Spring 2022 Check-In – Weeks 7-9

Wooper: I’ve never felt that the phrase “weekly summary” accurately described this column, and now that I’m a rogue writer who shows up whenever he feels like it, I’m going with “check-in” and damn the consequences. This check-in post is too early to catch Hisuian Snow’s second episode (airing tomorrow) or the start of the Spriggan ONA (June 18th), but they’ll be in the next one, which ought to appear around the time that the Summer Preview gets pinned. See you then!

Pokemon: Hisuian Snow 1

There have been a bunch of worthwhile Pokemon shorts in the past few years, but the best of them is undoubtedly 2020’s Twilight Wings, the art direction of which far outstripped most TV anime from that year. With Hisuian Snow, Wit Studio aims to match that effort from Studio Colorido, and based on this short first episode they might just succeed. It’s set in the mountainous Hisui region, which I know nothing about, but you don’t need to be current with the franchise as a whole to appreciate how pretty this six minute short looks; the combination of the snowy peaks and the setting sun bathes the whole production in warm colors, from gentle yellows to harsh oranges. That contrast emphasizes what looks to be the story’s main idea – that Pokemon are beautiful but dangerous – alongside some “humans and Pokemon can never coexist” dialogue from the main character’s father. That’s not a sentiment you typically get from the franchise, and although it’s obviously set up to be disproven by the bond between a young boy and a wild Zorua, there’s room for Hisuian Snow to tiptoe into frightening territory before its feel-good finish. Still, the main reason to watch is the art, which I’ll stress again is excellent – you can see for yourself by watching the first installment [here].

Continue reading “Spring 2022 Check-In – Weeks 7-9”

Now and Then, Here and There Anime Review 71/100 – Throwback Thursday

There are few anime that I’d describe as profoundly “uncomfortable”. I’m not talking about rampant pedophilia or the questionable relationship with the word “consent” in some series. I just ignore those. What I mean are works that, through their themes and stories, really make you understand what it means to live through these events. I’m talking about works like Serial Experiments Lain and its exploration of our relationship with technology. Or Perfect Blue and how it can feel to lose your own identity. And while this series doesn’t quite reach the same heights as those other two, it certainly makes a respectable try. Created and directed by Akitarou Daichi, animated at studio AIC and with music by Taku Iwasaki, I give to you the subject of today’s review, the turn of the millennium dystopian tragedy: Now and Then, Here and There. Without further ado, let’s dive in!

Be warned, this review contains minor unmarked spoilers for Now and Then, Here and There. It also contains major spoilers in some sections, but these will be heavily marked to avoid accidents. Additionally, this series contains depictions of rape and sexual abuse, which I will mention in this review. You have been warned. Continue reading “Now and Then, Here and There Anime Review 71/100 – Throwback Thursday”

Spring 2022 Summary – Weeks 4-6

Wooper: A midseason offering from Wit Studio is as good a reason as any to write a check-in post, so here I am. There are a couple other anime I’m saving for a rainy day (Paripi Koumei and Healer Girl), so no thoughts on those for now – just continuing my Kaguya-sama streak and revisiting my premature claim that Summertime Render would be tops this season. Hope everyone is enjoying their spring so far, both in real life and in the world of animation!

Vampire in the Garden 1

Turns out Wit’s new vampire show is a five part mini-series, so I’m only previewing the first part here. I was disappointed by the length at first, but even 12 episode shows can collapse under their own weight these days, so concentrating your ambitions into a smaller space seems logical. And Vampire in the Garden is an ambitious project, make no mistake – it’s set in an alternate universe and centers on a costly human/vampire war, resulting in societal stratification and technological advancements that slot neatly into its world. What it doesn’t offer is innovation, since it borrows heavily from other dystopian fiction, especially ‘humans vs. monsters’ series like Kabaneri of the Iron Fortress and Attack on Titan. There’s even a “wall of light” that keeps vampires out of humanity’s central stronghold – you probably don’t need three guesses as to where that concept came from. The story of a human and a non-human leaving their feuding tribes to search for a better life is similarly derivative, but Vampire in the Garden does a fine job selling the human side of things; Momo’s gentle temperament, love for outlawed art forms such as music, and fraught relationship with her mother leave her with few options but to flee her oppressive surroundings. We still need more details about vampiric society and Fine’s place within it, but now that they’ve escaped together, those ought to be forthcoming. I’ll watch this one until the end for sure, but based on the first episode, my expectations are set to “competence.”

