Some Quick First Impressions: Ultraman, Konoyo no Hate de Koi o Utau Shoujo YU-NO and Fruits Basket (2019)

Ultraman

Short Synopsis: A superpowered space officer and his son are called to save the Earth from a familiar-looking villain.

Lenlo’s review:
Having never seen the original series, I had no idea what to expect going into this one. But I must say, I was pleasantly surprised. The CGI was off putting at first, but Ultraman really commits to it and by the end, I barely even noticed it. I was all in, and it looks just enough like the cheesey live action of original Super Sentai series for me to enjoy it. On top of that, the story itself actually appears to be quite new to the genre! Instead of being episodic, this is more like a coming of age Western super hero story, like Spiderman. There definitely appears to be some influences from there to my eyes. That it follows the original series as a sequel of sorts also plays in its favor, as Ultraman isn’t forced into the originals mold, its free to be its own thing. The series could easily take a turn from this, the actual city and interiors showing some cracks in the facade, but from what I saw in the first episode, Ultraman is a Netflix series worth your time.
Potential: 60%

Wooper’s review:
I think I’ve been spoiled by Polygon Pictures’ 3D anime offerings, because series like Ronja and Seikaisuru Kado looked much better than this. Ultraman moves slightly away from the traditional influences of those series and edges towards more sophisticated lighting and shading, plus more CG involvement in its background art. This pays some dividends, as in the bit ripped straight from Spiderman where Shinjiro tests his powers on the roof. His weightless leaps from building to building are given some life by the way he gels with the sunlit scenery, which is great. There’s much more to be disappointed in, though; the oppressively geometric layout of every single interior scene, the total lack of environmental damage from massive impacts, and the photographed trees that appeared as glorified sprites were especially ugly. On top of that, we have CG anime’s usual stumbling blocks of stuttering pan shots and Botoxed facial expressions to yank us out of the story. Speaking of story, Ultraman 2019 is another superhero tale that promises to comment on power, morality, and human potential in the same way hundreds of others have done in the past. The characters might have been able to carry the half-baked setup if not for Shinjiro, the sort of MC who ponders how many “points” he’d score by rescuing a cute girl from a trio of delinquents. That girl also happens to be a pop idol, who will almost assuredly become his girlfriend because wouldn’t that be awesome? It’s a shame the “next generation” feeling is so prevalent here, because Shinjiro’s father (the original Ultraman) is a fabled Adult Protagonist, despite being a wet blanket himself. Pretty disappointed with this one on the whole, especially since Kenji Kamiyama’s name is attached (hopefully he’s putting all his effort into next year’s Stand Alone Complex sequel).
Potential: 15%

 

Konoyo no Hate de Koi o Utau Shoujo YU-NO

Short Synopsis: A high school boy whose father just disappeared still goes to school, meets girls with big boobs before gets transported to an alternate timeline.

Lenlo’s review:
Let’s see, mystery transfer student, CHECK. A load of established harem members, CHECK. Weird McGuffin with no explanation, CHECK, and a clearly evil authority figure, CHECK. Hmm… yup, from my diagnosis YU-NO has a clear case of the “Tropes”. While normally not fatal, and occasionally beneficial in a series, I fear this is an advanced case. All originality has been used for a singular perverted MC gag that wasn’t even funny. I fear there is little to be done for the series but to sit back and watch the train wreck. If you like watching something die a slow and inglorious death, YU-NO might be for you. However if you value your time, my recommendation is to avoid like the plague, so you might be spared the terrible affliction.
Potential: 0%

Mario’s review:
UNBEARABLE PROTAGONIST, ACT 1

Yu-no is, in a word, a throwback anime. There are many tropes and styles of humor that bring you right back to the 90s aesthetic that you don’t see often today, at least not to this extreme. Right at the first bit of dialogue, “panty” and “something hard” are thrown to our faces, and it’s getting worse from there. Just look at the screenshot to see the level of unabashed foolishness Yu-no contains. It also has a typical issue when anime tries to adapt a Visual Novel material: it introduces way too many characters before the main plot kicks in and to be frank, none of them is that interesting. Worst among them is the titular naked girl who kisses this horny MC and vanishes into thin air like an acid version of beautiful mermaid. The bad guy screams “villain” from Day 1, and like Steins;Gate 0, his evil seed is a whole bunch of crap. And then we have the lead who has a bit of hormonal issue (or is his own words: is he in that day of the month already?). The hook is solid, though, but with the ensemble cast this cringy, and the humor this dated, Yuno, you know, isn’t worth your time.
Potential: 10%


Fruits Basket (2019)

Short Synopsis: Girl meets several boys in their home and decides to stay there with them.

