Spring 2024 What-I’m-Watching Summary – Week 5

Jellyfish Can’t Swim at Night – 5 [Viewer Comments]

Ah Jellyfish, the only other show this season that has a shot at consistently beating out Dungeon Meshi. I absolutely adored this episode, top to bottom. From Yoru’s struggles with artistic motivation and feelings of inadequacy to Kano’s attempts to lift her up. Once again, Jellyfish managed to hit me right in the kokoro. Her reactions to comments? The fear of reading them, the knowledge that someone saw and might not have liked your work? I get that exact same thing, yet all I’m doing is writing a few thousand words about anime on the internet. She’s drawing official art for their group and then having bigger, more successful, more talented artists draw fanart of it and then having people say they should be drawing for Jelee instead of her. That must be soul crushing. Watching her work through that, doom scrolling until she commits herself to art fully so she can feel good about what she draws, adding her name back to the mural she previously erased, taking classes seriously and such again, all good shit. I wish this had maybe been a multi-episode plot, but considering the end I’ll accept what we got. Speaking of the end, Jellyfish is entering dangerous territory here. If this is legit, if Kano and Yoru are going to be a real couple with real romance, it could be fantastic. But if we’re just getting yuri-baited because they know that’s what anime fans watch, then it’s going to suck. We can’t know until the next episode, which I’ll be watching right after I finish writing this since it’s Saturday, but I’m hopeful that Jellyfish will pull it off.

Oh and P.S. RIP Mei, her Bad Luck fortune came true the same day she drew it when she lost the love race with Kano. F in chat for our girl.

Continue reading “Spring 2024 What-I’m-Watching Summary – Week 5”

Guest Post: Unearthed Treasure with Firechick – Ashita no Nadja (88/100)

(According to MAL, this is my 570th completed anime!)

I say in a lot of my reviews that it often times doesn’t matter if a piece of media’s tropes and premises are cliche or overused, as these days, nothing is truly original anymore. There’s really nothing inherently wrong with cliches in and of themselves. It’s the execution that counts, and if you actually care about what you’re making and manage to create interesting characters and a solid, engaging premise, people will like it regardless of how cliche its premise is. After the end of the fourth Ojamajo Doremi season, Toei needed something to fill the timeslot up for the next year, and they decided, rather than another magical girl series, that they’d do a historical shoujo adventure instead, in line with stuff like Hello Sandybelle and Lady Georgie. That anime was Ashita no Nadja, which was an oddity in the year 2003, as by that time, according to Justin Sevakis’ article about the World Masterpiece Theater here, Japanese-produced shows that were set in Europe were going out of style. Which is honestly a shame, as even with the context Justin mentioned, a lot of these shows were quite amazing and made the most of what they were given. Nadja as a show is an original anime, not based on an existing property, making it even more of an oddity in 2003, and it did get admittedly low ratings from what I’ve heard, but the people who did stick around to watch it really liked it and have fond memories of it. I myself didn’t even know this show existed until I came across this review of it here on the site, and I did watch the first episode and liked it, but couldn’t finish it due to other obligations and because at the time of the blog post, the final quarter of the series didn’t get completed fansubs. This is no longer the case, thankfully, and I finally found time to watch this. And yeah, I agree, Ashita no Nadja has no business being this good and this well-written. More series should aspire to be like Nadja.

Continue reading “Guest Post: Unearthed Treasure with Firechick – Ashita no Nadja (88/100)”

Spring 2024 What-I’m-Watching Summary – Week 4

Dungeon Meshi – 18 [Shapeshifter]