Continue reading “Spring 2022 Summary – Weeks 4-6”

Spring 2022 Summary – Weeks 2-3

Wooper: New season, new weekly recap column – except I doubt I’ll get around to writing one of these each week. As a matter of fact, this may be the only one I do all spring, but I figured I’d make a post since there were a couple shows that aired too late for our First Impressions. Plus, Lenlo wanted to express his approval of the new P.A. Works show, and who am I not to provide an outlet for anime appreciation? Read on to see what we’re watching this season!

Summertime Render 1-2

Wooper: It’s silly to pick a projected AOTS after two episodes (especially when the series in question is slated for 25), but my money is on Summertime Render nevertheless. Ayumu Watanabe has been stretched thin over the last few years, splitting his time between envelope-pushing features at Studio 4°C and TV projects at multiple studios, but he still found time to direct one of this spring’s best premieres – and followed it up with an equally strong second episode. The broad strokes story is engaging, of course: a murder mystery involving shadowy doppelgangers set in a small island town. The tone is eccentric, eerie and gruesome in equal measure, and protagonist Shinpei’s ability to return to July 22nd after death gives the show a big hook. Moreover, he makes smart choices about how to spend his limited time within each loop, which can’t be said for some other characters in similar situations. But the show gets a lot of little things right, as well, especially visual metaphors like water droplets on an air conditioner preceding a character’s tearful grief, or the town being framed within a spider web just before Shin finds himself in peril. (I also love the bespectacled Hizuru, whose peculiar demeanor and habit of recording voice memos put me in mind of Dale Cooper from Twin Peaks.) If Summertime Render weren’t so solidly put together, I might not have the patience for its central mystery, but it is, so I do. Bring on the next episode!

Paripi Koumei 1-4

Lenlo: Not checking out Kongming when it first aired was almost one of the greatest mistakes I’ve made this year. I thought it was just a stupid gag series, how can a show about throwing a general from the Three Kingdoms period into modern Shibuya be anything else? But there’s so much heart, both for music and history, character and legitimate history that it has quickly become one of my favorites for this season. You just don’t get scenes like episode 3’s “Soldiers and drink” without the creator being passionate about the subject, nor the references from the manager without the knowledge. My god, the manager. He might be my favorite character. Also it has a banger of an OP.

Continue reading “Spring 2022 Summary – Weeks 2-3”

[Short] Shikimori-san 2-3

Amun’s Note: I’m going to be doing some “Short” reactions for various shows that aren’t getting seasonal coverage.  I’ll also give my verdict of “watch”, “skim”, or “skip”.  This will be sporadic but let me know if you want a particular series, and I’ll try to watch it if I haven’t already dropped it!  Hope you enjoy!

Shikimori-san came into the season with a surprising amount of hype for what looks like a generic rom-com….which after 2 episodes, it definitely is.  But by golly, there’s something about it that’s made me want to watch it first every time it’s come out.  Episode 2’s sports (and fame) experience were plenty fun (although I could have done without the sick bay scene).  Episode 3 is standard date-gone-wrong fair – although it ends at his house?!  Didn’t see that coming (or befriending his parents…5D chess move right there). 

I think the charm from this show comes from its simplicity.  Are we going to break any new ground?  Nope.  But it’s plenty soothing, and for that I give it: “Watch

Spring 2022 Impressions: Don’t Hurt Me My Healer, Ascendance of a Bookworm S3, Komi Can’t Communicate S2, Paripi Koumei

Don’t Hurt Me, My Healer!

Short Synopsis: Fast talking bear, dark (skinned) elf, and idiot hero conspire to waste 20 minutes of your time!

Wooper: “My Healer” isn’t worth watching in a vacuum, but viewed as a satire of bargain bin fantasy anime, it’s vaguely amusing. You know that type of series where the main character’s face is permanently obscured so viewers can more easily imagine themselves in his place? Well, this show takes that practice to such absurd lengths that it ends up functioning as a commentary on its stupidity. There are a plethora of blatant animation shortcuts which give off the same vibe, including this shot of the main character’s helmet suddenly tripling in size to indicate his frustration. Unfortunately, these winks at the audience are My Healer’s only source of value (that I could spot, anyway). Both the elf and the bear’s personality quirks make for silly dialogue that’s likely to have you reaching for your phone out of boredom, and the faceless frontman doesn’t have a humorous word to say all episode. Even if you hate modern fantasy anime more than anything and want to see a show take jabs at it, there are better options than “My Healer.”
Potential: 5%