Mario’s review:
Overall it’s decent start that we have here. The strongest component in this episode is how the show fleshes out all the characters just about enough, especially the main girl with her own struggles and personality. The visual department, however, is sadly unremarkable. It looks “old”, not due to its intention, but more because of its lack of polishment (the worst bit is the distracting CG smoke). The story, while goes through many shoujo tropes (the Prince type, her friends), still remain quite solid because each character has their own voice and there’s much more opportunity to flesh out these characters. It’s true that Fruit Basket is much more interesting when it focuses one characters’ drama, not romance. Another thing that could tamper this adaptation is the pacing, given at one point (where her tent is buried under the snow) passes so quickly and abruptly. For now, I have my reservation regarding the production, but given the strong material it has, there’s still heaps to look forward to.
Potential: 65%

Lenlo’s review:
Let’s cut right to the chase here, its Fruits Basket. Most of you should already know what you are getting into. It’s been almost 20 years since the original afterall. That it’s getting a remake after so long, and is already a successful established series, tells you all you need to know. For myself, my only experience is with the English dubs, and so beyond this first episode I am going to be waiting for those myself. Can never get enough Laura Bailey. For those who don’t know what’s up, Fruits Basket is one of the landmark rom-coms of the late-90’s/early-00’s. As someone who largely despises the genre, it is one of the only series in it I look back on fondly. It’s filled with tropes and stereotypes abound, though an argument could be made that Fruits Basket helped establish them. I have often wondered, because of this, if that fondness was just nostalgia. Well this first episode made me realize it wasn’t, at least not totally. There is a mystery established behind all of the romance and jokes that pushes the story forward, so it doesn’t have to rely purely on the romance. I will still have to wait and see how much I have changed since my youth, but I feel comfortable saying I will enjoy this one.
Potential: 50%

Mob Psycho 100 S2 Anime Review – 87/100

Upon finishing this series, the only question on my mind was how many animators did Bones sacrifice on ONE’s altar to achieve this. Following their prior season, Mob Psycho 100 Season 2 continues Bones adaptation of webcomic and manga author ONE’s 4th work, Mob Psycho 100. ONE has also authored the critically acclaimed One Punch Man series, redrawn for Shonen Jump by Yusuke Murata, and was later also adapted to anime by Studio Madhouse. Both were fantastic, and both pushed the envelope in terms of animation for TV anime. Following these up was no easy task. And yet, somehow, some way, Studio Bones did just that. They created an anime that you can find, almost in its entirety, on Sakugabooru. A blog dedicated to beautiful animation. But is there any substance, any depth, to what that animation portrays? Let’s find out.

Welcome to Mob Psycho 100 S2, lets jump in!

Continue reading “Mob Psycho 100 S2 Anime Review – 87/100”

Kaguya-sama wa Kokurasetai Review – 84/100

Anime draws on many different media types in its endless search for properties to adapt, but manga is still the king of the bunch. And why not? It’s a distinctly Japanese art form, their main demographics have significant overlap, and manga’s panel-based layout means that some of the anime staff’s work is already done. Plenty of adaptations stick very closely to their manga counterparts (hopefully out of respect for the original), but some receive bold reinterpretations. Kaguya-sama doesn’t go quite that far, but under the guidance of director Mamoru Hatakeyama, it does manage to take on a life beyond that of its source material. Hatakeyama’s work on screwball comedies with Studio Shaft near the start of the decade gave him an eye for tricky camera positioning and outrageous character expressions. Since the show came to a conclusion several days ago, I’ve been skimming the manga and noticing the ways in which he embellished scenes by making full use of the student council room, where at least half the anime takes place. This is probably why that environment is rendered using cel-shaded 3D models, since it would allow extra freedom in deciding which angle of the room to capture.

