Spring Season Preview – Movie and OVA Edition

I’m really busy this weekend, so this preview will be a compact version, simply because I don’t have the time to look up and list the creators and synopsizes of all of the different DVD-specials, franchise movies or ongoing releases that are coming out next month.

When looking purely at the new releases, the next season will be small. There will hardly be any new OVAs beond the usual DVD specials and manga DVDs. In terms of movies, there are going to be three that I’m really going to keep my eye out… and beyond that everything looks dull.

DVD Specials

Comments: This season, we’ll get DVD episodes and specials from Maken-Ki, Kore wa Zombie Desu Ka, Sankarea and Another. Ignoring Maken-Ki, which is just going to be porn, and Kore wa Zombie Desu Ka (the first dvd special was horrible…), there are two interesting ones coming. Apparently Sankarea is going to be more than just another zombie comedy (still: two Zombie series in one season, which both have a DVD-special. Get back to your variety, Studio Deen…). The big one will be Another, though: this is definitely a DVD special with a clear meaning, and it’s going to offer some vital background for the main female. I’m definitely looking out for that one.

Franchise Movies and OVAs

Comments: These are the kinds of movies and OVAs that just keep returning with new installments and of which I don’t feel like covering them over and over again with each preview. This time I also included series like A-Channel and Kenichi, which are coming out with random OVAs that honestly, I don’t care about, having never finished the TV-series they’re based on. I’ve heard good stuff on Kenichi, but the characters were just too annoying to continue with when I first watched it. A-Channel also wasn’t really interesting, and it was mostly unremarkable moe with insert songs that took up way too much time. Beyond that, To Heart is coming out with yet another spinoff OVA, again pretty uninteresting. Oh, and the new Conan movie will be about soccer, for the people interested in that. Honestly, the only thing that stands out here for me is that there seriously is going to be yet another Precure All-Stars movie. Yes, the count has actually reached a staggering 29 main characters. Who are all going to be stuffed into this one movie. And that does not even include all the various mascots that have been collected over the years. Good lord, I’m going to watch that only to witness the complete chaos that can only result from it.

Ongoing OVA and Movie Series

Comments: These are ongoing Movie and OVA series, including manga who just keep releasing an OVA with one of their volumes, like Fairy Tail, Seitokai Yakuindomo and Yondemasuyo, Azazel-san. Of those three, the latter is the only one I care about, having dropped the other two really quickly. Still, the OVAs of Azazel-san are actually better than the TV-series, so it’s good that they keep making more of them. Beyond that, the Eiyuu Densetsu OVA will be continued, which honestly disappointed me a bit: the story there assumed that you are familiar with the original source material, which I am not. And then there is the second Scryed movie coming out. I’m still debating whether or not to watch it, but damn: these guys sure look constipated. The fifth installment of Gundam Unicorn will also arrive, but at this point I’ve pretty much lost interest. It’s a real shame: it’s incredibly well made. But the main character drags the entire thing down. Just like more than 50% of all other Gundam shows.

Moe Can Change

Summary: “Based on a game. The “playful bishoujo Miroid-raising/clothes-changing moe game” has the player joining a beta test program for an android, who the player must raise and dress up as a girl. “ – (Taken from ANN)
Type: OVA
Director: Takeo Takahashi

The Positives: Moe can change? Hah, I’d like to see that!
The Negatives: Takeo Takahashi is pretty much another porn director, with series as Aki Sora and Yosuga no Sora behind his belt now. Yeah, there is no hope for this one.

First-Glance Potential: 0%

Strike Witches The Movie

Summary: “The year is 1939 – it was then that the Neuroi appeared. Nobody knows where they came from or what their ultimate agenda is, but the fact remains that their attacks drove people out of their towns and cities. In order to take arms against them, humanity develops a new anti-Neuroi weapon called the “Striker Unit.” Using the power of magic to fight against the monsters, this new device enhances and amplifies the power of female magic-wielders. To use this device, young witches from all over the world have been brought together to form an elite task force unit called the 501st Joint Fighter Wing, commonly known as the “Strike Witches.”” – (Taken from ANN)
Type: Movie
Director: Kazuhiro Takamura

The Positives: Well, I guess they’re milking the Strike Witches cow here some more.
The Negatives: And here is the thing with this movie: when you look at the trailer, the animation didn’t really improve over what it was. It still looks quite generic, and apparently doesn’t make use of the fact that it’s a movie at all. This franchise really isn’t so complex that it warrants two whole series and a movie…

First-Glance Potential: 0%

Kimi no Iru Machi

Summary: “Kirishima Haruto is your average Hiroshima Prefecture countryside Japanese student that is about to start his 3 year High school life. But before that happens a girl from Tokyo, Eba Yuzuki, whose father is the friend of Haruto’s father, shows up at his house to live with him and his family so she can attend the same high school. Haruto isn’t happy of the situation; a stranger that happens to be a girl of his same age, not his relative, living in the same house like him will cause complications. Truth is Haruto has another girl in mind, Kanzaki Nanami, whom Haruto has hidden romantic feelings for since middle school. And so starts his complicated life.” – (Taken from ANN)
Type: OVA
Chief Director: Yasuhiro Yoshiura
Director: Hiroshi Kobayashi
Screenplay: Momoko Murakami
Other Notable Staff: Kouji Seo (Original Creator), Ryuusuke Chayama (Character Designs), Akira Takahata (Chief Animation Direction)

The Positives: Akira Takahata is an awesome animation director: he also directed the animation for Natsume Yuujinchou, Karas, Durarara and Ookiku Furikabutte. As if that wasn’t enugh already, we’ve got the director of Eve no Jikan acting as the chief director here.
The Negatives: This brings me to the premise: a guy and a cute girl are going to live together again. I really wonder: is this kind of OVA really right for the guy of a caliber of Hasihiro Yoshiura? This guy should delve into hard sci-fi with experimental stuff, not some random romance OVA that is most likely just a promo for the manga it’s based on.

