#29 (new) – Chibi Devi – (2,25/10) – For me, this was the worst show of the season. Ridiculously cheaply made, really bad jokes, really bad acting and based on a very flimsy premise. Dropped.
#28 (new) – Maken-Ki – (3,75/10) – Maken-Ki is stupid fanservice with a lot of boobs, panties and fighting. Dropped.
#27 (new) – Mashiro Iro Symphony – (4,25/10) – With this series, Manglobe has exited my top 10 of favorite studios. Blacksmith and TWGOK were one thing, but this was just bad in every way aside from perhaps good inbetween animation. The drama is cheesy, the characters are one sided and stereotypes, and there’s nothing interesting about it whatsoever.
#26 (36) – Shakugan no Shana – (5/10) – After watching the first episode of the third season, I am glad that I didn’t continue with it. It’s good to see that this series is evolving, but the direction in which it evolved was rather questionable. The twist around Yuuji in particular is such a cheese ball of a twist, especially considering the cast of this series. Dropped
#25 (24) – Digimon Xros Wars – (5,25/10) – What surprised me the most about this installment of the Xros Wars saga is how incredibly hyperactive the new male lead is. Overall, Digimon Xros Wars is a show who downplays itself because it probably thinks that kids are idiots. It’s a huge change with the original Digimon series, but change alone isn’t always good.
#24 (new) – Maji de Watashi ni Koi ni Shinasai – (5,75/10) – Now this was fun! Or at least, that’s what I thought after the first episode. The first episode made no sense, but it was over the top and every character was having fun in his or her role. And then the second episode came and things got really dull. and then the third and fourth episode came and this show degenerated into nothing but fanservice and dull repeated harem antics. This is what you get when you want to open with a bang, but have no intentions of putting in any other effort at entertaining your audience beyond it.
#23 (new) – Sengoku Paradise: Kiwami – (6/10) – This one is good…. for about one laugh. If you’re really bored you might want to give it a chance, but in the end it’s not really worth it compared to the other comedies this season.
#22 (new) – C3 – (6/10) – I like diverse shows. However, that doesn’t mean that I automatically consider any show that has it good. A very nasty example of this is C3: this set up would have been nice, if only the acting wasn’t so abysmally bad, it didn’t feel like the Shaft of three years ago, it didn’t force its drama and plot twists, and it wasn’t so damn cliched. These characters are in no way fun to watch. They’re incredibly stupid stereotypes with superpowers.
#21 (new) – Mobile Suit Gundam AGE – (6,5/10) – At this point, I’ve gotten tired of Gundam shows, so I have very little patience for them. At this point I see too much potential for this show to become a boring repetition of random battles. The first episode just had too many things that made me tired of this genre. Wake me up if it does turn out to be different. Dropped
#20 (new) – Guilty Crown – (7/10) – This one turned out to be the big disappointment of this season. It has an excellent pedigree, and yet it hardly takes any chances or risks. It’s full of cliches and characters who don’t know what they want to be. The female lead in particular is bad for doing absolutely nothing within the span of the first three episodes. The animation looks gorgeous, but even that turned out half-assed with the third episode.
#19 (new) – Boku wa Tomodachi ga Sukunai – (7,25/10) – In the end, I decided to drop this show. I just don’t get what’s so good about it. The only thing that I liked about the first three episode was that it has very solid dialogue. Beyond that though, it’s just another harem with too many cliches, forced characters and uninteresting drama.
#18 (new) – Sekai-Ichi Hatsukoi – (7,5/10) – I dropped this show. The biggest reason for this is lack of time though, but at the same time I also have to say that while the comedy in this show is nice and the characterization is good, I’d rather watch a show about actual gay people, rather than angsty bishies who keep raping each other.
#17 (15) – Nurarihyon no Mago – (7,75/10) – Agh, this is my problem with most shounen series: how long did it take again for this story to take off? It’s been forty episodes, and Rikuo is put into yet another training arc that bogs down the story. Also, the entire set-up of this arc bugs me: it’s well directed, but when Rikuo created his Parade of 100 demons, I expected him to do this for the sake of creating a small army. What the past episodes have been doing is take random characters away from the others, and throwing them in predictable one-on-one or two-on-one battles. The big problem is that they tended to end with a very predictable save at the last possible moment that could have been seen from miles away. How much more of this build-up and random battles against waves of uninteresting enemies until things get interesting here?
#16 (new) – Kimi to Boku – (7,75/10) – This one has potential. It has this boring atmosphere that at first sight seems like an instant failure, but then it comes and turns that atmosphere around again. The characters all have their moments that get on my nerves, thoug, but none are as bad as the blond kid. Will he ever shut up?
