Ash and Dino’s first conversation, but it’s quickly forgotten). Most of all, check out the godlike fight scene in the billiards bar near the end of the episode, which lends credibility to the idea that these characters play hard and live harder. There’s no question that MAPPA delivered with this episode, but the manga’s tendency to forego establishing panels bled into the anime’s sense of speed, which hurts its score a little bit. Once the initial conflict between Ash and Arthur/Marvin dies down, hopefully the show will stop and smell the roses for a bit, but with 110 chapters to adapt in just 20-something episodes, we may be stuck on fast forward for the majority of the series. Still, this was a very exciting premiere. Everybody go watch Banana Fish!

Potential: 75%

Some Quick First Impressions – Chuukan Kanriroku Tonegawa, Yume Oukoku to Nemureru 100 Nin no Ouji-sama and Isekai Maou to Shoukan Shoujo no Dorei Majutsu

by SuperMario, posted in Some Quick First Impressions

Chuukan Kanriroku Tonegawa

Short Synopsis: The right hand man at a financial consulting firm struggles with mundane tasks while designing a death game for his boss.

Lenlo’s Review:

Ah Kaiji, how I had missed you. For those not in the know, Tonegawa is basically a prequel/side story to the Kaiji: Ultimate Survivor series. The best gambling anime out there. If you like Kakegurui, then Kaiji will knock your socks off. I would also almost make it mandatory, or at least recommended, watching for Tonegawa as it basically covers the entire first 3 minute recap. It’s fantastic. As for Tonegawa, well… it’s alright. Looks like it’s going to be a middle-management wordplay comedy instead of Kaiji’s high stakes gambling. That’s disappointing. There is also the fact that, because of Kaiji, we know that Tonegawa survives his series intact. In addition everything, from the sound effects to the art, seem… off from the original series. I can’t place it, but its stuck in my head. Regardless, Tonegawa will live or die by its ability to adapt. If it sticks with this middle-management comedy routine, it’s going to crash and burn. If it flips to something else, it may just survive. We shall see.

Potential: 30%

Wooper’s review:

This is a Kaiji spinoff, right? Right. So where is Fumihiko Tachiki as my solemn narrator? Where are the sinister “zawa zawa”s that I remember from the first season? I don’t want to say this series betrayed my expectations, because it’s clearly going for something new here, but I certainly didn’t expect such iconic elements of the original production to change. Maybe change is a good thing, though. Tonegawa is a straight-up comedy rather than the pulse-pounding thriller that Kaiji was, so the hammy narration might gel with the middle management hijinks after another episode or two. I’ll be giving it that chance, because I like the original series, and because Tonegawa’s performance as a world-weary death game designer offers plenty of potential for laughs. The suit-related gags in this episode weren’t too strong, but I believe that Madhouse will squeeze whatever black comedy they can from the source material. Plus, Fukumoto’s art style is glorious as always.

Potential: 40%

 

Yume Oukoku to Nemureru 100 Nin no Ouji-sama

Short Synopsis: A woman must embrace her destiny of awakening 100 princes after being transported to another world.

Lenlo’s Review:

Ah the good ol isekai harem series. A staple of every season it seems like. Hope your ready for info-dumps, because your in for one probably every episode most likely. The only thing 100 Sleeping Princes has going for it is the age of its heroine. Instead of being the generic high schooler, we have… presumably a young out of college office worker. That’s really the only thing this series has that separates it from any other standard isekai fair. Aside from that, the designs are standard, the characters are standard, everything about 100 Sleeping Princes screams bog standard to me. Simply not worth your time, your prince is in another castle.

Potential: 0%

Mario’s review:

Think of a generic reverse-harem isekai and you pretty much have a good idea about this show. 100 Sleeping Princes embraces all these tired tropes: main heroine who already has super-power (and amnesia), sleeping boys around wherever she goes, and the mascot who basically info-dumping us all the things we need to know. All those make this episode a predictable and harmless ride. It doesn’t help that the production doesn’t have anything above-average to offer, nor can the characters carry the show. There’s a fair bit of chemistry between the two princes, but it’s obvious that this is an excuse for amping up as many cute boys in distress as it could. Look, if you want make a reverse-harem show, just don’t grant your girl any special ability. Your typical isekai garbage.

Potential: 0%

 

Isekai Maou to Shoukan Shoujo no Dorei Majutsu

Short Synopsis: a shut-in gamer is summoned into his game world, becomes a powerful character with 2 beast girls as his slaves

Aidan’s review:

So I heard that the author of this series wrote another series which was a political war/strategy LN series called Altina the Sword Princess which seems to be fairly well written. You may notice that it was not that series which got an anime adaption. Sigh…alright to be fair I actually somewhat enjoyed watching this. Oh believe me it’s it garbage but it’s the kind of garbage that makes for easy watching. Though it is very shameless with heavy boob bouncing animation and a first episode where the main character molests a catgirl. The one thing that makes it enjoyable is the discrepancy between the characters thoughts and his actions. But my original comments from the season preview very much stand, this is second hand Overlord. So if you want a version of Overlord that doesn’t take itself too seriously and has a boatload of fanservice then this is the show for you. Otherwise I say just back away slowly. Oh, and catgirl, you are not my Rem. Faker.