Kaguya-sama’s move to television works to its benefit in plenty of other ways, as well. Its comic timing is terrific – I vividly remember the moment when a dump truck unloaded a towering pile of flowers directly onto Kaguya’s head. The slow, quiet manner in which the petals piled around her sold not just that scene, but a whole seven-minute segment. Things get loud when they need to, as well, with each battle of wits between Kaguya and Shirogane feeling more critical than the next. The show’s use of bright red and blue backgrounds (representing the two main characters) and urgent string accompaniments pushes their mental matches to absurd heights, only to bring them crashing down when fan favorite Fujiwara unwittingly interferes. Special mention must also be made of the series’ stellar casting, which put newcomer Aoi Koga in the lead role and reaped immense rewards as a result. Her blend of haughtiness and vulnerability made Kaguya my favorite character by a mile, but the other student council members had great actors behind them, as well. Even Ishigami, who I wasn’t originally fond of, found his stride once Ryouta Suzuki embraced the bitter, world-weary nerd at the heart of his character.

All these elements made Kaguya-sama successful as a comedy, but director Hatakeyama’s experience with drama paid off as well. Having headed up the masterful Shouwa Genroku Rakugo Shinjuu, he clearly knows how to frame more serious material. The two-part finale “I Can’t Hear the Fireworks,” which dug deep into Kaguya’s isolation and sorrow, is all the evidence one might require to support that claim. The moments when she reunites with her friends and realizes the depth of her affection for Shirogane are among the most heart-stopping in recent romcom history. Towering though that achievement may be, though, the blending of comedy and romance in simpler scenes also carried a kernel of drama, which was crucial in constructing a plausible on-screen relationship. Tropes like shared umbrellas and backseat bicycle rides felt more satisfying in Kaguya-sama than in other series, since Shirogane and Kaguya’s famed intellects gave way to their passion at just the right moments. Not all of these scenes were perfect – I had my reservations about a couple chapters near the end of the show’s run – but the hit-to-miss ratio favored the former by a sizable margin.

So what’s the final verdict? That’s up to each viewer to decide individually, but mine is quite positive. The comedy is clever and visually inventive, the romance is cute, and the dramatic conclusion alone is worth the price of entry. In fact, the series was so good out of the gate that my expectations went soaring for the second half, which didn’t always meet them. Still, I enjoyed my time with Kaguya-sama, and if you like shows that skillfully walk the line between silliness and sweetness, I think you will, too. It might not be on par with the Kare Kanos or Toradoras of anime, but it’s a thoughtfully-directed romantic comedy that ought to be watched by fans of the genre.

Kaze ga Tsuyoku Fuiteiru Anime Review – 93/100

Recently, sports anime have become a bit of a dying breed. Falling into the same hole as Mecha, aside from a passionate base audience, most are overlooked. There are the occasional hits like Haikyuu, Yuri on Ice, or Darling in the Franxx for Mecha, but those are few and far between, often taking years. Even then, rarely does a series come along that can reach the heights of the old classics such as Hajime no Ippo or One Outs. However, Kaze ga Tsuyoku Fuiteiru, Kaze Fui or Run With the Wind, attempts to do just that. With a phenomenal cast, tight direction and a 5 episode finale that was executed neigh perfectly, Kaze Fui is one of my favorite sports anime in recent years.

So that said, lets jump in!

Continue reading “Kaze ga Tsuyoku Fuiteiru Anime Review – 93/100”

Spring Season 2019 Preview

HelghastKillzone: The Winter 2019 season of anime was pretty good, wasn’t it? It was filled with great adaptations, amazing animation work, hyped sequels, brand new movie releases from major franchises and the reimagining of old IPs. When it comes to the upcoming spring season though… I fear that it just won’t be as good as these last three months. We’ll give you our thoughts on what interests us but from a curious glance at the numbers from MAL and the PVs shown so far, it is certainly looking thin on hit shows.

Mario: Spring 2019 can also be seen as the season where the three arguably MOST INNOVATIVE auteurs working in anime today are releasing their new works. Shinichiro Watanabe, Masaaki Yuasa, Kunihiko Ikuhara… they all have changed the anime industry in some ways, and it’s unavoidable that their new works will be hyped to the sky.

