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Kuragehime Review – 85/100

by psgels, posted in Anime Reviews, Kuragehime




Romantic comedies are a dime a dozen nowadays. Few however can boast to be as well directed as Kuragehime, however.

Kuragehime may not have the characters with the biggest amount of realism or depth. In fact, a lot of the characters in the series are one dimensional. It may not have the best storyline. In fact, it’s second half is unbalanced and the ending leaves a lot of things unresolved. It may not have the most original premise. In fact, it’s centred around a bunch of fujoshi and cross dressers. From the outside, it may not look like much.

It is however one of those series where the execution totally makes up for it. The chemistry between the characters is downright addictive. This show bursts with energy while not losing itself in it. The characters, while lacking dimensions are incredibly fun to watch, and the acting is consistently excellent throughout the entire series. the characters here all have their own charms, from the super serious Shuu to the flamboyant cross dresser Kuranosuke. They all combine really well with each other and nearly each episode is a blast to watch.

In this day and age, female leads who aren’t designed to be as attractive as possible are hard to come by. The fujoshi in Kuragehime, including the lead Tsukimi are a breath of fresh air in this way so I really hope that this catches on. The series loses a bit of its steam in its second half, but despite that it’s a ridiculously fun and refreshing series to watch.

Storytelling: 9/10 – 11 episodes is not the right length, but it’s still presented with a ton of addictive energy, making it very accessible.
Characters: 9/10 – A lovable cast of characters. They’re all adults, so no teenagers whatsoever. Especially the chemistry is really addictive here. Some of them are pretty static, though.
Production-Values: 8/10 – Dynamic visual, very few still frames.
Setting: 8/10 – Solid, but doesn’t really come together well in the end.

Suggestions:
– Honey and Clover
– Nodame Cantabile
– Yamato Nadeshiko Shichi Henge

Shiki Review – 90/100

by psgels, posted in Anime Reviews, Shiki




Shiki is a very hard series to talk about without spoilers. It’s a show that you really need to see for yourself. Still, I consider this to be the best show to have debuted during the past half year, so I’ll at least try to vaguely explain why I consider it such an awesome and unique series.

Shiki is another one of those series set in a tiny Japanese village that’s set in the middle of nowhere. One thing that immediately stands out is how well it manages to colour that village: even the simplest of residents are given an identity. The entire town has about 1200 residents, and this show manages to make them so life-like that you actually feel like part of the village as the series goes on. It creates a truly excellent backdrop for the series to take place in.

First and foremost, Shiki is a horror series. It’s got a really thick atmosphere and most of the time it’s just building up and dragging the viewer within this atmosphere. It’s got plenty of disturbing scenes though, and that’s really where it’s at its best at. Now, there are times at which this show feels like this series is moving a tad slow and that it’s building up a bit too much. But trust me: it all pays off in the end with a fantastic conclusion. That’s all I’ll say about it.

The character designs in this series are… unique. I admit that they take their time to get used to, but that’s not really a problem considering the charms of the different characters. It’s perhaps not the series with the best characterizations, but they are written really well: when they’re developed, it’s done very boldly. The characters are also incredibly diverse, ranging from teenagers to adults well in their thirties, forties and fifties and that overall makes it into a great and huge cast to watch.

Most of the best episodes of Shiki are located at the end so it takes some perseverance to really get to great parts of the series, but the weak moments are very few and far in between. It’s got a haunting soundtrack and a stunning atmosphere. It’s not something you should watch when you can’t stand gore, but it’s a must-watch for anyone even remotely interested in horror.

Storytelling: 9/10 – Gripping atmosphere, excellent use of build-up, everything horror should be.
Characters: 9/10 – the cast is HUGE, diverse and surprisingly engaging.
Production-Values: 8/10 – Good animation, great soundtrack, excellent artwork.
Setting: 10/10 – The village this series takes place in really feels alive and constantly changing.

Suggestions:
– Ghost Hound
– Jigoku Shoujo
– Shikabane Hime

2010 Summary Part 3: Movie and OVA Edition

by psgels, posted in Yearly Summaries

I’ve noticed that usually when doing these end of the year lists, most people (myself very much included) tend to ignore the OVAs and movies that came out that year. So, here’s an entire post devoted to the OVAs and movies that came out in 2010, because it was a great year for both of them. I decided to make a top 10 for both of them separately, because they’re just too different to be properly compared.

I especially liked Sunrise and Production IG this year, and it’s interesting how both studios have been treating these mediums: Prodiction IG’s television series of 2010 were surprisingly mainstream. Instead they used the OVAs and movies to experiment with A TON of different concepts which covered the entire spectrum, from absolutely abysmal to incredibly good. Sunrise meanwhile completely put its attention to its OVAs and Movies this year, with its only new TV-series being that really cheesy Romance of the three Gundams, or whatever the title was.

Worst Production

Haiyoru Nyaru-Ani

Usually with these kinds of summary posts I try to hand out most awards in a positive way, but this time I feel that there are too few entries to really make it worthwhile without making me repeat myself. I’ve said everything I wanted to say about them already in the top 10s below. I however do want to say a few things about the bad stuff this year, because dear lord: the anime creators again turned out some crap here. Haiyoru Nyaruani goes in particular. I’m currently lumping both the OVA and the TV-series together because they were equally awful, but seriously: this could have been made by a bunch of 12 year old kids with the right equipment. And it still would have been better. Atrocious dialogue, dirt-poor animation. It only lasted a few minutes and it still was painful. Why was this made in the first place?

Biggest Waste of Great Visuals

Shoka

This award is for OVAs that had gorgeous graphics, but left a lot to be desired in the other departments. Black Rock Shooter surprised many by hardly focusing on the Black Rock Shooter at all, despite the gorgeous graphics. There was one OVA however that did this even worse: Shoka. It really had some great animation and the visuals were quite imaginative. It’s all messy, but in a really good way. The rest though… shallow at best. The characters aren’t really characters but just stereotypes, everything is just there for the style.