Potential: 10%

Lenlo’s Review:

Alright, so let me see, going off of just the OP we have a red haired Darkness, our token slightly tanned girl, big boobed elf girl, and two scantily clad jailbait animal girls. All of whom I presume will somehow get enslaved to our lead otaku isekai demon lord and get their own creepy molestation scene. What is this, a budget Overlord? I thought Overlord was a budget Overlord, what even is this? As Aidan said the only remotely interesting thing about this is the “fake it till you make it” attitude of our lead, which reminds me of the 40k Ciaphas Cain novels, if Cain wasn’t a smart-mouthed Imperial Commissar with a wit of gold. Suffice to say if your watching this for the fan-service, cut out the middleman and just go watch hentai. If you want a decent Isekai story, I guess go watch Overlord? Either way, this isn’t worth your time. Oh and as Aidan said, #NotMyRem

Potential: 0%

Some Quick First Impressions – Island, Hanebado! and Senjuushi

by SuperMario, posted in Some Quick First Impressions

Island

Short Synopsis: A man stranded on an island full of cute girls claims to be from the future.

Lenlo’s Review:

Well I can see how ISLAND might appeal to some people. After all the first two scenes are A) Erotic wordplay about “breaking” and B) The classic trip and fall into your main love interest, but this time it’s directly into his crotch. Face first. Truly, ISLAND is a bastion of culture. Yeah, there are small hints about some kind of murder storyline. Some kind of detective drama. But let’s be real here, this is a fanservice delivery system. If Studio feel learned how to weaponise the genre, this would be their Tsar bomb. If your into fan-service and B-plots designed to deliver that fan-service, ISLAND may be for you. For everyone else, I give it a 1-in-a-million shot at being anything resembling decent. It’s a shame to, because we have irrefutable proof that Studio feel knows how to make good anime. They just choose not to sometimes.

Potential: 0.00001%

Mario’s review:

Let’s me just recap the story just so we have an idea how half-baked it is. We have a guy who literally a blank page, who both suffers amnesia (!), but “remembers” enough key events to advance the plot at will (!!). He meets various girls (!!!) and the first thing he remember about them is boob and kiss (!!!!). This is obviously a VN type of story where the main guy has no personality whatsoever and the girls are loud and cliche. It doesn’t help that the fanservice is off-putting and the conversations are generic. There’s some hints of a darker storyline which all the mysteries and killing stuff, but so far it’s hard to invest to any of that because the pacing is all over the place. That insert song in the end might pull some viewers in but for me it’s just a generic J-pop song. Uninteresting characters with too much fan-servicey and not enough plot would sum this one up nicely.

Potential: 10%

 

Hanebado!

Short Synopsis: The remaining members of a badminton club struggle to keep their group together.

Mario’s review:

How appropriate that we have a sport anime that kick off the season in a middle of football frenzy and Wimbledon, and it’s a competent one to boost. Conventional plot aside, Hanebado has all the ingredients of a solid sport drama, from adequate character developments to outright impressive badminton choreography. These two main girls have clear motivations and struggles, but what I enjoy the most is the way the show display characters’ feeling through subtle expressions (this reminds me a lot of KyoAni works). Yeah, that main girl can be unbearable sometimes but she comes from a place I can totally understand. As a person who used to practice tennis day and night, I come up with that question a lot: Why do I keep playing the sport. As noted, the animation is impressive. It’s one of the few shows where I can say it resembles the sport in real life, but I’m not sure if they can keep up that impressive visual for the rest of its run. Other concern is that I’m not certain if it can finish the story in one cour, because I just don’t want to invest in a story that just stop when everything just gets interesting.

Potential: 60%

Wooper’s review:

This is one of the anime that most interested me based on promotional footage, because the badminton matches looked great. Now that I’ve seen the first episode, though, I realize that the rest of the production doesn’t have that level of polish. That goes for story, characters, visual direction, and most disappointingly of all, music. Hanebado’s soundtrack sounds like the result of putting every Joe Hisaishi score into a blender, taking two sips, and throwing the rest away. And that’s honestly a shame, because with good visuals for the competitive scenes and a distinctive sound for the rest of the show, we might have had a contender on our hands. Instead, the average character writing (featuring transparent stand-ins for the concepts of “talent” and “hard work”) shines through at every possible opportunity, making their relationships and arguments feel artificial. The idea that two rivals will have to become friends and work to improve their club isn’t wowing me, either. Hanebado still gets a light recommendation from me for the athletic animation and the fun OP, but don’t expect the world from this series.

Potential: 40%

 

Senjuushi

Short Synopsis: Rifles are Boys.