This also marks the first time where Aidan steps down from editing this preview, so in a way, this is our first real collaborative effort for this type of post. Personally, doing this preview reminds me how much of a pain it is to run through these things. So we offer our gratitude for old man Aidan for giving his opinions on shows that we will eventually forget ever existed. As it stands, I’m not too sure if we will keep this format for upcoming seasons, but rest assured that we, the writers here, will come up with a more suitable format that still benefits you readers.

For this edition Helghast and I are also doing the Movie Preview section. Due to the nature of movie release, many films we preview below won’t be available to us for a good 6-months, or in some cases, a whole year, so this preview serves more as putting these titles into your radar. Keep in mind that this isn’t a comprehensive list (nor do we intend to make one), the list below is merely anime movies that we believe have some merits for you to check out. In the end, a whooping 13 titles are previewed for this season alone, just to say how the anime industry has been more concentrated to theatrical releases more than ever.

Again, sorry for the late post. If you are looking forward to certain shows this upcoming season, make your voice heard by either voting in the two lovely polls below or leaving a comment.

What will you be watching this spring?

 

The sequels/shorts we don’t care about

Araiya-san! Ore to Aitsu ga Onnayu de!? (softcore short)
Aikatsu Friends! Kagayaki no Jewel (sequel)
B Rappers Street (kiddie)
Bakumatsu: Crisis (sequel)
Beyblade: Burst Gachi (kiddie)
Bungou Stray Dogs 3 (sequel)
Chou Kadou Girl ⅙ (short)
Duel Masters!! (kiddie)
Diamond no Ace: Act II (sequel)
Han-Gyaku-Sei Million Arthur 2 (sequel)
Joshi Kausei (short)
Kedama no Gonjiro (kids)
KING OF PRISM -Shiny Seven Stars- (sequel)
Midara na Ao-chan wa Benkyou ga Dekinai (short)
Nande Koko ni Sensei ga!? (short)
Nobunaga-sensei no Osanazuma (short)
Rilakkuma and Kaoru-san (kiddie)
Senryuu Shoujo (short)
The iDOLM@STER: Cinderella Girls Climax Season (short)
World Witches Series 501: Butai Hasshinshimasu! (short)
Yatogame-chan Kansatsu Nikki (short)
Yousei Chiitan (kiddie)

Series we don’t care about

Bokutachi wa Benkyou ga Dekinai


Studio: Arvo Animation/ Silver
Director: Yoshiaki Iwasaki
Script/Series composer: Gou Zappa
Source: Manga
Yuiga Nariyuki tutors three genius of different subjects in highschool to get a scholarship. Furuhashi Fumino is a genius on literature but horrible in math, Ogata Rizu is a genius on mathematics and science but literature and arts are terrible subjects for her and Takemoto Uruka is a genius in the athletic field but really bad in all the others. Together, they study very hard and want to get better at their worst subjects while Fumino and Ogata wants to go to college and work on these subjects for life.

Aidan: Well for this one let me ask you something. Do you remember Nisekoi? That manga and Shaft anime which had the internet fighting an endless waifu war over a series which was nothing but vapid harem antics that never led anywhere? A series born from a mangaka whose more interesting works like Double Arts got axed and just decided to make the most generic thing he could as a joke that became ridiculously successful? Well this series isn’t really related to that author but let me tell you that this is the new Nisekoi. Oh it starts with some promise of story and is even interesting to a degree. But make no mistake that much like To Love RU and Nisekoi, that story just evaporates and we are left with the harem girl of the week formula where each girl is given a momentary pedestal to give the impression that she’s somehow gonna get this guy only to be brushed aside by next chapter. The endless purgatory continues until the author finally decides to end it or stops getting paychecks. You may find some value in its opening episodes, readers, but take it from someone who read long into the series, this is just a waste of time. Continue reading “Spring Season 2019 Preview”

Winter 2019 Summary – Week 9-10

Another two weeks have passed, and Summer Season is coming in sight. It’s the time where most shows get busy as they reach their final arc. Mob Psycho 100 ventures into its shounen roots,  Run with the Wind does extremely well in its last leg, literally, and Kemurikusa girls part way emotionally. Let’s see how these 4 shows below perform in this last 2 weeks.