#15 (new) – Persona 4 The Animation – (7,75/10)
Persona has the potential to become great as it goes on. Its premise can get really good in terms of character development if handled well. At the moment it’s still a bit too stuck in its own formula to really take off, though. There is little time given to flesh out the characters, which is why the parts where they show their inner secrets lack the impact they could have had.
#14 (new) – Kyoukai Senjou no Horizon – (7,75/10)
This series’ biggest asset is its creativity. It’s set in an original world and the cast of characters is HUGE and very colourful. The overall plot feels a bit random and silly, but it’s definitely building up to something. The character designs themselves are abysmal, there are some definitely annoying characters and a lot of time is spent on just goofing off, but there’s some definite potential here.
#13 (new) – Phi Brain – (7,75/10)
This is a rather silly show about puzzles. In particular the antagonists make really weird decisions and have really strange motivations, but it’s worth it to see what kind of puzzles the creators come with, and the overall cast is eccentric, yet fun to watch. There is a very real chance for this show to become TOO eccentric, though. The key will be good variety in the puzzles from this point on.
#12 (17) – Shinryaku!? Ika-Musume – (8/10)
Overall Squid Girl’s second season has been a little step down compared to the frist season, but for comedy sequels’ standards it isn’t much of a step. The animation has gotten slightly worse, and some stories are too forced, but there still are a bunch of really hilarious stories. It needs to keep this up, because getting worse from this point isn’t an option.
#11 (9) – Bakuman – (8/10)
I do have to say that Bakuman is currently the best Shounen Jump series out there. Unlike Gintama and Sket Dance it isn’t throwing a bunch of random stories around in the hope that it’ll get lucky and strike gold, while unlike Nurarihyon no Mago it isn’t breaking up the flow with constant training arcs. The second season does have fixed some of its pacing issues, but on the other hand it’s not yet Hunter X Hunter material, and things have been rather monotonous.
#10 (new) – Tamayura ~ Hitotose – (8/10)
The two big slice of life series are both very, very different, but they’ve got one similarity: they depend on characters with annoying sides, and they somehow make it work. For me, Tamayura does it the best of the two at this point. It’s really well animated, and it actually uses photos really well to flesh out its cast. The drama around it isn’t random, but tells a lot about the characters. Some parts like the whistling and the shota fangirls can get annoying, though.
#9 (new) – Hunter X Hunter – (8,25/10)
Here is the thing with this new season: it’s much faster than the first season. That has advantages and disadvantages. The story flows more, it’s easier to get into and as the result a lot of very interesting stuff has already happened in just four episodes. Now, the thing remains that this show skips a lot of time to flesh out the characters because of this. Out of all adaptations that feel rushed this season, this one actually does its best to hide it so far, but the real test for this show will be the point where the characters will actually show themselves off. Will these be as great as well? Right now, the only parts that really are worse than the first season are the music, and some of the voice acting.
#8 (new) – Mirai Nikki – (8,25/10)
Mirai Nikki is over the top suspense, and it realizes that. The characters are fun and well acted together, there’s a good whiff of romance without overdoing it, and the first three episodes have been very entertaining with a pretty good atmosphere.
#7 (new) – Fate/Zero – (8,25/10)
Fate/Zero stands out as the most solid series of the season. I refuse to watch Fate/Stay Night but this was completely different and much more interesting (and heck, we’re talking about actual adults this time). My big complaint about it is that it’s a bit boring with its exposition. There are long scenes of characters just standing in one place and do nothing but talking, and characters stop in the middle of fights to explain their moves. That breaks flow.
#6 (new) – Ben-To – (8,25/10)
What makes Ben-To so addictive is its direction. It has definite harem elements, but tis delivery is fresh and interesting. The jokes all work great, the timing of this show is perfect, and even when it’s not funny, the characters are interesting and well acted, rather than most other moe shows that have just boring characters. On top of that the fights are a lot of fun to watch, and the premise of fighting over half-priced lunches just kicks ass.
#5 (new) – Last Exile – Ginkyou no Fam – (8,5/10)
If you’re planning to watch this series, I have one message for you: watch up to the second episode. Both episodes are completely different in tone. The first episode is rather childish, where the second is very serious. It actually manages to blend the two together very well and most importantly it knows when to ditch its silliness. What really impressed me is how much the creators put into the setting. This show is full of creativity and the world it’s played in actually feels alive.
