Yofukashi no Uta Anime Review 68/100

Vampires. Anime absolutely loves vampires. From Monogatari to Jojo, Mars Red to Vlad Love. Something about this western monster has captured Japan’s imagination so much that we see it absolutely everywhere. Some try to play it straight, going for a horrific, tragedy stricken tale. Others lean more into the romantic side, the tragic and highly sexualized monster. It is in between these two that we find Yofukashi no Uta. Brought to you by the same mangaka who created Dagashi Kashi, Kotoyama, animated at “LIDENFILMS” and directed by Tomoyuki Itamura of Monogatari fame with Tetsuya Miyanishi overseeing as chief director, Yofukashi no Uta straddles that vampire line. It tries be about the romance while letting the horror peek in around the edges. To be both an exploration of humanity through the monster, as well as a sweet romantic treat. The question is: Does it achieve both? Or neither? Lets find out.

Be warned, this review contains minor unmarked spoilers for Yofukashi no Uta. It also contains major spoilers in some sections however these will be heavily marked to avoid accidents. Continue reading “Yofukashi no Uta Anime Review 68/100”

Fall 2022 Impressions: Spy x Family P2, Uzaki-chan wa Asobitai S2, Beast Tamer

Spy x Family Part 2

Short Synopsis: The second half of Spy x Family Season 1, where a spy, an assassin and a telepath must live together as a family without any of them knowing what the others are.

Lenlo: It’s the second half of Spy x Family, don’t act like you don’t know what this is. Production wise it’s still just as solid as it was before. It’s well directed, well animated, and overall just looks good. I have no idea how that will carry for the rest of the season since Cloverworks is involved, but we can at least assume a good number of good looking episodes. As for the content, this is something that actually surprised me. I didn’t think that Spy x Family would dive back into the plot that quickly, especially not that seriously. At the very least I figured a filler episode, or some kind of fluff piece. Instead we come back to bomb threats, death, and Starlight Anya. It was a shockingly good time! I thought I had grown a bit tired of the show after its first season didn’t really live up to my expectations, but this episode reminded me how good it can be. Hopefully it manages to keep it up!
Potential: 70%

Mario: While watching the first season, I remember feeling odd about the dog plot thread that the show forgot about in the finale. Turns out they saved it for the premiere of the second season and I can certainly say that it’s well worth the wait. Immediately the dog feels like a worthy addition, even though he hasn’t met Loid yet – he’s smart, funny and goofy at the same time – all the qualities the Forger members have. As for the episode, well, I feel that this new return has all the distinctive characteristics that made the first season such a hit: the episode looks polished; all the core characters have their time to shine (my favorite: Yor jumps 2-step into the roof out of panicking); the terrorist plot doesn’t overwhelme the fun of watching these dysfunctional members reacting. I have a lot of fun watching it.
Potential: 75%

Uzaki-chan wa Asobitai! Double

Short Synopsis: Short hair, well endowed underclassman forces her senpai to have fun in college, despite him just wanting to play videogames all the time.

Amun: Woah, pretty rare to see the season’s finale in the opening seconds. Bold move, Uzaki-chan. That bit aside, we have a key improvement here over the previous season: character designs. It’s interesting to see Studio Engis development and growth on their flagship franchise – I hope the upward trajectory continues. The sketches (3 of them this episode) are crisp and self-contained, albeit a bit flimsy in the plot departments (but not the “plots” department, amirite). I wouldn’t expect anything terribly substantial before the final arc, but this show is still amusing enough. I mean, it could be worse.
Potential: 50%

Yuusha Party wo Tsuihou sareta Beast Tamer, Saikyoushu no Nekomimi Shoujo to Deau

Short Synopsis: Nice animal-loving guy gets kicked out of the hero’s party, because they don’t realize he’s carrying all their bags.

Amun: Cool, so we’re now combining two different mediocre genres – adventurers with slaves and monster tamers. I’m a little surprised there isn’t a slime in sight (and this from someone who likes slimes). Nice guys get harems, I guess? I’m pretty sure that isn’t how it works, but I’d have to check with Andrew Tate to be sure (please don’t cancel me, that’s just a joke). You can tell I was very enthralled with the episode – OP catgirls and super species and yeah, other important stuff. I mean, let’s be honest here, ENGI does this every season or so – puts out a B-tier feel-goodish anime to go along with their headliner. It starts off passably, then completely falls apart by the end. I won’t be fooled again! Okay, I might still watch this though, just for kicks – at least until the production inevitably falls apart.
Potential: 15%