To absolutely no ones surprise, Dungeon Meshi continues to be great. This week it brought us the classic Doppelganger encounter, but with the usual Dungeon Meshi twist. Not content with just one Doppelganger, we had nine, three for each of our cast members. And as if that wasn’t enough, each Doppelganger’s appearance was based on the mental image another party member had of that person, which Dungeon Meshi so helpfully drew in slightly different styles and details so a perceptive viewer could pick out the real one on their own. So for Laios? Each of Marcille, Chilchuck and Senshi view him as some brand of moron or weirdo, leading them to easily pick out his fakes. Meanwhile for the others we have poor attention to detail resulting in inaccurate clothing and tools, as well as a complete misunderstanding of magic resulting in a silly spell book. There’s a lot of good stuff in here, all of it leading to a fun finale where Laios figures out who the real ones are by their awareness of the dungeon around them, as well as how they talk. Of course Chilchuck wouldn’t sit on a box that might be a mimic, he hates them, and of course Senshi would never disrupt an ecosystem so carelessly by stealing and egg, and of course Marcille would be so stubborn as to not eat a humanoid egg even if it might save Falin. All of that culminating in Laios barking like a dog to face down a monster, only for Marcille to blow it up since she was completely dun with the situation, made for a fun episode. I’m not sure about this Ninja girl or why she’s following them, was she ordered to kill Marcille or something? I don’t know, but I’m looking forward to finding out. Dungeon Meshi hasn’t lead me astray yet, somehow staying fresh and fun for two whole cores, I’m not going to start doubting it now. Oh and one more thing, Laios barking was hilarious and exactly the kind of comedy I’ve come to expect from this utterly ridiculous show.

Continue reading “Spring 2024 What-I’m-Watching Summary – Week 4”

Spring 2024 What-I’m-Watching Summary – Week 3

Lots of drops this week as we enter Week 3 for the Spring Season! Mostly just me cleaning house with a few of the lesser series of the season, nothing to extreme.

Dungeon Meshi – 17 [Harpy/Chimera]

Dungeon Meshi took a break for a few weeks there, letting other shows strut their stuff, but this week it returns with a vengeance for that first place spot. Seriously, what a great episode. From Shuro confronting Laios over the consequences of his actions, berating and criticizing him for the use of Black Magic and how blasé he is about everything, to Falin showing up and wrecking house. And holy crap, did she show up. Dungeon Meshi has always been very emotive, from facial expressions to how the characters move, it’s always been good at conveying emotion. But this week was… It was on another level. I can’t get over how incredible Falin’s new design is, from the feather coat and draconic torso to her new eyes and how her expressions can turn on a dime. One minute she’s almost cute, smiling and blushing as she crushes Maizuru’s skull beneath her foot, the next crying out for her brother as her true self takes control for but a moment. And the way the music tied it all together, just fantastic stuff. Not to mention the actual narrative of the episode, how Dungeon Meshi called Laios out for his hypocrisy regarding monsters after he had already gotten on Senshi for the same shit, or Shuro sticking to his word and reporting them to the authorities but still giving them an opportunity to escape should they succeed. All around one of the best episodes I’ve seen in a long time. If I had any complaint it would be that no one actually died, there was no cost to the conflict, which feels like a missed opportunity. I get it, resurrection is normal here, I don’t begrudge Dungeon Meshi bringing back all the important ones. But I would have liked if one or two had stayed dead, just to hammer home the situation and what Laios/Marcille have done here. Even with that though, a stellar episode, I swear I’ve watched it like 3 times. I’m hyped for where Dungeon Meshi is going.

Continue reading “Spring 2024 What-I’m-Watching Summary – Week 3”

Black Lagoon Seasons 1&2 Review – 71/100 – Throwback Thursday

Dating back over 50 years, the legacy of Studio Madhouse is long and storied. From cultural touchstones like Death Note and Tatami Galaxy to old greats like Aim for the Ace and Treasure Island, they’re even responsible for modern epics such as last seasons Frieren. They’ve done a bit of everything, from sports and adventure to sci-fi and murder mysteries. Naturally, that also includes crime dramas, one of which we are here to talk about today. Originally created by Rei Hiroe, directed by Sunao Katabuchi and with music by Takayoshi Watanabe, Black Lagoon originally aired in 2006 where it was overshadowed (At least in my opinion) by a few of Madhouse’s other greats, like Nana and Hellsing Ultimate. One has to wonder, how does this mid-2000’s crime thriller stack up to the modern day? Well wonder no longer, because that’s what I’m here to answer. Now lets dive in!