Worst Commercial for a Manga

Toriko

Even though I’m not the target audience, I like watching these one-shot OVAs that come bundled together with manga volumes in an attempt to reach a broader public. This can be done well (Azazel-san)… or not well at all. A huge example is that latest Kurenai OVA, or the awful Nougyou Musume. At least Kurenai was supposedly faithful to its manga, though. Toriko is apparently a manga that is really awesome, but by watching the OVA, I really had no idea why. Sure, it has nice monster designs, but that gimmick got old after five minutes. It’s full of people screaming and overacting to the slightest things and boring fights. If the TV-series is going to be like this, then I’m going to drop it very quickly.

Biggest Rip-off

Hiyokoi

Hiyokoi is pretty much a poor man’s Kimi ni Todoke: shy girl joins school, is alienated and suddenly the most popular guy in school falls in love with her. If that’s just the whole story, then I could have just forgotten about it, but after writing an entry about it, I suddenly discovered that it wasn’t produced by a cheap studio trying to cash in on Kimi ni Todoke’s success, but by Production IG itself. It also wasn’t directed by some random guy, but by Naganuma Norihiro, the assistant director of Kimi ni Todoke. What the hell? These are the kinds of cash-ins you’d expect from Toei or Sunrise, not Production IG…

Biggest Disappointment

Musashi – The Dream of the Last Samurai

It’s Mamoru Oshii, for god’s sake! A documentary about Miyamoto Musashi sounded really interesting on paper, but if I knew that it would be ninety minutes of a very poorly animated old man rambling incoherently about god knows what (I’ve forgotten most of it already at this point), then I would have passed it up. Another big disappointment was Loups Garous. Trans Arts is the production company that I really want to like: unlike just about every other company out there, instead of going towards safe and marketable moe or bishies, they continue to come up with potentially interesting and diverse premises…. only they don’t know how to execute them. Loups Garous was the same: a HUGE waste of potential due to poor writing and no opportunity given to flesh out the cast and setting.

Top 10 OVAs of 2010

#10: Kou, Koi wo Hajimemasu

Kyou, Koi wo Hajimemasu is a shoujo that very nicely takes advantage of its OVA format to deliver a compact yet touching little story about a couple. There’s nothing of the “will they won’t they” stuff that usually drags these shoujo series down, and instead it’s all about their relationship. It’s low budget, but the visuals are still quite nice, and I especially love the character designs for the lead female. It’s a bit cheesy, but I liked it.

#9: Hen Zemi

2010, especially its first half, showed a disturbing trend of a whole slew of series that tried to upstage each other in terms of controversy and risky topics like Chu Bra, Ladies Versus Butlers, Seikon no Qwaser KissXSis, etc. Most of them were forgettable or just abysmal. Then… Hen Zemi came along. I mean it’s far from the funniest comedy out there, but its dialogue unlike any other fanservice show this year really managed to get under my skin. It’s completely disgusting, vulgar and perverted and that combined with its energy pretty much took along with Panty and Stocking the cake in terms of disturbing comedies this year.

#8: Yondemasu, Azazel-San

Azazel-san is only ten minutes long, but it won me over with its very cute sense of humour. In fact, its length really works in its advantage here because that turned into such an easily accessible comedy here. It’s a real recommendation for someone looking for a bite-size chunk of comedy.

#7: Mobile Suit Gundam Unicorn

The thing with Gundam Unicorn is that I’m not much of its target audience: it’s pretty much a nostalgia trip for Zeta Gundam, and I didn’t really like that series. Nevertheless though, it’s still worth watching because of how ridiculously solid the overall production is. It’s absolutely clear that the creators spent a ton of time and money on it, and that makes it definitely at least worth watching.

#6: Black Lagoon – Roberta’s Blood Trail

2010 only showed the beginnings of Roberta’s Blood trail so it was mostly building up, but the way in which it was done caught my attention. It’s really well directed, with over the top action that at the same time tries to remain believable. Episode 2 actually had very little action, but the tension it built up was nail-biting.

#5: Tales of Symphonia

Tales of Symphonia turned out to be an excellent example of how to adapt a game by keeping a great balance between faithfulness and own input. The events are rearranged to get to the essence of the game and it worked really well. 2010 finally showed us the parts that I personally had been really looking forward to: the focus on the side-characters of Sheena, Presea and Regal and they really lived up to my expectations.

#4: Yozakura Quartet – Hoshi no Umi

This one is mainly this high on the list because it has a fantastic animation director as its director. The way he breathes life to all of the characters is just amazing, and the action scenes are great to look at. At this point only one episode has aired yet, so there’s not much to say about the story yet, but the characters are a quite interesting to watch in a way that makes me wonder how the TV-series managed to screw it up anyway?

#3: Darker than Black Gaiden

With this OVA, Darker than Black yet again proved what an incredibly diverse series it can be: the four-episode Gaiden OVA is again unlike anything I’ve seen so far of the franchise, detailing Yin and Hei together. The scenario is slow, but stunning, as it answers a ton of questions that the two series left behind.

#2: xxxHolic Rou

The Tsubasa Chronicle anime has turned into a bit of a mess of continuity issues and I’m not even sure how many manga chapters were skipped between the Shunmuki and Rou arcs of xxxHolic. It worked really well, though. The developments were really shocking and gave a total new spin to just about the entire cast.

#1: Armored Trooper Votoms – Phantom Arc

Like with Darker than Black: just about every part of Votoms is significantly different, only this universe is twice as big and has many different instalments. The Phantom Arc just came and tied everything together, working both as a nostalgia trip and an original story of its own. It had many things that made Ryousuke Takahashi into a unique director, like the down to earth battles and the focus on religions, but at the same time it also brought new topics into the franchise, like the children of God, and one of the oldest casts you can run into in an anime nowadays. Seriously, more than thirty years have passed at this point.

Top 10 Movies of 2010
This is a list of my favourite movies of 2010, and by “2010”, I mean the ones that got released on video this year and that I had the chance to check out, so no Redline or Space Show.