Lenlo: And here we have our required seasonal sad-boi fantasy show of the season. Job/Classes with defined party roles and loot? Teammates/characters designed to be nothing more than blanket assholes for an MC pity party? A power that’s initially presented as useless that’s going to become OP by the end? While it may not be an isekai in name, it’s got all the trappings of one. It even has a magical bond that the MC is no doubt going to put on every member of his all female harem of anthropomorphic animal girls by the end. I don’t know when this became the trend, maybe I should blame Shield Hero for this crap, but it’s starting to get annoying. Anyways, the point is that there is nothing in here that you haven’t seen before. Maybe you’ll like the cat girl, or the dragon girl, or whatever, and manage to have a decent popcorn time with it. But I wouldn’t expect anything more than that from what is, for all intents and purposes, seasonal isekai schlock. Only this time without the isekai. So that’s nice. I guess.
Potential: 10%

Fall 2022 Impressions: My Hero Academia S6, Koukyuu no Karasu, Pop Team Epic S2

My Hero Academia S6

Short Synopsis: Both the heroes and villains are gearing up for their largest confrontation yet, one that will decide the future of Japan and the world at large. Can Deku and the heroes save the day?

Lenlo: The most surprising thing about this premier was that it didn’t start with a 100% anime original recap focused episode. Somehow, some way, BONES managed to jump right into the action. I don’t know what that says about the production schedule. It probably helps that this is the first season in 3 years where they aren’t working on a movie simultaneously, but I hope it’s a sign of things to come. That aside though, let’s be honest, its My Hero Academia. We are 6 seasons in at this point, you know if you like it or not. Personally, for me, it’s going to be my popcorn show of the season. I know this is where Hori’s writing starts to get weaker, but there’s also some epic moments in the arc that I now have a bit of hope will actually get the treatment they deserve. If BONES can just deliver on those then I will be satisfied. My god how my standards have fallen for this show since Season 1.
Potential: 40%

Amun: MHA, you’ve changed. Gone is the underdog feel-good high school life – always a step behind, but with good friends and complex enemies. I mean, our main leads had roughly one line each here. This is now a slick, well-animated ensemble of fan favorites, derived over the last couple seasons, fighting a large-scale battle with global ramifications. And that’s fine, in and of itself, but it’s just not the story I fell in love with. I don’t care about the hero society on a macro level, I just want more Midoriya (and Uraraka). It all feels too big, too fast. I know why the story’s developed to this point and I’m not begrudging the plot development, but I can’t keep telling myself everything’s the same. I guess at some point it’s time to accept that this franchise has scaled up and just enjoy any time with our characters that I can get. Still watching it though.
Potential: 100%

Koukyuu no Karasu

Short Synopsis: An Emperor asks the mysterious consort living deep within the inner palace to help him solve a mystery that will overturn history

Mario: This is purely a set-up episode that introduces the main settings and the main characters – so it’s definitely slow paced – but it gets there with just enough indication about the “rules” of the inner palace, as well as the main characters’ motivations. The result is an introductory episode that does just about enough to tell the main leads with interesting back stories and how they partner up for a current mystery. It’s actually the current mystery that is a weak link here, as I still don’t see the good reasons why the new Emperor Xia Gaojun cares so much about this case, nor does the Raven Consort Shouxue. What the show more than makes up for is establishing Shouxue with a distinctive personality that is both mysterious but lovable at the same time. We also learn about Gaojun’s resolve and while I feel it’s a bit too overblown, his backstory still works well. Then we get the reveal in literally the last seconds and I know I will be back for the second outing. It’s a job well done for Koukyuu no Karasu first episode.
Potential: 40%

Lenlo: As far as seasonal chinese-adjacent historical pieces go… This was decidedly bland. The colors are dull and washed out, and the only design of any note is the female lead. Meanwhile all of the line delivery just feels stiff and lifeless. I get that they are going for a sort of… cool nobility to everyone, but there’s no emotion in anything anyone says. About halfway through there was an engaging scene, both visually and narratively, but right after it ended Koukyuu returned to its bland dullness. It’s like… It’s like the mythology surrounding this world is far more interesting than the world or story itself. There might be something here for those willing to stick with it, you might end up rewarded for that devotion. But personally? This 23 minute episode felt like an hour, and that’s not something I want to repeat every week.
Potential: 30%

Pop Team Epic S2

Short Synopsis: How did Pop Team Epic get a second season when it’s such a shit series?