Lenlo’s Review:

Sigh Why do I do this to myself? Why does Japan do this to me? To anyone? Welcome to “Ancient-guns-as-cute-boys-doing-cute-things” the anime. I swear if this becomes a genre, i’m just done. There are so many things wrong here. I would need this entire post to explain my problems with Senjuushi. That’s not going to happen. I already made that mistake with Touken Ranbu. And at least Touken Ranbu had the decency to look as flashy as Fate/Zero or Fate/Unlimited Blade Works. At least from it I got some visual stimulus! From Senjuushi all I get is a dozen of the exact same male face with different hair colors, scaled to different sizes. Nope. I’m out. Bye.

Potential: 0%

Mario’s review:
Just after last year with Touken Ranbu where hot boys are the incarnations of famous swords, Senjuushi basically borrows the idea with them boys as an embodiment of famous matchlock firearms, in a musketeer fashion. The mashup of all the different setting periods is actually the most amusing factor this show provides. Throughout this episode, more than dozen of male characters introduced and I’ll be damned if I remember any of those faces. Make no mistake, this show is an advertisement for those boys and I suppose this show will make several missions as an excuse for those boys teaming up and squeeze out every drop of charisma out of them. Avoid this show at all costs.

Potential: 0%

Summer Season 2018 Preview

by AidanAK47, posted in Seasonal Previews

Like a backup singer coming on to do an encore, the summer season rolls in to leave us rather underwhelmed. Not to say there isn’t anything here as there are certainly two or three that I consider quite important, but after that Spring season any follow up is bound to disappoint. Some shows may have tripped along the finish line but it was a season bound to be remembered with quite a few shows that stood out. The summer season has some potential but I feel like it will be good R&R for those of us that fell behind on shows from the last season.

Usual rules still apply, I check out whatever source material I can and see what we might be in for. Poll is below where you can vote for the shows you would like to get covered this season, though take note that even if you vote Attack on Titan season 3 to the top, I am still not covering it. Maybe someone else will but I sure am not going to.

This poll is no longer accepting votes

What will you be watching this fall?
VoteResults

Thanks to Wooper and Mario for contributing to the blurbs and for gathering the images. You know what you are here for so let’s get things started.

 

 

The sequels/Shorts I don’t care about

Ani ni Tsukeru Kusuri wa Nai! 2 (short)

Aru Zombie Shoujo no Sainan (ONA)

Baki (ONA)

Gintama.: Shirogane no Tamashii-hen 2 (sequel)

Free! Dive to the Future (sequel)

Joshiochi! 2-kai kara Onna no Ko ga… Kudattekita (short)

Marvel Future Avengers 2nd Season (sequel)

One Room 2nd Season (sequel)

Overlord III (sequel)

The iDOLM@STER: Cinderella Girls Theater 3rd Season (sequel)

Hataraku Onii-san! No 2! (short)

Neko Kikaku (ONA)

Oshiete Mahou no Pendulum: Rilu Rilu Fairilu (sequel)

Yakusoku no Nanaya Matsuri (ONA)
Yama no Susume: Third Season (sequel)

Yami Shibai 6 (sequel)

 

 

Series I don’t care about

 

Aguu: Tensai Ningyou

Studio: Studio DEEN

Director: Bob Shirohata

Script/Series composer: N/A

Source: Web Manhua

Ai is an ordinary girl, and a dancer. Her friend Machi is also a dancer, but Machi is a genius. Watching Machi’s talent often makes Ai feel down. But one day, Ai finds out Machi’s secret: the existence of the Aguu, palm-size entities who grant genius talent upon those who hold them. In order to save Machi, who has become a “Seamstress” who makes Aguu, Ai becomes a “Savior.” The Saviors are a group of people who have fought the Seamstresses for generations.

 

I can’t say I have encountered that many memorable Web Manhua. I think maybe Dice, The Gamer and Tower of God were ones I followed for quite a while but they all basically got worse as they continued. Funnily enough there was an awful lot of what we called pornhua where it was web manga which has a focus of a lot of sex scenes. Obviously this doesn’t fall into that category but I am just stating that I haven’t really encountered a manhua that made me wish for an anime adaption. Got no source for this one but I just get the feeling this won’t be on anyone’s radar. Director did Gravitation and Hetalia so indeed this doesn’t quite make me think this will defy expectations. Props to Deen for picking something unconventional but I think they went a bit too far off base for this one. We shall see how this turns out.

 

Back Street Girls

Studio: J.C. Staff

Director: Chiaki Kon

Script/Series composer: Susumu Yamakawa

Source: Manga

A group of 3 yakuza failed their boss for the last time. After messing up an important job, the boss gave them 2 choices: honorably commit suicide, or go to Thailand to get a sex reassignment surgery in order to become “female” idols. After a gruesome year training to become idols, they successfully debut, with overwhelming popularity, much to their dismay. This is where their tragedy truly begins.

