Spring 2022 Impressions: Kaguya-Sama S3, Dawn of the Witch, Tiger & Bunny S2

Kaguya-sama: Love is War -Ultra Romantic-

Short Synopsis: Four nutcases and one airhead procrastinate in their student council duties by turning mundane situations into major crises.

Lenlo: You already know by now what this is. Or whether or not you like Kaguya-sama. The only real question here is if Season 3 maintains the same level of quality as the last two. And to that I can confidently say: Yes, it does. This first episode felt just like any other episode in the series. It was fun, with a number of clever gags and premises that got me chuckling as the layers to each got peeled away. I vastly prefer this kind of layered comedy to anime’s more general slapstick, so it’s nice to see it back. Supporting this, Shinichi Omata continues with his fantastically clever and inventive direction. He brings so much to the series, so many visual queues like the camel that simply didn’t exist in the manga. Augmenting it for our personal silver screens. My enjoyment of this series isn’t in question, I know for a fact I’m going to have fun here. The only question in my mind is whether or not this will top season 2, should they have improved their drama abilities, or if it will be about the same quality as before.
Potential: 80%

Wooper: That opening montage was a heck of a reintroduction to the world of Shuchiin Academy. Even if some of its explosive pink imagery was recycled from season 2’s finale, its appearance sent a clear message: we know you remember these characters, and we know you’ve been waiting for their return. They’re especially welcome sights after watching a barren winter give way to a bleak (thus far) spring season – Kaguya-sama’s reliability is something anime could use more of, so I’m happy it’s back. We’re already making new discoveries about the student council members, such as Iino’s weakness for sexually-tinged motivational mp3s and Kaguya’s archery-honed hand strength, and this premiere puts them to good comedic use. We even got a Hayasaka appearance in the season’s first outing (overseeing Kaguya’s tentative first steps into the world of smartphone literacy). What else could you want from this show? Other than an arm wrestling story that doesn’t conclude with a girl’s victory resulting in her humiliation, I mean. Kaguya ought to be a little cooler under peer pressure than she was a year ago – at least enough to brush off the teasing of the chumps she just beat. That nitpick aside, I enjoyed the whole episode (but I hope something else can outperform it before these first impressions are through).
Potential: 75%

The Dawn of the Witch

Short Synopsis: Three mages get to know one another while carrying out an escort mission for a royal academy.

Mario: Damnit, up until I finished this episode, I hadn’t realized that it is a spin-off of Grimoire of Zero, a show I did watch back in 2017 but have since forgotten about. I did enjoy the mismatched duo of Zero and the beastfallen Youhei in the original series, but the fantasy setting is unfortunately so generic that I didn’t make any connection between this show and Grimoire of Zero (and no, Albus’s name didn’t ring a bell). Structure-wise, this first episode is clean enough to establish the quest to come and some minor conflicts along the way. The team is rescuing their fellow classmate Kudd at the moment and I can see him joining the group real soon. The interactions between the cast is just about enough… but unfortunately the dialogue drags a bit for me here. I suppose the titular witch is the worst offender for this, as she tends to act like a 6-year-old kid and the show has a tendency to amp up her tantrums, and her old-school way of talking. The main dude doesn’t fare any better, as he has as much energy as a koala sleeping in a tree (Koalas spend 90% of their time sleeping by the way). As far as “adventure” goes I can see it appeals to the target audience – it has the fun of adventure, peppered with the cast of diverse characters and a hint of political / racial tension, but otherwise if you want something deeper or more adventurous (in terms of style and storytelling), you can look elsewhere.
Potential: 30%

Wooper: Another fantasy anime destined for the digital landfill, this time set in the Kingdom of Wenias (heh). Honestly, my brain was mostly glazed over during this episode, but I still picked up on the perverted storyboarding – I’m sure you can imagine what that means, so I won’t go into any more detail. I also remember that the headmaster of Wenias’ Academy of Magic (for there must always be a magic academy) was named Albus, but instead of a bearded man with twinkling eyes peering over half-moon spectacles, she was a boring blonde lady with big boobs – give me old and wise over hot and uninteresting any day. As for the main character, he was the wettest of blankets (your classic anime underachiever with nothing in the way of personality), so his traveling companions’ attempts to get him talking resulted in some pretty dull conversation. That’s the one thing I can give Dawn of the Witch credit for, though – it tries its hardest to establish both context and character through conversation, rather than putting a narrator in our ear and calling it a day. Whether it succeeds in its goal is up to the individual to decide; personally, I found it mind-numbing, but I’ve also seen at least a dozen versions of this setting and/or premise that were far worse.
Potential: 10%

Tiger & Bunny 2

Short Synopsis: An array of sellout superheroes gang up on criminals to look good for the camera.