First-Glance Potential: 70%

Niji-Iro Hotaru ~Eien no Natsu Yasumi~

Summary: “The story revolves around a sixth-grade boy named Yūta on his summer vacation. His father passed away one year ago in a traffic accident, and Yūta now goes alone to visit a place where he and his father once shared memories. The two had gone often to an unused dam deep in the mountains to collect the rhinoceros beetles nearby. Yuuta suddenly receives a shock in a thunderstorm, loses his footing, and gets knocked out. When he wakes up, he see a small girl and a village — except this village is the one that should be submerged below the dam. Yuuta realizes that he slipped back time to over thirty years ago, before the dam was completed. Another summer vacation, and another chance for Yuuta to reclaim what cannot be reclaimed, begins. “ – (Taken from ANN)
Type: Movie
Director: Kounosuke Uda
Screenplay: Kei Kunji
Other Notable Staff: Takaaki Yamashita (Screen Design)

The Positives: Interestingly, Takaaki Yamashita has closely worked for a lot of the Mamoru Hosoda movies as a designer and animation director. The director will be the same One Piece director who’s going to direct the Ginga he Kickoff series. The really great part is the guy behind the series composition, though: it’s the guy who adapted Porfy no Nagai Tabi. This guy is perfect for bringing a coming of age drama to life.
The Negatives: The show does have a few cliches: this definitely isn’t the only show about a young boy, a remote village, and a dam that’s causing problems. The time travel thing however has some definite potential, so let’s see whether this show can set itself apart from these other series.

First-Glance Potential: 90%

Space Battleship Yamato 2199

Summary: “In the distant future, the war between the human race and the Gamilon has taken its toll on the planet Earth. Constant bombardment of radioactive asteroids has rendered the planet’s atmosphere uninhabitable. As a means of relief aid, Queen Starsha of the planet Iscandar offers the Earth Forces a device that can completely neutralize the radiation off the planet. For this task, the space battleship Yamato is launched from the remains of its World War II ancestor on a 148,000 light-year journey. However, the crew of the Yamato has only one Earth year to travel to Iscandar and back, or the human race will come to an end.” – (Taken from ANN)
Type: Movie
Director: Yutaka Izubuchi
Screenplay: Ryuusuke Hikawa
Other Notable Staff: Leiji Matsumoto (Original Creator), Akira Miyagawa

The Positives: Yes, the director of Rahxephon is actually doing the Space Battleship Yamato remake. This is going to be awesome. I love remakes as it always brings out the best in the people working with them. Most of these series were really made by fans, and more often than not they are excellent vehicles to experiment in all kinds of new styles. The Yamato series as a space exploration franchise with a very simple story is perfect for this. I’m also definitely looking forward to that TV-series, whenever it’s set to come out.
The Negatives: AIC and Xebec? That’s about the last combination I’d expect when animating this space epic. Especially AIC, but I’m glad that they FINALLY are going to do something that isn’t moe again.

First-Glance Potential: 90%

A Letter to Momo

Summary: “A Letter to Momo follows a girl named Momo who struggles with her father’s sudden passing and resulting move to the countryside. Momo finds an otherworldly surprise at her new home.” – (Taken from ANN)
Type: Movie
Director: Hiroyuki Okiura
Screenplay: Hiroyuki Okiura
Other Notable Staff: Hiroyuki Okiura (Storyboard), Hiroyuki Okiura (Original Concept), Hiroshi Ouno (Art Direction), Masashi Ando, Takeshi Honda

The Positives: And ths is the very obvious big hit of this season: the director of one of the best anime movies ever made (Jin Roh), finally returning with another movie for which he took no less than seven years to write, direct and storyboard. This just couldn’t be anymore different to Jin Roh, and Mamoru Oshii also is not involved this time, but this still is chock full of talent, and a number of fantastic animators will be involved as well.
The Negatives: The coming of age movie is very overcrowded in terms of movies. That’s all I have. These guys will have to set themselves apart, but with such names behind this thing, I have no doubt that they will.

First-Glance Potential: 100%

Spring Season Preview

The upcoming Spring Season will be a bit small: only 33 new series will premiere. Last year, in comparison, we had 40 of them. In any case, here is my preview for them. As usual, I can only comment on the anime themselves, and not on the source material they’re based on, since i don’t read any manga or light novels.

I’s unfortunate, but only four series of these shows aren’t about teenagers. We’ve now gotten to the point where this is really getting annoying and one-sided. And to be honest, this season is in one thing very mediocre: the actual premises. Very few of the premises really stand out as potential classics, and most of them really are the same usual teenaged stories or moe shows compared to previous spring series. I’m really talking about the taglines of a series that immediately catch your attention.

Looking beyond that and to the creators involved, and the potential for some of these series, and then we’ve got a very solid bunch. I’ve got about 11 series that I’m really looking forward to, along with quite a few others that could turn out very nice. Unfortunately, the fact remains that yet again, there will be a ton of moe and dull romantic comedies.

There are two major themes of this season aside from that: coming of age, and thrillers. The most series this season come from Studio Deen again. And really, by now you’d think that with the amount of series they release, they’d at least use one of those slots for something interesting or expermental. But no, we apparently only need moe and bishies. Sunrise also has three shows, which thankfully look more promising. The most impressive company this season will be A-1, with two shows with a lot of potential coming up.

Haiyoru! Nyaruko-Chan

Summary: “The story centers around Nyaruko, a formless Cthulhu deity who can take on the shape of a seemingly ordinary silver-haired girl. Mahiro Yasaka is a normal high school who is chased by aliens one night, until Nyaruko saves him.” – (Taken from ANN)
Director: Tsuyoshi Nagasawa
Series Composition: Noboru Kimura

The Positives: I… um… what?
The Negatives: I’m just completely baffled here. For those of you who don’t know: Haiyoru Nyarani was released a few years ago as this utterly terrible flash OVA that was very poorly produced and had the most mind-numbing banter imaginable. It kicked off the very annoying trend of showing horrid flash shows that are barely animated and that just feature cute girls talk to each other and fail miserably in their attempts to be funny. Xebec saw this, and thought “hey, we can make an anime about this too!”, or so I can only imagine. Just… what the hell? These guys have completely given up. Thank god there still is Good Xebec.