Amun: “So bad it’s good” – the goal of “Don’t Hurt Me, My Healer!” production committee. I’m guessing the main writer interned at Gintama and learned all of the wrong lessons. I hate all these characters. I hate the dialogue. I hate the premise. I hate everything. Well, except maybe the bear – she’s a bit funny. Nothing really happened this episode except to contrive a reason this is a show at all. There’s some dark-elf face going on here too – is that still allowed? I can’t keep up. I have stubbed my toe to greater joy than watching this show. I bet Lenlo loves it (not really though – if you watch this, it’s not my fault). ^_^
Potential: 0%

Ascendance of a Bookworm 3

Short Synopsis: Small reincarnated girl tries to make books but ends up navigating complicated political matters instead.

Amun: One of the best qualities of “Bookworm” is consistency. The oddest isekai’s tale of a young girl’s struggle to make books has stayed remarkably on message for the three seasons – Main has overcome her obstacles, both political and physical, on her Gutenberg quest, while new foes rise to complicate matters. I think the largest looming subplot is the faintest hint of a love triangle emerging with her young friend Lutz and the head priest – poor kid never had a chance. This season is opening with winter and some kind of ritual (which seems a bit ominous) – plus there’s always the chance of Main freaking out and killing everyone. Which would be very entertaining, come to think of it. Our new enemy of the season is the Ink Guild – I think there’s a huge missed opportunity for their logo to be an octopus. Every sequel has some sentiment of “I expect it to be like the previous seasons”, but with “Bookworm”, I’d say you can fully count on it.
Potential: 90%

Komi Can’t Communicate Part 2

Short Synopsis: Komi-san makes some more friends.

Mario: The first season of Komi-san started strong but eventually lost its steam for me and went out not with a bang but a whimper, to the point that I considered not picking up the second season. Well, this premiere blew my socks off again with adept direction and well-timed gags. The three skits they have for this episode are diverse, and introduce new characters / reinforce the old cast in a fun and playful mode. That new “punk” character is a fitting addition to the cast. At its core, Komi-san is about the need for communication for those who are socially-awkward, so he parallels much of what Komi-san has gone through. All the jokes land at just the right moments. While I feel that airing this season puts this show at a disadvantage because of the comparison to Kaguya-sama (and I prefer the latter much better myself), Komi-san is still a must-watch show this season.
Potential: 50%

Paripi Koumei

Short Synopsis: A Chinese military tactician is reborn in modern day Japan, where he decides to become a pop singer’s agent.

Wooper: Anime has tackled China’s military epic “Romance of the Three Kingdoms” a handful of times, but never has it dropped one of its primary generals into the 21st century… until now. I was planning to skip this show, but we got a comment urging us to check it out, and it ended up being pretty fun! It’s a fish out of water story, a template that often feels tired because the contrast between its pond and its ocean (so to speak) is over-exaggerated. But when the fish is a 300 IQ military strategist and the ocean is 1800 years removed from the pond, you’ve got yourself a winning premise. Zhuge Liang (here referred to by his courtesy name Kongming) has an enormous intellect, which he uses to rapidly absorb both the broader realities and technological minutiae of modern Japan. He also has a genuine love for music and develops a strong distaste for EDM upon first listen, making him a thoroughly based individual. There’s a careful comedic hand at work behind his character, balancing his cluelessness (“And what, pray tell, is the blockchain?”) and brilliance in equal measure, allowing him to carry the entire show with ease. I’m less happy with him hitching his wagon to a wannabe pop star, since that’s the sort of tripe that can easily kill a TV show – if we start leaning away from Kongming and towards some “big dreams in the big city” bullshit I’ll bail, but for now I’m in.
Potential: 50%

Spring 2022 Impressions: Dance Dance Danseur, Shikimori’s Not Just a Cutie, In The Heart of Kunoichi Tsubaki

Dance Dance Danseur

Short Synopsis: A teenage boy reluctantly reenters the world of ballet after years of neglecting his passion.