#10: Symphony in August

Nishizawa Akio is a criminally underrated movie director. His best work still is Furusato Japan, but Symphony in August is also a really interesting look and one of the few non-fiction anime out there. It’s a great portrayal of Kawashima Ai‘s rise to fame. It’s realistic and surprisingly touching. And it’s a shame that the entire ending that the movie was building up to was so cheesy. They were the crowning moments of awesome of Furusato Japan and Nitaboh, and if it was better executed I would have ranked this movie much higher on this list.

#9: Mai Mai Miracle

Mai Mai Miracle was another one of those movies that portray a young child growing up, filled with gentle slice of life only to get darker near the end. It’s a pretty uneventful movie for those standards and mostly just focused on portraying the life of a bunch of kids (who are portrayed very life-like by the way). It’s also well balanced: the quiet parts at the first half of the movie don’t feel like they’re just build-up, but everything is equally important. It wasn’t an ambitious movie at all, but what it did it did well.

#8: Eden of the East II – Paradise Lost

It’s a shame that pacing issues turned out to be the major flaw of Eden of the East: there was so much that it wanted to do, but it just didn’t mesh well together. Paradise Lost really felt like a rushed conclusion to the Eden of the East Saga, which could have been amazing if given the right time. It’s still a very good movie, though. It’s an action and plot twist packed finale with strong messages and ideas.

#7: Rebuild of Evangelion 2.22:You Can (Not) Advance

Evangelion may not be my favourite movie of 2010, but I do agree that it had without a doubt the best action of the entire year. The entire movie is pretty much a visual orgasm: incredibly imaginative and well directed. It’s just a shame that the characterization wasn’t nearly as good as compared to the TV-series.

#6: Eden of the East I – The King of Eden

The King of Eden is after the first two episodes of Eden of the East most likely the most solid instalment of the entire franchise, and the part that I enjoyed the most. Whereas Paradise Lost tried to stuff too much in its airtime, this one did not and felt perfectly paced if you ignore the pacing of the other instalments of the franchise. It’s slow but very down to earth that allowed the story to catch a breath after the really rushed finale of the TV-series.

#5: Macross Frontier – Itsuwari no Utahime

This was the biggest surprise of the year in terms of movies. I had many problems with the original Macross Frontier TV-series, and here this movie comes and actually avoids most of them. It’s much more tightly paced and doesn’t have the useless and annoying moments of the TV-series. The animation is either recycled or even better than ever, the love triangle is actually interesting. If you’re interested in Macross Frontier I really recommend this movie over the TV-series.

#4: Halo Legends

I love these compilation movies that consist out of several smaller, separately produced works. Halo Legends was very diverse and it sure had some hits and misses, but in the end the total is larger than the sum of its parts. There were a vast amount of different styles and stories on these shorts and the creators really made use of their creative liberties in order to portray the Halo franchise.

#3: The Disappearance of Haruhi Suzumiya

This was without a doubt the best thing I’ve seen from the Haruhi Franchise. It’s a really long movie (two hours, forty minutes), but it’s amazingly told and packs a huge amount of character development for especially Yuki and Kyon. It’s excellent mystery and it’s almost scary how often the creators are able to create perfectly fluent animation here.

#2: Tales of Vesperia

Here is another one who caught me by surprise. It started out as your average fantasy story, but it packs a ton of character development throughout its airtime with great life-like characters and excellent yet down to earth action scenes. Most RPG adaptations go for these epic stories, but by taking the scale down a notch the creators were really able to focus on the characters themselves and this worked really well.

#1: King of Thorn

Now, I probably have some explaining to do here, as I did rate this series lower than Tales of Vesperia when I reviewed it. The reason why I’m considering this my favourite movie of 2010 is a very subjective one, and it all has to do with the effect the movie had on me. Seriously, I thought that along the middle it pulled a few too many twists and that the CG overuse was a little too glaring, but the ending and the movie itself haunted me for weeks. It’s that indescribable feeling you get when finishing something really impressive, that’s what hit me here. And of course, this movie has an absolutely fantastic opening. In the first twenty minutes, nothing really is happening and it’s simply counting down for the action to really being. The atmosphere during the prologue was just perfect and another reason why this was my favourite movie of 2010.

2010 Summary Part 2: Character Edition

by psgels, posted in Yearly Summaries

And here is the second out of four 2010 Summary posts I’ve planned for this year. I’ve noticed that during previous years, I paid rather little attention to the different characters that appeared in each year, so this time I decided to devote an entire post to them. This post contains a bunch of character-based awards, along with my top 6 of favourite supporting characters, male characters and female characters. These were really the characters who caught my attention the most and made the biggest impression on me, so yes: they’re quite personal lists. Feel free to share your own favourite characters of 2010 in the comment section. 😉

Most annoying character

Ookami Kakushi – Hiroshi Kuzumi

This award only goes up for the series that I finished watching. If I didn’t drop Amagami SS on its half-way point, half its cast would probably have walked away with this award. Another character who really annoyed me this year was Elcea from The World God Only Knows as an incredibly obnoxious moeblob, but Hiroshi, the lead character from Ookami Kakushi takes the cake. Throughout the entire series, he’s supposed to be the central character, and yet he does ABSOLUTELY NOTHING. He just runs around randomly, says the most generic lines and never gets the story anywhere. This guy… who found it a good idea to make him the central character?

Worst Character

Iron Man – Tony Stark

Again, this only goes for the shows that I actually finished this year, but dear god. At the start of this year, I really could not have guessed that I’d pick an adult for this category. Still, there’s so much wrong with Tony Stark’s character that I hardly know where to start. It’s a complete bastardization of a Cobra-wannabe, who runs after women with cheesy one-liners at one time and keeps on sprouting ridiculously corny morals the other. As a superhero he also makes some of the dumbest decisions out there. I really hope that Wolverine will fare better. A honorable mention goes to Il Re from Togainu no Chi, just for what the heck he turned into in the final two episodes of that series.

Best Cast of Minor Characters

Giant Killing

This award goes to the series that had my favourite side and supporting characters, both major and minor. With this award, I especially want to congratulate the series that came with huge casts, and yet gave every character his own purpose, story and development. Full Metal Alchemist and the Armed Librarians were especially good at this, but also Shiki and the way that it gave a unique feel to all of its villagers stands out and Star Driver is also doing a pretty good job so far. None were as good as Giant Killing though: the entire series is about teamwork, and how everyone involved with football is important, from the players to the coaches, the management and the supporters. All of the characters in Giant Killing were great to watch and together they painted a wonderful whole.