 

I would applaud anything that takes pot shots at the idol industry, and an anime about Yakuza going transvestite to sell themselves as idols certainly has novel factor. Sadly that’s about all it’s got as the one joke can’t carry a story. I am reminded of Mahou Shoujo Ore where the show was less about using an absurd situation to pull off jokes and more about pointing out the absurdity of a situation and telling us to laugh. Comedy requires change and one the reasons KonaSuba works so well is that it changes up things all the time and has a whole continuity to use as comedy fodder. Telling the same joke over and over again just results in the joke getting more stale with each telling and while this may interest people at first, I feel that after one or two episodes most viewers will have moved on.

Continue reading “Summer Season 2018 Preview” →

Megalo Box – 70/100

by Lenlo, posted in Anime Reviews, Megalo Box, Reviews by Lenlo

Ah boxing, the quintessential manly man sport of beating each other unconscious. In anime, the sport was first forged in the fires of Ashita no Joe, and some would say later perfected by Hajime no Ippo. Both fantastic series in their own right. Both filled to the brim with epic clashes of wills, phenomenal characters and some of the best fight scenes in anime. Some would probably count Megalo Box among them, near the top of sports anime. I am not one of them. For you see, Megalo Box is not a boxing manly mans sports anime. Megalo Box is a character drama. With boxing.

Lets jump in!

Continue reading “Megalo Box – 70/100” →

Legends of the Galactic Heroes Die Neue These Anime Review – 80/100

by AidanAK47, posted in Anime Reviews, Legend of the Galactic Heroes Die Neue These, Reviews by AidanAK47

This is a remake of a series made way back when which is one of the most highly acclaimed anime in the medium. It is of legendary status but you would be hard pressed to recommend it as to many the barrier of entry is too high to consider. A 110 episode OVA with dated animation and art is hardly an appealing show looking from the outside. Thus we have Die Neue These, a remake which takes the story of LOGH and sticks closer to the original source material of the novels. Acting as a small offering of what makes this series so highly regarded. LOGH is a story set in the future that plays out like actual history, for the stage is grand and the cast is huge. It is about a war between the Free Planets Alliance and the Goldenbaum Dynasty, one being a democracy while the other a autocracy. The series explores these two systems exposing the ideals and flaws of both as while there are large space battles, the true worth of this series is the great amount of politics that surround this war. Even though the story was made over thirty years ago, it’s messages still ring true today making it excellent food for thought.

The series mainly follows the two heroes representing each side, with Yang Wenli being the believer of democracy and a man who seeks a easier life but is pulled time and time again into historic battles due to his talent for strategic combat. Reinhard is the young upstart of the empire who wishes to rise through the ranks to reform the heavily corrupt society of the class system of the empire. The story can be a bit erratic as it jumps forward in time and it can be hard keeping track of the large cast of character which just seems to expand infinitely. The space battle remain the weaker aspect of the series and from word of mouth it appears the strategy employed is only base level tactics. There is also a common factor of highly incompetent people in high positions that gets reused time and time again as justification for the actions of the plot though not necessarily unrealistic. Also is the factor this is very much only a tenth of the full story of LOGH and when this show reaches its final minutes you may not even realize that it has concluded for the story just cuts off like someone slamming a book shut while you were in the middle of a chapter. There is plans for movies to continue the story but you will be left hanging quite a bit if you don’t intend to watch the original OVA.

Presentation wise aside from some rather odd character designs this series is leaps and bounds over it’s older counterpart. Thus I can conclude that this series is the prefect means to recommend this series to a newer fan of anime to encourage them to check out some of the older greats the medium has to offer. Even after all this time this series remains a standout tale within animation and one anime fans should at least attempt to watch in their lifetime. It loses points for being only a part of a story which has barely begun but for those seeking something that’s away from high schools and teenagers with more mature themes then LOGH is right up your alley. Perhaps even sparking an interest in shows of a bygone era.

Hinamatsuri (2018 Spring) Review – 79/100

by SuperMario, posted in Anime Reviews, Hinamatsuri, Reviews by SuperMario

Comedy anime doesn’t always yell out confidence, so imagine our hype when there’s one that been on everyone’s lips since the manga come out, Hinamatsuri. The show starts with simple premise: a girl with supernatural power unexpectedly drops into the house of a yakuza, hilarity ensues. This concept sums up very well the source humors of Hinamatsuri. We have seemingly stock characters at first, put them into some bizarre situations where they are out of their comfort zone, and observe how they react. As such, Hinamatsuri is at its best when it turns these absurd events into unpredictably directions; and when the show uses these absurd elements to flesh out the characters. It’s so succeed in giving hearts to the characters that, for me, it stops being a laugh-out-loud show somewhere in the middle and now in the end, I’m not quite certain if I still consider Hinamatsuri a comedy show.