Wooper: What’s up guys? Welcome back to part 15 of my analysis of Endless Love, the smash hit tokusatsu series starring Aoi Shouta! Before we dive into the video, just a quick reminder – only 95 percent of you guys are subscribed to the channel, so if you haven’t already, be sure to SMASH that notification button and RING the bell for more awesome CONTENT like this. Alright, with that out of the way, let’s just jump straight into it! So in the OP for this episode, we can see Shouta-kun teaming up with another version of himself, which may be the alternate universe Shouta first seen in Gal and Dino, and…wait, why have we suddenly cut to an anime? No, it would be wrong to call this an anime, because it doesn’t have a mature, serialized story for mature viewers such as myself. This…is a cartoon. This doesn’t make me feel Japanese at all! And worst of all, it’s not even funny! Oh, I am definitely tweeting about this. I’ll just open up Twitter and…Pop Team Epic? Wait, this is a real thing? And it actually got a second season? Why didn’t someone simply tell the director to make a better, more accessible show? Great, now it’s repeating the exact same scenes from the first half but with disgusting male voices. Who the fuck would purposely watch something like this?!
Potential: COOL TIME

Lenlo: I’ll never know how serious Wooper is with his lampooning considering Pop Team Epic lampoons itself, but regardless he isn’t wrong about how insane this series is. Pop Team Epic continues to feel like a fever dream that somehow got a budget. If you like over the top meta humor that holds absolutely nothing sacred and takes shots at everything via either obscure jokes or real life slapstick, this might be the series for you. There’s no real story, the characters are openly admitting to being gag cutouts, this is about as pure a comedy series as you can get. It’s just 12 minutes of sketch comedy. A week. Personally? I’m going to watch it because I know that one of these episodes is going to end up being right down my alley. The others will probably be mid, not all comedy hits with all people. But you only need the one episode to have a decent time here. Plus it’s not a big time investment so… why not?
Potential: Is this even anime anymore? I dunno, but it’s fun.

Fall 2022 Impressions: Tensei Shitara Ken Deshita, Uchi no Shishou wa Shippo ga Nai, I’m the Villainess, So I’m Taming the Final Boss

Tensei Shitara Ken Deshita

Short Synopsis: A man dies and is reincarnated as a sword in an RPG world, where he learns tons of sweet skills and is eventually wielded by a catgirl.

Wooper: Of all the fantasy anime to abuse the “RPG menu screens” trope, I think this one abuses it the hardest. There were around 25 shots here with no function except to list the abilities and levels of the show’s sentient sword protagonist, which typically required the use of the entire frame. Interestingly, though, this practice didn’t distract much from the flow of the episode, since its story revolved almost entirely around killing monsters and gaining their skills. There’s something satisfying about watching a sword fly through the air and run through enemies of its own volition, especially when the 3DCG used in its animation is so slick. The fun came to a screeching halt, though, during any scenes where his future wielder Fran appeared on screen. A catgirl, former slave, and now devoted follower of some guy who was reincarnated into her world just last week, Fran represents many of the things I dislike about modern fantasy series. It’s great that she’s free of bondage and ready to take fate into her own hands and all, but there’s no way a story this thin is equipped to make her anything more than a mascot. Even if her menu screens go berserk with experience points, she’ll be trapped in an anime that was never anything more than a telepathic sword simulator.
Potential: 10%

Amun: Oh come on now Wooper, this wasn’t that bad. One of my pet peeves on the new influx of slave isekais is how life-long slaves just behave perfectly normally without any trauma – Reincarnated as a Sword didn’t do that. Fran is clearly not reacting to the normal social/comedy cues, and I found myself appreciating that – it felt halfway realistic. Does it make for great dialogue throughout the rest of the show? Of course not, but this isn’t just your typical furry (or elf) maid slave that you’ll find in many other recent isekai. We’ll have to see if that’s a good thing or not. Some positives: the 3D animation was clean and as someone ambushed by the first episode of Goblin Slayer, I loved seeing the Goblin massacre. The story is very simple, but there’s a clear direction to it, so I’ll take what I can get. The biggest positive here is just the premise – a sentient sword off on an adventure is one I can’t recall having seen before. The downsides are pretty clear too. Without a doubt, as Wooper lamented, the wielder Fran is the weak link and will probably provide some quasi-service throughout. I don’t see this being anything other than a novelty show, but given isekai these days have to find some way to set themselves apart, I appreciate the effort. And the animation looks good (for now)!
Potential: 35%

Uchi no Shishou wa Shippo ga Nai

Short Synopsis: A young tanuki draws inspiration from a local rakugo performance after finding it tough to trick humans in the big city.

Wooper: Rakugo anime sure have it tough in the wake of Showa Genroku Rakugo Shinju. Even when they belong to a completely different genre, as Ushi no Shishou does, their performance scenes will no doubt be compared to the mesmerizing stories found in that modern classic. Cutting away from the rakugoka mid-act to an imagined version of their tale seems like kids’ stuff, but to be fair, children may be Shishou’s target audience; there’s a segment after the ED that breaks down the episode’s (already simple) rakugo story for viewers who had trouble following it, which seems a very kid-friendly thing to do. Main character Mameda is a child, too (of the tanuki variety), and not the grating prodigy type, which might have been refreshing had the show been able to capture a country kid’s amazement at the bustle of early 20th century Osaka. Unfortunately, I didn’t feel it was successful in that task – both the human city of Osaka and the series’ supernatural elements (tanuki transformations, Daikokutei’s flying ship) were depicted rather plainly. There was a lot of emphasis on Mameda’s admiration for her prankster father, which led to her own desire to trick humans, but even that was consigned to flashbacks, and not particularly good ones. That’s the trouble with Uchi no Shisou – even though there’s nothing glaringly wrong with it, there’s nothing glaringly right, either.
Potential: 10%