Wooper: I should have known better than to look forward to the second season of a show whose first season I couldn’t finish. Tiger and Bunny are as uncoordinated and childish as ever, making the prospect of watching them in 2022 even less appealing than it was in 2011. They’re left in the dust by all of the other heroes when responding to a robbery during this episode’s protracted intro sequence, and they resort to the silent treatment after one of them takes the other’s energy drink from the break room fridge. Those “other heroes” are no better – amalgamations of stereotypes and stock character traits, one and all. The show doesn’t seem to have a point of view regarding its corporate sponsorship gimmick, which is one of the most frustrating things about it. Midway through the episode, Tiger and Bunny are forced to go golfing with one of their company’s richest benefactors, who’s thrilled to be in the presence of two manufactured superstars, and their response is one of mild inconvenience. Very few of the heroes (if any) are frustrated by the attachment of a points-based ranking system to their work, as though they have no real opinions about the superhero business. To top it all off, the post-ED scene that teases this season’s villainous duo sends them whizzing past camp and straight into the loony bin. If you’re a T&B fan, bon appétit – seriously, clean your plate so I don’t have to eat the leftovers.
Potential: Not my thing

Mario: I have fond memories of the original Tiger & Bunny. While it’s nowhere near my favorite series of that year (2011 was still one of the great years in anime), I found the very idea of superheroes incorporated with reality shows and business to be fun, and a good way to satirize the consumerism of today’s world. This first episode more than satisfies that idea, introducing a new “normal” as the superhero teams are now functioning as pairs, or “buddies” to use the show’s term. It’s great to see the old gang back with some fresh new faces, and so far they are a delight. I also feel that the way they set up a new status quo is well-done, because as the before and after-credits suggest, things will get far out of control later on. I might have preferred if they stayed in this light mode of characters’ nonsensical bickering and reality-show satire rather than the over-the-top, exploding action-drama later on, but all I can say for now is that I feel right at home watching these characters again.
Potential: 50% – or “Feels right at home”

Spring 2022 Impressions: Shachiku-san wa Youjo Yuurei ni Iyasaretai, Heroine Tarumono, Machikado S2

Shachiku-san wa Youjo Yuurei ni Iyasaretai

Short Synopsis: Smol ghost girl brings overworked salarywoman tea and love.

Amun: Think Kobayashi’s Dragon Maid – and then reduce it to about 5% the content (swapping dragons for ghosts and other fantastic beasts). This isn’t necessarily a bad thing, except that this episode tells, then re-tells the same couple hours from multiple perspectives. Just not a whole lot happens (a few rice balls get stolen and wtf is up with Japanese corporate parties). Our main characters are standard enough – I like how anime programmers now use VS Code (and apparently the gender balance in Japan seems a lot healthier than the US according to anime). Cute ghost is cute – but how has no one noticed the literal apartment in the supply closet? Should you watch it? If you want something simple and sweet every week, then sure!
Potential: 50%

Mario: Shachiku-san is like that of a marshmallow. It’s sweet, it’s squishy… but even with just 20 minutes it feels awfully long as there isn’t a lot going on behind its premise. You could summarize the show in one sentence, and by the second half it repeats the same story again with just another perspective – an utter filler if you ask me. The plot is beyond “simple” to an extent that I think it would fare much better if it were a short. Out of all the shows I have watched so far for this season, unfortunately it’s Shachiku-san that tries its hardest to please everyone, but precisely because of that its sweetness just overwhelmed everything else and left a bitter taste instead. Oh “Pwease”.
Potential: 20%

Heroine Tarumono!: Kiraware Heroine to Naisho no Oshigoto

Short Synopsis: A country girl moves to Tokyo and gets to work on acquiring her ideal high school life (with a few snags).

Mario: Heroine Tarumono must try harder to win me over. There’s a sense of familiarity about its school settings and plot, and so far while it doesn’t put any wrong steps, it’s hardly memorable either. As far as I know the show shares the same universe with Kokuhaku Jikkou Iinkai movies, and many of the old cast did appear in this episode. The main focus, however, is about this new pumpkin country girl Hiyori who is a manager of her classmate / idol duo. So far I don’t really care for any character, and the plot can go implausible at times (the job hunting, her living alone in a big city. Really?) but the production is otherwise solid. I’m not that invested to the story to stick around longer, but I can see that it has a solid formula and if they play the cards well, this could become a sleeper hit of the season.
Potential: 30%

Wooper: This is the best start to a “girl becomes manager of a male idol group” show that I’ve ever seen, low bar though that may be. The main character has a concrete personality, there are more than two women with speaking parts, and the series has concerns outside of how awesome idols are. I was impressed by all sorts of things while watching this premiere: an around-the-horn style cast introduction, decent character animation, and even a scene where three newly-introduced girls make friends without batting an eye. Can you remember the last high school anime you saw where the prospect of chatting with a classmate wasn’t cause for anxiety? I’d practically forgotten how pleasant that could be until Heroine Tarumono reminded me. It’s not all good news for the series, though. Lead character Hiyori is so shrill that it’s tough to endure her voice when she enters her upper register; she has plenty of good qualities, but listenability isn’t one of them. The part-time job she stumbles into isn’t particularly promising, either, revolving around two teen heartthrobs who are also her classmates. Based on where this sort of anime typically goes, there’s all the reason in the world to fear that Tarumono’s uncommonly strong start will be for naught, but Hiyori’s well-meaning nature and strong work ethic have me hoping that her show will beat the odds.
Potential: 40%

The Demon Girl Next Door Season 2

Short Synopsis: Weak/broke but otherwise happy demon girl must defeat a traumatized but overpowered magical girl – or just be friends with her.