#4 (new) – Chihayafuru – (8,5/10)
This show has the best characters of the new season. They’re really well animated, very dynamic (showing both their young and old versions in full details really helps!), plus the karuta matches were really made exciting. The big challenge for this show is making the karuta matches this way. It’s a very simple game, so keeping up this pace will be a challenge.
#3 (new) – Un-Go – (8,5/10)
I really like the storytelling in this series. This show knows that it’s Noitamina and tries to stuff as much into its episodes as possible. The result is that it’s really fast paced, but not in a bad way. Episodes do require a second watch-through in order to get everything, but for me that’s not a bad thing at all. My only gripe is that the cast of characters is rather flat.
#2 (4) – Hyouge Mono – (8,75/10)
This month was all about character development. Naturally this was a great chance for the cast to shine, in a very weird arc that completely ditched the warfare in favor of esthetics. This is Bee-Train though, so I’m really looking forward to what they have planned for the ending.
#1 (1) – Mawaru Penguin Drum – (9,25/10)
Penguin Drum has definitely changed this month. I think that it’s for the better. It’s both become hilarious and the character development is really kicking in. It keeps finding new ways of showing symbolism and toying with its storyline. And yet, amidst the chaos, nothing is just thrown in at random. It would be awesome if the final third will be able to live up to the potential that has been built up so far.]]>
Category: Other:
Macross Frontier – Sayonara no Tsubasa Review – 77,5/100
Um… yeah. This movie…. I think I’ve just been trolled.
The first Macross Frontier Movie stayed very close to the TV-series, only in a much more streamlined version. It cut all of the unnecessary stuff that dragged out, and instead focused on the core of the series, which worked really well and I ended up really liking it (and this is coming from someone who was really annoyed by parts of the TV-series). The second movie is… different…
One of my problems with Macross Frontier was that some subplots took forever to get anywhere, and a lot of them were resorted rather half-heartedly, if at all. This movie isn’t like that. This movie wants to be exciting. This movie wants plot twists, and it delivers them no matter what.
It’s difficult to do this review without spoilers, but let’s just say that this movie wants to deliver plot twists a little too badly. Especially the second half shows this. The result is a story that has lots of twists and turns… that just don’t make any sense whatsoever. You are going to have to turn off your common sense if you want to be able to enjoy this. I did not, and was raging throughout half of them. This was in no way good storytelling! The creators just pulled whatever twist looked the coolest out of their ass, and completely disregarded narrative logic. And I’m not the strictest when it comes to not making sense, but what the creators pulled here was just deus ex machina after deus ex machina that only add to the style of this series, not the substance. Oh, and Shoji Kawamori shows his environmentalist side again. You know, the kind where the environmentalist messages are just shoved down your throat without any sense of subtlety.
*Ahem* when you do turn off logic, you’ll be rewarded by an utterly gorgeous movie. In particular the musical segments shine as ever. This is one part at which Macross Frontier has never disappointed, and this is o exception. The use of colours and camera angles shows how much budget and animation talent went into this. Both for the 2d animation as the CG as the backgrounds.
It IS a fun movie. Just don’t go into it expecting good drama, because the drama here is of soap opera quality.
| Storytelling: | 8/10 – Well, it’s fun and engaging. It’s at least a great action movie. |
| Characters: | 7/10 – This movie does add things here and there to the characters, but I’m not sure whether they were good ones. The three leads do have extra charms compared to the TV-series… but there still are enough annoyances about them. |
| Production-Values: | 9/10 – Not among THE best animated movies, but it has stunning visuals nonetheless. Gorgeous for movie standards, but loses points for reuse of soundtrack. |
| Setting: | 7/10 – Makey no sensey. Also Kawamori’s environmentalist traits got old years ago. |
Legend of the Galactic Heroes – Spiral Labyrinth Review – 85/100
The first Gaiden series was pretty much what you’d expect it to be: small and big side-stories focusing on Reinhart’s past. The second gaiden series promised to focus on Yang Wenli’s past (who by the way was my favorite character of the main series). It however did not turn out to be as I expected.
First of all, in Yang’s past there was always one event that really kept mentioned over and over again: the things he did on the planet of El Facil. It was one of the core themes of the series as it looked at what it means to be a hero. I expected a very detailed look at it, but instead the creators end up breezing through it in one single episode.