But stop being an all-out comedy show isn’t a bad thing at all. One of Hinamatsuri’s best assets has always been a strong and memorable cast, especially from the younger ones. Hitomi and Anzu, in particular, make one hell of an impression. They embrace these two qualities I mentioned earlier, not only it’s hilarious to see how these girls behave when they’re thrown out of their elements, but also throughout those bizzare events our girls have matured right before our eyes. We have the always kind-hearted girl Hitomi finds herself making cocktails in an adult bar (and eventually come to love that job); to the bratty Anzu finds the meaning of responsibility and home in homeless group. Some segments just are down right heart-warming that they ring sad and sweet in equal measure. Even a proper drama show can hardly do that right, let’s alone a comedy one like this.

Other characters still manage to make an impact just from the little segments they’re in. The trick is that they all have different voices and add different energy to the show. It’s no coincidence that Hinamatsuri is fond of introducing new characters, even late in the game. Being said that, the central relationship between Nitta and Hina isn’t as well-developed as say, the developments of their side characters. At the end of the journey, when Nitta thinks about their journey so far, it just hits me that we haven’t really invested to them much. If we’re looking for a parental bond we’re set to be disappointed. If we’re seeking for a buddy bond, it was underwhelming too. Their relationship is some kind in the middle, where they can easily ditch each other but there’s still something that bring them back together.

In term of visual execution, feel does a pretty decent job of transferring the essence of the manga to this adaptation. The visual hits its mark whenever it embraces the quirky visual that only Hinamatsuri can do. I’m talking about whenever these girls doing their supernatural power, or when Hina just floating around in the air in the middle of a conversation. That brings me to another complaint. By design, this whole season is about these “gifted” girls accustomed themselves to the new, ordinary world. As a result, there’s simply not enough crazy, wild fights. This lack of truly over-the-top superpower hurts the show’s chance, as Hinamatsuri has a knack of bringing whimsical humor by their visual. Secondly, the lack of these supernatural power means that the show’s more content for traditional slice-of-life shenanigans, which in truth countless number of anime shows doing the same thing.

In term of segments, I noticed that the anime adaptation change the order from the manga, which I think work for the show’s benefit. We have more direct continuation from Anzu and Hitomi, for example, and so far I can see the love from the creators to make this show as memorable as possible. Only one plot thread I feel rather weak and uninteresting in general is the Nitta’s yakuza part, which rank amongst my least favorite segments. Hina has become more active in the second arc, despite my early criticism that she might not hold her own. This series, as entertaining, whimsical and surprisingly heartfelt as it might be, might never seen the day of life for another season. While personally I’m not over-excited about this show, it still remains a solid offering. The show that has its own voice and visual quirks. That alone make it a far better show than your average anime crop.

2011 Anime Retrospective: THE iDOLM@STER & Usagi Drop

by SuperMario, posted in 2011 Anime Retrospective

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Before we get to the reviews this time, there’s something that I forgot to mention in the first few posts. In order to come up with the shortlists, I used the information mainly from anichart, MAL’s seasonal anime and this very site’s monthly summaries from psgels, along with some first impressions over ANN. Turn out the most informative source out of these was psgels’ summaries, given not only he covered a large amount of shows, but I can also keep track with how he felt about these shows over time (if you’re still reading this blog psgels, you have my gratitude). The other sources miss out many shows (imagine my frustration when I realized Gosick isn’t listed over anichart). It would help me greatly if any of you readers know some reliable sources concerning anime shows that air in every year. I’ll be very appreciated.

psgels only checked out the first 3 episodes of THE iDOLM@STER, so here is his review for Usagi Drop. Let’s the game begin

THE iDOLM@STER (A-1 Pictures)

Arguably one of the finest specimen when it comes to idol anime, THE iDOLM@STER takes almost no time to introduce us a whooping… 13 rising idol girls, each tick the box of your typical anime archetype and there are several insert songs within an episode, so that there’s always something for everyone. Mild sarcasm aside, this is a show whose appeals are too clearly-defined that just by first few episodes you can easily tell if it’s for you or not. In term of quality, it has fair shares of good and bad. Some might point out the refreshing documentary-style the first episode employs, but for me it further underlines many of the show’s core issues. The said documentary style where the girls answer to some text questions further reminds me of its gameplay mechanics. In addition, the show introduces a very plain self-insert male character who only goes by the name “Producer” and if you take away his eagerness towards helping the girls out, he has no distinct characteristics. The 13 female idols (well, more like 12 + 1, you’d know what I mean if you watch it), on the other hand, may seem overwhelming at first, but each of them has their own personality and has their own growth to develop. These growths can be small for some characters, but most of them are well-developed and in the end, just watching those girls bounce off each other and give some interesting different dynamic when pairing different girls make all their time together such a fun time to watch.