Amun: “Demon Girl Next Door” is a heartwarming take on “magic girl vs demon girl”, with surprising nuance wrapped up in a “poverty” comedy. Season two picks right back up, with the focus remaining on the latest magic girl to join (who I guess is really into citrus). “Demon Girl Next Door” is at its best when it explores Momo’s flaws and inner struggles – Yuuko’s screen time is mostly fine, but can get a little grating, as she’s cosmically behind the curve. The overall mystery (such as why her father is spirit sealed inside a cardboard box) looms over the comedy, and I’m interested to see if that’s fleshed out a bit more this season. To me, this is a season sleeper if it can rise above “haha, poor and weak = funny” – which I believe it can.
Potential: 80%

Lenlo: I mean… It’s Machikado. This is the exact kind of moe slapstick comedy I don’t like. There’s no layers, no complexity, to anything. If what you want is a wholesome, brainoff, feel good moe blob then I think Machikado will pay off for you in spades. But I don’t have enough time in my day to spend 30 minutes watching fluff. So this is a pass from me.
Potential: 10%

Spring 2022 Impressions: Rising of the Shield Hero S2, Deaimon, Skeleton Knight In Another World

The Rising of the Shield Hero S2

Short Synopsis: Unexpected giant spirit tortoise terrorizes the world!

Amun: Shield Hero is best when it’s the edgy underdog that isn’t afraid to get a little scummy. For me, season one ended in a strange place – it felt like the world was expanded larger than it should have been. Season Two looks to narrow the scope with just one special event boss to fight…wait, a giant spirit tortoise? That’s seriously what it is?! The subplot of the newest party member probably will be a decent sized plot line…which I honestly don’t really care about (I don’t even really remember who that is). The most striking plot device so far is the rage shield – it’ll be interesting to keep an eye on. The visuals are still good, and I think the “mood” or “vibe” is still properly sour – I expect this to be pretty similar to season 1. Only thing is, after seeing this episode I just feel a bit down – maybe it can counteract some of the other sweeteners of the season.
Potential: 75%

Lenlo: I’m sorry, you can’t make me watch this, something something trashy slave fantasy bad.

Deaimon

Short Synopsis: A former runaway returns to his grandparents’ confectionery and discovers that they’ve already chosen a successor to run the store.

Mario: This was, for my money, the first truly solid first episode of the season. Deaimon has many admirable qualities: its art is pleasing to the eyes, its backgrounds are vivid and lived-in with a soft color palette (they remind me of Tsuki ga Kirei, which is a good thing) and the characters are thoughtful and well-developed. Well, it’s still guilty of many anime tropes (the red eyes, I never got those) and this first episode doesn’t really break any new ground story-wise, but it more than makes up for these shortcomings with grounded characters with intimate relationships. We already get to witness a deeper side of both Nagomu and Itsuka, both their personalities and their insecurities. Itsuka’s fear of rejection might not steal our tears away like 4-year-old Kotaro did (did Kotaro Lives Alone air this season, or last? It’s hard to categorize), but the bittersweet emotion at the end is well earned. I am certainly looking forward to more.
Potential: 60%

Wooper: Deaimon is sweet like the treats sold at the series’ confectionery, but it’s not particularly filling. It’s an informally adoptive father/daughter story (Japan seems to put out one of these every couple years) with an emphasis on mild comedy, even relying on a bit of costumed street music to resolve its first dilemma. The conflict between disapproving father and prodigal son is smoothed over with some comedic overreactions and a scene of the dad playing sergeant as his son does push-ups at five in the morning. That’s all fine – a light tone comes as a welcome change after oodles of anime that bear a grudge against decency – but I struggled to find anything to hold on to while watching. The ten year old girl helping to run the sweet shop has a past full of parental abandonment, but the premiere merely glances at it before averting its eyes. The chain of events that led the son to run away from home is beyond silly, making his return much less of an event than it ought to be. Deaimon is a pleasant enough watch, and the fuzzy filter used for the background art is easy on the eyes, but it’s not funny or warm enough to make up for its airiness.
Potential: 30%

Skeleton Knight in Another World

Short Synopsis: More “gamer wakes up in an MMO” bullshit, now with bonus rape.

Wooper: What’s the point of a “viewer discretion is advised” notice if it appears while the scene requiring discretion is already underway? Skeleton Knight in Another World (or “Skeleknight,” as I was planning to nickname it before I gave up twenty seconds into this episode) opens with just such a warning, only by the time your eyes shift to the top of the screen to read it, a girl’s skirt has already been torn in half by her would-be rapist. His accomplice has her friend pinned down a few meters away, breasts mostly exposed, camera perfectly positioned for maximum jiggle. As if things couldn’t get any sicker, the first guy gleefully announces that his soon-to-be victim has peed herself. This was the point where I closed my video player, feeling more disdainful than disgusted. There’s little doubt in my mind that the hero of the show stepped in to rescue both girls just seconds later, but that doesn’t change what a garbage pile this premiere was bound to be after that sort of beginning. If I’m going to watch an anime that contains sexual violence, it’s going to be Ninja Scroll or Berserk – something that uses the act to comment on the cruelty of its world or characters. If you open your seasonal isekai (strike one) with a rape scene (strike two) just so your hero can save the damsel in distress (strike three), you’re out.
Potential: None

Lenlo: You have no idea how tempted I was to, in the first 2 seconds of this show, immediately close it. However seeing that is exactly what Wooper did, I felt the need to stick it through. To really see what this show is about. My conclusion? It’s just crappy Overlord. Which is saying something, since Overlord already wasn’t very good. It’s like someone saw the arc where the lead dresses up as a knight to hide being a Lich, thought “That was cool”, and made an entire show about it. And that includes all of the shitty MMO skills/stats/gear crap that has come to permeate the Isekai genre. The sad thing with Skeleknight though is that, at least going by the OP, it could have been something! It could have embraced all the stupidity of its concept and gone full-camp and been fine! It wouldn’t have been a good show. But it would have at least been mindless fun. You can see it in a few places that actually got a chuckle out of me, like the randomly assigned backstory. But it’s like a single glittering copper piece in the dung pile that is the rest of this show. And that’s just sad.
Potential: 0 Copper Pieces

Amun: As the resident isekai enjoyer, I must thank Mr. Wooper for sacrificing his eyeballs to warn us of this opening. I only wish someone had warned me with Goblin Slayer…

Spring 2022 Impressions: BIRDIE WING, The Greatest Demon Lord Is Reborn as a Typical Nobody, RPG Fudousan

BIRDIE WING: Golf Girls’ Story

Short Synopsis: Blondie with a tragic upbringing plays underground golf to survive.