Be warned, this review contains minor unmarked spoilers for *Black Lagoon Seasons 1&2. It also contains major spoilers in some sections however these will be heavily marked to avoid accidents. Continue reading “Black Lagoon Seasons 1&2 Review – 71/100 – Throwback Thursday”

Spring 2024 What-I’m-Watching Summary – Week 2

Jellyfish Can’t Swim at Night – 2 [Mei the Fangirl]

Jellyfish was fantastic this week. I’ll admit, early on I was a tad put off. Mei was such a fangirl, so obsessive and weird, that I really didn’t like her. And I feared that Jellyfish would somehow end up supporting her antics, justifying them or having Kano give in to her demands to get her working with them. Luckily, Jellyfish did nothing of the sort. It still made Mei sympathetic, but instead of excusing her obsession it instead sought to explain how she got there in the first place. How she was desperate for a friend, for acceptance, for some kind of human connection, and she found that in Kano, known as Nonoka at the time, by going to one of her fan events. It was the first time someone was genuine to her, accepted her hair color and mannerisms, even seemed to like her. Watchin Mei’s room slowly fill up with Nonoka merch, over taking the trophies and book, it was really sad but really effective. Jellfyfish didn’t excuse her behavior, only made us understand it. And by the end? She had walked it back a bit, coming to view Kano as her own person and not as her obsession. Meanwhile Kano came to realize that she can’t just deny her past, that while she may not want to continue it anymore, her work as Nonoko is still part of who she is and touched a number of people. I really liked that, it worked for me, and by the end I found myself enjoying the episode a lot.

Continue reading “Spring 2024 What-I’m-Watching Summary – Week 2”

Guest Post: Unearthed Treasure with Firechick – Jack Jeanne (87/100)

Not many people know this, but visual novels, in spite of their seemingly limited gameplay and interface, are actually a more versatile medium than they’re usually given credit for. This is pretty common knowledge in Japan, where the medium of visual novels has been around since the eighties, but North America only ever had them through hard to find fan translations, with no official releases until the 2010s. But even with the genre’s renaissance in the US and people learning what they can be capable of, certain types of gamers are quick to dismiss visual novels as nothing more than either moe waifu porn games or digital picture books. Games such as Ace Attorney, Steins;Gate, Digimon Survive, AI: The Somnium Files, and everything in Visual Arts/Key’s library (Clannad, Air, Kanon, Little Busters, and so on) disprove this, but would you believe me if I told you that there’s such thing as a visual novel that also has rhythm game elements and was the brainchild of one Sui Ishida, the man who created Tokyo Ghoul and Choujin X? Ladies, gentleman, and everyone in-between, I introduce to you Jack Jeanne, one of many visual novels brought to the US by Aksys Games. I remember first seeing ads for the game in the Nintendo eShop while browsing through it, and the premise did intrigue me, but I initially had a bit of a hard time getting a hard copy. It took my dad showing me a random game store while on our trip to New York for me to find a copy, and I gotta say, I have him to thank for this, because Jack Jeanne is not only one of the best otome games in existence, it’s one of the best, most immersive visual novels period, barring a few flaws preventing it from achieving true greatness.

Continue reading “Guest Post: Unearthed Treasure with Firechick – Jack Jeanne (87/100)”

Spring 2024 What-I’m-Watching Summary – Week 1

Bucchigiri – 12 [Fateful Duel! Beyond the Gyoza Dumplins]

And so ends the final seasonal of Winter, barring Dungeon Meshi which still has a whole other cour. I gotta say, Bucchigiri was a lot of fun. The finale wasn’t perfect, Arajin returning to his age old “I want to lose my virginity” after finally progressing to a realer, more person wish was a tad disappointing, as was Senya’s return in the final scene. I think they undercut a bit of the emotion of the episode. Even with that though, the final confrontation between Ichiya and Senya, and then Matakara and Arajin, was fantastic. I loved how both relationships figured their shit out and reconciled, Senya realizing he was holding back against Ichiya, who felt insulted and betrayed by his closest friend. Arajin figuring out Matakara has felt alone this whole time, the hospitalization of his brother only worsening that, and how he sought to become strong to fill that hole in his hurt. Plus the fight itself was just really cool. Not the best choreography of the show, but the effects were nice and I think it sold the emotion of the climax really well. An all around great way to end the season, I’m going to miss not having Bucchigiri to watch every week.