Gotoubun no Hanayome (ep09-10)

While this class trip provides many more opportunities for Futaro encounters (and improves) his relationship to the sisters, in a bigger scheme I’d prefer if there’s no overarching arc at all for Gotoubon. The fun here for me is how he tries to get closer and helps them in some ways, not about how he has to choose “the one”. I still enjoy it though how he find himself in the damnedest situation: either dance with Ichiba (and the whole Miku’s mess) or pretends to be a delinquent boy to dance with best girl Nino. The whole Nino and blonde dude situation is admittedly silly, but one that I don’t mind. This show has never shy away from rom-com tropes, and fan-service on top of it, but it’s the case where the creator knows exactly where it’s going. As a result, it’s mostly well-executed and the situations are snappy enough to land before another jokes come in. While I still regard the first half of Gotoubon is better (learning about the girls are so much fun), let’s hope this dance – which by itself will be a focal point of this cour – ends on a high note.

Continue reading “Winter 2019 Summary – Week 9-10”

Winter 2019 Summary – Week 6-8

Again, sorry for my lack of coverage for this column, but doing these weekly summaries make me realize more clearly than ever how quickly time passes. Feel just like yesterday that we just started this season, and now it has come way past midway point. Anime this season offers a wide range of offerings. Mob Psycho 100 had many stunning episodes, Boogiepop keeps up with its unpredictability by releasing a whole batch of 4 episodes. I’m slightly disappointed at Promised Neverland, however, as it somehow becomes less and less thrilling as the story goes on. The 4 other shows that I will feature below, still have their own appeal that keep me come back every week. The next season might be an heavyweight, but I’m perfectly happy with the current wealth this season has been offering.

Endro! (ep06-08)

Endro spends the last three episodes to flesh out the characters outside of their heroes’ group, to a varying degree of success. First, loli Devil Lord is my waifu of the season so it’s a delight to see more of her, cute facial expressions (and there are heaps of it) and whatnot. It’s a good little episode since it shows how much she steers away from her supposed evil role, and learning to accept companionship even if her friends are the ones destined to destroy her. I do have a feeling that the Devil Lord vs the Heroes fight is too repeated at this point, but everything else is a delight. The same could be said for Princess, whose assigned role is to love Yuusha unconditionally and she pushes it to the max. I enjoy how she getting close to other members because those scenes, as repeated and predictable as they tend to be, spark a solid chemistry between her and each member. That is why the latest episode fares as its worst effort. Staggering a rescue mission is nice and all, but her plan becomes a bit too much in my opinion. There’s still some solid gags (like how the faked Demon Lord’s underclassmen are more powerful than the actual one). This is the show where it constantly pokes fun at the “roles” everyone supposed to play, so the segment where they play exactly like their roles doesn’t really speak well to me.

Continue reading “Winter 2019 Summary – Week 6-8”

A quick and dirty review of Garo: Vanishing Line

All the heroes in one shot. Sword, Luke, Gina, Sophie and talking motorcycle (? really can I call it that?) Zaruza

What it claims to be about: A secret order of knights and alchemists, the Makai Knights and Alchemists, fight horrifying creatures called Hollows who prey on human weakness .Part of the media franchise spanning anime and live action shows, this iteration is set in modern metropolis and concerns the attempts of Sword, the strongest Makai Golden Knight, Luke and Gina, two Makai alchemists, and an intrepid young girl, Sophie, to unravel the mystery behind the mythic city of El Dorado, and the King who rules it.

What is it really about: A touching story about bonding between an adult and child amid a setting characterized by body horror and schlock violence. No this is not Dororo or Berserk. The very nature of Horrors guarantees that most of this show is about our heroes killing truly disgusting creatures that devour humans in disgusting ways. There are some attempts to provide some gravitas about who and why becomes consumed by Horrors in the first episodes, but this is quickly dropped for sheer B movie horror action. Most of the secondary characters and all of the major antagonists are just boring. Battles are mostly CG and ok rather cool, but not something mind-blowing. Actually the non-CG action was much better. Horror battles have got it all! Ranging from fistfights to even Mad Max inspired car wars. While all of our heroes do get some development, generally I found Gina and Luke rather boring. Instead the real soul of the show is Sword and Sophie and their relationship.

Booby-man in action!

Why you should watch it: And it is that which makes this show worth watching. Sword is in many ways a walking anime stereotype. All muscle, a voracious eater, and a worshiper of female bosoms, which is why I called him booby-man to my wife and called the show booby-man. And yet, there is depth and maturity to Sword that belies his act. He hits the sweet spot between silliness and maturity that makes the show work. It also means that he can be both a friend and father figure to Sophie. Their relationship and its development is what keep this show together.