First-Glance Potential: 0%

Sengoku Collection

Summary: “The story is set in the tumultuous Sengoku Era of historical Japan, when military masters circle the figurative throne of Japan’s first shogunate. In the game, “God of War Cards” have been sealed in six hidden treasures, and fighting breaks out among those who seek the treasures. As a new military master, the player embarks on a journey to obtain the treasures by clearing quests and fighting bosses. The anime’s main character is a female re-imagining of the great warlord Oda Nobunaga. Another major character is the female version of Tokugawa Ieyasu, the first shogun of Japan. “ – (Taken from ANN)
Director: Keiji Gotou
Series Composition: Shinjuurou Mitaka

The Positives: Keiji Gotou surely worked on a ton of different series here.
The Negatives: Brains Base, seriously? Are you seriously saying that you too have sold out and followed the horrible bandwagon of turning famous historical figures into moe stereotypes? Are you seriously trying to beat a horse that has been dead for half a decade now?

First-Glance Potential: 0%

Rock Lee no Seishun Full-Power Ninden

Summary: “The story centers around the secondary Naruto character Rock Lee. “ – (Taken from ANN)
Director: Masahiko Murata

The Positives: I really like Masahiko Murata. He’s the director of some really good horror series: Shikabane Hime and Gilgamesh. His sense of action is raw and cold, just like his characterization.
The Negatives: Just… no. Are they really going to milk out the Naturo franshile like what Toei is currently doing with One Piece? Is there really a need for this? Is there really a need to use such a good director as Masahiko Murata?

First-Glance Potential: 0%

Pretty Rythm Dear My Future

Summary: “The Prism Show is an all-new kind of ice skating show that requires its participants to be figure skaters, models, and singers all at the same time. Aira and Rhythm are two girls who both dream of becoming the Prism Queen. They’ll have to train hard and overcome both their quarrels with each other and their blossoming interest in boys if they want to achieve their dream.” – (Taken from ANN)

The Positives: Nothing.
The Negatives: Oh, I remember watching the first episode of the first season of this one. What really stood out was how abysmally poorly it was in every single aspect. The animatio was virtually nonexistant, and the writing in particular was incredibly stupid and convenient. I can’t believe they’re making a second season of this.

First-Glance Potential: 0%

Jewel Pet Sunshine Second Season

Summary: “The Plum Section of the 3rd grade class at the Sunshine Academy in Jewel Land are also known as “the Leftovers.” Ruby and her classmates aim to graduate and follow their dreams.” – (Taken from ANN)

The Positives: I remember when kids’ series were actually about something other than selling toys…
The Negatives: There’s going to be even more of this?

First-Glance Potential: 0%

Queen’s Blade: Rebellion

Summary: “” – (Taken from )
Director: Yousei Morino
Series Composition: Hideki Shirone

The Positives: The positives should be obvious by now…
The Negatives: Will there ever come a point at which the guys at Arms will stop producing these bad fanservice shows? I mean, I remember the frst show they ever made: Elfen Lied. That was good. What happened afterwards? Did they just realize “hey, we can actually make a lot more money while putting in a lot less effort!” or something?

First-Glance Potential: 0%

Acchi Kocchi

Summary: “The four-panel manga follows a tsundere (initially aloof and abrasive, but later kind-hearted) girl named Tsumiki, the most unsociable eyeglasses-wearing boy named Io, and their classmates. “ – (Taken from ANN)
Director: Fumitoshi Oizaki
Series Composition: Nobuhiko Amagawa

The Positives: The best I can think of is that the series composition isn’t anything bad.
The Negatives: It’s got the director of Astarotte no Omocha. My big problem with this one is that I just can’t find anything about it that interests me whatsoever. It’s just another mediocre high school romance show, but this time based on a 4koma; the designs look generic and being produced by AIC seals the deal here.

First-Glance Potential: 0%

Gakkatsu

Summary: “???”

The Positives: Information about this thing is very scarce. I managed to find out that it’s being produced by the same company who produced Hanoka. Now, that actually was an interesting experiment to animate a small action series in only flash vector graphics…
The Negatives: … so of course their next work will be yet another one of those horrid flash school series. Of course. Let’s at the very least hope that they won’t be as cheap as the crap that companies as DLE produce.

First-Glance Potential: 5%

Nazo na Kanojo X

Summary: “When a mysterious transfer girl happens to drool on her desk one day, Akira Tsubaki decides to taste it. Little did he know that soon he would be going out with Mitoko Urabe, a girl who he knows absolutely nothing about, yet seems to be destined for.” – (Taken from ANN)
Director: Ayumu Watanabe
Series Composition: Deko Akao
Other Notable Staff: Kenichi Konishi (Character Designs), Shigemi Ikeda

The Positives: The character designer of Bokura no and Tokyo Godfathers? Awesome. Ayumu Watanabe only directed a few doraemon movies before, so I’m interested in what he can do as a director of an actual tv-series.
The Negatives: Ugh, it’s Hoods again, or the guys who just produce porn over and over again. This really seems like a typical raunchy romance of theirs again, especially since Deko Akao isn’t really such a good writer (having adapted Astarotte no Omocha and Pretty Rythm before…). It’s a real shame to waste such a good character designer on this.

First-Glance Potential: 10%

Kore wa Zombie Desu Ka? Of the Dead

Summary: “Ayumu Aikawa is a normal high school boy. One day he is killed by a serial killer and revived as a zombie by a necromancer named Eucliwood Hellscythe. He starts to serve Eu as her guard but he happens to deprive the mahō shōjo Haruna of her magic power. Haruna orders Ayumu to fight against the anti-mahō shōjo system “Megalo” in her place.” – (Taken from ANN)
Director: Takaomi Kanasaki
Series Composition: Makoto Uezu

The Positives: Well, it’s bound to have a few good episodes, like the first season.
The Negatives: This show pissed me off so much. It could have been a fun gory show, but instead it dabbled way too much into dull harem hijinks, along with a joke of a story to close itself off with. The staff is exactly the same, and it really looks like they’re going to pull the exact same here. In the meantime though, I’ve thankfully been exposed by a lot of comedies who weren’t so lazily adapted at this one, and who were genuinely fun despite having a lot of moe in it (Enma, Ben-To, Milky Holmes), so this one is going to have to be really impressive for me to also follow it all the way through.