Mario: Most of its runtime Birdie Wing is ridiculous and inconsistent, but that’s precisely the reason why it has its own charms that other sports anime seem to lack. It frames its main character not as a traditional sportsperson, but as an underdog superhero at times (what’s with all the special moves and money-shot still images?). The plot carries the same bizarre sense of logic – you have a girl who poses as another pro golfer and gets away with it, inconsistencies across the board (look at the tree that gets chopped down within just a few frames), and uneven production that looks bad half of the time and looks great only in key moments… but guess what? I’m buying it all. At least, all the characters are fun to watch and I cannot wait to see what ridiculousness they can cook up next. Count me in on this ride.
Potential: 50%

Lenlo: The sad truth of Birdie Wing is that… it just doesn’t look good. It’s ambitious at times, I’ll give it that. Going for these full-green camera shots, following the ball as it bursts through trees and over the rough. But the CGI is painfully bad and the composite is about the same. I understand why Birdie Wing did it. They had to try anything they could to make golf of all things interesting to watch. So they made it about hot girls, added in some Jojo-esque super-powered swings and tried to have some crazy action shots. It’s kinda fun and wacky, going for that same energy Sk8 had last year. But unlike Sk8 or Jojo, Birdie Wing fails to nail that thin line where camp is good for me. At the end of the day this is still an uninteresting golf show and I have little desire to watch more of it. Which is a shame, because I was hopeful that this might be a surprise of an otherwise sequel laden season. Least the blondie is kinda cute.
Potential: 20%

The Greatest Demon Lord Is Reborn as a Typical Nobody

Short Synopsis: If you don’t have friends, just reincarnate! [This is actually a really, really terrible message if you think about it]

Lenlo: Dear Lord who art in Heaven, please free me from the garbage Fantasy Light Novel trend. Surprisingly enough, despite its similarity to I’m Quitting Heroing in premise, this isn’t the worst series I’ve seen today. Turning a big demon lord into a chuuni got a chuckle or two out of me. I don’t think that’s enough to carry the show, I was still checked out for most of it. But it’s more promising than the other crap I’ve watched today so for that it gets a slightly higher score. Watch this if you want the not-worst fantasy light novel of the season to fill some time.
Potential: 5%

Amun: I’m pretty sure you could graph Lenlo’s scores vs mine and find a perfect inverse correlation. While he thinks Greatest Demon Lord is better than I’m Quitting Heroing, I think it’s quite a bit worse. This is an annoying evolution of isekai – the reincarnated OP demon lord trying to find friends. However, I think this is likely better than last season’s Shikkakumon, which was a monotonous march to the finish. There’s some potential for an interesting backstory with the reincarnated pair with betrayal, elf-racism, etc. – but I really didn’t engage with either character’s sob story. This is Silver Link, so expect some of the awkward fight scenes they’re known for – I’m not expecting this series to look amazing. The bottom line? “Watch this if you want the not-worst fantasy light novel of the season to fill some time.” (See – Lenlo and I did agree on something.)
Potential: 35%

RPG Fudousan

Short Synopsis: A pink-haired mage finds employment as a real estate agent and gets to know her coworkers (and shows superior knowledge of flowers to close a deal).

Wooper: This is Tomoaki Koshida’s fourth attempt at directing a series that anybody cares about, and from the looks of this premiere, it’s destined to be his fourth failure. This episode commits a big faux pas not even a minute into its run, when it directs two characters to excessively praise the female lead for something she’s not very good at (in this case, her unremarkable singing). Whenever you read a script or watch a series that flatters its own protagonist this way, you can be reasonably sure the rest of the story will take the easy route as well. Sure enough, RPG Fudousan does this at every available moment. In place of a plot, it tosses off a few lines about its fantasy land experiencing a post-war golden age, then busies itself with vapid exchanges and gags among its cast. The characters are designed with a single-minded focus on cuteness, to the point that they don’t seem capable of anything other than basic biological functions and cloying pleasantries. There’s a girl named Fa who exists strictly as pedo bait, shedding her clothes at various points and speaking with a childish lisp that’s sure to drive its intended audience wild. That’s the only value RPG Fudousan has, really – as a honeypot to attract lolicons so they don’t congregate around better shows.
Potential: 0%

Amun: Mmmm, this was a bit of a letdown. If you came in expecting cute girls to work in a cute workplace, doing cute things – this was spot on. I was hoping to see a slice of life dealing with a forced change of professions based on post-war circumstances in a fantasy land. What I got was a nudist loli dragon, an exhibitionist/type-A/genderbender warrior, a blonde perfect girl, and our generic lead – who, and this is weird that it bothers me this much, has shoes that do NOT match the rest of her outfit. Seriously, those little heel boot things completely clash with the rest of the quasi-Victorian witch outfit going on. Her professional attire matches them a little better, but still – get her a different pair of shoes! Like some flats with a cat design buckle would have been perfectly on character there – even given her some extra depth. Maybe it was to drive home the point of a country girl trying to not look it – it still annoys me. Sorry, we got off track there. There are probably better slice of life series this season – go watch those.
Potential: 15%

Spring 2022 Impressions: Black Rock Shooter, I’m Quitting Heroing, Tomodachi Game

Black★★Rock Shooter: DAWN FALL

Short Synopsis: Sleepy robot (?) girl saves some kids from bad robots.