Lenlo: This actually really surprised me and, aside from the weird line through the eyes that throws off the whole face, I quite like the show. I love seeing alternative interpretations of masculinity/gender. Whether it be women in combat sports or men dancing/making dolls, any series that explores that will immediately be of interest to me. Hopefully Dance Dance Danseur ends up following through on that after Bisque Doll disappointed me last season by all but throwing it away. If so, it could easily become my favorite of the season. On top of that, the show just looks good. The backgrounds, the characters, etc. The opening ballet recital was great and the dancer looked like an absolute CHAD. I’m not gay but god damn can I see it. I could do without so many “She likes me”/panty jokes but hey, if that’s the sacrifice I have to make I will do so gladly.
Potential: 85%

Wooper: As far as manga adaptations go, Dance Dance Danseur plays it very safe. That’s not a knock on its animation (which is probably the best of the season, at least in this first episode) or its story (which coasts on simple themes even in the source material) – more a comment on some of the choices it makes in moving to TV. The music that plays during main character Junpei’s dance scenes, for example, is lightweight piano pop, risking nothing and impressing no one. The little bits of humor, most of which have to do with Junpei mistaking a girl’s interest in his ballet skills for attraction, simply feed us close-ups of his flustered face as he raises his voice by an octave. The flashback to Junpei’s primary school years dumped his father’s death on us without a speck of grace, knowing that audiences are primed to expect that sort of thing. I got the sensation that I’d seen this show before, and I’m not talking about Welcome to the Ballroom – DDD just feels too time-tested in its directorial approach. That doesn’t take away from the general appeal of watching someone rediscover a dormant passion, though, which is what this show is about. Athletic difficulties, gifted rivals, hardass instructors… This isn’t exactly a sports show, but it sure appeals to me like one. I’ll give Danseur a long leash this season and see where it takes me.
Potential: 60%

Shikimori’s Not Just a Cutie

Short Synopsis: A second year highschooler maxed out charisma points to acquire a super girlfriend, but forgot to put any points into dodge. Fortunately, she’s OP.

Amun: Forget the loli man-hating ninjas, Shikimori’s the only ninja this season needs. There isn’t a lot of substance here, but there are a few points I’m genuinely curious on. Why does Shikimori have such crazy reflexes? Why is our main character so unlucky? Can you even kick a falling sign out of the air? How many perfect bowling games have there ever been? (Apparently quite a few) This show is going to be delayed by the way, since there was a COVID outbreak at the studio. Oh what about the episode, you say? It was fine, I guess. Looked pretty good, but I sincerely doubt that continues (see: COVID). Shikimori may not be a cutie, but she (and crew) are forgettably watchable!
Potential: 40%

Mario: This is one of the most popular new shows this season, but I’m saddened to say that Shikimori-san just bores me to tears. For one, the premise is simple: a cinnamon roll gets protected by his superhuman girlfriend, repeatedly. So simple, in fact, that it gets stale 5 minutes in and it just gets worse from there. Secondly, I don’t really care about either of the lead characters at the moment. The guy is so boring that you could replace him with a cardboard standee and nothing of worth would be lost. The girl is OP on a godlike level and the punchline is that she’s supposed to be “cool” protecting her guy but I just find that notion wrong on many levels. Their other friends just take up space, as well. This is a romance/slice-of-life type of show and I am not intrigued by either aspect, thus I don’t really have any reason to recommend it except for its above-average production. Too bad!
Potential: 10%

In The Heart of Kunoichi Tsubaki

Short Synopsis: Cute ninjas don’t know what boys are.

Wooper: Here’s a brief list of reasons not to watch Kunoichi Tsubaki.
– It has an all-female cast but spends 80% of its time talking about men.
– The character designs skew so young that the show’s ninja village seems to have an age limit of 10. Nevertheless, there is an obligatory big booby ninja living there.
– It cuts to long, dumb shots of flowers (symbolizing chastity) whenever main character Tsubaki reminds herself of her clan’s vow not to approach the opposite sex.
– In one instance, it cuts to a long, dumb shot of an eggplant bush as Tsubaki attempts to keep her mind off men (any psychoanalysts in the audience?).
– The yuri teasing is a transparent play for audience retention, since all the girls are obsessed with boys and the rumors surrounding their crotches.
– Tsubaki is rarely allowed to show strength or competence without the show handicapping her. Just one example: shortly after she demonstrates proficiency with kunai, she starts thinking about men and flubs her shuriken throws. There are others, but they’re far more insulting on a subtextual level.
– Most importantly, you don’t have time for this shit.
Potential: 0%