First-Glance Potential: 25%

Upotte

Summary: “At Seishou Academy, a newly transferred teacher discovers that girls like Funko always aim to do their best and shoot for their goals, often literally with live ammo. Because these girls aren’t just expert shooters, they are the guns, in human form.” – (Taken from ANN)
Director: Takao Kato
Series Composition: Naruhisa Arakawa
Other Notable Staff: Takaaki Suzuki (Military History Advisor)

The Positives: Takao Kato still puzzles me a bit. He’s a very mediocre director, who at the same time captured the Pandora Hearts Manga really well. I’ve given up with this guy though. Too many of his series were just unremarkable, but there is hope, at least. Naruhisa Arakawa also certainly isn’t a bad writer per se. He wrote Legend of Black Heaven for example, and adapted Spice and Wolf and Papakiki.
The Negatives: “Hey, you know Strike Witches? That’s really popular, right? Let’s do that too!”, said Xebec, five years after Gonzo originally aired it… just… no. Let’s also not forget that Naruhisa Arakawa also wrote Love Love, Yosuga no Sora and CosPrayers…

First-Glance Potential: 30%

Medaka Box

Summary: “Medaka Kurokami is an exceptional first year student at Hanokiwa Academy who got elected as president of the student council with a smashing 98% of the votes. Extremely intelligent, strong, and rich; she wants to help anyone in need. To do that, she introduces a suggestion box that allows any student to contact her. Later known as the “Medaka Box”, it will bring forth incredible challenges to Kurokami and her friends of the student council.” – (Taken from ANN)
Director: Shouji Saeki
Series Composition: Shouji Saeki
Other Notable Staff: Nisioisin (Original Creator)

The Positives: Nisioisin as the original writer will at least lead to some nice wordplay, I guess.
The Negatives: My interest was piqued a bit when I noticed that Gainax seemed to be behind this, not to mention that it has one guy overseeing both the direction and the series composition of this thing. Unfortunately, that guy turns out to be the “bad Gainax director”, who has been directing their worst series and stories with He is My Master, Houkago no Pleiades, This Ugly Yet Beautiful World, or those Mahoromatic OVAs. On top of that the premise also seems very generic, as yet another school romantic comedy about a student council. I see nothing that stands out here.

First-Glance Potential: 30%

Dusk Maiden of Amnesia

Summary: “A young woman, by some strange occurrence, was left to die alone in the former building of the Academy for Sincere Teachings. Mysteriously, there is one person who can see her in ghost form: Niiya Teiichi, a freshman. Now they both seek to find out the reasoning behind her death, and what could have caused it.” – (Taken from ANN)
Director: Shin Oonuma
Series Composition: Katsuhiko Takayama
Other Notable Staff: Yukiko Ban (Character Designs, Animation Director)

The Positives: Yukiko Ban was a main character designer for Bee-Train (she designed the characters for Avenger, .Hack//Sign and Yakumo), and a good animation director for Studio Deen (07-Ghost, Amatsuki). The designs for this show will at least be good.
The Negatives: Just… go to the website of this series. Then you’ll immediately see where the mind of this series lies. I mean, could they really have been less subtle? I’d like to see the Silver Link guys as the Shaft Graduates without actual talent (in comparison: I consider Shinbo to be very talented, I’d just wish that he’d use it better). Ever since they left the company to form their own, all they pretty much worked on was mediocre and unimpressive. I’ve given them enough chances by now, but all they can hope for here is that the source material is good enough to pull them through.

First-Glance Potential: 30%

Hiiro no Kakera

Summary: “The original game centered around Tamaki Kasuga, a 17-year-old high school girl. When her parents have to go overseas for work, Tamaki moves to her mother’s hometown in the mountains with her grandmother. On the day that Tamaki arrives at the village, she encounters strange creatures, only to be saved by a mysterious boy. The boy, Takuma Onizaki, is the first of five Guardians of the Tamayohime that Tamaki meets. “ – (Taken from ANN)
Director: Bob Shirohata
Series Composition: Yoshiko Nakamura
Other Notable Staff: Naoyuki Onda (Character Designs, Animation Direction)

The Positives: The director of Hetalia’s next project. Also, the character designer is very good.
The Negatives: I used to be a big fan of shoujo, but now the genre has become just way too diluted by angsty bishies to still be as enthusiastic about it. Here we yet again have an interesting sounding premise, but every single one of these series just descends into a bishie fest full of bad acting and characters trying too hard to look cool that is too focused on wish fulfillment. Especially considering the direction that Studio Deen have gone into the latest years. The series also is supposed to have a very good character designer (Ergo Proxy, Detective Story, Blassreiter, Berserk Movie), but I’m really not seeing that here.

First-Glance Potential: 40%

Saki Achiga-hen episode of side-A

Summary: “The anime adapts Aguri Igarashi’s Saki Achiga-hen episode of side-A manga, which is a spinoff of the original Saki high school mahjong manga. The story follows Shizuno Takakamo and the other mahjong players at the all-girls school Achiga. “ – (Taken from ANN)
Director: Manabu Ono
Series Composition: Tatsuhiko Urahata

The Positives: So, we had the Saki TV-series, which ended with a really obvious sequel hook, and so the next season will focus on some completely different characters instead. Okay. At the very least this won’t be a Manabu Ono series with his enormous boobs trademark…
The Negatives: Oh, I remember that it was a really big chore to sit through the first Saki series, as it turned itself into some magical girl series in which the matches were determined by how well the different characters could manipulate luck (no, seriously). At the very least I hope that the new cast will be more interesting than the old cast, because these girls got very bland very quickly.