Amun: I think I’ve seen the original ONA, and I definitely watched the 8 episodes that came out about a decade ago. Obviously there’s the original song and music video that catapulted the titular character to fame. However…I have no idea how any of that is related to Dawn Fall, except that the character design looks very similar. If my foggy memory serves, last time Black Rock Shooter was in a high school and switching between the post-apocalyptic world; this time around seems pretty set in the dystopian future of man vs machine (maybe she was fighting the same big boss at the end?). There are some pretty common robots-becoming-human themes here – although Mr. Sexbot 3000 was a bit of a surprise in his, erm, approach to deeply understanding humanity. There’s a bit of self-aware humor here (which, given some of the translation issues, might be more of a fansub editorial than the actual script), but the dialogue is pretty sparse. Given the oddities with the release licensing (Disney+ strikes again), I think the best hope is a legitimate fansub group picks this up. The big takeaway is that Dawn Fall looks great – in fact, I think they could have slowed down a few of their shots in the fighting sequence, there was just so much action packed in. Sure it’s CG, but that was always BRS’s MO, so no surprises there. My guess? It’ll be easy on the eyes and light on the plot. Sounds good to me!
Potential: 60%

Mario: I came to Black Rock Shooter without any real expectation and I got out of it mildly impressed. I have no prior knowledge to Black Rock Shooter franchise, but I have no problem following the story as 1) it is a reboot and 2) Dawn Fall is very light on plot and big on explosions. Yes, the story is such a mess (when you see a battle right off the bat without knowing whom to root for, it’s a bad sign), the characters are just cardboard figures at the moment (the main character has – yeah, you guessed it – amnesia), its visuals look consistently confident at all times. The CG fights blend together well, so does the choreography of the fights. At the moment, Dawn Fall is one of the titles that flew under the radar the most – it is only streaming in Japan and hardly gets a proper sub, and its appeal is mainly for those who have experienced the franchise before – but I am here to claim that it looks more polished than half of the current season’s offerings, if you can shut down your brain because the plot doesn’t really matter.
Potential: 40%

I’m Quitting Heroing

Short Synopsis: Single-handedly defeating a demon army does not provide the expected job security for a hero.

Lenlo: I really wonder if me and Amun watched the same show because seriously if it walks like isekai trash, quacks like isekai trash and has all the visual blandness of isekai trash then lets just call it isekai trash. Yeah there’s no opening scene where some schmuck gets hit by a truck and gets teleported, yet aside from that everything about this series has the structure of one. From the oft-repeated shallow fantasy crap to what I consider to be bland and standard visuals. This show is just painfully boring. It took me an hour to get through a 24 minute episode because none of it had any charm. Visually and narrative this comes off like a series made by a bunch of old men in committee, not by someone with any actual passion. So yeah, count me out. I’d rather watch Shield Hero than this. At least that revels in its trashiness.
Potential: 0%

Amun: This is one of my most anticipated non-sequel shows of the season (the other being Spy x Family). From the first episode, I’d say….they probably spent all their budget on the premiere. You can tell from the little animation tricks, especially when fighting the full formed demon. Which, if this turns out to be even decently animated, I think it’s still fully serviceable – I’m just a little concerned to see some shortcuts this early on. The character adaptations from the manga feel okay, although I feel as though Leo came off a little wooden (I imagined him a bit more cocky, but he feels pretty bland for someone who is that OP). That said, I love this premise – and I think even this MC has some potential. Normally, we’re seeing MC’s with “soft-skills” who are wildly weak or reincarnated, overpowered heroes who were supposedly awkward in their past life but still end up with the harem – Leo lacks people skills to such an extreme that he managed to go from the savior of the country to the villain. Now that’s talent. However, it’s hard to strike the balance between a character the viewers want to cheer for and someone completely insufferable. All in all? I’m still here for a few more episodes (probably the whole season, to be honest), but I’m trimming my expectations slightly.
Potential: 70%

Tomodachi Game

Short Synopsis: Five students are dragged into a series of psychological games in order to repay one person’s debt.