This is just a small nit-pick, though. Spiral Lbyrinth starts off with a huge 14-episode arc, and in that arc is invaluable for Yang’s character. It shows who he was as a kid and how he ended up in the military, along with how he grew. Where the big arc in the first Gaiden Series was typical LoGH, this one is far from it, and it turns into a historical analysis that’s very interesting to watch unfold. When the arc ended, I was really looking forward to see some more small back-stories of the guy to close off the series…
… and suddenly the show goes back to Reinhart again. In fact, Yang only appears in one more episode after that. It’s like the creators were thinking “No! The people want more Reinhart!” The last number of arcs of this series are still good, but overall they don’t match up to the rest of the series, especially when you compare them to the short arcs of the first gaiden series. They’ve got nice ideas, and especially the retriever has an interesting premise, but a little too often they just deal with Reinhart trying to deal with dumb nobles and officers. It doesn’t add as much as the first gaiden season. Thankfully the final two-episode arc is a great point to end the series with, and connect everything together.
Now, this series actually has a different animation team than a Hundred Billion Stars, A Hundred Billion Lights. The two Gaiden series were at one point actually produced right next to each other. The team behind the main series seemed to have taken care of the first, while the second has a noticeably different art style. This art style unfortunately is a bit less successful in hiding the animation flaws in the character models, and it’s also a bit too full of intrusive CG (yes, this was produced around the year 2000. 12 whopping years after the series started).
Overall LoGH can be divided into six major arcs, including the Gaiden series. Unfortunately, the final one seems the weakest one to me due to its reluctance to fully embrace its premise and how it didn’t set itself apart as much as the other arcs. I do have to say that the first half is a must-watch due to Yang’s background and I’d actually consider that one better than the big arc of the first Gaiden series.
| Storytelling: | 8/10 – The second half suffers a bit too much from repetition of morons surrounding Reinhart. |
| Characters: | 9/10 – Excellent background on Yang Wenli |
| Production-Values: | 8/10 – Flawed, but thankfully not flawed enough to really impact the storytelling. |
| Setting: | 9/10 – Still the same brilliant LoGH setting. |
Legend of the Galactic Heroes – A Hundred Billion Stars, A Hundred Billion Lights Review – 87,5/100
They aired after the main Legend of the Galactic Heroes series, but make no mistake: the two Gaiden series are prequels. One Hundred Billion Stars, One Hundred Billion Lights tells stories about the past of the main character, Reinhart von Lohengramm. In theory, they could be watched at any point in the series after episode 3 of the TV-series. The benefit you get from watching it early is some solid characterizations, backgrounds and introductions before the series gets really fired off. The benefit you get from waiting to check it out until the series finishes is a very solid background arc.
Now, the main series did hint at various events that happened in Reinhart’s past that we never fully got to see. Surprisingly though: this OVA doesn’t address those at all, and creates a whole array of new stories throughout Reinhart’s teenaged years. There are three small arcs of four episodes, followed by a big one comprising of 12 episodes. The last arc is typical LoGH: it focuses on large scale tactics and strategies, while weaving the stories of all kinds of characters together while at the same time asking many poignant question about the nature of war and commanding an army. Reinhart here shows a version of himself that he did not show throughout the main series, so it’s definitely worth checking out.
And then there are the short arcs, which really surprised me. It’s here where Legend of Galactic heroes shortly dabbles into other genres than its area of expertise: large scale space warfare. Each of these arcs are completely standalone and surprisingly varied. One of them even turns into a murder mystery, but in particular the third arc is masterfully told: it combines Legend of Galactic Heroes’ signature style of thoughtful dialogues and complex motives, and throws it into a story that instead of being told by reason, is told by emotions. That was the highlight of this season for me.
Now, these side stories miss the grandeur of the main series, so I can’t rate it as highly as the first. The stories are all really good, and again very intelligent, but they don’t come together as well as the main series did with its 110 episodes. It’s not that this movie is as unconnected as the first movie was. It’s still pretty much the best you can get in terms of warfare on a much smaller scale. It lacks the politics that made the main series so unique, though, and they definitely add a lot of things to this series and its cast. In terms of the big picture it’s just a matter of comparing a panther to a gigantic lion with wings.
| Storytelling: | 9/10 – Surprisingly varied: actually experiments with different genres, while keeping up its distinct style of very intelligent dialogue and storytelling. |
| Characters: | 9/10 – The characters in the original Legend of Galactic Heroes were already really well developed. The side stories allow them to show off even more sides of themselves. |
| Production-Values: | 8/10 – Actually an slight upgrade compared to the main series. |
| Setting: | 9/10 – This show doesn’t have the chance to get really grand and daring with its setting like the main series did, but it’s still a ridiculously solid portrayal of fleet warfare. |
Towa no Quon – 02 Review – 77,5/100
Towa no Quon 02 is an improvement over the first movie, which is good to see. The animation budget went down a bit, but everything else is more interesting than the first movie.