It also helps that the animation and drawing style is pretty pleasing to me (it also produces quite a bit fanservice keep in mind). The penultimate episode has some really interesting visual art. I have to say that at times the show is willing to try something new.

Why is it mediocre: Because ultimately this is a schlock B movie violence action show and it gets in the way of character development. Indeed the last episode spends too much time on boring URRGGHH!! battle between booby-man and the most boring of the big bads, rather than driving forward the Sophie and Booby-man relationship. The music is ok. It is rock and roll and hard electronic guitars, and sometimes it works great and others not at all. The plot is boring, and the sub-plots mostly boring, with a few exceptions.

In a final analysis, this is a good mindless action series if that is what you want (which is what I wanted from it). Sword (aka Booby-man) is different enough than the usual stereotype protagonists of these types of shows to give it that extra thing that makes it stand out, but the general character of the show sacrifices the promise. If you want just some pure, silly fun, go for it. But don’t expect more. Interesting, I would say it felt like a very USA animation show (the more adult DC kind). So keep that in mind.

Winter 2019 Summary – Week 4-5

We are reaching towards midway of this season where shows start to settle down and we have a firm ideas of which shows we wanna follow till the end. As for me, I decided to skip both Asuka and Domestic Girlfriend for now. I’m still mildly curious about then, but in the season where I find other 10 shows have much more to offer, “mildly curious” ain’t gonna make it. For this last two weeks, Mob Psycho 100 delivered one of the best piece of sakuga action in years, Kasuga-sama had its first meh episode, Run with the Win continues to deliver and I’ve heard good things from Dororo (which I still need to catch up). In fact, only my blogged shows remain in a quiet side of the conversation. They have their own appeal but they’re niched, to put it nicely. For the 4 shows remained here, I must say I enjoy them thoroughly. It’s such a nice set of shows that for the first time since several seasons I’d anticipate all them right after its airings. Now without saying too much let’s get run them down:

Tate no Yuusha no Nariagari (ep04-05)

Damn it, Shield Hero. It raises many head-scratching issues but it still manages to hold my attention and investment. For every touching moment of Raphtalia standing up for Naofumi we have to endure awful treatments from basically everyone against him. For all plot building of her becoming free from slaves (which is actually good) the next thing we know we have her binding the slave contract again. For all the chemistry between the fast-runner chicken and Naofumi we have the twist of it transforming into a loli naked girl. Why, Shield Hero? WHY? I was perfectly fine with the chicken being just an eccentric chicken. I was perfectly fine with him NOT gathering a harem team. And yet I’m still down to follow it. I know the only reason to explain all that is that I like trashy shows.

Continue reading “Winter 2019 Summary – Week 4-5”

Winter 2019 Summary – Week 3

We get to the third week of this Winter season where I will cut down some slacks and settle in with the ones I pick. In general, this season has been a solid one for me. Mob Psycho 100 in particular hasn’t had any bad episode yet, Kaguya-sama keeps sharpening its claws, and even something nobody care for like Rinshi Edoka-chan still delivers with grace (the only reason I don’t include Edoka-chan here is because it’s only 3-minute short, WHAT CAN YOU SAY OF A 3 MINUTE SHORT EVERY WEEK?). Anyways, read on to see which shows that still make the cut for the rest of the season.

Domestic na Kanojo (ep02-03)


Curiosity got a better of me and I checked out Domestic for my own dose of suffering. Needless to say, I’m still on the fence whether I’m going to watch it or drop it. There’s a clear set of what I enjoy in the show and what it falters. In a positive spectrum, the situation the older sister Hina finds herself in is frighteningly real and weighty. Having an affair with married person is messy, as in the three-way central romance, and what she’s suffering through is grounded and believable. In addition, I found Rui and Natsuo’s chemistry to be solid so far, as both have the same concerns towards their sister’s affair. On the opposite spectrum, the comedy bits are distracting and most often the time they feel awkward. Natsuo’s best mate is the worst offender as at no point I feel he belongs to this story or even feel like real person. Natsuo’s behavior can be grating at times and I know it will get worse as the story gets messier.

Continue reading “Winter 2019 Summary – Week 3”