Best Voice Acting

Sarai-ya Goyou

This year had a lot of comedies where you could really hear that the voice actors were having the time of their lives: Gag Manga Biyori and Tentai Senshi Sunred had very simple animation, but this gave their voice actors a lot of freedom that they used really well. Beyond that, Full Metal Alchemist also had a very inspired voice cast and Yojou-han’s endlessly fast monologues were also a delight to follow. Ookiku Furikabutte delivered a greatly realistic and down to earth performance, but in the end I decided to pick Sarai-ya Goyou for this category. The voice actors are both restrained and deliver with a lot of emotions, and they really seem to understand their characters.

Best Character Development on a single character

Yojou-han Shinwa Taikei – Watashi

There were a few characters this year that were really well developed throughout their series. A simple form of this is Kobato, who grew up wonderfully as a character. Then there also are these long-running series like Full Metal Alchemist and Cross Game who make great use of their time to show the span of several years. Especially Kou, Aoba and Edward go through these great, subtle changes. For great changes that are anything but subtle, there was Shiki with Toshio who really hardened up as a character with all of the things that happened to him. The best though, was Watashi: the entire series is devoted to showing his antics, and in how many different ways he can change depending on the choices that he makes. Usually the series with the great character development are the long ones, but this is one series that puts more character-development in than most other.

Best Character Development on an entire Cast

Armed Librarians – The Book of Bantorra

Armed Librarians was just amazing: in every arc, it just took a bunch of characters and developed them in a way that just kept surprising me. Even the long series of Cross Game and Full Metal Alchemist, which both had around twice the amount of episodes to develop their cast didn’t do it as interesting as Bantorra did it. They do take up the second and third place, though: the way in which they show several years subtly change their entire cast made them into some really memorable series. I also want to give a honorable mention to Rainbow: granted there was a lot of stuff wrong with its characterization, but it really tried to give its seven main characters as much development as possible, and that’s really what saved that series from being yet another cheesy drama.

Top 6 Supporting Characters

#6: Rainbow – Ishihara

Ishihara is actually a character that I for a long while considered way too over the top to be likable, often dubbing him “Psycho Guard”. But in the end that’s what his charms turned out to be: he was such a ridiculously over the top character that he became priceless at the point where Rainbow’s plot really got interesting. He’s the ultimate of sadistic characters, but at the same time his development and conclusion had me nailed to the screen.

#5: Kuroshitsuji – Alois Trancy

I only noticed this once I had fully compiled this top list, but my favourite supporting characters of 2010 are chock full of testosterone while surprisingly this isn’t necessarily the case for my favourite main characters. The characters on this list are just so out there that they immediately caught my attention, despite not being the central characters. In the end, Ciel and Sebastian remained the central characters of Kuroshitsuji’s second season, despite all of the hints that previously pointed at this sequel. I still believe that Alois should have been good enough as a lead character himself: his flamboyance totally dominated every scene he was in and it was always great to see his rambling.

#4: Giant Killing – Kazuki Kuroda

Much less over the top than the two previous entries, Kuroda was the lovable nagger of the series: he was constantly complaining and annoying the people around him, but he did it in such a way that it just instantly became charming. Especially when he was trying to pick a fight with people much taller than him. As the series goes on, we also learned quite a bit about him and some of the soccer players around him.

#3: Shiki – Tomio Ookawa

Tomio Ookawa is hard core. He mostly stood out in the latter half of Shiki through his actions, but this guy genuinely impressed me. The exact reason why is riddled with spoilers, but as a supposedly random villager, his change and development were a part that made the final act of Shiki truly memorable.

#2: Full Metal Alchemist – Brotherhood – King Bradley

The thing with King Bradley is that even the animators loved him as a character: every single action scene involving him portrays him as an unstoppable beast with absolutely gorgeous and imaginative drawings. This guy is ridiculously competent and at the same time his backstory gives him a surprising amount of depth.

#1: Shiki – Tatsumi

When I first saw Tatsumi, I laughed at his ridiculous haircut. Throughout the series however, he really made me take all of that back. He is an excellent villain: just when things are starting to look good, this guy shows up. His loyalty and aggression really made him stand out as one of the top characters of 2010, especially considering how he as a villain has so relatively little airtime.

Top 6 Male Characters

#6: Cross Game – Kitamura Kou

First and foremost, Kitamura Kou is a wonderful character to watch during the many slice of life moments in this series. His often-faked nonchalance is consistently witty and enjoyable to watch. He forms a good combination with just about every other character of Cross Game, but his relationship with Aoba really stands out with the way that the creators just consistently kept subtly poking it. His development is amazing, with fifty episodes dedicated to his growth from elementary schooler to a high school student.

#5: xxxHolic Rou – Watanuki

Watanuki only appeared in one single OVA this year, so he counts too as a character of 2010. I mean, before this OVA Watanuki already was a really well developed and sympathetic character, and here the Rou OVA comes and SPOILER is suddenly SPOILER and not to mention that SPOILER. It’s a very spoilerific OVA so I’m not going to detail what happened in this Summary, but he really impressed me.

#4: Sarai-ya Goyou – Yaichi

Sarai-ya Goyou had sublime characterizations, so a few characters were bound to turn up in these lists. Yaichi was an enigmatic character throughout the entire series, subtly menacing, yet he had a ton of different sides. His conclusion was especially stunning, but he was portrayed consistently excellent throughout the entire series.

#3: Shiki – Toshio Ozaki

The reason Toshio is amongst my favourite characters has a lot to do with the things he does through the series. Again due to spoiler reasons I can’t exactly explain what part of him left such a huge impression on me, but those who watched the series can probably imagine what I’m referring to. I will say that we don’t often get doctors as main characters, and this makes him a unique main character for this series to work with.