THE iDOLM@STER divides neatly into 2 half, first cour about the 765 Pro when they are at the bottom of the food chain and the latter half about them when the girls are already famous. There’s one thing that you need to know that THE iDOLM@STER plays more like an… idolized version of becoming idols. There are issues and hardships along the way; but noting is as dark as Perfect Blue and the show tends to resolve those conflicts by the sheer optimism power from the main cast. In THE iDOLM@STER, you can see those girls doing many idols activities beside singing like joining a cooking show, having their own air show, or even playing with children. The main theme is not much about following your dream (which it has a fair share of, but Love Live claims the spot there), but more about seeing these team idols as family members and the studio as a home to go back to. At that, it produces some nice, warm moments where the cast, despite their busy schedule, still tries to make time for each other. There are some character-focus episodes that leave more impact than others, chief among them the wedding-photoshoot turns runaway bride madness or the air show that put our idols into some pretty hilarious moments.

The show falls apart, however, whenever the main villain shows up and gives 765 Pro a hard time. He’s the kind of antagonist that the show doesn’t need and the way the show frames him as overly cruel make him a badly-written character all the way. I find myself quite surprise that I enjoy the last arcs when the show goes a tad bit more serious because those reflect the characters’ issues quite well without betraying their own developments. In terms of production, while the actual animation is just average, it more than makes up for it with expressing character expressions and the flat-out impressive hand-drawn performance sequences with many earworm songs to enjoy. Makes me clearly see the difference with today idol shows where they try to cut down the cost with those CG dance sequences. THE iDOLM@STER is, without a doubt, a production that is created with a lot of efforts and cares. While it’s pandering with the mainstream’s taste for mainstream attention, its appeal is so well-defined (I reckon its appeal is similar to K!On) that if you don’t mind 13 girls coming at you at the same time, you’ll have a good time with it.

Rating: 74/100

Usagi Drop (Production I.G)

In a medium that a bit too obsessed with high school settings and teen romance, the topic of raising a child is rare, and to be as good and realistic as this is nothing short of extraordinary. It takes two complete strangers starting on a new phase of their lives together to underscore what parenting and childcare really like. While I have some minor qualms about Usagi Drop: the show ends inconclusively, many life-to-life issues are deal with, but quickly get aside once they resolve the issues (like Daikichi’s job or Rin’s daycare issues) and mostly the financial situation is never a big issue, those complaints are quickly tossed aside compare to the show’s strengths. The main, main, main weapon of Usagi Drop is the solid dynamic of Daikichi and Rin – two lovely individuals in their own rights – and witness how they begin to trust each other and enjoy the time together. Rin is pure bliss. She’s mature, well-behaved and smart for her age, but she isn’t without her own personal problems. Abandoned by her real parents (in one of a grounded depiction of immature mother in the medium), she always has a fear being left alone in the world. And for a girl her age she faces those issues surprisingly well.

But Usagi Drop also nails it at depicting how Daikichi evolves as a father figure. He handles the situations like an adult, he sacrifices many things so that it can work out better for him and Rin. In addition, since he’s inexperienced with this whole raising-a-kid thing, he’s panicking over littlest things. A cold from her makes him nervous, every small aspect that he has no idea to he’d call over his relatives for help. It’s hard to raise a child, that’s for sure, then you realize that every parent has been through those very same situations, and it adds a lot of extra weight. This show, in a way, is a celebration of parenting, of every father and mother out there who deal with nameless listless jobs every single day, most of their efforts never get noticed.

Visual-wise, the pre-opening segments use a crayon-tinted style, which really fits the nature of this show. The atmosphere it produces is strong and solid, plus its resemblance to real-life parenting that make Usagi Drop one of the best slice-of-life show this genre has to offer. The cast all act so natural that you would see these kinds of characters in your real life. In this heart-warming world, not only Daikichi learns from his peers and his family to deal with all the situations, but he also learns from Rin, and likewise, Rin learns from him, and they grow a great deal together. The fact that it ends open-ended also speak a lot to its theme, that parenting is a work that can’t finish in a day or two, but it’s a lifespan process, and both Rin and Daikichi are just in their beginning of the process.

Note: Despite knowing what infamously happens in later volumes, I’ve made up my mind to read the rest of the manga at some points in the future. The time jump might very well contaminate my feeling for Rin and Daikichi, but I don’t want to be the one who says I’m uncomfortable without reading it and seeing for myself first. So yeah, at least I’m prepared for whatever comes, let it come.

Rating: 91/100

With these reviews done, I regret to say that this 2011 Anime Retrospective will be on hiatus for a foreseeable future. I’m enjoying watching and reviewing them by all mean, but lately, I’ve been thinking about making a movie blog, given my root has always been about cinema. If it ever happens, rest assured that I’m not leaving this site. I’m still pretty much up to weekly reviews, but side-project like this will have to put into the sideline. Currently, I want to do some movie projects first before coming back to this one (I know, BIG TALK since the blog doesn’t even exist yet. It’s just me and my blind enthusiasm at this point). I’ve received healthy responses from you guys for this project – which I am very grateful – so, thanks again for supporting this project after all this time. I’m still intended to come back and finish this so until then, I suppose. Arigatou.