The characters are less annoying, Quon is less perfect, the main side characters are better fleshed out, the lead female is much less of an idiot. Overall it’s a good movie spent, and proves to be a good antidote for all of the optimism that was present in the first movie. This puts it at least above Break Blade, where all of the movies just looked too much like each other. This movie instead is about a supernatural murder mystery. It’s actually well built up and the movie has a clear structure. That helps too.
Having said that though… the culprit behind the murders turned out to be one heck of an emo. The acting for the culprit was very bland, one sided and done to death. And overall, this movie still hasn’t really solved the way in which most of the characters are just too one-sided. This movie fulfilled its purpose in building up well, but it’s not there yet. The next number of movies need to continue this upward trend.
| Storytelling: | 8/10 – Nothing bad, but also nothing to really stand out. Solid build-up at least. |
| Characters: | 7/10 – Too many one-sided character and the main bad guy in particular was one heck of an emo. The main character got better, though. |
| Production-Values: | 8/10 – Much less eye candy compared to the first movie, but still there is plenty of movement. |
| Setting: | 8/10 – Solid concept and this movie built up well. It’s not used as well as how it could have been, though. |
Legend of the Galactic Heroes Review – 92,5/100
Oh my god. I’ve finally finished the first part of this behemoth of a franchise. Legend of Galactic Heroes is completely unique. It took more 12 years for it to completely finish, from the opening movie to the final side-stories. It was un-rivaled at the time when it came out, and nothing like it ever appeared again. With amine being as it today, I don’t think there will ever be another series like it. I know that it’s long (it totals a whopping 162 episodes and three movies), however if you have the time to watch it and are tired of anime’s trends towards moe and cheap entertainment: by all means give it a chance.
This is one of those series that actually changed my perception. After finishing this series, my view of how to portray tactical warfare, strategical warfare and politics are completely different. In those three areas, this series just blows every other anime out there out of the water with its complexity, maturity and ingenuity. Instead of basing itself on weird logic, just about everything in this series is carefully thought through and fleshed out. The main cast of this series is intelligent, without being perfect: everyone in this show has his or her flaws to make up for it, ranging from hypocrisy to laziness and temper.
I remember that my biggest criticism for the first movie was that the creators tried to make the main characters smart by surrounding them by rashly thinking officers who can’t see the big picture. This thankfully also got fixed throughout this series. Not by just removing it, but giving it a very deep meaning within the story. Whereas the movie was just a depiction of a space battle, the TV-series has very strong themes about Autocracy versus Democracy, what it means to be a ruler and commander, and what it means to be a hero. The incompetent people who fail at their jobs are used perfectly in order to illustrate how difficult commanding an army can be.
And then, there is the character development. This series has 110 episodes, divided over 4 seasons. All four seasons stand on their own as different, and this particularly shows in the character development, and how the characters think and act. The main cast changes subtly, but significantly, but even the side characters grow throughout this series. And really: the cast of this series is ENORMOUS. What this show also likes to do is take minor side characters who haven’t appeared for what feels like 50 episodes, in order to put them a bit in the spot-lights and show how much they’ve changed.
Now, this series has undoubtedly parts that it does better than any other anime out there. Did it turn into my favourite series, though? For that question, I’m afraid that my answer is no.
At this point, Legend of Galactic Heroes is ridiculously hyped. Let me however clearly state what this show isn’t: it is not a roller-coaster ride. It’s also not a series that is easy to get into, it’s not a series that blows you away time after time, it’s not a series with an impeccable atmosphere, nor is it a series that’s very easy to watch and draw you in.
The storytelling in this series is very composed and polite. It’s so very calculated and the plot twists feel very natural, but I did have to force myself to really sit through such an emormous amount of 110 episodes. The direction delivers its plot twists as they are, and rarely adds extra spices to the storytelling in terms of inventive camera work, or passionate voice acting. The animation as well is very composed: it’s good enough to keep character models consistent, battles interesting, but only one out of 10 or so episodes really goes beyond that. And heck, the episodes with the best animation aren’t the most important ones to the plot, and there is one character death episode that actually suffers from very bad animation. It’s a bit like reading a history book, really: it is incredibly interesting to see how everything plays out, but it still feels like something is missing when you compare it to other forms of entertainment.