Lenlo: The best way I can describe Tomodachi Game is knock-off Squid Game. It’s not that Tomodachi Game is a bad premise, nor that the game played is dull. Rather it’s that Tomodachi Game falls into the same trap that every other series trying to mimic Kaiji does: It cares more about the games than it does the players. Despite the fact that it’s the players, the characters and their circumstances and why they are playing to begin with, that makes these series work. Squid Game works because we care about Seong Gi-hun, Abdul Ali, etc. Kaiji works because of how much time we spend with him and how we come to know him. But Tomodachi Game dives right into a 5-person game, only giving us a single second of flashing character cards and a few small scenes for each. I don’t know, or care, about any of these people yet. I don’t buy their friendship or their bond. In fact, because of the way this show is framed, I have doubted its authenticity from the beginning. Suffice to say that this was a miss for me, despite some colorful directing.
Potential: 20%

Wooper: I was sure that this was going to be terrible, but Tomodachi Game’s playful storyboarding managed to rescue this episode – during the gambling scenes, anyway. The consistent use of diagrams explained the rules and illustrated the stakes for each character, and a few colorful backgrounds gave the games an exaggerated feeling that I kind of liked. There’s a clear mandate here to emphasize the psychological aspect at the expense of everything else – probably the right call given the show’s limited resources, but it does handicap the characters in a major way. The series is in such a rush to get to the debt repayment games that it introduces the cast with on-screen paragraphs, and the way it pits Money and Friendship against each other in the protagonist’s flashbacks is some of the most blatant theming that any anime has served up in recent years. All five kids are such nonentities that there’s no reason to care whether they get through the games or drown in debt; the brown-haired girl in particular is a nauseatingly transparent representation of innocence. Tomodachi Game might be worth somebody’s time if future episodes get much crazier, but it’s so thinly written that I’m done after one.
Potential: 25%

Spring 2022 Impressions: Gunjou no Fanfare, Trapped in a Dating Sim, Healer Girl

Gunjou no Fanfare

Short Synopsis: A former teen idol has a stressful first day at horse jockey school.

Mario: You know, I was pretty much on board with this first episode up until the very last 20 seconds. Are they going full BL romance now? Isn’t it about horse riding? There’s a certain charm about Gunjou no Fanfare amidst its uneven production values and storytelling that I both like and shrug at simultaneously. On the one hand, the production is below-average with underwhelming CG horse-animation and poor lighting. But then, it picks itself up with its steady direction that produces some memorable shots. The same goes for its writing – I like the fact that I already can tell most of the main cast apart because they have different mannerisms and different approaches to riding. But then, the show slaps itself in the face and reveals that our main duo haven’t even ridden a horse before. So why did this prestigious school accept them in the first place? Is this “chasing the lost horses” scene just pure recklessness by an overconfident pair of brats? Ultimately, I prefer uneven products like this over safe-but-forgettable flicks anytime, so I might stick around for a few more episodes.
Potential: 30%

Wooper: I wrote this show off before the season started, but it showed me something here – and I don’t just mean bad CG and awkward lighting. The overall direction of this first episode was a cut above what I expected, moving from protagonist Yuu to the horse racing instructors to the other incoming students to the media with surprising sureness. Emotions like Yuu’s frustration at being hounded by the press and his easygoing instructor’s enthusiasm at meeting a new crop of jockeys were clearly conveyed, and there was a whiff of interpersonal conflict even before the third act shake-up of two horses escaping their stable. Unfortunately, that shake-up was what sunk this episode for me, as it escalated into a scenario that the show had no way of resolving without relying on magic. Yuu’s future best friend showed up in the nick of time, mounted one of the horses, and expertly caught up to the other animal after a high speed chase (despite never having ridden one before). Then Yuu, riding double, grabbed the reins of the spooked horse and somehow brought it to a standstill (off camera, of course). The more you think about it, the less sense it makes, but at least it’s only nonsense plotting and some sketchy compositing that plague Gunjou no Fanfare – it might be viable viewing if you’re not concerned with accuracy.
Potential: 15%

Trapped in a Dating Sim: The World of Otome Games Is Tough for Mobs

Short Synopsis: An ill-tempered gamer dies and finds himself reincarnated in a matriarchal dating simulator.

Wooper: There was never a point in this premiere where I entertained the idea of tuning in for another week, but it did start on an amusing note, with the main character delivering a resentful and varied monologue. Topics included the superficiality of male love interests in otome games, his bitterness toward his sister, the backwards nature of matriarchal societies, and his thoughts on poor game design. This was among the most aggressive targeting of the incel demographic I’d ever seen, so I was perversely fascinated to see how the show would follow it up. After the kid’s death and reincarnation, though, the episode flatlined. I have a fundamental issue with series where the “hero” uses his prior knowledge of a video game to advance through the story, because it’s not rewarding to see someone succeed when they already have the answers. Similarly, Otome Game Sekai’s protagonist jumps from location to location without a speck of drama, and no number of ship-destroying whirlwinds or guardian robots can mask that problem. The episode is careful to point out that he’s not following the game’s central storyline, but he’s following a script nonetheless – the script of an anime that delivers progress on a silver platter, because that’s what its game world (and its audience) demand.
Potential: 0%

Mario: This is one of those isekais that “intends” to recontextualize the genre by pointing out the tropes, but at the same time embrace the formula shamelessly. Unlike Wooper, I don’t find any enjoyment from a dude who gives resentment remarks to the game he’s playing (why play at all, then, just go Youtube), and when he is reincarnated to that world, all he does is to level up his power to stand out. It’s the exact same premise as countless isekais we’ve seen before. To be fair, I’m kind of amused by its settings that is a mixture between fantasy and sci-fi (and for my money, there is some hidden secret behind it), but otherwise the show is harmless: enjoyable to watch (I don’t regret watching it) but leaves nothing of impact.
Potential: 20%

Healer Girl

Short Synopsis: Three healers-in-training prepare to treat patients using the medicinal properties of music.