First-Glance Potential: 40%

Sankarea

Summary: “This is the story of Furuya, a 15 year old boy who is obsessed with zombies. From videos to manga, trinkets to video games, he will stop at nothing in his quest for anything zombie related. However, his interests turns from a simple hobby into an obsession when his cat dies in an accident. Using an old manuscript, Furuya embarks on a quest to revive his fallen pet. During his quest however, he is discovered by the idol Rea, a popular and elegant lady from a wealthy family. Though it may appear that her life is perfect, everything is not as it seems. And she turns to Furuya, for a chance to live her life, in this life or the next.” – (Taken from ANN)
Director: Mamoru Hatekayama
Series Composition: Noboru Tagaki
Other Notable Staff: Kyuuta Sakai (Character Designs), Mitsuru Hattori

The Positives: Noboru Takagi, the guy who adapted Baccano, Durarara and Koi Kaze. This premise is a major step down from those, though. It does seem slightly better than the usual romantic comedy. Emphasis on slightly, though. And I admit that I’m always interested in new directors: most of the time they’re nothing special, but things get interesting when they manage to already show off their own style.
The Negatives: There are going to be TWO zombie moe comedies in one season? And both are produced by Studio Deen? What the hell man, go back to your good premises again dammit.

First-Glance Potential: 45%

Natsuiro Kiseki

Summary: “I have no bloody idea. The anouncements for this series seem more focused that it’s meant to promote some group of four idols.”
Director: Seiji Mizushima
Series Composition: Tatsuhiko Urahata
Other Notable Staff: Shigemi Ikeda (Art Director), Sadayuki Murai (Script)

The Positives: Seriously, this series has a killer staff: the guys behind Hanamaru Youchien creating a new anime original series, aided by the scriptwriter of Mouryou no Hako, Natsume Yuujinchou San & Shi and Boogiepop Phantom, animated by Sunrise.
The Negatives: That really makes me wonder: what the hell will this series be about? This show seriously has some of the most generic promo art I’ve seen in a while. On top of the characters looking very generic, they’re just not doing anything at all. From the impression I get here, this seems to be one of those shows to promote four random idols. Those things usually turn out terrible, which is why it’s so sad to see so many great people work on this.

First-Glance Potential: 50%

AKB0048

Summary: “Inspired by the popular Japanese idol group AKB48.” – (Taken from ANN)
Chief Director: Shoji Kawamori
Director: Yoshimasa Hiraike
Series Composition: Mari Okada
Other Notable Staff: Mikan Ehime (Character Designs)

The Positives: What the…? What are Shoji Kawamori and Mari Okada doing here?
The Negatives: What the hell is this, man? There’s going to be another idol promotion show this season? Why two of them? And why of all people Shoji Kawamori and Mari Okada, the people who are currently working on Aquarion Evol? Is this AKB48 really popular enough to warrant this?

First-Glance Potential: ?!#%

Accel World

Summary: “The “future teen” story revolves around a bullied middle school boy named Haruyuki. One autumn day in 2046, he has an encounter with Kuroyukihime, the prettiest girl in his school, that changes his life. Through a mysterious piece of software from Kuroyukihime, Haruyuki learns of the existence of the virtual “Accel World.” In that moment, the lowest of the “school caste” becomes “Burst Linker,” a knight defending a princess. “ – (Taken from ANN)
Director: Masakazuu Obara
Series Composition: Hiroyuki Yoshino
Other Notable Staff: Nobutaka Ike (Art Director)

The Positives: Oh good lord. This show reunites certain staff together: the people who made Mai Hime, which was a very good series…
The Negatives: … only to be followed up later by Mai Otome, which was one gigantic mess of a series. The director later went on to direct the Girl who Leapt through Space, a mediocre comedy, while Hiroyuki Yoshino… went on to write Seikon no Qwaser, Code Geass, Macross Frontier and Guilty Crown. Thankfully this is an adaptation, and granted, Yiroyuki Yoshino did show that he is good at that with Denpateki na Kanojo. But really, this is another trainwreck waiting to happen unless they go back to their roots with Mai Hime.

First-Glance Potential: 60%

Arashi no Yoru ni

Summary: “Through an unlikely friendship between a goat and a wolf, One Stormy Night is a heartwarming children’s story that explores themes about acceptance, loyalty despite differences, and highlights the important message that those from different backgrounds or cultures can be accepting and develop into the very best of friends.” – (Taken from ANN)
Director: Tetsurou Amino

The Positives: They’re going to remake Arashi no Yoru ni into a television series? This could get interesting, especially now that they have more time to tell the story (this will have 52 episodes of 11 minutes long, interestingly). Tetsurou Amino is also a very interesting choice for a director With Shiki, he did prove that he is a very good director.
The Negatives: It will be entirely in 3D CG, though. This just doesn’t seem like the right story for that.

First-Glance Potential: 70%

Shining Hearts: Shiawase no Pan

Summary: “One day, a mysterious girl named Kaguya was washed ashore the island of Wyndaria after a great storm. She encounters Rick, a swordsman who wound up working at the island’s bakery. Apparently, Kaguya is suffering from having lost her memories and emotions. In addition, the usually peaceful Wyndaria is now swarming with pirates who came seeking for the special spirit stone that is worn around Kaguya’s neck. Knowing the situation, Rick and his co-workers, Nellis, Amyl, and Aerie decided to bring back peace to island and help Kaguya regain her lost memories and emotions.” – (Taken from Wikipedia)
Director: Itsuro Kawasaki
Series Composition: Itsuro Kawasaki
Other Notable Staff: Ike Nobutaka (Art Direction)

The Positives: Once in a while, you run into a series where the direction and series composition are done by the same guy. This season has Mouretsu Pirates, and last season had Tamayura. These are often very well done series, because there is one guy who is holding in the reigns quite well for his own vision…
The Negatives: … so I can’t believe that this season is the turn for Itsuro Kawasaki. His series are often quite mediocre, with a few series that admittedly did end up well. (Denyuuden, small parts of Sengoku Basara, Wild Arms (although that series was also helmed by Koichi Mashimo) and bizarrely enough Papakiki, although that series still has some very bad parts). Still, I’m positive here: what can he do when he’s involved much more than usual here? Does he have a vision to make this an interesting RPG adaptation?

First-Glance Potential: 70%

Ginga e Kickoff!!