Lenlo: Ah yes, the loli-ninja-girl show. Just what I wanted. It’s fine, I guess? It’s one of the more unique Cute Girls Doing Cute Things shows I have seen, but it still has about as much substance as anything else in that genre. It’s also very much attached to the image of ninjas that Naruto created, so if you were looking for something “historically accurate” then you’re out of luck. Were this a genre I enjoyed more I could see Kunoichi as a fun time. There’s a decent level of production here, a lot of loli ninjas to fawn over and a more engaging premise than like… fishing. So if you want a relaxing, fluff-filled show this season, this seems like a safe bet.
Potential: 10%

Spring 2022 Impressions: Spy X Family, Ao Ashi, Love After World Domination

SPY x FAMILY

Short Synopsis: Super-Spy needs a kid for a mission, so he grabs one from the orphanage. He accidentally grabs a psychic one.

Lenlo: From what I remember of my time reading the manga, the start to Spy X Family was the most off-putting part. From two eccentric lead characters and their relationship to an equally absurd overarching mission, Spy X Family had a lot to establish in the first episode. And for the most part? I think it succeeded. As hamfisted as Twilight’s backstory is, it’s enough justification for this wholesome relationship to keep going. Especially when combined with that deep buried desire for a family. And as for Anya’s uwu voice? It was a tad grating at times, but she both thinks and acts like the 5 year old child she is, so it’s far more fitting than last season’s Frederica. Add on to that some successful gags like hide and seek when he was leaving or Anya’s obsession with spies and this becomes a fun, wholesome series with enough going on that it’s more engaging than the rest of the Slice of Life style shows out there. So I’m definitely going to be watching more.
Potential: 70%

Amun: Man, I was super scared when Lenlo was hyped about Spy x Family – plus we’re even both previewing it. And of course, our writers’ polarity curse has struck again! This episode…was a huge disappointment. What kind of pretentious, implausible lead is this? And Esper girl is really annoying and bratty. I get that it’s supposed to be funny, and I came into this really, really wanting to like it – but this premiere fell flat for me. At least it looks great (although I’m pretty sure I’ve seen that street in Titan). I guess this is what you get when you put Wit and Cloverworks together – cutesy, heart-string tugs with a few fight scenes thrown in (but I really liked the aerosolized flour shots). I think my issue here is the balance of comedy, cuteness,and thriller – this episode doesn’t nail it. Do I think it’ll get better? I sure hope so – I think the addition of the “wife” will probably help. Right now, this is my disappointment of the season so far. I’ll probably watch all of it.
Potential: 50%

Ao Ashi

Short Synopsis: A talented but loud kid gets scouted by a mysterious coach and spends the night together on the beach.

Mario: Soccer anime is not a rarity, but it’s also damn hard to get it right. Part of the issue is that soccer anime, like any sports anime, is more suitable in a long-running format. The current trend of this industry is limited to 1 or 2 cours, and as a result these sport shows get bogged down in the beginning phrase before they can truly take flight. The other issue is that it is difficult to animate soccer right. I have watched a few of them and without a proper budget, they just look terrible. I’m not totally convinced that Ao Ashi can get past these two concerns – its animated soccer match doesn’t look polished. I am glad, however, that it focuses on the core characters first and foremost: giving them proper time for the chemistry to sink in, giving the characters a plausible goal before expanding its cast. The main character’s antics can be loud and annoying at times (and yes, it pokes fun at itself as well. Look at the screencap), but when paired with this coach, they actually strengthen each other so far. I also approve of the way the show sets its sights on the world stage rather than the national level like other shows tend to do. All in all, like Lenlo says below, “This is a standard sports show that does everything competently.”
Potential: 40%

Lenlo: I dunno what else to say but that Ao Ashi is a sports show. Like the quintessential sports show. Yeah, the CGI players in the opening half are jank af, and yeah the soccer isn’t the most exciting part. But… I just kinda like sports shows? Ao Ashi isn’t trying to be anything special. It’s not trying to be a drama like 2.43 was, nor is it trying to one-up Haikyuu. It just wants to be a decent time for people who like action-y sports series. And in that I think it succeeds. There really isn’t much to say about it beyond, “This is a standard sports show that does everything competently.”
Potential: 50%

Love After World Domination

Short Synopsis: Romeo and Juliet with Red Power Ranger Boy and Pants-less Skull Girl.