Wooper: Watching Healer Girl brought a question to my mind: has there ever been a full-blown anime musical before? We’ve had dozens of music-themed shows, including some where conflict is resolved through musical performance (Revue Starlight chief among them), but has there ever been an anime where the plot and characterization are delivered mainly through song? Healer Girl doesn’t fit the bill, but there’s a point in its premiere where our leading ladies break from their conversation to sing their reasons for becoming healers, which charmed the pants off me. There are more ordinary performances as well (as you’d expect from a show where music has medicinal powers), complete with sparkly backgrounds that represent the transportive power of song. It’s a testament to the show’s pleasant tone that these scenes didn’t yank me right out of the episode, because although they were visually blunt, I liked the characters well enough to hope for their success in those moments. Healer Girl does a decent job of justifying its premise, too, briefly explaining this new branch of medicine with training scenes and demonstrations of musical rehab. I have to imagine that the further the show progresses, the harder it’ll be to take its story seriously, but its fun, optimistic atmosphere has convinced me to check in with it again at some point.
Potential: 35%

Lenlo: The worst thing I have to say about this show is that I, personally, am not a fan of musicals nor Cute Girls Doing Cute Things. When I take away those two criticisms, things that are intrinsic to the show I might add, I only really have nice things to say. Visually it doesn’t look half bad, with the musical bits especially earning their place. Meanwhile the VA work pretty solid. Unlike a lot of singing based music shows with big set piece concerts repeating the same song, Healer Girl requires unique, new singing for every scene it’s in. The variation in style of singing is really appealing as well. My main concern is that it’s going to get dull, but I have that concern for every CGDCT show. It’s intrinsic to the genre and by now you already know if you like it or not. So if what you want is some wholesome singing and dancing with cute girls, Healer Girl has you covered. I think you will get exactly what you want from it. Sadly for me, what it’s delivering isn’t something I care about.
Potential: 50%

Spring 2022 Impressions: Shokei Shoujo no Virgin Road, Aharen-san wa Hakarenai, Love All Play

The Executioner and Her Way of Life

Short Synopsis: Japanese student gets isekai’d, thrown out, and…??? Plus stabby, hot priests.

Amun: Ah ha, I didn’t fall for that twist this time! This first episode actually mirrored Talentless Nana pretty closely – zealot assassins, tragic super-powered individuals, and lots of intrigue and trickery. Executioner and Her Way of Life (which randomly has Virgin in the Japanese translation?) looked better than I expected, but I can already tell this is a show whose service is blood splatter, not boobs. The battle style looks like magic casting and knife work – which is strangely contradictory, when you have to lug around a giant book but rely on being nimble and stabby. The fight scenes just felt a tad off – characters too. Our lead’s garter-knife-holster-thing is clearly her distinctive trait, but honestly, they skimped out on her actual thighs – so why are we looking there in the first place? I think the biggest difference between Talentless Nana and Executioner is that Nana straight away had more depth than just another poor-orphan-turned-assassin. Executioner felt like it had only one speed and just tried to hide it with some banter. It’s fine, I guess, if the genre “helpless Japanese schoolchildren get knifed to death before they blow up the world” is your thing. I know I asked for different takes on the isekai genre, but for me – this ain’t it.
Potential: 15%

Lenlo: The most striking thing about Virgin Road is that it’s legitimately well produced. Like seriously, this is way better looking than it has any right being. It’s still off in places, like the combat against the noble thugs was pretty meh. But the facial expressions, stuff like the “white” scene, those looked nice! And as far as the actual plot is concerned, I’m down. Unlike Amun I didn’t actually see the twist coming, I was mentally preparing myself for another shitty Kirito situation the whole time, so this was a pleasant surprise for me. If anything I’m more annoyed that the boob humor and such carried over past the reveal. I was really hoping that was only part of the opening fake-out but it looks like that will be here to stay. Assuming it plays its cards right, what with the potential for “repeating” powers like Flare said and some possible moral quandaries with this dream, I think this could have some potential. More than most seasonal isekai bullshit that is. Just be ready for it to crash and burn into mediocrity at any point and I don’t think you will be disappointed.
Potential: 20%

Aharen-san wa Hakarenai

Short Synopsis: Komi-san got shorter!

Lenlo: Let’s be real, this is just the latest loli-bait show. It’s trying to cash in on the demure social anxiety shtick of Komi-san, only this time with a loli. One could argue I’m overreacting a bit, they are 1st year high schoolers, some of them are just short. But you can design those without them looking like children. It’s comical her difference in height with everyone else. The one saving grace this show has is that it’s moving at a pace where they might actually become a couple. And that’s great! Too many anime end right as characters get together, never exploring the actual important part of a relationship… the relationship. If it can do that then this might end up worth your time. And if not? Well you can probably at least get some wholesome, cutesy, low-carb fun out of it.
Potential: 10%

Mario: Aharen-san the show is cute and sweet but its formula has been done a hundred times before, most notably just last year with Komi-san. The whole plot has one main gimmick: Raido tries his best to figure out what Aharen thinks, and she’s unorthodox at best (or at worst). What I find a bit hard to fully commit to their relationship is that Aharen-san never comes off as a full-fledged character to me, despite this premiere paying a lot of attention to her. Secondly, the story beats ride on the same jokes so far, hence it definitely feels longer than its 20 minutes mark. I suppose the show will extend its cast in the next few episodes, but I”m still not totally invested in the story so I won’t be checking its 2nd episode out.
Potential: 20%

Amun: Hey, I very much enjoyed Komi-san – and I liked Aharen-san’s first episode more. Feels more grounded and less dazzling production. The jokes landed for me, and the lack of scream-until-it’s-funny is refreshing.
Potential: 70%

Love All Play

Short Synopsis: A bashful soon-to-be high schooler is invited to join a renowned badminton team.