#2: Sarai-ya Goyou – Masanosuke Akitsu

Masanosuke was completely unlike your average samurai, lacking in confidence due to his timid personality. He had a subtle background, and the entire series was about him coming to terms with both himself and his new friends where he was forced to question his own morals. He was a terrific lead character with excellent development throughout the series, and the chemistry he had with the rest of the cast worked in just about every way.

#1: Yojou-han Shinwa Taikei – Watashi

This top 6 is really dominated by Noitamina, but both Shiki, Sarai-Ya Goyou and Yojou-han Shinwa Taikei featured some truly terrific characters, al in their own way. My favourite was Watashi, though. It’s like I said above: every single episode was dedicated to developing Watashi in a different way, depending on the choices he made. He was generally a loser, but in some he was actually successful. In some he was an idiot, in others he turned into a prankster and in others he completely wasted his time. Everything comes together wonderfully at the end, everything about his development feels completely calculated. And that’s what made me chose him as my favourite male character of 2010.

Top 6 Female Characters

#6: Armed Librarians – The Book of Bantorra – Noloty Maruchie

Noloty could be a main character or a side one; Armed Librarians always was a bit vague on who its main characters were, but with the impact she made on the story, I’m considering her a main one. The thing is that with Noloty, she could have easily been a really annoying character: she’s the epitome of morality. But the creators played it so pure, making her naivety both a cure and a curse with long-lasting implications. Because of this she avoided the problem that most characters with strong morals have: becoming preachy.

#5: Seikimatsu Occult GakuinMaya Kumashiro

Occult Gakuin’s biggest fault was that it spent too much time on Maya’s character, and too little on the plot. This left a really unbalanced series. But granted, Maya was an awesome character in the end. She was ridiculously fun to watch as a strong character with plenty of flaws and her deadpan attitude to everything was consistently entertaining. On top of that, Occult Gakuin is one of the first shows who can actually boast some good five-minute DVD-specials that show a very cute younger version of her.

#4: Cross Game – Tsukishima Aoba

The creators really had a knack for portraying Aoba in situations that turned out completely different from what you first thought they were. Aoba is a very talented baseball player and teacher to Kou, and yet it’s tragic that due to being a girl, she can’t really participate in official matches. Her loyalty to Wakaba combined with her wonderful realistic portrayal made her a character who was consistently enjoyable throughout 50 episodes.

#3: Letter Bee – Nichi

Nichi is awesome in just about everything she does. Her innocence is both comedic gold and captivating in the serious scenes. She works well in combination with just about every other character due to her childish jealousy and loyalty.

#2: Kobato – Hanato Kobato

Clamp… you did it again. I’m not sure why, but they really have a talent to create captivating characters with really strong developments, and Kobato was 2010’s addition to this. For most of Kobato’s first half, she was this typical ditzy female character who just runs around, but as the series moved on, she more and more grew up, found her identity and her conclusion was amongst the best of the year. I usually like strong characters, but Kobato’s charms and innocence really won me over.

#1: Armed Librarians – The Book of Bantorra – Hamyuts Meseta

This number one spot was a no-brainer for me. Hamyuts Meseta is in a completely different league from all of the other characters this year. She single-handedly took the concept of a strong female character and gave a totally new meaning to it. She was just a fantastic anti-heroine throughout the entire series, and her wishes to die were only a slight hint to her eventual back-story. Hamy consistently kicked ass when she appeared on the screen and her entire appearance was like a steam train: nearly unstoppable.

December Summary

by psgels, posted in Monthly Summaries

As usual in December this summary is a little earlier and smaller than usual in order to give me some time to work on my 2010 summary. I’ve planned three posts and for some reason I found it a good idea to make this year’s summary much bigger than I did with previous years, so I really need that time.

As for the past Autumn season, it was definitely an interesting one. In all of the years I’ve been blogging, I don’t think I’ve ever seen a major season (as in Spring and Autumn) with so few series that go beyond thirteen episodes. This lead to a lot of short but sweet series. Nothing is really in the realms of classics, but there still was a lot to like about the different series that aired. Probably the thing that I liked the most about this season is the many surprises it carried: for every show that performed disappointingly, there also was a show that came from nowhere and turned out to be much, much better than expected.

#24 (new) – Starry Sky – (3,75/10) – Ten minutes, just to glorify an incredibly overused cliche. Studio Deen, what the heck do you think you’re doing?
#23 (25) – Iron Man – (5,25/10) – The end was completely generic, just like the entire series. Any hope for this show to redeem itself went down the toilet with the decision for who got to be the final villain.
#22 (23) – Togainu no Chi – (5,5/10) – This show completely lost it in its final two episodes. It really feels like the creators stopped caring, that’s how bad it was. Il Re’s changes were just completely baffling, and the entire conclusion was just a mishmash of poorly built-up plot twists and incredibly poor animation.
#21 (20) – Arakawa Under the Bridge – (6,75/10) – Well, this ended with a big resounding “meh”. I hoped that the final episodes would at least show the journey to Venus, but even that got shafted in favour of this random unfunny fighting tournament that just went on forever.
#20 (17) – Nurarihyon no Mago – (7,25/10) – Agh, what a disappointment. This entire month I was waiting for some sort of hook for a second season, and it never came, delivering a boring final battle against a boring villain instead. That second season is really going to have to make up its mind: either go entirely for an anime original arc, or just stay faithful to the manga. This series just showed that you can’t do both at the same time.
#19 (21) – The World God Only Knows – (7,5/10) – the book girl arc was certainly not the worst of the series, although it still was rather cheesy. That final episode was just weird, though. And I’m still not sure whether this was in a good or a bad way.
#18 (19) – MM! – (7,5/10) – So in the end, this show never really concluded anything. It has passed by as a very messy harem, but this month again was quite enjoyable enough.
#17 (16) – To Aru Majutsu no Index – (7,75/10) – The current arc of Index is about average. The back-story is nice, and the characters have their good moments… but also their annoying moments. It’s a good thriller, but a number of the female side-characters were just beyond obnoxious: Mikoto’s mother is just a giant boob joke, while Index is more annoying than she ever was in this arc.
#16 (18) – Fortune Arterial – (7,75/10) – The ending was strong, but I really would have liked to see a 10 minute epilogue: the way it is now this show is inconclusive. I have to praise this show though, because the build-up to the finale was surprisingly good.
#15 (14) – Bakuman – (8/10)

This show is nicely bubbling along. The pacing is sloooow, but nothing bad has happened yet: every episode so far did progress the characters, so only time can tell whether it’s going to work out or not.