Lenlo: Wooper isn’t wrong in anything he said. I feel like Shishou’s target audience is children, and it was very simplistic in its rakugo and presentation there of. But while he seems to have been bored by it, I found it a tad endearing. A little Tanuki being more confused and befuddled by the modern world than the humans were her tricks was cute, and the fox girl’s monologue on the passing of time and the old ways being forgotten to history was more poignant than I was expecting. It’s still not great, these totaled about 8 minutes of engagement in a 23 minute long episode. But I’m also not usually the kind of person to go for cutesy stuff, so Shishou had an uphill battle to win me over regardless. So yeah, for someone just looking for a cute, fluffy show this season, I expect you could do a whole lot worse than Shishou.
Potential: 20%

I’m the Villainess, So I’m Taming the Final Boss

Short Synopsis: A girl dies and is reincarnated in her favorite otome game, where she must avert her deathly fate by seducing the Demon Lord.

Wooper: I’ve only watched the first of Villainess’s two available episodes, but I doubt the second one will do much to improve my initial impression of the series. It’s the hundredth anime in recent years to use the resurrection gimmick, putting an analog earthling (like you, the viewer) in a digital setting (like you, the viewer, play on your video game system of choice). As such, it has the privilege of skipping storytelling basics like characterization and setting establishment, since its intended audience is already familiar with the sorts of games it’s aping. Only this show seems to have missed the memo that it could skip all that, because it still goes about it in its own clumsy way – namely, tons of internal monologuing from its main character Aileen. These scenes held zero appeal for me, and the spoken dialogue was hardly any better, being ripped from both the reverse harem anime and otome game playbooks. Visually, the show manages to make nearly every one of its scenes a dull disappointment, with lazy brightness effects used in chandelier-lit balls and moonlit exterior scenes alike, and unimaginative layouts that had my eyes glazing over. The only redeeming factor anywhere in this first episode is a talking crow named Almond (voiced by Tomokazu Sugita), whose love of Aileen’s cookies gives him the sort of charm that no other character here can muster. If I were to die and be reincarnated in this anime, the first thing I’d do would be to find Almond and tell him to fly far, far away from this borefest.
Potential: 1%, strictly out of appreciation for Almond

Lenlo: Zzzz… Zzzz… Zzzz… Snrk! What? Where am I? What time is it? Am I still watching shitty video game isekai? Only this one is coached in some kind of period-drama dating sim? Except even with that slightly unique premise it still falls back on fantasy demon lord bullshit? Anime why. You had a shot here to do something new. Just make a video-game isekai but instead of RPG bullshit do a dating sim, complete with all the videogame trappings of the genre. Have some fun with it! Joke about routes, riff on it a bit and have some fun! Instead it just gives me exactly what Wooper says above: A dull, boring, whatever of a series.
Potential: 0%

Chainsaw Man – A Pre-Airing Primer

We are mere weeks away from the airing of Chainsaw Man and I thought I would take this time aside to have a little chat. I solemnly swear this post will have no spoilers and is just a means of helping newcomers get why this show is a big deal, what you could expect and how you shouldn’t walk into this expecting it to blow you away. I mean the series already has haters which even the most beloved of series have but I do understand how this series may not be for everyone and if you read the season preview you can likely tell who I have had fairly heated arguments with about it. So I have tried looking at opinions from those who were not quite as keen on the series to perhaps put forward reasons as to why this may not click with you. I have structured this post in a way where I will detail one positive and then one negative and by the end you can make your own judgments.

Continue reading “Chainsaw Man – A Pre-Airing Primer”

Fall 2022 Season Preview

Wooper: Rare is the anime season that gets me interested in upwards of ten shows, but Fall 2022 seems to have managed it, even while packing itself full of shounen series. These aren’t your average battle manga adaptations, though – we’ve got the return of a former “Big 3” WSJ property, the third season of a fabulously-animated Bones show, and the TV premiere of what’s probably the hottest manga in the world at present. These shows are so big that I don’t even need to list their names (though you can find our thoughts on them down below), but there’s plenty more anime to enjoy starting this October, including continuations of megahits like Spy x Family, blog favorites like Golden Kamuy, and oddballs like Pop Team Epic. Fans of pop cultural institutions like Gundam and Urusei Yatsura can look forward to new series as well, for the first time in 6 and 40 years, respectively. I’m just scratching the surface here, but I can’t list every noteworthy new show in the intro when we’ve got the whole season preview to go! Let us know which of this fall’s many offerings you’re most excited for by voting in the poll below, and read on to see how we’re feeling about the last quarter of 2022.

