Winter 2020 Summary: Week 9

Mario: It’s me and Wooper again contributing in this column for “less popular” shows this season. Many of them are falling apart as they wrap up, but that to be expected with any season. If we’re lucky, we have golden eggs but most of the time they are forgettable fluffs. Well, enough with metaphysical nonsense and let’s scroll down to see what this week has to offer.

RikeKoi – 10

Wooper: While watching this episode, I was surprised at its level of commitment to the characters’ academic presentations. We’ve only seen two Ikeda lab members pitch their research, which means we might spend the last two episodes watching the rest of the cast do the same. Before that, however, Himuro and Yukimura will have to work out the misunderstanding that threatens to drive a wedge between them (ruining not just their relationship, but their joint presentation). Yukimura giving a cortisol-lowering hug to Kanade just before her turn was an innocent gesture, but it’s a terrible betrayal in his partner’s mind. That plot is pretty stupid when you type it out, but I did pick up a hint of interest from Kanade, mostly based on her senpai’s unflapability. Girls do love confidence in men – could Himuro have detected something between the two that they’re both unaware of?

Somali to Mori no Kamisama – 08

Mario: I’ve come to realize that Somali the show fares much better when it focuses on the side characters instead of the main leads. The reason for that, I suppose, is that Somali and Golem’s chemistry is solid but has only one shade. By focusing on their relationship it becomes repetitive and gradually loses its impact. By examining other characters’ relationship towards the human race, or towards the person they love (like last week), the show draws out more context and dimensions to the central leads’ fondness for each other. This episode is entirely in flashback from a witch’s point of view, and that segment says so much about humanity’s frailness and skepticism when it comes to accepting other races. In addition to that, the witch’s world is gorgeously detailed and becomes my favorite setting out of this show. Somali’s looking good heading to the last stretch of its run.

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Top 50 Anime of the 2010s

Aidan: A lot of things can happen in a decade, though two of those things appear not to be flying cars and self-tying shoes. Ten years is a long time and a lot of anime has been made. Just going by an average of 30 shows a season, in ten years that would mean 1200 anime series made. 360,000 minutes of entertainment, though don’t check my math on that. To consider the amount of work that has gone into the creation of so many shows is truly mind boggling and is worth my utmost respect. So late as we are to the party, we decided to make a list of the top fifty shows of the decade. Take note that this list was the product of all writers voting, so any complaints about what should be here or why something isn’t higher on the list can be reserved for the democratic process. This is mainly just a list for fun and maybe a resource for anyone to take a peek at a show or movie they might have missed. So to cap off this decade of shounen brawls, otherworldly reincarnation, animated waifus and all of the emotions, let us reel off some of our personal favorites. And may there be many decades of anime to come to show the world just what animation is capable of.

#50: Girls’ Last Tour

Aidan: When it’s all over, when the last day falls and our history ends with a bang or a whimper, it’s a wonder who will wander our monoliths of civilisation after we are dead and gone. Girls’ Last Tour’s setting is an easy way to get cold hard depression, with it being about two girls wandering through the world after everything is over, the very world alien and devoid of any meaning to both them and us. However, in a twist, the story – while not shying away from the bleakness of the situation – instead focuses on them finding small rays of happiness in the last days of earth. Naturally if everything is already over, then why bother getting sad over it? So for a show set after the unspecified apocalypse, it’s surprisingly upbeat, making for a relaxing watch. It makes you think that if these girls can cheerfully sing, “It’s hopeless!” in the worst situation, whatever has you down is small stuff in comparison.

Mario: Girls’ Last Tour falls within my favorite new trend that emerged in the anime medium over the last decade: dark moe anime. Set in a post-apocalyptic world where the human race is almost extinct, our two girls wander around the world in their Kettenkrad looking for food and shelter. If it sounds a bit bleak and minimalist, rest assured that Girls’ Last Tour is at its heart a slice-of-life show about those girls having a relaxing time in that world. The show could be entertaining and soothing enough with just those factors, but it has more tricks up its sleeves. More often than not, Girls’ Last Tour ponders some basic philosophical questions about our own existence, our purpose in life and even what life is itself. Moreover, the anime adaptation enhances this show further with consistent audio-visual production and great attention to detail. Depressing and comforting at the same time, Girls’ Last Tour is a rare show that produces unique charms and distinctive tones, while always keeping its feet firmly on the ground.

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Winter 2020 Summary: Weeks 7-8

Mario: Welcome to week 8 where we somehow only have one month left before the new season starts. Crazy, right? I still have lots to catch up on, especially Kuutei Dragons and Blade of the Immortal, so hopefully I can watch those in time for the next post. For now, enjoy our thoughts on these second tier shows.