Summary: “The story follows a boy who was in a soccer team, but it was disbanded due to not enough players. However, after the boy meets a female professional soccer player, he aims to bring his soccer team back. “ – (Taken from ANN)
Director: Kounosuke Uda
Series Composition: Takashi Yamada

The Positives: This series airs on the NHK channel. The one advantage of series that air there is that they don’t necessarily have to be profitable. At first sight this may look like yet another sports show, but yet again this show has a very solid staff. In particular Takashi Yamada, who also wrote the series composition for Heartcatch Precure, Ojamajo Doremi, Marie&Gali and Shion no Ou. Kounosuke Uda? This guy is the director of One Piece. I assume not the entire series, but I couldn’t find how big that part was.
The Negatives: The big problem with this one remains the premise. It’s yet again the story of a young boy with passion for the sport he plays. The creators will have to put in some serious work to make this stand out, instead of making such a soap opera like what Knight in the Area is currently doing. The standards for this genre are very high, after all.

First-Glance Potential: 75%

Kuroko no Basuke

Summary: “In the story, Taiga Kagami has just enrolled into Seirin High School when he meets Tetsuya Kuroko of the school’s basketball team. Kuroko happens to be the shadowy sixth member of the legendary “Generation of Miracles” basketball team. Together, Kagami and Kuroko aim to take their team to the inter-high school championship — against Kuroko’s former teammates. “ – (Taken from ANN)
Director: Shunsuke Tada
Series Composition: Noboru Takagi

The Positives: And yet again they put some really, really solid writers on the sports series. Noboru Takagi is the guy who adapted Baccano, Durarara, Koi Kaze and wrote C. Can he bring a dull story about basketball to life? Will the director of Bungaku Shoujo be able to bring life to this series.
The Negatives: I unfortunately keep looking at these high school sports series with a negative feeling. The thing is that I’ve already seen so much of them, and the only reason they stood out was due to their ridiculously good execution. These kinds of series miraculously keep pulling me in, even when their premises are nothing special. I expect Kuro no Basuke to do the same.

First-Glance Potential: 75%

Kimi to Boku 2

Summary: “About 4 friends, twins Yuta and Yuki Asaba, the cute and girly Shun Matsuoka, and the class head Kaname Tsukahara, who have known each other since kindergarten. When a half-Japanese transfer student named Chizuru Tachibana joins their group, he brings a new dynamic to their friendship.” – (Taken from ANN)

The Positives: The staff for the second season hasn’t been announced yet, but it’s safe to assume that it will be the same as the first season. That means Manabu Kanbe as the director and Reiko Yoshida behind the series composition. A very solid combination, as they did breathe life to the manga and portrayed a unique way for the characters to interact with each other.
The Negatives: But yeah: that way does get on your nerves quite a bit. This show is hard to watch at times, but that was also what made it interesting to see how it would nearly always end its episode on an interesting note.

First-Glance Potential: 80%

Zetman

Summary: “Jin, a mysterious kid with a halo carved in his hand, and extraordinary fighting skills, lives with his grandfather in a beggar’s community. In other place, the old scientist Amagi is searching for professor Kanzaki, to ask him for the whereabouts of the “player” -a kind of genetic altered humans- Zet, which they created some years ago. Soon, Jin and his grandfather are attacked by a mysterious man who turns into a monster. The connection between professor Amagi and professor Kanzaki, seems to connect also young Jin to the mystery of the “players”, and Zet.” – (Taken from ANN)
Director: Osamu Nabeshima
Series Composition: Atsuhiro Tomioka
Other Notable Staff: Mazakazu Katsura (Original Creator), Shinichiro Yoshihara

The Positives: Finally! A show that doesn’t look completely generic and like the others. As for the director, he never really directed anything I watched (he’s the director of D.Gray Man, Saint Tail and Clamp School Detectives; and Hamtaro). In any case though, I’m very interested in the premise here.
The Negatives: Atsuhiro Tomioka, oh boy. This guy strikes me as someone who rushes in with his own vision, and it’s always the question whether the end result is good. This is the guy who adapted Samurai 7, Nishi no Yoki Majo, Trinity Blood, Disgaea, Zombie Loan, Inazuma Eleven, Danbooru Senki and Chrno Crusade. The quality between all these adaptations varies greatly, so this series can really go anywhere, although it’ll probably be rushed.

First-Glance Potential: 80%

Saint Seiya New Omega

Summary: “Kōga is a 13-year-old boy who assumed the role of the Saint of the Pegasus constellation. His undefeatable spirit and rebellious nature are strong, as is his single-minded determination. Saori Kido (the goddess Athena) also appears as the protector of peace and all living things — and the woman who raised Kōga like a parent. Mars kidnaps Athena to establish a new world order, and Kōga stands up against Mars.” – (Taken from ANN)
Director: Morio Hatano
Series Composition: Reiko Yoshida
Other Notable Staff: Yoshihiko Umakoshi (Character Designs, Chief Animation Director)

The Positives: The thing that immediately stands out: Yoshihiko Umakoshi, the character designer of Heartcatch Precure and Casshern Sins is on another series. And this time he’s going to also act as the animation director. That combined with Toei’s staff of excellent animators, and we’re in for a lot of eye candy here. The director will be another rookie (seriously, for the past years Toei has been putting the episode directors of Heartcatch Precure as the directors for all sorts of different projects), and the Heartcatch Precure episodes this guy worked on were some of the highlights of the series. To make things even better, Reiko Yoshida is a very experienced writers and has helmed a lot of classic series, including a few originals.
The Negatives: I have never followed Saint Seiya, and none of the OVAs that appeared particularly caught my interest, but if this can be watched without being familiar to the whole franchise I’ll certainly give it a shot. That’s going to be my big fear though: the Saint Seiya franchise at this point is huge. Will it be easy to get into?