Amun: (I bet Lenlo HATES this one). And in fairness…the character designs are wildly uneven. It’s so weird! It’s like half of the animators know how to draw the main girl’s face and half don’t….and they work on different scenes. The Power Rangers (I don’t care what their real name is – G5 or something stupid) are well animated…so why aren’t your main leads?! That’s going to really bother me if they don’t figure that out. As I’ve said before, I feel very generous towards this kind of premise (until it invariably gets beaten to death in a few seasons), but “Love After World Domination” is paper thin in pretty much every area but butt animation (and even that’s really uneven!) Like seriously, where are your pants? Right now, the animation is so uneven, I can’t make a determination – but I’ve rarely seen these issues improve over a season. Fix that, and I’m fully onboard.
Potential: 25-50%

Lenlo: I feel personally attacked to have my opinion assumed in this way… But you aren’t totally wrong. Like Amun said LAWD, as I like to call it, is a really inconsistent show. Sometimes it’s a competent Super Sentai action piece, other times it’s a mediocre rom-com. And in both cases I find the leading ladies outfit to be absurd and designed for the soul purpose of ass and tit shots. Stepping back for a moment, it’s a cute enough premise. More clever than most of the jokey junk food that usually fills out the season. So for that I want to give it credit. But… It’s still jokey junk food, the kind of thing that simply isn’t worth my time. I’d rather be catching up on older shows, checking out some western TV, or reading books and planning for my World of Darkness game than rotting my teeth with stuff like this. If it’s the feel good genre you are in for, this might be worth your time? If you want something with a more serious bite to it though, this will be a hard pass.
Potential: 10%

Spring 2022 Impressions: Kaguya-Sama S3, Dawn of the Witch, Tiger & Bunny S2

Kaguya-sama: Love is War -Ultra Romantic-

Short Synopsis: Four nutcases and one airhead procrastinate in their student council duties by turning mundane situations into major crises.

Lenlo: You already know by now what this is. Or whether or not you like Kaguya-sama. The only real question here is if Season 3 maintains the same level of quality as the last two. And to that I can confidently say: Yes, it does. This first episode felt just like any other episode in the series. It was fun, with a number of clever gags and premises that got me chuckling as the layers to each got peeled away. I vastly prefer this kind of layered comedy to anime’s more general slapstick, so it’s nice to see it back. Supporting this, Shinichi Omata continues with his fantastically clever and inventive direction. He brings so much to the series, so many visual queues like the camel that simply didn’t exist in the manga. Augmenting it for our personal silver screens. My enjoyment of this series isn’t in question, I know for a fact I’m going to have fun here. The only question in my mind is whether or not this will top season 2, should they have improved their drama abilities, or if it will be about the same quality as before.
Potential: 80%

Wooper: That opening montage was a heck of a reintroduction to the world of Shuchiin Academy. Even if some of its explosive pink imagery was recycled from season 2’s finale, its appearance sent a clear message: we know you remember these characters, and we know you’ve been waiting for their return. They’re especially welcome sights after watching a barren winter give way to a bleak (thus far) spring season – Kaguya-sama’s reliability is something anime could use more of, so I’m happy it’s back. We’re already making new discoveries about the student council members, such as Iino’s weakness for sexually-tinged motivational mp3s and Kaguya’s archery-honed hand strength, and this premiere puts them to good comedic use. We even got a Hayasaka appearance in the season’s first outing (overseeing Kaguya’s tentative first steps into the world of smartphone literacy). What else could you want from this show? Other than an arm wrestling story that doesn’t conclude with a girl’s victory resulting in her humiliation, I mean. Kaguya ought to be a little cooler under peer pressure than she was a year ago – at least enough to brush off the teasing of the chumps she just beat. That nitpick aside, I enjoyed the whole episode (but I hope something else can outperform it before these first impressions are through).
Potential: 75%

The Dawn of the Witch

Short Synopsis: Three mages get to know one another while carrying out an escort mission for a royal academy.