110 episodes is really long. Nevertheless though, I still believe that this was the absolute best that anime had to offer until Escaflowne came out.
| Storytelling: | 9/10 – For its length, this series actually never drags. The dialogue is truly excellent, the battles are all well written. The direction could have used a bit more bombast though, and is sometimes a bit too composed for its own good. Nevertheless, that composure also has plenty of charms on its own. |
| Characters: | 10/10 – Brilliant. The cast is huge, and yet everyone feels different and has his own part in the story. The changes over 110 episodes are immense, and what especially sets the cast here apart is how intelligent half the cast is. |
| Production-Values: | 8/10 – Solid, with very few weak moments and the creators have come up with a very inventive way to depict huge space battles, but there are still too many static frames for me to really rate it as 9/10. |
| Setting: | 10/10 – In terms of politics, strategy and tactics, this series is completely un-rivaled. An enormous setting that dynamically changes, and reacts believably to the characters’ actions. |
Some Quick First Impressions: Last Exile – Ginkyou no Fam, Guilty Crown and Un-Go
Last Exile – Ginkyou no Fam
Short Synopsis: Our lead character is a young genius pilot.
Well, first things first: it’s awesome to see Gonzo back. It’s not just the series they make. It’s because of their balls: they like to take risks like no other studio out there, and that’s why I became a fan of them, even though they did release their fair share of crap. Now, as for this series: it looks just gorgeous. The CG is still up to Gonzo’s high standards and the creators didn’t just copy designs from the first season, but came up with a whole new set of eye candy that certainly does not stand out as inferior to its predecessor. As for the story of this episode: it’s definitely more childish than the first season, and shows a bunch of teenagers being able to disrupt an entire fleet. The first season had this too, but was a lot more subtle about it, especially with the enemy fleet having very stuck-up commanders and deploying no vanships whatsoever to intercept the main cast. There’s also fanservice, though thankfully not as much as was feared. The acting is overall very good, though it does have a number of weak points. The direction is also quite solid, despite the lighter tone. This is a typical example of a first episode with a lot of potential to become amazing, but also with quite a number of things that can hold it back and didn’t work out as well as you’d hope. Yup, that’s Gonzo alright.
OP: The OP of the first season was much better.
ED: A familiar voice. The song is a bit redundant after hearing it in other EDs, but the picture slideshow looks nice.
Potential: 80%
Guilty Crown
Short Synopsis: Our lead character meets a half-naked girl.
That was absolutely gorgeous. The first episode of Guilty crown is a visual feast, in the way that just about every frame is meticulously detailed and well drawn, in the way that only Production IG can do for a television series. If they keep this up, then this will very likely be the prettiest Noitamina series of the year. As for the rest of the episode though: there were a number of issues I had with it. The biggest is that outside of the visuals, I miss creativity: the scenario of this episode had a been there, done that”-feeling, and the main characters are a bunch of walking cliches. On one hand you have the really bland male main character, and on the other hand we have this female who has special powers, is his childhood friend, and gives the male lead a special weapon that he can use to kick ass. There have been way too many shows already with that premise, and the only thing that this show really added to that was its gorgeous visuals. This is a show that needs to grow significantly. But heck: at least the characters are far from as stupid or annoying as they were in Fractale.
OP: Good idea to combine it with the content of the episode.
ED: A bit of a dull ballad with nice art from the promo images.
Potential: 75%
Un-Go
Short Synopsis: Our lead character solves mysteries.
Here is a very interesting one, and I don’t mean that in the way you might expect. At first this episode started off like your average murder mystery series: the protagonists happened to be stuck in a room full of people where someone conveniently got murdered. It was well built up, but strangely mundane. Then however the second half came around and this episode just kept switching moods, themes and atmospheres. This series is attempting to breathe a new wind into the episodic murder mystery genre. This episode had science fiction, horror, and the post-apocalypse all stuffed together. This was the strange case of not the culprit getting some surprise added depth, but the setting itself became a lot more intriguing once this episode started putting the pieces of its puzzle together. On top of that, this episode was well produced and well directed with very natural camera work. The creators definitely took creative liberties on the original work it’s based on, and the episodic set-up really allows them to try a wide variety of different stuff. Oh, and as an added bonus this episode had the best use of music and sounds of the entire season so far. My only warning for when you plan to check it out: the characters. They are not on the list of priorities for this series.
OP: A bit of a dull song, but lots of neat eye candy.
ED: By far the best ED of the seasons. Heck, even the OPs get nowhere as close to the imaginative visuals and music that was displayed here.
Potential: 90%]]>
Some Quick First Impressions: Chibi Devi, Mirai Nikki and Mobile Suit Gundam AGE
Chibi Devi!
Short Synopsis: Our lead character receives a baby from out of nowhere.