This poll is no longer accepting votes

What will you be watching this fall?

Middling Expectations

Urusei Yatsura (2022)

Studio: David Production
Director: Takahiro Kamei, Yasuhiro Kimura, Hideya Takahashi
Series composition: Yuuko Kakihara
Source: Manga

The Premise: A flirtatious high schooler tries to score with every woman he sees, except for the alien princess who lives with him.

Wooper: Urusei Yatsura is a massive deal in Japan, being the first and most enduring series by legendary mangaka Rumiko Takahashi, with an anime adaptation by national treasure Mamoru Oshii. It’s also the progenitor of a zillion romcom tropes, not least of which is the Magical Girlfriend, embodied here by the tiger bikini-clad Lum. Though most western anime viewers will probably recognize her iconic design, this 46 episode reboot will be their proper introduction to Lum and the rest of series’ expansive cast. Should we count ourselves fortunate that Urusei Yatsura is being remade at all, let alone by this particular team? That remains to be seen, but personally, I’m not feeling terribly optimistic – this is the arm of David Pro that worked on 2.43 Seiin Volley-bu, one of our least favorite anime of last year, plus the pose-heavy JoJo Part 5, the rigidity of which is completely opposed to Urusei Yatsura’s ideal look and feel. The 1980s show is characterized by total freedom of movement, with male lead Ataru’s contortions and Lum’s flight patterns being unbound by the demands of a typical anime production. That sort of flexibility is critical to selling the series’ crazy developments: spaceships crash landing on Earth every third episode, hot babes of various mythological races appearing in Ataru’s neighborhood, alien technology interfering with the characters’ lives on a weekly basis. Some viewers will find these ideas dated no matter how they’re presented, but there are surely just as many who will accept them if they’re given a proper visual foundation. We’ll have to wait until October 13th for our first look at how sturdy that foundation will be.

My Hero Academia Season 6

Studio: Bones
Director: Masahiro Mukai with Kenji Nagasaki as Chief Director
Series composition: Yousuke Kuroda
Source: Manga

The Premise: Season 6 of My Hero Academia. You know the premise by now. Superheroes and villains meet for a climactic penultimate battle.

Lenlo: Let’s be honest here, you know what MHA is, so let’s cut straight to brass tacks. Content wise, this season is just one big battle arc. On the plus side, cool battles! On the down side, I no longer have confidence in bones and Kenji Nagasaki to give those battles the attention and production they deserve. Oh sure, we will get the occasional Nakamura cut or something, and those will be great. But outside of those I’m just going to find myself looking back at Horikoshi’s art and wishing it could have gotten better. Combine that with a general decline of the narrative content as he starts to lean more and more into basic shounen trappings, no idea why maybe weekly serialization is getting to him, and I just don’t have much energy to be excited for this season. I’ll watch it for sure. But I don’t yet know if I’ll enjoy it.

Continue reading “Fall 2022 Season Preview”

Welcome to the NHK Anime Review 95/100 – Throwback Thursday

When in your life you watch a show can matter just as much as the show itself. Perhaps you first found Tokyo Godfathers and its story of found family right after your parents divorce. Or Tatami Galaxy while in your freshman year of University. It could even be as simple as Fullmetal Alchemist: Brotherhood being your first anime ever. The show might be good, fantastic even, but the when is what made it timeless for you. How do I know this? Because that’s exactly how I felt as I watched Welcome to the NHK. Created by Tatsuhiko Takimoto and directed by Yuusuke Yamamoto, with music produced by Masao Fukuda and animated at Studio GONZO, I give to you one of my new Top 10 animated series ever made. Without further ado, lets dive in.

Be warned, this review contains minor unmarked spoilers for Welcome to the NHK. It also contains major spoilers in some sections, but these will be heavily marked to avoid accidents. Additionally, this series contains depictions of depression, abuse and suicide, which I will mention in this review. You have been warned. Continue reading “Welcome to the NHK Anime Review 95/100 – Throwback Thursday”

Summer 2022 Impressions: Isekai Yakkyoku, Shine Post, The Devil is a Part-Timer S2

Isekai Yakkyoku

Short Synopsis: A medical researcher dies and is reincarnated in the body of a young mage.