Mario: Damnit, up until I finished this episode, I hadn’t realized that it is a spin-off of Grimoire of Zero, a show I did watch back in 2017 but have since forgotten about. I did enjoy the mismatched duo of Zero and the beastfallen Youhei in the original series, but the fantasy setting is unfortunately so generic that I didn’t make any connection between this show and Grimoire of Zero (and no, Albus’s name didn’t ring a bell). Structure-wise, this first episode is clean enough to establish the quest to come and some minor conflicts along the way. The team is rescuing their fellow classmate Kudd at the moment and I can see him joining the group real soon. The interactions between the cast is just about enough… but unfortunately the dialogue drags a bit for me here. I suppose the titular witch is the worst offender for this, as she tends to act like a 6-year-old kid and the show has a tendency to amp up her tantrums, and her old-school way of talking. The main dude doesn’t fare any better, as he has as much energy as a koala sleeping in a tree (Koalas spend 90% of their time sleeping by the way). As far as “adventure” goes I can see it appeals to the target audience – it has the fun of adventure, peppered with the cast of diverse characters and a hint of political / racial tension, but otherwise if you want something deeper or more adventurous (in terms of style and storytelling), you can look elsewhere.
Potential: 30%

Wooper: Another fantasy anime destined for the digital landfill, this time set in the Kingdom of Wenias (heh). Honestly, my brain was mostly glazed over during this episode, but I still picked up on the perverted storyboarding – I’m sure you can imagine what that means, so I won’t go into any more detail. I also remember that the headmaster of Wenias’ Academy of Magic (for there must always be a magic academy) was named Albus, but instead of a bearded man with twinkling eyes peering over half-moon spectacles, she was a boring blonde lady with big boobs – give me old and wise over hot and uninteresting any day. As for the main character, he was the wettest of blankets (your classic anime underachiever with nothing in the way of personality), so his traveling companions’ attempts to get him talking resulted in some pretty dull conversation. That’s the one thing I can give Dawn of the Witch credit for, though – it tries its hardest to establish both context and character through conversation, rather than putting a narrator in our ear and calling it a day. Whether it succeeds in its goal is up to the individual to decide; personally, I found it mind-numbing, but I’ve also seen at least a dozen versions of this setting and/or premise that were far worse.
Potential: 10%

Tiger & Bunny 2

Short Synopsis: An array of sellout superheroes gang up on criminals to look good for the camera.

Wooper: I should have known better than to look forward to the second season of a show whose first season I couldn’t finish. Tiger and Bunny are as uncoordinated and childish as ever, making the prospect of watching them in 2022 even less appealing than it was in 2011. They’re left in the dust by all of the other heroes when responding to a robbery during this episode’s protracted intro sequence, and they resort to the silent treatment after one of them takes the other’s energy drink from the break room fridge. Those “other heroes” are no better – amalgamations of stereotypes and stock character traits, one and all. The show doesn’t seem to have a point of view regarding its corporate sponsorship gimmick, which is one of the most frustrating things about it. Midway through the episode, Tiger and Bunny are forced to go golfing with one of their company’s richest benefactors, who’s thrilled to be in the presence of two manufactured superstars, and their response is one of mild inconvenience. Very few of the heroes (if any) are frustrated by the attachment of a points-based ranking system to their work, as though they have no real opinions about the superhero business. To top it all off, the post-ED scene that teases this season’s villainous duo sends them whizzing past camp and straight into the loony bin. If you’re a T&B fan, bon appétit – seriously, clean your plate so I don’t have to eat the leftovers.
Potential: Not my thing

Mario: I have fond memories of the original Tiger & Bunny. While it’s nowhere near my favorite series of that year (2011 was still one of the great years in anime), I found the very idea of superheroes incorporated with reality shows and business to be fun, and a good way to satirize the consumerism of today’s world. This first episode more than satisfies that idea, introducing a new “normal” as the superhero teams are now functioning as pairs, or “buddies” to use the show’s term. It’s great to see the old gang back with some fresh new faces, and so far they are a delight. I also feel that the way they set up a new status quo is well-done, because as the before and after-credits suggest, things will get far out of control later on. I might have preferred if they stayed in this light mode of characters’ nonsensical bickering and reality-show satire rather than the over-the-top, exploding action-drama later on, but all I can say for now is that I feel right at home watching these characters again.
Potential: 50% – or “Feels right at home”

Spring 2022 Impressions: Shachiku-san wa Youjo Yuurei ni Iyasaretai, Heroine Tarumono, Machikado S2

Shachiku-san wa Youjo Yuurei ni Iyasaretai

Short Synopsis: Smol ghost girl brings overworked salarywoman tea and love.