Just… what the hell was that supposed to be? This was… so bad that it became hilarious again. This episode was five minutes long, and it featured some of the worst animation and most wooden characterization of the entire season. The plot where a bullied girl takes care of a devil baby who is literally dropped into her bed (I really do mean literally: there are two hands visible who really drop that thing from out of this random hole in the air) is just ridiculously stupid and the acting may be so stiff and wooden that it becomes hilarious, it’s the kind of hilarious that’s probably going to be fun one episode. Of five minutes.
OP: Those vocals! Make them stop!
Potential: 0%
Mirai Nikki
Short Synopsis: Our lead character has a stalker.
Ooh, I like this one. This one turned out to be an excellent suspense series, with a very creative premise of using diaries that can predict the future. This episode was especially good at portraying the main character, and especially relating in how he slowly realized how badly he has been screwed over; his reactions were just priceless, and it gives this show a whiff of psychological horror that I can really appreciate. This episode was well animated, which is also a plus and for once an episode was fast-paced, without rushing though everything. There was one part where this episode fell down, though: the bad guy of this episode. He was just… there and we really don’t know anything about him. The creators had better try harder for the next characters to run into our main character, because this has potential to become a really fun series. Oh, and finally a series has the balls to have school that doesn’t feature school uniforms. That gives the character designers much more freedom, and it shows: this show really has this unique look without having a particularly different art style.
ED: Clever
Potential: 80%
Mobile Suit Gunam AGE
Short Synopsis: Our lead character pilots a giant robot.
Oh you’ve got to be kidding me. The big selling point of Gundam AGE was that it would show a completely different version of the regular Gundam series. In the end though, all that that amounted to was a new coat. It actually did nothing to remove the most obnoxious parts of the franchise. The male lead still is a teenager who for very convenient reasons ends up piloting a giant robot stronger than all others, he instantly knows how to pilot it, the female lead is completely useless, and there is a lot of angst about how bad war is. Sunrise, for the love of god try something new for a change. Probably the most insulting part is how pathetic the military is: even though they have never been attacked, they’ve only got one capable pilot. On top of that, they allow a twelve year old boy to design new mobile suits for God knows how much money. Really guys: designing and coordinating such a large-scale project isn’t so easy that you can just take off to school at the same time. Oh, and another cliche: everyone is an idiot in order to make the male lead look smart. Throughout the entire episode he is the only one who worries about the incoming invasion. Please Sunrise: you’re mecha series rocked because of how creative they were. This is not the way to do it.
OP: You can see that a lot of budget was put behind this, but it’s just too mainstream to really work. The flying scenes are good, though.
ED: This is pretty decent, though.
Potential: 30%]]>
Some Quick First Impressions: Ben-To, Shakugan no Shana III and Sekai-Ichi Hatsukoi 2
Ben-To
Short Synopsis: Our lead character is hungry.
So, it’s finally time for my most anticipated harem show of the season, and this definitely is a step above all of the others. There is first of all the premise of this series, but on top of that it also had by far the best direction of the bunch. This first episode was well told, had some great ideas into it, and especially the way in which the creators used amnesia in this episode in order to introduce everyone worked well, but also the use of camera angles was quite inspired. David Production also delivers in the animation: they really have the talent to breathe life into characters who seem very generic at first. Also, here is the thing about the next-best harem shows this season: Horizon and Majikoi may be enjoyable, they’re also badly acted. This episode of Ben-To wasn’t. The acting was actually quite good. The male lead is one of the first to actually do impressions (including a bizarre Norio Wakamoto impression), the females are based on stereotypes, but their behavior tries to move away from that. and attempts to give them a more colourful personality. Oh, and the use of music also was very good: it was well timed, the soundtrack is creative and it helps building up the tension.
OP: It has energy, but still a bit dull.
ED: Not a bunch of images, but actually relates to the series, though it does seem rather cheesy. The song still is badly sung.
Potential: 80%
Shakugan no Shana III
Short Synopsis: Our lead character is gone.
Okay, so apparently things actually happened in the second season. I gave up on that one after its second episode so I wouldn’t know exactly how it happened, but what this episode seemed to hint at rather scared me a bit. Of course, it’s good to see that at this point Shana has predictably changed from tsun to dere, so there’ll be no more “urusai urusai urusai”, and this episode was admittedly better than Hidan no Aria’s opening(not that that says much, though), but seriously. Are the creators really building up to a cheese ball finale where Shana is forced to have to fight Yuuji? Is that what these 80 episodes are building up to? Such a soap opera twist?! Please tell me that I’m wrong. I mean, pulling such a thing for a novelty is one thing. but to make it the main focus of 80 whopping episodes!?