ID:Invaded 8-9

Wooper: I had a good handle on episode 8 as I watched it. The show spent a great deal of time in Momoki’s desert psyche, which functioned as the setting for Sakaido and Fukuda’s miniature buddy movie. Moisture conservation tricks, quicksand escapes, and encouraging banter got them to their destination: a cockpit with Kiki Asukai’s name on it. Surely Hondomachi and Sakaido would meet up in Kiki’s mind this week, I thought, and get to work on another mystery. Nope! As of yesterday’s episode, this show has become Inception: Serial Killer Edition. It turns out that Kiki is really Kaeru, whose dreams play host to murderers summoned by John Walker. Sakaido is caught somewhere between half a dozen dreams, all of which take place in the past, giving him a chance to catch the Challenger before his family is murdered. There’s no time for celebration, though. His new mission is to kill all the serial killers who are conveniently attracted to Kaeru’s brainwaves. This wasn’t just a conceptual left turn – this was a deliberate swerve off a cliff. Is there any hope of coherence for the last four episodes? Guess we’ll find out soon enough…

22/7 – 6

Mario: I only had time for episode 6 of 22/7, and it’s easily my least favorite episode out of this show. To its credits, I found the show’s characterization a tad bit more grounded than typical idol shows. I suppose the reason is that they are based on real idols instead of fictional ones, there’s a ring of honesty in the characters. Like the beginning of this episode where baby Reika fighting for her life feels genuine. In addition, I’m glad we get into the conflict as trivial as this one because when you think about it, teenage girls are usually fret about these tiny little things. But it doesn’t lessen the fact that this episode is boring and insignificant as hell.

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State of the Season – Winter 2020

Wooper: Give yourselves a round of applause for making it to mid-February, everyone! Your reward is our third ever State of the Season post, where our regular contributors talk about which seasonal anime they’re enjoying (and which ones they aren’t). This won’t be quite the hot take bonanza it’s been in seasons past, since Amun’s real life has demanded real attention in 2020 thus far. Mario, Lenlo and I are here to talk about our winter favorites, though – read on to see which writer has the best viewing habits and opinions.

What show are you enjoying that you’re not reviewing?

Mario: Dorohedoro. It says a lot that after halfway point it still manages to surprise. While it can feel random at times, I’m more eager than ever to see what kind of madness and trippiness and bloodiness Dorohedoro is gonna throw at me next. And I’d take them all with pleasure. Also, Kyokou Suiri with its lengthy dialogues but ultimately enjoyable chemistry between its cast.

Lenlo: Dorohedoro. I almost regret not trying to take it up from Wooper, because this thing is madness. Every week we go a bit further down the rabbit hole, down Dorohedoro’s special brand of insanity, and I love it. I have very little idea what’s going on, but I honestly don’t think that’s very necessary to enjoy the show at a base level. It’s there if you want some silly fun and it’s there if you want something with little bits of info hidden around every interaction.

Wooper: Eizouken, for sure. I love both anime and metacommentary, so a series that deals with the creative process, the intersection of finance and art, and the medium of animation is right up my alley. It doesn’t hurt that the characters have great designs and dialogue, either. No matter what the motion picture club gets up to each week, it’s sure to be informative and entertaining.

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Winter 2020 Summary: Week 6

Mario: Next week, we will publish our seasonally State of the Season post, so remember to check in. Like Amun, real life stuff has eaten me alive but I still managed to keep up with current shows, and watched the Oscars yesterday. PARASITE wins. Honestly I’m still overwhelmed by that historic fact and honestly this is one of the best decisions Oscar has ever made. Parasite wins, and nothing else really matters anymore. But enough about Parasite and let’s dig in for anime time this week:

Somali to Mori no Kamisama – 05

Mario: Well, this easily is the best episode of Somali so far. The trick here is that the show does shake up its usual formula. I will start with the lesser success first. While the background designs of the various towns and locations the show displays have been its big strength, this episode is the first time it delves into the local custom of the town where Golem and Somali visits, thus making the settings feel lived-in. It also helps that later on when the group passes the forest, there are many fantasy animals (sand whales) that are pure feast in the eyes (albeit they are lacking in animation). But the real winner here is how it adds some urgency to the road trip of our main characters. We have a couple who are intriguing in their relationship (although the way the Harp girl keeps bringing up her love for her human companion gets repetitive at the end), and the fact that they are willing to harm Somali for their own gains. At least they have their own reasons to do so and I can see and understand that.