Amun: Think Kobayashi’s Dragon Maid – and then reduce it to about 5% the content (swapping dragons for ghosts and other fantastic beasts). This isn’t necessarily a bad thing, except that this episode tells, then re-tells the same couple hours from multiple perspectives. Just not a whole lot happens (a few rice balls get stolen and wtf is up with Japanese corporate parties). Our main characters are standard enough – I like how anime programmers now use VS Code (and apparently the gender balance in Japan seems a lot healthier than the US according to anime). Cute ghost is cute – but how has no one noticed the literal apartment in the supply closet? Should you watch it? If you want something simple and sweet every week, then sure!
Potential: 50%

Mario: Shachiku-san is like that of a marshmallow. It’s sweet, it’s squishy… but even with just 20 minutes it feels awfully long as there isn’t a lot going on behind its premise. You could summarize the show in one sentence, and by the second half it repeats the same story again with just another perspective – an utter filler if you ask me. The plot is beyond “simple” to an extent that I think it would fare much better if it were a short. Out of all the shows I have watched so far for this season, unfortunately it’s Shachiku-san that tries its hardest to please everyone, but precisely because of that its sweetness just overwhelmed everything else and left a bitter taste instead. Oh “Pwease”.
Potential: 20%

Heroine Tarumono!: Kiraware Heroine to Naisho no Oshigoto

Short Synopsis: A country girl moves to Tokyo and gets to work on acquiring her ideal high school life (with a few snags).

Mario: Heroine Tarumono must try harder to win me over. There’s a sense of familiarity about its school settings and plot, and so far while it doesn’t put any wrong steps, it’s hardly memorable either. As far as I know the show shares the same universe with Kokuhaku Jikkou Iinkai movies, and many of the old cast did appear in this episode. The main focus, however, is about this new pumpkin country girl Hiyori who is a manager of her classmate / idol duo. So far I don’t really care for any character, and the plot can go implausible at times (the job hunting, her living alone in a big city. Really?) but the production is otherwise solid. I’m not that invested to the story to stick around longer, but I can see that it has a solid formula and if they play the cards well, this could become a sleeper hit of the season.
Potential: 30%

Wooper: This is the best start to a “girl becomes manager of a male idol group” show that I’ve ever seen, low bar though that may be. The main character has a concrete personality, there are more than two women with speaking parts, and the series has concerns outside of how awesome idols are. I was impressed by all sorts of things while watching this premiere: an around-the-horn style cast introduction, decent character animation, and even a scene where three newly-introduced girls make friends without batting an eye. Can you remember the last high school anime you saw where the prospect of chatting with a classmate wasn’t cause for anxiety? I’d practically forgotten how pleasant that could be until Heroine Tarumono reminded me. It’s not all good news for the series, though. Lead character Hiyori is so shrill that it’s tough to endure her voice when she enters her upper register; she has plenty of good qualities, but listenability isn’t one of them. The part-time job she stumbles into isn’t particularly promising, either, revolving around two teen heartthrobs who are also her classmates. Based on where this sort of anime typically goes, there’s all the reason in the world to fear that Tarumono’s uncommonly strong start will be for naught, but Hiyori’s well-meaning nature and strong work ethic have me hoping that her show will beat the odds.
Potential: 40%

The Demon Girl Next Door Season 2

Short Synopsis: Weak/broke but otherwise happy demon girl must defeat a traumatized but overpowered magical girl – or just be friends with her.

Amun: “Demon Girl Next Door” is a heartwarming take on “magic girl vs demon girl”, with surprising nuance wrapped up in a “poverty” comedy. Season two picks right back up, with the focus remaining on the latest magic girl to join (who I guess is really into citrus). “Demon Girl Next Door” is at its best when it explores Momo’s flaws and inner struggles – Yuuko’s screen time is mostly fine, but can get a little grating, as she’s cosmically behind the curve. The overall mystery (such as why her father is spirit sealed inside a cardboard box) looms over the comedy, and I’m interested to see if that’s fleshed out a bit more this season. To me, this is a season sleeper if it can rise above “haha, poor and weak = funny” – which I believe it can.
Potential: 80%

Lenlo: I mean… It’s Machikado. This is the exact kind of moe slapstick comedy I don’t like. There’s no layers, no complexity, to anything. If what you want is a wholesome, brainoff, feel good moe blob then I think Machikado will pay off for you in spades. But I don’t have enough time in my day to spend 30 minutes watching fluff. So this is a pass from me.
Potential: 10%