First-Glance Potential: 80%

Phi Brain Second Season

Summary: “Kaito Daimon is a brilliant 16-year-old teenager who loves to solve puzzles. He acquires an enigmatic item called the Armband of Orpheus that allows him to fully utilize his brain, but that consequentially drains him completely. Currently attending Root Academy as an honor student, he is invited by the school principal to confront a secret organization named POG. They create deadly Sage Puzzles to protect invaluable treasures and challenge the select few individuals capable of facing them. Given the title of Einstein, Kaito battles against the mysterious group in order to keep a promise he made as a kid while at the same time he heads towards the ultimate test: the Divine Puzzle.” – (Taken from ANN)
Director: Junichi Sato
Series Composition: Mayori Sekijima
Other Notable Staff: Youhei Sasaki (Character Design)

The Positives: Well, this was about the last series of the currently airing series that I’d expect to get a sequel, but here it is. And really: there is a lot of great stuff that they can do with this. Phi Brain is currently at the point where you can really see that Sato Junichi’s characterization is paying off, and the character development is getting very good now, not to mention that the puzzles can only get more interesting with the way things are set up.
The Negatives: My one big question is what the new season will be about. The current season is building up to a very easy to see climax, but this will also be a climax that will be very hard to beat, as it really looks into the characters and pasts of the main protagonists and antagonists.

First-Glance Potential: 85%

Ozuma

Summary: “The title of the project is Ozuma, and it is set on a future Earth that has gone to ruins in a sea of sand. “ – (Taken from ANN)
Chief Director: Ryousuke Takahashi
Director: Takahiro Ikezoe
Series Composition: Junki Takegami
Other Notable Staff: Leiji Matsumoto (Original Creator), Nobuteru Yuki (Character Designs), Kousuke Yamashita

The Positives: I am a big fan of Ryousuke Takahashi, so I was very pleasantly surprised when I found out that he would be involved in this project. It’s only going to be six episodes long, and I don’t know whether it counts as an OVA or TV-series, but I’m thrilled to see a series that reunites him, with Leiji Matsumoto of all people. The music also will be excellent: it’s got the composer of Chihayafuru and Shion no Ou, and the style of this guy could pretty well fit in a space opera. Junki Takegami as a scriptwriter doesn’t really say anything to me to be honest, but this guy does have a lot of experience. He just didn’t really work on many series I saw, with the big exception of being the guy who adapted the first Gunslinger Girl season.
The Negatives: The big question mark here is the director: he’s the director of Slap Up Party, something that meant to be an RPG parody, but didn’t know what a parody was. I’m not very confident with him behind the reigns, although as a standalone episode director he does know his stuff and worked on some impressive episodes.

First-Glance Potential: 85%

Hyou-ka: You can’t escape

Summary: “The story follows a boy named houtarou who is not assertive about getting involved, but was ordered by his older sister to join the classic literature club. In the club, he gets close to the truth about an incident, involving a female member’s uncle, which happened 33 years ago. The “energy-saving” boy is joined by an inquisitive girl in this adolescent mystery.” – (Taken from ANN)
Director: Yasuhiro Takemoto
Series Composition: Shouji Gatou
Other Notable Staff: Kouhei Tanaka (Music), Honobu Yonezawa (Original Story, Series Composition Cooperation)

The Positives: My big problem with Kyoani is that they keep making shows I’m not interested in. I know that they’re really well animated, but for me to watch a bunch of moe blobs in their daily lives, there has to be something that catches my attention, and neither K-On, Lucky Star nor Nichijou succeeded in that. But lo and behold, it’s like they heard me, because their next series will be an actual mystery-series. Awesome! The series composition guy will be the writer of the Full Metal Panic novels, and the guy who wrote the Druaga no Tou series, which also is quite interesting.
The Negatives: My one concern with this series: I don’t “get” Yasuhiro Takemoto’s sense of humour. Lucky Star, Fumoffu, those Haruhi ONAs… they all bored me to death, so I really hope that he will keep to his mystery in this series and just ignore the comedy altogether.

First-Glance Potential: 85%

Uchuu Kyoudai

Summary: “story follows two brothers, Mutta and Hibito, who made a vow as kids to travel to space. The younger Hibito became an astronaut. Mutta did not, but his life changes on one fateful day. “ – (Taken from ANN)
Director: Ayumu Watanabe
Series Composition: Makoto Uezu
Other Notable Staff: Toshiyuki Watanabe (Music), Hiroshi Kato (Art Direction)

The Positives: Now here is one who really caught my eye. This premise is potentially gold, and A-1 Pictures behind the animation is showing a lot of potential here. The art will look amazing: Hiroshi Kato also did the art for many other gorgeous looking series. The director has only worked on Doraemon movies before, so he has experience in directing, and let’s see what he can do with an actual mature series like this.
The Negatives: Oh god, not Makoto Uezu. This guy sometimes gets lucky when he’s got good source material, but he also screwed up potentially interesting stories up often enough. I’m looking at you, Kore wa Zombie Desu Ka. Since he also adapted “classics” such as School Days, Seikon no Qwaser and Akane-Iro ni Somaru Saka, in which it felt like he wasn’t even trying, I’m really holding my heart out for this guy.

First-Glance Potential: 85%

Fate/Zero Second Season

Summary: “Taking place 10 years before the events of Fate/stay night, this series chronicles the events of the Fourth Holy Grail War.” – (Taken from ANN)
Director: Ei Aoki
Original Creator: Gen Urobuchi
Other Notable Staff: Yuki Kajiura (Music)

The Positives: Well, it’s finally time for the second season of this series. The first season was entirely dedicated to building up, so there had better be some payoff now. In either way though, this was an incredibly solid series: well produced in all ways, so this series definitely has the potential to come well together.
The Negatives: The only slight downside I can think of now is that familiarity with Fate/Stay Night is slightly assumed, both for the in-universe concepts of magic and the personalities of some of the characters and I’m not going to watch that series again.

First-Glance Potential: 90%

Tsuritama

Summary: “In Enoshima, Yuki is a high school student who’s never been good at making real friends thanks to his abnormally poor communication skills. Haru is the self-styled alien who decides to teach Yuki to fish. Natsuki is an irritable born-and-raised local. Akira is the mysterious Indian who watches them all from a distance. These four meet, fish, and find big adventures on their little island.” – (Taken from ANN)
Director: Kenji Nakamura
Series Composition: Toshiya Ono
Other Notable Staff: Atsuya Uki (Character Designs)

The Positives: More Kenji Nakamura! This guy is really an excellent director, and with A-1 Pictures backing him, he can really flex his creative muscles again, and again this is a series completely different from his other works. The premise very well could work here.
The Negatives: Just one question. The guy who wrote Suite Precure will be writing this? Why him? Also, the thing remains: Noitamina should not be about high school kids. There are enough other shows who do that.