Series Score: 8/10 – Overall great, a couple of awkward points here and there but easily one of the best Winter shows.

Continue reading “Spring 2024 What-I’m-Watching Summary – Week 1”

Spring 2024 Impressions: Karasu wa Aruji wo Erabanai, Whisper Me a Love Song, THE NEW GATE

Karasu wa Aruji wo Erabanai

Short Synopsis: As four women from four different provinces vie for a prince’s hand in marriage, a male representative from the northern province is sent to serve as the prince’s attendant.

Wooper: From its double length premiere to its massive cast list to its elaborate fantasy setting, Karasu wa Aruji wo Erabanai is one of this season’s most ambitious shows. Not every facet of that ambition makes for great TV, but I’ll be following it for the foreseeable future, since I like historical anime. Karasu isn’t grounded in history, of course, but its costume design and court politics are strongly reminiscent of medieval Japan, and the mythos surrounding the yatagarasu (the three-legged crow whose name appears in the show’s localized title) reads like historical fantasy lore. I say “reads” because that’s exactly what this show requires of you – there’s a ton of table setting in these episodes, so you’ll be chugging through not only the plentiful subtitles, but also the on-screen names and ranks of around 20 characters. That’s going to feel too much like homework for a lot of viewers, and at this point I wouldn’t disagree, but Karasu’s wordy beginning works in service of an Apothecary Diaries-esque palace intrigue plot, with four female representatives competing to wed a reclusive prince, and a POV character serving as our window into said prince’s life. The yatagarasu stuff is what’s most interesting to me, as several characters can shapeshift into crows; we don’t get a good look at those transformations, but the production is otherwise solid, with just a single dip during a kendo scene across these first 50 minutes. I wouldn’t recommend this one to a wide audience, but for those who don’t mind dedicating their time and their full attention to a new fantasy series, there may be something here.
Potential: 50%

Whisper Me a Love Song

Short Synopsis (Anilist): After performing a song at her school’s opening ceremony, musician Yori Asanagi receives an apparent love confession from freshman Himari Kino. But just as Yori decides she wants to return Himari’s feelings, Himari reveals that she did not “love” her, but “admires” her! But you can’t unring a bell once struck, and Yori is determined to make Himari fall for her, not just her music. Will their hearts ever beat as one, or will their love fall out of tune?

Lenlo: Look it’s the last post so I’m just going to lay this out there, you have at least 3 better music based shows airing this season. From Hibike to Girls Band Cry to Jellyfish, each and every one of them brings more to the table than this. I’m not saying it’s bad, it isn’t. It’s definitely better than most of the usual seasonal stuff. But that isn’t an achievement and it’s competing in a very contested genre at the moment. The characters aren’t as compelling as Jellyfish, the visuals aren’t as polished as Hibike, and it doesn’t move anywhere near as well as Girls Band Cry. If none of those were up your alley, but you’re still itching for a music show, maybe give this a shot and see if this somehow does it for you. Personally though? I’m music’ed out and this lost the race.
Potential: 25%

THE NEW GATE

Short Synopsis: Kirito from SAO stays in the game a tad too long after beating it and is sucked into an Isekai world exactly like the game, but now with all the standard isekai tropes on top of it.

Lenlo: Imagine if you took Sword Art Online, created a carbon copy in every way, made every aspect worse by about 50%, nuked its production from orbit, and then turned it into a fantasy Isekai by teleporting Not-Kirito into the game world for real after he beat the game and everyone else logged off. That’s how you get New Gate. It is, in every way, an inferior Sword Art Online, Log Horizon and Shangri-La Frontier. Watch literally any of those instead, they have better narratives, better production, better characters, better music, better voice acting, just better… everything.
Potential: Can’t believe I’m saying this, but just go watch SAO.