Fate/Stay Night Heaven’s Feel – I Prestige Flower Anime Review – 90/100

by AidanAK47, posted in Anime Reviews, Reviews by AidanAK47

We have seen an influx of Fate adaptations over the last year and sadly each has proven to be disappointing except for a cooking slice of life short series which is weirdly better than it has any right to be. This movie was the last of the Fate adaptations that I needed to see but sadly remained out of my reach due to screenings being nowhere near where I live. So I waited and now with the Blu-ray release I can finally experience it and by god it’s perfect. This is only the first of three movies covering the Heaven’s Feel route of the original visual novel. As for what that means to the uninformed, the original first visual novel of Fate/Stay night was a choose your own adventure style game where the story could turn out one of three completely different ways. The first path where Saber is the main heroine is called Fate, was adapted by Studio Deen in 2006 but while the only adaption of this route it is considered lackluster. The second route is called Unlimited Bladeworks where Rin is the main heroine and has been adapted by Deen into a movie and again by Ufotable into a TV series. This movie is the very first adaption of the previously unadapted third route called Heaven’s Feel where Sakura is the main heroine and more or less is the grand finale of the original game. When compared to the other two routes Heaven’s Feel is generally considered darker in tone and quite a few consider it the closest thing to a true sequel to Fate/Zero. Take that statement with a grain of salt however as it certainly isn’t intended to be a sequel but rather a conclusion to the original game. As a long time fan of the series I was curious as to how Ufotable would handle the adaptation and if this first movie is an example of what the full trilogy will be I would consider it a prefect adaption. Not only did this first movie cover the important points of the beginning of the route but actually improved the pacing and story with extra scenes.

In the visual novel it was briefly mentioned how Sakura started to come to Shirou’s house to help out but Ufotable actually shows it right from the start which I feel was a great introduction for her. The expanded action scenes and original scenes of things that happened outside of Shirou’s perspective really added much needed context to the story while giving justice to characters whom in the visual novel were sent off less ceremoniously. If there is a character that truly benefited from the animated adaptation it’s most definitely true Assassin. It’s nice to see a master who uses an Assassin class servant as they were intended to be used and despite being an antagonist you could always see how under powered he was when compared the powerhouses that are other servants. The animation really shows Assassins fighting style of avoiding direct confrontation and relying on traps and tricks to catch servants off guard. Even Shinji was given more context which made him more understandable though obviously still not likeable. The small nods to Fate/Zero help continuity better than the original story did as of course Zero was originally made after it. Animation of course was fantastic as this is indeed Ufotable with a movie budget and clearly no expenses were spared in making this thing as gorgeous as humanly possible. The fight scenes are absolute works of art and exhilarating to behold. Soundtrack was also quite excellent and despite my misgivings with Yuki Kajura I found this soundtrack quite effective and only remembered it was Yuki’s work when the choir jumped in at the opening credits. Through admittedly I wasn’t quite paying attention to the soundtrack but that in itself is a sign of grown from Kajura as her soundtracks had a tendency of stealing attention away from a scene whereas here the soundtrack worked more in tandem with the visuals.

Out of the original three routes, Heaven’s Feel is considered the darkest story and for good reason. As dark as Fate/Zero? Not certain if it’s that level but we are dealing with some pretty heavy stuff here. For one it’s clear that this version of the Holy Grail war has far more collateral damage than any other. It was said in the background that accidents where happening and people were dying in the background of other series but here it’s gotten to the level of being a massive concern. The people of Fuyuki know that something is going on and more and more incidents are happening. Shirou’s friends are no exception to this as even they are victims of the war. On top of which we got this mysterious creature floating around draining people into comas and the movie certainly shows how eerie this thing is as well as how dangerous. With Sakura being the main heroine as well we glimpse the abuse she has to endure at her home. This is a pretty heavy story for both the servants and the masters with bleak prospects to come.

The movie of course isn’t without flaw. It assumes you have at least seen the Unlimited Bladeworks adaptation and makes no effort to ease in newcomers as it quickly montages things previously covered. Small references to Fate/Zero have been added by Ufotable too so some knowledge of that can help. Despite efforts to improve the pacing of the story there are points of this movie which feel rather slow and rely on it’s atmosphere and soundtrack to carry it. The CGI while well done can be distractingly noticeable at times such as the scene between Lancer and Assassin on the truck. I would even go so far to say that maybe Ufotable over polished it. Also indeed this is a film for Fate fans so those who couldn’t get invested in previous iterations most likely won’t find anything here to change their mind. Naturally as well this film is only one third of a story so it doesn’t end conclusively and only is one part of a story. But for a Fate fan such as myself I loved it and thought it was the best it could ever be. If the other two movies are as good as this we could very well see the Fate anime to call Fate/Zero’s undisputed position of best Fate Adaption into question.