Rikei ga Koi ni Ochita no de Shoumei Shitemita – 06-07

Wooper: Both of these episodes were pretty meh, but I watched them in time for this post, so I might as well throw my thoughts into the digital abyss. The kissing experiment in episode 6 wasn’t a bad plot – I’ve seen that kind of barebones chemistry test pulled off before, but a show’s ability to do so hinges entirely on its cast. So far, RikeKoi has shown itself to be premise-driven, rather than character-driven, so the story didn’t quite fit. There was one brilliant mix of those two modes on display here, though: Yukimura’s promise to give Himuro “a kiss of the highest theoretical value.” Since the series is all about hot nerds trying to quantify love, that kind of declaration is both a strong relationship builder and a clever fulfillment of the show’s goals. As for episode 7, I found its reworking of fairy tales and folk stories to be its saving grace – everything else was pretty bad. When Himuro gets drunk and acts super lovey-dovey towards Yukimura, we don’t learn anything new about her (since it’s already clear that she likes him). But if the show puts a mathematical spin on stories like Cinderella and Kaguya-hime, that’s worth a chuckle or two.

Continue reading “Winter 2020 Summary: Week 6”

Winter 2020 Summary: Week 5

Mario: It’s time for another weekly summary. Geez, time sure flies fast. We’re nearly at the midseason already, can you believe that? Seasonal shows this week are… decent, I guess? Often the time this is a low period in seasonal anime, where anime studios rush and try their best to stay in schedule. We have a new show featured this week, and Lenlo is off to play volleyball rather than watching one. Enjoy! 

Oshi ga Budokan Ittekuretara Shinu – 04

Wooper: All this talk about Cham Jam “believing in their fans” and the glorification of unhealthy lifestyles lived in the name of idol appreciation are too much for this normalfriend to handle. I can tolerate sincere otaku fandom in small doses, but OshiBudo puts it front and center. This episode starts with a dramatic flashback to an encounter between Reo (during her time as a filler member of her previous idol group ‘Melty’) and Kumasa, her biggest fan. We’re talking “omit a key line during the conversation so that it can be revealed during the episode’s climactic moment” levels of drama, here. It ends up being a request for her to believe in him, which Reo passes on to Maina so that she’ll believe in her biggest supporter, Eripiyo. Meanwhile, Eripiyo is running herself ragged working three part-time jobs so she can buy dozens of Maina’s CDs and bump her numbers in the group’s popularity poll. That’s right, this week’s plot circles around to a popularity contest where supporting your favorite girl is viewed through an impossibly noble lens. The show still takes the odd dig at its dead broke otaku heroes here and there, but never with enough sharpness to puncture the balloon of idol worship at its core.

Kuutei Dragons – 02

Mario: After one third of the season done, I just remember a little show with no sub in which I enjoyed its premiere, Kuutei Dragon, so I decided to check the second one out, even with the 60 fps fan version (my first experience with 60 fpr and I still don’t get why people do that). Gotta say I still find this show charming. Whereas in Dorohedoro the characters share their chemistry by their love of food, in Kuutei Dragons it has only two things in mind: dragon hunter and dragon cuisine. The quest to enjoy this mystic beast’s meat is strong and it’s fun to watch. I also like its tongue-in-cheek humor and it has the same appeal of The Magnificent Kotobouki last year. I will check out the next episode, and if it proves to be as entertaining as the first two, then I’ll be happy to hop in for the ride.

Continue reading “Winter 2020 Summary: Week 5”

Winter 2020 Summary – Week 4

Mario: Apologize for posting this Weekly Summary a day late, as I was away last long weekend. Seasonal anime has passed its first 3 weeks now, which means they more or less show their true colors as this point and we writers more or less settle down on shows we will be watching through the rest of the season. 22/7 and OshiBudo have their first appearances in this column, but it remains to be seen whether they can hold our interest. Without further ado, read further to see what we say about them this week:

Haikyuu: To The Top! – Ep 3

Lenlo: Content wise, I think this was a good week for Haikyuu. It was nice to see Hinata figuring out what it is he lacks. Figuring out the smart way to play the game vs his previously purely instinctual methods, then slowly merging the two. He has yet to actually play, yet he is learning just by observing, which is something Hinata hasn’t really done till now. Being more focused on DOING. That said, it still feels like it lacks something visually. That being the sort of crisp visual style of previous seasons. It just sort of feels… flat? Like the spikes lack impact, the color doesn’t pop in places it feels like it should, and sometimes the faces feel off, etc. It’s still good, but coming off of previous Haikyuu seasons it feels a tad underwhelming. Granted, I watched all of those 2 weeks before the season started. So it’s a bit fresher for me than most others.