#14 (9) – Yumeiro Patissiere – (8/10)

I really did not expect this show to end at episode thirteen. It was also a completely silly conclusion that just screamed convenience. Still, it advanced quite a few relationships and it was a lot of fun to watch in the process.

#13 (15) – Katanagatari – (8,25/10)

I didn’t really like Emonzaemon’s final fight, but overall the end here was a pretty interesting one, with nice twists that still retained the dialogue.

#12 (12) – Shinryaku! Ika-Musume – (8,25/10)

The ending sucked! Seriously, I have no idea what the creators were trying to do with the final two segments, but it didn’t work. But also, that’s about the only thing of this series that I didn’t like this month, so it all evens out. Especially Squid Girls interpretation of Teruterubouzus was just completely hilarious.

#11 (13) – Soredemo Machi wa Mawatteiru – (8,25/10)

Overall this was a solid conclusion to a solid series. Its trips into the supernatural were unexpected, but worked well most of the time, and I especially liked that old guy. This month too gave a lot of neat characterization to the main cast, and overall I’m very happy with how things turned out.

#10 (11) – Tantei Opera Milky Holmes – (8,25/10)

Haha! Even the finale was taking the piss out of itself. It really was brilliant, and at the same time an action-packed finale, which is something that you don’t often see in comedies (see Squid Girl).

#9 (9) – Otome Youkai Zakuro – (8,5/10)

It’s a great conclusion for this series: most of the characters received a final bit of development, and this final month really did justice to them. The backstory of Zakuro’s mother was especially interesting and it’s as wonderfully told as ever.

#8 (6) – Star Driver – (8,5/10)

Star Driver is finally coming together as a character study now that it’s revisiting previous characters, and the cast is definitely getting more and more depth. Let’s hope that it can keep this up for its second half.

#7 (10) – Panty and Stocking with Garterbelt – (8,5/10)

Panty and Stocking really was on fire this month: they tried out a ton of interesting ideas, and the finale kicked ass in many different ways. My only complaint was that the pre-finale was a tad cheesy, but apart from that the creators really made up for the lackluster first episodes of this series.

#6 (2) – Kuragehime – (8,5/10)

Kuragehime is still great, but it lacks the energy that made the previous two months so addictive. Most of this can be blamed on a sulking lead character, but even when this show kicked down a notch, it still packs some great characterization and jokes.

#5 (3) – Shinrei Tantei Yakumo – (8,5/10)

Completely opposite of what the first half of the series was, the final arc of Yakumo really took its time to fully tell its story and it was a great little ending that did justice to the different characters.

#4 (8) – Densetsu no Yuusha no Densetsu – (8,5/10)

For its finale, Densetsu no Yuusha no Densetsu pulled something completely unexpected for its final two episodes… and it actually worked. I mean, there still are huge holes in the story with so much material left unanimated, but for a series that once really annoyed me, the final two episodes really left a good aftertaste for this series.

#3 (5) – Letter Bee – (8,75/10)

Letter Bee has a wonderful cast of characters, and that really was the main focus of this month, as they really allowed the plot to shine. On top of that, it was also a major month for the storyline itself and I really like how things are developing.

#2 (1) – Heartcatch Precure – (8,75/10)

This month was mostly building up for the big finale, and it was utterly adorable while doing so, which made the latest episode in which Dune finally arrives hit extra hard. Now that the ending is so near, this series really managed to stay true to itself, while also carrying on to add to its different characters.

#1 (4) – Shiki – (9,25/10)

This series just became utterly amazing in its final stretch. After months of build-up, it finally ends up using its final trump card and that has lead to an incredible climax. It hasn’t ended yet, but I see very little that can get in this series’ way of delivering the best ending of the season.

Otome Youkai Zakuro Review – 85/100

by psgels, posted in Anime Reviews




Otome Youkai Zakuro was another one of those series that went under the radar this season. And granted, when looking at its premise it seems like a very simple youkai series. However, it’s a series that really shines through its execution and it does a great job combining the youkai genre with the romance one.

It’s the kind of series that perhaps doesn’t do anything new, but what it does it does really well. The three lead couples are all charming, each in their own way and especially Agemaki and Zakuro are two very good main characters who are both more than just romantic stereotypes. The simplicity of this series also allows the creators to put in a lot of detailed character development, and that especially manifests itself in Zakuro’s background, but the entire main cast emerges from this series with some depth.

the only real flaw of this show is its restriction to some cliches, like Zakuro the Tsundere, or a villain who listens to a few overused archetypes. It’s well told though, so despite these cliches it’s really able to put an emotional charge to just about every episode. It’s very consistently told and at the same time the drama is genuine enough to get nowhere near the levels of cheese, thanks to some subtle characterization.

It’s a great recomendation if you’re looking for some light romance. the story itself is well paced and keeps a great balance between the romantic developments between the characters, and the actual story and the growth of their characters. Autumn 2010 had many sleeper hits. This is one of the biggest ones.

Storytelling: 9/10 – Well balanced, treats its cast seriously and can be both very subtle and pack a punch.
Characters: 9/10 – Characters are neatly laid out, the main ones have a lot of depth and backstory, but it’s especially the relationship between them that really well done.
Production-Values: 8/10 – Great artwork throughout the entire series.
Setting: 8/10 – Youkai series aren’t new, but it’s nevertheless a very solid setting for this series.

Suggestions:
– Rozen Maiden
– Ga-Rei Zero
– Natsu no Arashi

Arakawa Under the Bridge X Bridge Review – 70/100

by psgels, posted in Anime Reviews




I never watched more of the first season of Arakawa than an episode and a half, and I originally had no intention to keep up with its sequel. After hearing so many praises and requests though, I eventually decided to check out Arakawa Under the Bridge X Bridge, and surprisingly actually stuck with it for thirteen episodes. Now… was it worth it? No; I still feel like this series was a waste of my time.