OP: Not bad, but nothing special either.
ED: This is dull J-pop, though, where the limitations of the singer are really shown.
Potential: 35%
Sekai-Ichi Hatsukoi 2
Short Synopsis: Our lead character is gay.
Here’s the thing with this series: cut it in half, remove the two non-main stories, and you’d have a very good story about a bunch of manga editors. The only reason why I dropped the original series is because it switched over to the second story, which put fanservice and blushing bishies before story and characters. This first episode of Sekai-Ichi Hatsukoi’s first episode reminded me again of why I originally liked the series: it’s good slice of life, it portrays the stress of being a manga editor quite well and it’s quite funny. There is progress: instead of dealing with manga authors, the main character now has to deal with colleagues and printers, which take a completely different set of skills. In terms of the romance though… I didn’t feel like I missed much actually. Only this episode developed the relationship between the two male leads further and really, they’re pretty interesting characters. The biggest thing that this series needs to worry about now is to avoid Junjo Romantica 2’s big pitfall of not going anywhere.
OP: Try to do something different for a change.
ED: Dull J-rock
Potential: 70%]]>
Some Quick First Impressions: Persona 4 The Animation, Boku wa Tomodachi ga Sukunai and Chihayafuru
Persona 4 The Animation
Short Synopsis: Our lead character is a transfer student with special powers.
Seeing as how this was the most hyped up series of the new season… it felt oddly disappointing. I’m not referring to the characters, although that pee-moment certainly didn’t help, but what striked me the most is that the storytelling was completely off. In particular, this episode didn’t seem to care much about timing or build up. It didn’t seem to know how to create an atmosphere, it jumped around way too much instead of establishing things, and everything happened way too quickly . This episode had a very short attention span, which really hurt any attempts on drawing in the viewer: one moment the main character is in a shop, the next he dives in a tv. It just doesn’t flow well and there were a lot of anti-climaxes in this episode. Was the game really that long, forcing such a fast pacing? Oh, and this is just a small detail, but I consider it very important too: the show had what sounded like a great soundtrack, but it didn’t seem well used at all. There were lots of scenes with no background music at all, and it only started playing at the most predictable moments.
OP: Funky
ED: Again, funky. If only the rest of the soundtrack was like this.
Potential: 60%
Boku wa Tomodachi ga Sukunai
Short Synopsis: Our lead character is surrounded by cute girls.
For a while, this episode actually avoided the usual warning signs. When it was just the main male and female together, this show avoided fanservice, the female lead was eloquent, rather than stupid, and about the only big cliche was the deadpan snarker male lead. Then the second female lead arrived, the girls turned tsundere and they wasted no time in making boob jokes. This show… when I first read that it’d be about people who are bad at being friends, I thought that this would be a show about outcasts. Instead, the main cast consists out of two people with foreign looks, suffering from Japan’s xenophoby, and another character who refuses to talk to others because of… arrogance I guess. That was not what I expected. Strangely enough, these people didn’t seem to suffer from insecurities at all. Instead, the emotion that prevailed here was annoyance for not being able to make friends. It doesn’t have the biggest cliches: aside from the boob jokes this episode refrained from beating any dead horses, but it has relatively little that it can call its own. The xenophobia was probably this episode’s biggest asset, but that was handled very one-sidedly: everyone is afraid of the main characters, aside from the really good-looking girls (yay for subtlety!). This was neither the worst moe show of the season, but it also certainly wasn’t the best.
OP: FANSERVICE!
ED: Why the nuns?
Potential: 40%
Chihayafuru
Short Synopsis: Our lead character plays card games.
This had the best animation of the new season so far. Seriously, Madhouse made this series look absolutely gorgeous. The use of cg is excellent, while it completely lacks the acting problems of Madhouse’s usual series. The shots are all creative, the animation is smooth and life-like. It would be awesome if the creators could keep it up like that. The rest of the episode also was wonderful: instead of most series about games, the female lead Chihaya isn’t a complete rookie at the start: she has been playing the card games (and seriously, they’re not what you think: this is miles away from Yugioh) for a few years now. In fact, this series series shows how she got introduced to it when she was still a grade schooler. What especially caught me however was how well it used its animation to portray the game. The soundtrack is also exceptionally well used. This is one to keep an eye out for: rock-solid… though it’s a shame that it’s a manga adaptation. Of a manga that isn’t finished yet.
OP: A bit generic, but certainly not the worst of the season.
ED: Simple, but very pretty visuals, with a decent ballad.
Potential: 90%]]>