Violet Evergarden (2018 Winter) Review – 76/100

by SuperMario, posted in Anime Reviews, Reviews by SuperMario, Violet Evergarden

Violet Evergarden’s existence has surely been a public one. Acclaimed before everyone lick a taste of it (it was awarded for grand prize in the fifth Kyoto Animation Award’s novel category in 2014 – read, KyoAni awards), it goes without saying that Violet Evergarden is one of the most anticipated show of the sparse Winter 2018 season. As with my first impression, I left the show feeling a bit torn about it. On one hand, the production is top notch and when the show hits right, it sweeps you right away. On the other hand, I don’t buy much of Violet’s central conflicts and the show has a tendency to go over-soapiness and try to explain too much, which I never fond of. To be fair, Violet Evergarden has never known for its subtlety, its intend is always to pull as many punch as possible. Violet Evergarden, therefore, is at its strongest when it uses Violet as an observer, to put her as a background for characters with their own struggles have to finds ways to overcome. When she stays in the spotlight, however, the amount of predictable development and cheesy moments always overwhelm the show’s own emotions.

Let’s begin our journey with the way KyoAni adapts these Light Novels into anime form. The Light Novels start with Violet as an already established Memory Doll, and makes it ambiguous as to whether Violet is a robot or a human. Throughout many encounters with clients should we learn more about the violent pass of Violet, and her super-soldier self. To put it another way the Light Novels uses her more as a reporter with set personality. In the anime version however, KyoAni decides to shift the focus to the whole character arc of Violet. Make her vulnerable at first, and then build her character gradually. I appreciate the intention (in fact about half of their episodes are original material. Impressive), since anime medium works different than written form so it’s always a wise move to modify the content, so it’d fit with the visual medium; BUT I’m not sure if these changes improve the narrative. The thing is, Violet as a central narrative is a boring lead and she’s utterly unrelatable. She doesn’t possess any personality traits and repetitive responses get pale really, really fast.

But to build Violet the character from ground zero also means that when she changes, the changes will be massive. Violet is suppose to be a robot, at least in terms of narrative sense. Everyone regards her as a killing machine, she sees herself as someone’s royal dog, the show visualizes her as a bleeding doll, and the novel purposely frames her as a robot, anything but a human. It’s also the show’s narrative that Violet needs to learn these emotions in order to truly become a full-fledged human. There are some neat ideas behind it, namely the way she realizes the bad deeds she has done in the past. When she doesn’t realize, it’s okay to live on, but when she does, the fact that she ends many people’s lives comes back to hurt her. Relying on someone else to live (in this case, Gilbert), is as sad and unbalanced as it might get, and her own arc has to do with her coming to terms with the fact that Gilbert is no longer there for her and raise independent on her own. It comes to episode 8 and 9 which feature one huge flashback to the day Gilbert died and Violet experiencing her grieving process. While I personally feel this flashback a huge waste of time given we don’t learn anything new, it feels like a complete arc for Violet. That is the reason why the real climax in the end doesn’t do much to me since we already see her arc done in previous episodes.

Violet Evergarden’s best parts are the standalone episodes where Violet doing her jobs – reciting or writing letters for their clients. At heart, these letters represent the desire to connect between people, they represent all those raw feelings that can’t be said out loud, and Violet is in middle of its own trying to translate those feelings into written words, and learn about emotions in the process. All these little stories, from a playwright making a new children-play, to the sick mother write future letters for her daughter, to write love letters from the heirs of two nations, each of them adds more layer to the concept of ghostwriting and her job of connecting the hearts of people together and most of them give a satisfying emotion to their story. The best episodes amongst them are episode 10 (sick mother and her daughter) and episode 7 (playwright).

The production by and large is impressive with detailed character designs (it’s one rare production where all the background characters are fully portraited with their own costumes and figures), consistent animation and striking background designs. Each story where Violet performs her jobs has different kind of settings, and Violet Evergarden really gives it their own on breathing life to those places. The lighting, however, doesn’t give the show a justice here. All interior scenes feel too dark, for one thing, and the way Violet Evergarden uses their focus lenses which make the centre of focus detailed and the rest blurred) hurts the show more than support it. It’s one of the case where I consider they over-playing with post-production. Such a shame since it feels like they don’t have enough confidence to their raw production.

As for characters, it pains me to say that the supporting cast doesn’t reach their full potential either. There are many anime original characters, and most of them have their own episodes to shine. But Hodgins and Cattleya are surprisingly underdeveloped despite appear almost in all episodes. Gilbert is just a vessel for Violet’s personal growth and the appearance of Dietfried in the end doesn’t leave much impact either. There is a hint of the aftermath of postwar era, which I somewhat enjoy but I don’t feel that it reaches its full potential. And all the drama is over-blown, which kind of bang me hard in the head.

All in all, Violet Evergarden is a roller coaster of emotions, in more ways than one. It either sweeps you away with its grandeur approach, or it doesn’t (like myself). The central development is a conventional and predictable one, and the show’s best moments are the ones where they move away from Violet as the central conflict. Despite my grumpy it’s still a solid made and worth watching at least one, if only for the beautiful CG-animated mechanical hands of Violet.