I can see the intentions of this series: it’s a series in which a bunch of nutcases gather themselves under a bridge, don’t care about what anyone outside thinks of them and just are having fun with each other, all kept together by a central character Nino. As the show goes on, a potentially interesting subplot of space travel also pops up. There went quite a bit of imagination into the different character designs, from a guy with a star mask on to a washed up samurai and a little girl who can transform into a bodybuilder.

That’s all fine and dandy, but this is supposed to be a comedy. And I didn’t find it funny, at all. It perhaps got a chuckle out of me three or four times over its entire run, which is way too little. The jokes are all just horribly dull and look way too much like each other. It’s typical Shinbo esque humour of a lot of people screaming and yelling, but they fail to deliver anything actually funny. The humour also uses a ton of anti-climaxes, but they’re all so poorly timed that you can see them from miles ahead. The rest of the humour is all based on characters acting weird or acting strange, or some of the minor characters just showing off their stereotype. Everything is told in the same way, so when you’ve heard one joke, you’ve pretty much heard them all.

On top of that, this series is also horribly paced, dragging on jokes beyond belief. Every time when you think that they’ve finished with a joke, they just return to it and milk it out some more. Compare that to Squid Girl: even in its arcs, it always was changing its scenarios and really tried to not stay on the same topic for too long. This series instead has little inspiration and therefore tries to stay at the same spot for way too long. Especially the muscle jokes get over-abused, but the Amazoness also makes way too many appearances for her character to be worth it.

I tried. I really tried giving this show a chance despite my biases for Shinbo at the moment (and I do really like the different OPs and EDs of this series). But in the end, I just couldn’t find anything funny about this series. What kept me watching was the space travel subplot, but in the end this never reaches a conclusion: the characters are just randomly running around, often completely abandoning it and the final episode doesn’t resolve anything, only ending with a last-minute cheesy moral.

I haven’t watched the first season, so I can’t be sure of this, but here is one thing I want to ask of the people who did watch it: was this season really necessary? To me, I completely failed to see the point behind this sequel, like what happens with just about every Shaft Sequel that has appeared. To me, Arakawa’s biggest problem was that it got adapted by Shaft, because I had the same problem with this series that I had with a ton of their other series, simply because of how apparently Shinbo doesn’t allow his directors to have any individual style except for his own.

Storytelling: 6/10 – Very uninspired comedy, poorly paced, isn’t funny and drags its jokes out way too much.
Characters: 7/10 – Most are just to caught up in their own gimmicks and stereotypes and aren’t enjoyable to watch in the slightest and the entire cast never really gets anywhere.
Production-Values: 8/10 – Granted, some of the visuals are neat, but for a well animated Shaft series you should go to Soredemo Machi wa Mawatteiru.
Setting: 7/10 – Doesn’t really do much with its setting, it’s a neat idea but I don’t think that anything really stands out about it.

Suggestions:
– Soredemo Machi wa Mawatteiru
– Kuchuu Buranko
– Cromartie High School

Shinrei Tantei Yakumo Review – 85/100

by psgels, posted in Anime Reviews, Shinrei Tantei Yakumo




Bee-Train’s installment for 2010 is called Shinrei Tantei Yakumo, a 13 episode series about a psychic detective who can see ghosts. Lacking their usual director, Koichi Mashimo, the characterization is not as good as we’ve come to expect from them, but there still is a lot to like about this series.

Let me first put a few disclaimers here though, because this isn’t the most accessible series. First of all, despite the “Tantei”-part of the title (tantei = detective), don’t expect this to be a murder mystery: it isn’t. The culprits are often immediately revealed without really giving the audience the time to speculate wht happened. The mystery of this series instead mostly lies in its overall story.

Second of all, adapations whose stories don’t exactly fit within either 13 or 26 episodes nowadays often have slow paced beginnings and rushed endings. Yakumo is completely the opposite: it rushes through its first chapters, just so that it can take its time with the final two arcs of the story in which everything comes together.

So the first half of this series basically consists out of random stories for every episode. The pacing is really fast and some things are rather rushed in order to get everything to actually fit within twenty minutes, but overall these stories work surprisingly well. They’re especially good a using their own build-up and almost all of them end with a neat and interesting conclusion.

The main story that pops up in the second half is actually very interesting. The show boasts a number of very interesting characters (another plus point is that this is one of the very few series of the past season that isn’t about teenagers and actually make suse of it), with some badass characters that are very likable to watch. The show can also boast a neat cast of major villains here, who really are built up as a menacing bunch with a very interesting backstory. The voice actors meanwhile are good, yet composed, so there is none of the usual annoying overacting. There however are a few characters that can get on people’s nerves. Most notably Haruka, the romantic interest, but she’s far from the worst of her kind.

With 13 episodes, the characters aren’t as deep as your usual Bee-Train series, but they are great nonetheless. I especially loved the way in which the second half interweaves all of their stories together, and there is quite a bit of good development in this series, both for the main characters and the side characters.

The music this time is compoed by the relatively unknown RON, who deliver a great little soundtrack that is surprisingly varied. There are a ton of great tracks that the creators use really well, and this show just continues to introduce new ones. The character designs are simple, but the inbetween animation is quite good.

Overall, Yakumo is another series that went a bit under the radar this season (despite the HUGE hype leading up to it) but this is quite a good series to watch, even for some people who usually don’t like Bee-Train’s really slow sense of storytelling, because the pacing of this series is much faster than their usual series. Just be aware of some sloppy and rushed storytelling here and there.

Storytelling: 9/10 – A bit rushed and lacks attention to detail in the beginning, but makes up for it in the way that it manages to weave its different stories together and how well it uses its own build-up.
Characters: 9/10 – Great and diverse cast of well developed characters, there are plenty of strong and likable characters around. And a few that are hard to like, though.
Production-Values: 8/10 – Great soundtrack, decent animation, unremarkable art.
Setting: 8/10 – Seeing spirits is nothing new, but this series does give a fresh spin to it.