Wooper: Seeing as I’m forbidden from complaining about this sort of anime for another 18 months, I’ve got to muster what few compliments I can about Isekai Yakkyoku. Let’s see… I guess I “liked” the POV flashback to the main character’s sister in the hospital, asking whether she’ll get better if she takes some medicine and goes to sleep, which was immediately followed by a scene of her funeral. I appreciate when an anime tells me how to feel, and this is one series that will never stop helping in that regard. The newly reincarnated protagonist’s quest to discover his magical powers was another bit I “liked,” especially nifty tricks like cutting to a silver platter (both literal and metaphorical) bearing an assortment of chemical compounds that he’s just generated off screen. What a hard worker our young hero is! The dinner scene where his new father quizzes him on the ingredients of an obscure ointment while his mother and sister sit around and look cute was also “good” characterization – you love to see it. “Best” of all, though, was the revelation that he has unlimited magical power, courtesy of a magical power-ometer that his sexy tutor happened to have on hand during their training session. Could anything be more promising? (Apart from a believable premise or a distinctive visual style, I mean.)
Potential: 0%

Amun: Okay, a former medical researcher is reincarnated with the name “Farma”…that’s a little on the nose, don’t you think? This lad also unironically firehosed out a window all over his maid. Lots of, erm, “symbolism” going on in this episode – Freud would have a field day. While I’m not in love with the character designs, the story itself is pleasant enough. Just don’t look for too much substance or you might hurt yourself. I wonder when a garbageman is going to get reincarnated and somehow use garbage collection to save the word. Still, it’s a passable enough isekai if you’re into that sort of thing – I certainly am. Also, I too recommend not grasping a veiny, throbbing “Divinometer” in front of anyone else…
Potential: 40%

Shine Post

Short Synopsis: A new manager with truth-o-vision partners with an unsuccessful idol trio.

Wooper: Idol shows have been a fixture of seasonal anime schedules for about a decade now, so at this point, unless they have “Love Live” or “Idolmaster” somewhere in their title, they typically need a noteworthy gimmick in order to stand out. We saw Kami Kuzu Idol go the ‘idol doesn’t want to be an idol’ route about a week ago, and now Shine Post is sort of taking the same approach, only instead of illustrating that concept with spirit possession, it’s going with lie-detecting eyesight. I don’t know about you, but I’d much rather watch a show about a ghost possessing a guy during his dance sequences than one about a stodgy-looking manager who can see when people aren’t telling the truth. The hook is that one of the three girls in his new group isn’t lying when she says she wants to become a successful entertainer…and that’s it. She actually wants to be an idol, shock of all shocks. What does it say about Shine Post that the unfeigned enthusiasm of its would-be star is the basis of the show’s appeal? For me, it says that I’m entirely comfortable skipping its remaining episodes.
Potential: 0%

The Devil is a Part-Timer S2

Short Synopsis: Mortal enemies Hero and Demon King receive an unexpected Apple Baby to raise.

Amun: It’s been a decade of waiting. The OG reverse-isekai. And after all that time, the premiere…was alright? It was kind of weird, honestly – I watched this a decade ago, and while I’m quite different, their world is exactly the same. Well, not quite exactly – it’s pretty obvious that the visuals are being handled very differently. I’d say the character designs fall into the uncanny valley of similarity – close enough to tell who is who, but just slightly off enough to be jarring. I also was reminded of what I didn’t like in the original: Chi-can. Every second she’s on-screen, the show wanders away from the more interesting dynamic of Hero vs. Demon king. The new season’s premise is interesting enough – joint custody of mysterious portal baby. I’m just surprisingly worried about production and if there’s enough content here to carry an additional season. All in all, I guess I’m underwhelmed, but still happy Devil is back!
Potential: 60%

Mario: Can’t believe that it had to wait this long for a sequel, considering how popular the first season was. For me, I consider the series has one big joke, and the rest kinda repeats the same joke over and over. That is why the appearance of this new kid in a block (literally) is a much welcome change of pace. Not only it steers the show into a direction it has never ventured before (the Devil Lord and the Hero raising a child), the reaction of Yuusha and Maou will have new sparks as well. Visually it looks just standard, but the facial expressions are done fairly well. I’m looking forward for more to come.
Potential: 30%

Summer 2022 Impressions: Call of the Night, Isekai Ojisan, Extreme Hearts

Call of the Night

Short Synopsis: A disaffected middle schooler resolves to become a vampire by falling in love with one.

Lenlo: Well I found the seasonal waifu y’all, and this time I can say she’s actually kinda hot. People just need to let Kotoyama design all of their characters, or at least the women, because the guy is damn good at it. Beyond Nazuna being a choice cut, the rest of the show doesn’t look half bad either. I’m a fan of the neon color palette of the city night, and the angular features of all of the characters. On top of that, it’s just well directed in general. Lots of interesting camera angles and well paced shots. This is probably, visually, one of the better shows of the season for me. As for the story, I honestly have no idea what’s going on. Not why the night is so off limits, nor the whole seemingly hikikomori deal with our MC, not even the vampire nature of our lead girl. None of it makes sense, we just kind of get thrown into the middle of it. For a first episode that’s amusing enough, the dialogue especially was entertaining. I just have no idea where it’s going to go from here or what it’s going to do. Is this going to become a classic battle series with vampires? Or play it straight as a full on romance between our leads? Or maybe something else entirely?! I don’t know. But I’m intrigued enough to find out.
Potential: 70%