Oshi ga Budokan Ittekuretara Shinu – 2-3

Wooper: OshiBudo is approaching its central premise with less irony that the first episode led me to expect. Comedy is still a part of the show’s M.O., but the relationship between Eripiyo and Maina is disappointingly straightforward in its use of misunderstandings and unrequited longing. The aftermath of the tanzaku plot, for example, relied just as much on Maina’s love for her number one fan as it did on Eripiyo’s intense approach to idol fandom. That love has been teased as romantic a few times now, and while I think that development could take the show in an interesting direction, it’s probably just bait. There was a more credible bit of yuri between two Cham Jam members in episode 2, so who knows where the show is willing to go? Hopefully it keeps creating humorous setups, no matter what tone it settles on. Eripiyo’s shampoo-related tanzaku flying into view as her “fan letters” were scattered to the wind comes to mind as the comedic bar the show ought to be shooting for. If it continues to skew in a less playful, more sincere direction, though, I don’t know that I’ll make it through the whole cour.
Continue reading “Winter 2020 Summary – Week 4”

Winter 2020 Summary – Week 3

Mario: Welcome back to our Weekly Summary Column, I am the new host for this season, Mario. After a frantic first impression period, we are getting more stabilize now and starting to settle on our weekly offerings. I still need to catch up with leftovers from last season such as Blade of the Immortals and Babylon (yep, that Whore of Babylon) and maybe some other shows this season like 22/7, but that’ll be for the next post. Enjoy the roundup and tell me which shows you are following this season or even which shows you want us to cover here. We’ll take that into consideration.

ID:INVADED – 2-4

Wooper: ID:Invaded is my pet show of the season (not to be mistaken with my Pet show of the season). It’s not a critical darling like Eizouken or a surprise hit like Somali, but its high-concept procedural story and unconventional character designs have led me to favor it above most of this winter’s offerings. The plot: brilliant detective Sakaido solves his cases by entering the subconscious of serial killers, rendered as fractured, perilous mindscapes which he must navigate to uncover their identities. One of the things I appreciate most about Invaded is that, despite the magnitude of its premise, the characters aren’t swallowed by it. They have existing workplace relationships and personal histories, even if they’re not the focus of the show. Sakaido’s relationships with the more traditional cops and analysts on his team provide a nice foundation for his bloody backstory, which becomes clear in episode 3. After we learn what horrors he’s experienced, the show begins to demonstrate the influence and the existential detachment that comes from diving into people’s unconscious minds. The show is too verbose at times, and not every subconscious world is as interesting or well-designed as the last, but it has me intrigued enough to consider it a priority watch each week.

Somali to Mori no Kamisama – 2

Mario: I consider Somali episode 2 better than the first one (the premiere has a clumsy exposition part that nearly turns me off for good). The second episode has our Golem and Somali meeting other casts, so we both learn more about the world, and see how the chemistry between them all play out. The end of the episode also reveals more about Golem’s health and that adds to some urgency in regards to their journey. Golem and Somali also has a solid relationship where they grow fond of each other. But saying all that, I still can’t fully embrace the show and I do feel it loses its steam even after just 2 episodes. The fact that Somali is human could pose a potential threat given other beings are likely to consume her should they know – and I think the show will go there, but for now, we don’t sense any of that danger anywhere. And I know I just mentioned about the “urgency” but in truth, I don’t feel any sense of “hurry” at all. If I have to put my finger on why I’m still skeptical about the show, I’d say that its formula is too safe and predictable for now that it never full grasp me. Shake things up a bit would do the show better, I reckon.

Continue reading “Winter 2020 Summary – Week 3”

2019 Anime Awards and Top 10 List

Amun: New year, new writers, new website, and a new intro! 2019 saw many changes for Star Crossed, but as long as we have our anime with big eyes, bright colours, and minor epilepsy inducing flashes, everything will be alright! This was the year of sequels: good and bad. Not to worry though, as many smaller projects shone through – with a couple breaking out to become multi-season franchises and promised movies. Now that the year is over, it’s time for the Star Crossed writers to dole out our accolades to the anime that impressed and disappointed us; and we finish off with our collective top ten best of the year. So let’s take a look back at the annoying cat-girls, weird kappas, no longer mysterious Titans – and finish out the decade in style!