Suggestions:
– Madlax
– Soultaker
– Matantei Loki Ragnarok

Mobile Suit Gundam 00 – A wakening of the Trailblazer Review – 80/100

by psgels, posted in Anime Reviews, Mobile Suit Gundam 00




Gundam 00’s Awakening of the Trailblazer is one of those movies where you need to have seen the series for. Spoilers for the Gundam 00 will follow in this review, otherwise I can’t properly explain the impression that this movie left me.

Anyway, I was ready to just get this movie over with, expecting the Gundam 00 Movie to be another forgettable flick. But, to me surprise there was one thing about this movie that made me really happy as soneone who sat through the fifty episodes of the two Gundam 00 series: it has no annoying characters!

Seriously, half of the annoying characters is already dead at this point. The others really impressed me how they managed to spend the entire movie from whining: two years have passed again since the end of the second season, and finally everyone seems to have settled down. Saji and Louise who once urged me to break the screen of my laptop once every episode are actually a cute couple now. Mister Bushido finally dropped that ridiculous mask of his and stopped being a char clone, Marie and Allelujah also are quite happy together. All of the innovators who are still alive have become more than paper bags of characters and even Setsuna has a romantic interest now other than his Gundam.

The cast of this movie is still HUGE. I can’t recall any movie with more characters than this one, and I’m impressed with how it managed to involve all of them in this movie and developed a surprising amount of them at the same time while also introducing a bunch of new ones. It’s definitely much more than I expected.

This movie can very much be compared to Gundam Wing’s Endless Waltz: its villain is completely new but has a vague connection to something important in the original series, it’s much paced very differently from the TV-series that dragged on and it’s actually quite effective that way despite a few glaring problems. This movie takes a lot of time for its build-up, which makes the action scenes stand out even more. The action scenes themselves are actually pretty varied and don’t get boring, yet stay in the same Gundam-esque tradition of having space battles on a huge scale.

As for the plot itself… yeah. The villains are aliens now. Still, it’s handled decently: any kind of realism in Gundam 00 was abandoned anyway since the arrival of the Trans-am system, and this movie just rolls with it, while at the same time tying in neatly with Aeolia Schenberg’s ultimate objectives. The aliens themselves though are as flat as a pancake in terms of character and the ending of the movie is just.. ridiculous. Seriously, it feels like that ending was thought up at the last possible minute.

The graphics of the movie is a very mixed bag. The character animation is surprisingly mediocre for a movie by Sunrise. Instead however, the biggest part of the budget went into the CG near the end of the movie, and granted: that is a visual feast.

Overall, the ending is of headdesk and facepalm level, but apart from that this movie was surprisingly refreshing compared to how annoying and forgettable Gundam 00’s second season was.

Storytelling: 8/10 – Actually well paced for Gundam 00’s standards. Good action, good build-up. STUPID conclusion.
Characters: 8/10 – Shallow villains, but the other characters surprised me a lot: they’re not annoying and are actually able to show off their development.
Production-Values: 8/10 – Gorgeous CG, simple character animations for movie standards.
Setting: 8/10 – It adds on the Gundam 00 franchise in its own way. Some things work well, others don’t work at all.

Suggestions:
– Mobile Suit Gundam Wing – Endless Waltz
– Macross Frontier – Itsuwari no Utahime
– Digimon Movie 2 – Bokura no War Game

Yumeiro Patissiere – Professional Review – 80/100

by psgels, posted in Anime Reviews




The first Yumeiro Patissiere series had 50 episodes. Its sequel only has 13, don’t ask me why. Still, it’s the perfect length for those who find the pacing of the original series too intimidating and boring: the Professional-arc of Yumeiro Patissiere is short, compact and diverse, a unique shoujo series and a great example of how you can make a lovable cast even on a really small budget. As long as you’ve seen the first two or three episodes of the original Yumeiro Patisiere, you can easily follow what’s going on in this season and appreciate its character development (that’s what I did, anyway).

The thing with this Professional arc, is that unlike the first season, it’s not really about making sweets: that was already touched upon plenty by the first season. At this point, the characters are all very proficient at creating delicious stuff. Instead, the great thing is that it looks upon the business part of making sweets: actually selling them, attracting customers, getting the right ingredients and creating a good work atmosphere. It’s quite a unique twist for a shoujo series, and while it’s light-years away from a realistic representation (the creators completely ignore logistics for one, and they often prioritize neat ideas over actually making sense), I really loved how the business consultant part of this series turned into a unique shoujo. With the shoujo genre in its current state of seeing who can deliver the most generic storyline, this series is EXACTLY what the genre needed at this time.

What really made this show work was that it had a wonderful sense of chemistry. I mean, the first season of Yumeiro Patissiere was really, really long, but it developed its characters really well over the course of several years. The characters play off each other wonderfully and make this into quite a successful comedy (even though comedy isn’t the main focus of this series).

At the same time though, the flaws in this series stand out like a herd of elephants in a pet shop. Some of the characters in this series have characterization that is just… bizarre. This show strangely enough takes already badly used stereotypes… and somehow makes them even worse. Miya Koshiro takes the “spoiled princess”-archetype to ridiculous new heights, and Johnny…. just… Johnny.

The entire premise of this show makes no sense whatsoever, having a bunch of teenagers travel around the world (and also to another dimension), help all kinds of shops while maintaining a shop of their own at the same time, and the entire series is riddled with those kinds of questionable plot twists (especially the conclusion is just coincidental beyond belief). The animation and character designs are as simple as they can get, but it was a fun and interesting series, great for light entertainment.

Storytelling: 8/10 – Surprisingly addictive, really. Brings in many neat ideas on the cost of not making any sense.
Characters: 9/10 – Some of the worst portrayals of Americans can be found in this series, but the chemistry between the characters definitely makes up for it.
Production-Values: 7/10 – As simple as things can get.
Setting: 8/10 – Unrealistic, but a very interesting twist to the usual shoujo genre that is fleshed out surprisingly well.

Suggestions:
– Skip Beat
– Kodomo no Omocha
– Glass Mask 2005