Spring 2024 Impressions: Seiyuu Radio no Uraomote, Viral Hit, Kaiju No.8

Seiyuu Radio no Uraomote

Short Synopsis: Two voice actors just so happen to go to the same highschool. When a director catches wind of this, he puts them on a podcast together!

Lenlo: Seiyuu Radio pleasantly surprised me. Early on it felt like an excuse to get Miku Itou and Moe Toyota, the lead VAs, to effectively do an animated podcast. But as the episode went on, I found myself enjoying it more and more. It’s all about public personas vs real personal selves. How someone on screen, or on a podcast, or in a book, or any form of media really, is putting on a character because they know that’s what sells. Some of it is about knowing the real you won’t be accepted, won’t get you work, like with Yumiko. Meanwhile Chika, she just doesn’t understand why people like her public idol self, and sees that more as a criticism of who she really is since she acts nothing like her alter ego. Throw these two in a room, get them talking after a terrible first impression and see them slowly become friends, and you have a pretty wholesome show that peels back the curtains a bit on the VA/Idol industry. Not in an expose “This is how terrible it is” sort of way like a lot of shows, more in a “VAs are people too” way, and I like that. Plus the way the show gets them together isn’t even all that contrived, a Director got his show cancled, knew they went to school together, and said “Fuck it, puttem on a radio show, should be funny”. So yeah, I’m going to watch it for a bit. No idea if it will hold, it’s on the lower end of my list, but I enjoyed it. It felt very personal at times.
Potential: 50%

Viral Hit

Short Synopsis: Local kid decides to become a YouTuber to make money for his sick mother. The idea? Fight people on the internet to go viral! The catch? He’s a wimp.

Lenlo: I… Enjoyed Viral Hit, as weird as that is to say. Youtubers, bullying, pathetic leads, mediocre comedy, Viral Hit has a number of things against it. Yet despite all of that, despite attempts at a more “realistic” artstyle similar to the failing Fable, it worked. Viral Hit doesn’t try to hide how shitty YouTubers are, how all of them are in it for the money, how predatory the system is and the kind of actions/personalities it encourages. Instead it dives head first into the system, focusing on how it’s a way poor people can make money by debasing themselves in front of the world. In that sense, it’s really not all that dissimilar to combat sports like boxing and MMA, which is funny considering Viral Hit is all about a kid fighting on the internet to make money. What I’m getting at is that Viral Hit goes in on a lot of the worst aspects of YouTubers, and it does so in a way I find engaging. I have no idea if this will last in the long term, but for now at least I’m in.
Potential: 50%

Kaiju No.8

Short Synopsis: Kafka Hibino once made a promise to his childhood friend to join the Kaiju Defense Corps and rid the world of Kaiju! Now he works cleaning up the aftermath of their battles.

Lenlo: For the first 20 or so minutes, Kaiju 8 was great, almost everything I could have wanted. An older MC working a dead-end job who has given up on their dream, their passion reignited by a younger employee and a traumatic experience that pushes them to try once more. The detail that went into the Kaiju itself, not just in the design but its biology and just how large a cleanup operation would be post-Kaiju, as well as the knowledge you could gain from being around/cleaning up so many. Even the relationship between our lead, Kafka, and his new kouhai, Ichikawa, was pretty good as Ichikawa becomes both Kafka’s inspiration as well as the first person he’s ever saved. Visually it was a bit rockier, sometimes looking great, other times getting a tad too ambitious with the wild camera movements and such, but overall still solid I feel. My issue with Kaiju 8 comes in the last 2 or so minutes where it takes the novel idea of an older protagonist working an actual job that deals with the aftermath of the big fights trying to find his niche in a young man’s profession, and turns him into a standard shounen protagonist with a unique super power. Kafka didn’t need that to be interesting, to succeed in the Kaiju Corps. He had knowledge few others did due to working with them so often. But now that’s going to get sidelined in favor of him being able to turn into a badass monster. Will it still be fun? Will it still have decent fights and shit? Probably. But it lost what made it unique in my book, and is now only worth watching for the cool fights.
Potential: 40%