Wooper: There have been (and will be) a lot of disappointments this season, but I allowed myself some hope for Call of the Night (Yofukashi no Uta) upon seeing its Noitamina intro. Plenty of duds have emerged from the programming block over the last decade, but it was something for my optimism-starved brain to latch onto – and wouldn’t you know it, the episode turned out pretty well! I think my favorite thing about it is the restless storyboarding, which pitches a curveball at least once a minute. Claustrophobic fisheye lens shots, ultra wide angles, pushing characters to the edge of the frame – if Yofukashi could use it to depict the protagonist’s perplexity, it did so with abandon. Why was he so perplexed? Oh, romantic troubles at school, having his shoes vomited on by a middle aged man, being dragged back to the house of a strange woman who ended up being a vampire – the usual middle school stuff. I didn’t think I’d like the relationship between the human and vampire leads as much as I did, but he’s strange enough and she’s human enough that I enjoyed their back and forth. She loves the taste of his blood, sure, but she also enjoys the company of a fellow nightcrawler, as evidenced by her willingness to fly him around the city at night – a great final sequence for one of the few successes of the summer thus far.
Potential: 60%

UNCLE FROM ANOTHER WORLD

Short Synopsis: An older man wakes up from a coma, having been a hero(-ish) in another world.

Lenlo: It absolutely pains me to say this but… Isekai Ojisan wasn’t that bad. In fact I dare say I kind of… enjoyed it. The entire premise of the show is riffing on Isekai and their protagonists. Mocking the way they advertise other worlds as being ideal fantasy lands, how deadbeat losers suddenly become suave chads after being hit by a bus, and all the tropes that come with it. Even directly calling out how Tsunderes weren’t an established trope in the 90s, or how the uncle came back probably even worse than he left. Combine that with some clever direction and an artstyle that I really like. I love the thicker, sketchier line work and stark difference in color palette between the fantasy world and our modern one, and you have what might be the best Isekai of the season. That’s a low bar I know, but I’ll take what I can get. I kind of wish the uncle didn’t have magic in our world and the main joke was that he actually imagined it all, but the youtube channel setup with his nephew works too. Isekai Ojisan probably won’t be able to keep this up for its entire season, it’s probably going to screw it up around halfway through and become the very thing it’s mocking. But for now? I actually had fun here.
Potential: 50%

Amun: Isekai Ojisan is a different take on the titular genre. I certainly respect the unique angle, even bringing magic improbably into this world. I just didn’t have that good of a time – I felt bad for everyone involved. From the misunderstood tsundere to the torn apart family – combined with the dreary palette and harsher character designs – Isekai Ojisan felt sad. A bit like squandered youth, I suppose – a world that’s passed the lead character by. Painful nostalgia, I guess. While the subject matter is certainly fair game for anime, I can’t help but feel a bit of a mismatch between the media and the message. I’m interested in seeing where the story takes us, but unlike Lenlo – I didn’t have any fun here.
Potential: 50%

Extreme Hearts

Short Synopsis: An aspiring singer-songwriter trains to participate in a sports-themed variety show… with EXTREME GEAR!

Wooper: This show has some of the most throwaway character designs I’ve seen in ages. They may have some competition for the worst of the year, but they’re almost certainly the worst of the summer. Seriously, can you detect any life within these eyes? Then again, maybe I shouldn’t be so harsh – I’ve got no reason to expect the characters to look conscious when they were drawn by people who don’t care about the story they’re animating. How could they? It’s an original show with a flimsy-ass premise, directed by Junji Nishimura, the Snoop Dogg of the anime world (I’ll leave it to the music fans reading this post to pick up on my meaning). A wannabe singer signs up for an extreme sports tournament in a desperate bid for relevance? And the extreme sports in question are just soccer and baseball with reality-breaking equipment? The only way this could get stupider is if the script were largely made up of people explaining their sappy backstories – which it is. Extreme Hearts did rouse me from my stupor when it introduced a quartet of robot practice partners during one of its training scenes, but that flash of interest was the only thing I felt during its time-warping 24 minutes.
Potential: 0%

Lenlo: So this is… wizard sports? Basically? But they aren’t wizards because they use technology, not magic, but the technology is so advanced that it’s basically indistinguishable from magic? And we are going to tackle every sport at once, because we can’t content ourselves with just one? And they are simultaneously idols? Or is that whole singing bit not going to come back around at some point? This is… fine… I guess? There’s just nothing about Extreme Hearts that I would call interesting. It’s competently animated, and its narrative is so by the books I half think it was written by committee. But that’s kind of the problem. Extreme Hearts feels like a show made to checkboxes, created to sell, rather than because of any one creator or author’s vision and passion. It’s easily one of the most forgettable things I’ve watched so far, despite being nowhere near the worst produced or worst story told. Hell, even as I’m writing this I struggle to think of anything the show did that’s different, beyond the magic sports equipment.
Potential: I can’t even remember what I watched /10

Summer 2022 Impressions: When Will Ayumu Make His Move?,Shadows House S2, Black Summoner

When Will Ayumu Make His Move?