Wooper: The most notable thing I could spot about Love All Play in this first episode was evidence of the voice director’s distaste for naturalism. A good chunk of the side characters here came across as though their actors had been given very pointed pep talks before recording. Friend #1’s supportive tone verged on incredulity that the main character would ever feel self-doubt, Friend #2’s silliness hardly registered as human, and Math Teacher’s aggressive friendliness had me feeling sorry for whatever students he sees on a daily basis. Once you go further up the cast list the performances get closer to mediocrity, which brings them in line with this premiere as a whole. A story about a kid getting an offer to attend a particular high school and discussing his options with friends and family needs to distinguish itself in order to attract an audience, but Love All Play has no eye for drama – the protagonist is uninteresting, his enrollment is a foregone conclusion, and we learn nothing that marks it as a worthy victory in the broader course of his life. If the novel from which this show comes is much the same as the anime, I doubt I’d make it past the first chapter.
Potential: 20%

Lenlo: Look I love sports anime more than most people here, that’s just a fact. But even I’m getting tired of the recent flood of 2nd-string series that producers are hoping will replace Haikyuu now that the manga is over. There’s just nothing about it that piques my interest. That makes me think “This is something different”. At least Volley-Bu, for all its faults and it had many, managed to create a unique and engaging hook both with its location and characters. But Love All Play? I just watched the episode and I already can’t remember who any of these people are! Add on to that this really weird plot point where the parents are upset that their kid got a sports scholarship to a prestigious highschool? Isn’t that like… a huge thing, what with college prep and such? Combine all that with the lackluster voices and I’m just not feeling this show. Maybe it picks up, its original novel series was good enough to get 4 novels after all. You might find something you like. I just know I’m not going to bother finding out.
Potential: 5%

Ousama Ranking Review – 83/100

I really wanted Ousama Ranking to be the next Odd Taxi.  Both started out fairly similar – neither had very much pre-season hype (Odd Taxi premise wasn’t even released till the first episode, and Ousama Ranking’s first episode aired after the rest of the season started).  If it had turned out to be a hidden classic, I would be two for two and my anime ego would grow uncontrollably.  But Ousama Ranking turned out to be more blockbuster than cult classic, with quite a few flaws along the way.  Let’s take a look!

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Spring 2022 Season Preview

Lenlo: And so ends the first season of 2022! Will it be remembered as the strongest season in a while, bringing us the ending of Attack on Titan, Ousama Ranking, Sono Bisque Doll and more? Or did all of those fall flat for you like they did for me? Only time will tell. But the ending of one season brings us the beginning of another! And with it a whole new slew of series. Some are exciting, like the long awaited Spy x Family adaptation or the third season of Kaguya-sama. Others… Well lets just say we have a lot of “Middling Expectations” and leave it for you to find out. So without further ado, lets take a look at the Spring 2022 season!

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What will you be watching this spring?

Middling Expectations

Ao Ashi

Studio: Production I.G
Director: Akira Satou
Series composition: Masahiro Yokotani
Source: Manga

The Premise: An unruly striker from a rural town catches the eye of a visiting soccer coach, who gives him an opportunity to try out for a J-League youth team.

Wooper: Ao Ashi isn’t the most hotly anticipated soccer anime of 2022, but it’ll be the first to hit the airwaves, giving it a temporary leg up on its chief competitor Blue Lock. The other advantage it possesses, and this one is far more significant, is that it’s being animated by Production I.G, whose track record with sports series is nearly untouchable. Haikyuu, Run with the Wind, Kuroko’s Basketball, Welcome to the Ballroom – all of these adaptations have been well-received by audiences, and I see no reason why Ao Ashi should be any different. The series director’s ears are still a bit damp, but one of the chief ADs handled half a dozen episodes of Haikyuu’s first season, and head writer Yokotani has prior experience on several sports shows. It’s the story that will likely determine whether Ao Ashi can leave a mark on this season, and I’m somewhat intrigued by its setting: a youth league with ties to Japan’s pro soccer scene, rather than yet another extracurricular middle or high school team. Will it eventually settle into traditional athletic rivalries and speeches about teamwork? Probably, but I’ll give it at least three chances to impress me before then.

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86: Eighty Six S2 Anime Review 42/100

Sequels are always difficult to write reviews about. Usually, barring any major production or authorial changes, you can tell if you will like it just by your reaction to the first season. With minor shifts up or down for whatever the current content is about. My recent Kimetsu no Yaiba: Yuukaku-hen review is evidence enough of that. But sometimes… sometimes you have the unfortunate case where a sequel falls short. Where for whatever reason, be it changes in production, writing staff or simply going on longer than it should, the series falls off. Animated at A-1 Pictures, directed by Toshimasa Ishii and originally created by Asato Asato, 86: Eighty Six Season 2 is, sadly, one such case. Why is that the case? What could have happened between season 1, something I enjoyed, and this to fall off as hard as it did? Well, lets jump in and talk about that.

Be warned, this review contains minor unmarked spoilers for Eighty Six Season 2. It also contains major spoilers in some sections however these will be heavily marked to avoid accidents. Continue reading “86: Eighty Six S2 Anime Review 42/100”