 

Worst of the Worst

Worst Show: One Punch Man S2

Lenlo: Some series had worse animation, some had worse story, and some had worse characters, but One Punch Man managed to be consistently terrible in all of them. The production by JC Staff fell woefully short of “acceptable”, the narrative adapted the incomplete setup to an actual arc that mattered, and it butchered some of the series’ best characters. Across the board, this season of One Punch Man was a colossal failure that every member of staff here managed to agree upon. And it only gets worse once you start to consider the legacy of the series. From Murata’s godlike art, to the labor of love that was the first season by Madhouse. There is a reason that, collectively, everyone here hated it.

Runner-up: SARAZANMAI. Star Crossed authors are deeply divided on Sarazanmai, with a vocal minority giving enough negative feedback to propel this to the runner-up spot; the detractors decry the pretentious, “woke” plotline and peculiarities masquerading as “artistic”.

Worst First Episode: Arifureta

Amun: Arifureta had the worst first episode I can remember. The animation was unacceptable for a production level anime – it was actually unacceptable in some places for a PowerPoint presentation. Normally, first episodes are meant to make a good impression by pulling out all the stops up front – quality then tapers down later. Not so here. The tragic part was that I came into Arifureta with reasonably high expectations: White Fox, who knows how to make a fantasy anime (even if I didn’t enjoy Goblin Slayer), helmed the project. The director Kinji Yoshimoto had several decently well known series under his belt (Queens Blade and I Couldn’t Become a Hero). Unfortunately, in a season marked by poor isekai adaptations, Arifureta stood out as the absolute worst. May its namesake award on Star Crossed First Episode Awards serve as a warning to other shows: at least make your first episode decent.

Runner-up: GIRLY AIR FORCE, for hideous production values and a script that set our minds on autopilot.

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Some Quick First Impressions: Kuutei Dragons, ARP Backstage Pass and Plunderer

Kuutei Dragons

Short Synopsis: A ship of vagabonds hunts dragon for food and money.

Amun’s review:

This is a terribly hard anime to find, but if you can find it….it’s not really worth your time.  I’m even willing to forgive whoever valiantly tried to sub it, despite having a mastery of neither the English nor Japanese language.  No, the real problem here is the jerky 3D animation and the thinly veiled analogies to whale hunting which don’t really translate well to steampunk/dragon fantasy.  Hopefully the staff will learn enough here to become full fledged animators in their own time – this just isn’t going to be their breakout project. With ironically flat characters (except their thighs for some reason) and subpar visuals, I think everyone can safely pass on this.  

Potential: 10% 

Mario’s review:

Unlike Amun, I can say I have a good tolerance with full CG shows, well… some of them. I can’t be bothered with the new clunky CG in Berserk or Ajin for example (the latter is from the same company of Kuutei Dragon), but I did enjoy shows like The Magnificent Kotobuki last year or Ronja the Robber’s Daughter. So, which spectrum does Kuutei Dragon fall into? I’m happy to report that I enjoy the whole lot of it (well, terrible sub aside). The CG character models look bland, true, but I got used to that very quickly. The CG fares better when it concerns the ship and the dragon models. Add to that, I like the worldbuilding of dragon hunting just for food, like a good mix of whale hunting and the love for delicious food. Its easy humor and tongue-in-cheek nature reminds me a good deal of Magnificent Kotobuki, and if that is the case, I know I am in a good company. Just give me a decent enough subtitles.  

Potential: 50%

 

ARP Backstage Pass

Short Synopsis: A behind-the-scenes look at a male idol group.

Mario’s review:

Right off the bat, the CG live performance stands out like a sore thumb and things only get worse from there. This is apparently based on a real (maybe virtual?) band, and all we see in this episode is a little bit of them in school. It functions more like a promotion for that art school and the ARP director (whatever ARP means) than putting effort to tell any story. To give this show some credit, the dance routine of one team member is surprisingly inspiring, and it is in traditional hand drawn style. When it switches to the CG (especially the after credit where it doesn’t need to be) it becomes soulless. Soulless is pretty much how I’d describe this show.

Potential: Soulless

 

Plunderer

Short Synopsis: A girl walks around in search of the Chosen One.

Mario’s review:

Just like what Amun said back in the season preview, Plunderer is indeed terrible. The concept of a world run by “counts” is not a bad idea, but they mishandle everything else completely. There is not a single likeable character, and the show goes borderline offensive with its sexual harassment jokes and cringe worthy humor. Girls are treated like dirt in this show, especially the main girl who is so dumb that despite living in that world she doesn’t know one bit about the rules – how does she survive until now? Congrats Plunderer, you beat Ishizoku Reviewers as the worst premiere of this season.

Potential: TERRIBLE. HORRIBLE