Short Synopsis: A boy intends to ask out the girl he likes if he can beat her at shogi.

Lenlo: This one was actually kind of cute. Surprisingly so. Visually there’s nothing special about Ayumu, at all. It’s a dime a dozen in that regard. But narratively I found it sweet, wholesome and straightforward. The way it gets the premise of the romance out in the open right at the start, no beating around the bush on whether or not they like each other, just so they can focus purely on the relationship. Or how it skipped right past the kendo-club drama, heading it off at the pass. Ayumu just feels like a straight forward, no gimmick romance. In a way it’s like Kaguya-sama, where all the information is presented to the viewer from the start and it’s just a matter of the “how”. I have no idea if that will change moving forward as the series struggles to keep its story going without falling into a rut. It’s possible it falls off a cliff and becomes one-note and boring. But my hope is that it will actually end with them in a relationship and continue past that, the hurdle so many romances seem to struggle with. So yeah, I enjoyed this way more than I thought I would. Tentatively gonna watch it. I just wish they would stop visually coding these characters as small children.
Potential: 50%

Mario: If you have already watched Takagi-san, then Ayumu runs on exactly the same concept. It’s a series of teases between the main two characters spending time together alone. Unlike that other show, these two characters are on the same footing, which makes the back and forth conversation more two-sided. So far, we only see these two characters, but I suspect they will expand the cast more in later episodes. It’s not a bad episode per se, but if this episode doesn’t convince you about the duo, then I doubt the rest of the episode will.
Potential: 30%

Shadows House S2

Short Synopsis: Young children are brought to the mysterious “Shadows House” to act as faces for creatures that don’t have their own. What manner of plots and evil are taking place here I wonder?

Lenlo: My biggest issue with Shadows House continues to be its depiction of the shadow characters. Not their personalities or depictions, those are fine and I dare say the intrigue surrounding it all is rather interesting. No, I mean the literal, physical character designs. It feels like almost no thought has been put into the color design or framing of any scene, the way the black of their heads or bodies contrast the background or surrounding furniture. I suppose that may be the point, to really emphasize the need for a “face”, but damn if it isn’t aggravating. Beyond my rant on color design though, Shadows House is back just as it was before. The intrigue is interesting, but the introduction of a power system and the focus it seems it will have is a bit souring. Hopefully the series sticks to what sets it apart from the crowd, the house intrigue, and not become just another battle series. The second half of the episode is leaning towards that with the introduction of Suzanne, you just never know when a series will slip up and go down the easy route of storytelling. I’m hopeful at least, even if it’s a bit awkward for now.
Potential: 50%

Black Summoner

Short Synopsis: A teenage boy wakes up in a fantasy world and does JRPG shit.

Wooper: The subtitles you see above are Black Summoner’s (Kuro no Shoukanshi) very first piece of dialogue, and it only got less inventive from there. Instead of wasting my time detailing just how derivative this episode became, though, I’d like to take a moment to reflect on an even less essential question I’ve been pondering recently: is the prevalence of modern isekai anime similar to that of CGDCT anime following their respective peaks? Some of the attitudes I’ve seen toward this new breed of fantasy anime are highly similar to the ire that was once directed against cute girl shows: they have no substance, they pander to the lowest common denominator, or my personal favorite, they’re the Cancer Killing the Industry. Both then and now, this hyperbole is simple backlash against a subgenre that doesn’t entertain a subset of fans – in short, it’s just their opinion, man. But if the overabundance of these niche shows can be called a loose “justification” for that backlash, then whichever one is more ubiquitous (over a period of, let’s say, 10 years) “deserves” it more.

I decided to use AniList to compile my data, since it allows users to filter by tag rate; that is, you can search for shows that a minimum percentage of taggers have marked as belonging to a particular subgenre. To qualify for this exercise, shows had to meet or exceed a 75% tag rate, having consistently received the CGDCT or isekai label. For the former, I used Spring 2009 as my starting point (when K-ON! first aired) and found that 1341 full length TV anime aired over the next 10 years. Of that sample, 7.31% (98 series) qualified as CGDCT. For the latter, I used Summer 2012 as the starting point (when Sword Art Online first aired) and found that 1475 TV anime aired over the next 10 years. Of that sample, a smaller 6.78% (100 series) qualified as isekai. Thus, I have proven that CGDCT was the more pervasive trend in the 10 years following its prime, and isekai detractors are forbidden from complaining about their hated subgenre until 2024 at the earliest.
Potential: Oh yeah, Black Summoner was terrible.