First-Glance Potential: 90%

Eureka Seven Ao

Summary: “The “real mecha epic” will center around a boy named Ao who “set ‘destiny’ in motion again when he held the ‘power.'” – (Taken from ANN)
Director: Tomoki Kyouda
Other Notable Staff: Mitsuyasu Sakai (SF-Setting), Shiho Takeuchi (Design), Shoji Kawamori (Nirvash Design)

The Positives: Awesome to see Eureka Seven back. the original series took a while to get going, but when it went off, it really was amazing. And the director of the series has finally returned for some more. This will be his first full series again after directing that series, so I’m very curious what he can do with a re-imagining of this series. A lot of work has also gone into the designs of this series (including getting Shoji Kawamori to design the main mecha). This is definitely one to look out for.
The Negatives: I see none so far, but it would be a bit of a shame if Bones can’t also get this to 52 episodes.

First-Glance Potential: 95%

Sakamichi no Apollon

Summary: “Summer, 1966. Kaoru Nishimi has moved to live with relatives in Kyushu. He’s been an aloof honor student his whole life, but that starts changing when he meets Sentarou Kawabuchi, the school’s notorious bad boy. Through him, he learns the appeal of jazz and forms his first real friendships.” – (Taken from ANN)
Director: Shinichiro Watanabe
Other Notable Staff: Yoko Kanno (Music), Yuuko Kakihara (Script), Ayako Katou (Script), Yoshimitsu Yamashita (Character Designs)

The Positives: Well, this is it: the big one. The show in which Shinichiro Watanabe finally returns for another series. Aided by Studio Mappa, who are apparently the same division of Madhouse who were behind series as Dennou Coil and Casshern Sins. I really want to see more of these guys. The story being about Jazz fits him really well, and yet it’s very different from his usual series (and yet, his short film Baby Blue on Genius Party showed that he can also very well animate non-action series). Add that to an excellent character designer and animator (think the character designs for Hyouge Mono and the animation direction of Sarai-ya Goyou).
The Negatives: At the same time, it would have been even more awesome for Shinichiro Watanabe to just do a Noitamina series, but a full fledged rich and diverse series as Cowboy Bebop. He can really make it happen, especially with how ridiculously solid the trailer looked, showing that he had nowhere lost his touch. Also, one of the scriptwriters worries me a bit. Yuuko Karihara adapted Sora no Otoshimono, Persona, Stitch and Kamichama Karin. Can she keep up with this series?

First-Glance Potential: 95%

Some Quick First Impressions: Smile Precure

Smile Precure

Short Synopsis: Our lead character battles against evil bad guys who turn everyone emo.
Do you k now why I love Heartcatch Precure? It’s because it immediately was awesome. Just show someone the first episode, and it’s immediately clear that it is a major step above the others. I mean, I heard that Suite Precure got better as it went along and all. But does that really warrant having to sit through what could be 26 episodes of boring stories and the most moronic bad guy goons ever, just to get to there? And that brings us to Smile Precure. I’ve seen quite a few first Precure episodes over the years, and while this one was nowhere as good as the Heartcatch Precure opening, I still have to say that it makes for the second place here. It unfortunately has a lot of Precure cliches, and the chemistry between the five main characters still consists out of overacting and annoying cliches. But this episode had a great sense of energy. This episode was fun to watch because of that, and the direction was consistently sharp.The character designs unfortunately are generic, but the animation is very good as well, and the music again is of a very high quality here. The big task for the next episode is to give me a reason to continue watching: give me a reason to care about these characters and make them more than just the cliches that they seem to be at first.
OP: Catchy?
ED: Are they ever going to stop doing these godawful CG Precure EDs?
Potential: 70%

Some Quick First Impressions: Black Rock Shooter, Gokujou and Inu X Boku SS

Black Rock Shooter

Short Synopsis: Our lead character is a regular schoolgirl
This really was an improvement over the OVA, especially in the directional department. One of the big problems with the OVA was how lackluster it was: it was just there, it did nothing to really gain attention, and it really lacked energy. This episode really had energy, and I don’t just mean that in the fight scenes, but the dialogue also was much better delivered. The animators actually started to toy with emotions, which was very good to see. Whether this series will work in the character and story department though is hard to say at this point. I mean, the fact remains that we’re looking at a bunch of schoolgirls, the dullest of which being the lead character who doesn’t seem to have anything that sets her apart aside from liking some coloured bird. The Black Rock Shooter parts are also just as disconnected as in the OVA. The only link pretty much in this episode was that the characters here have their counterpart there. Overall, what hurt this show the most is the target audience it chose. This show would have been perfect as an experimental arthouse project, but the premise still feels too simple and not daring enough. This episode improved in execution, but the basic premise is still exactly the bloody same.
ED: Singing through your nose taking to even further extremes. Yuck.
Potential: 70%

Gokujou

Short Synopsis: Our lead character is a loudmouthed high school girl.
Okay… so here we have the series where the producers actually screwed up so badly that they missed the deadline for the first episode. My guess is that the company producing this is really new, and therefore made a number of really bad mistakes during the design process. Surprisingly enough, the actual result wasn’t terribly animated like I feared. There is actually some good movement in this five minute second episode. Where this show completely drops the bomb is the really, really bad acting. The voice actors are trying way too hard; the lead character in particular is yelling through the entire episode. and most of this is either just yelling for the heck of it, or being so obnoxiously loudmouthed that her voice just breaks down. That voice breaking down is especially apparent on one of the side characters here. As for what actually happened in this episode… don’t get your hopes up. The entire episode was about someone getting hiccups and trying to get rid of it. Yes, these guys put some thought into this storyline! There were some weird ideas along the way, but they were more disturbing than funny.
ED: I already forgot what this sounded like.
Potential: 10%

Inu X Boku SS

Short Synopsis: Our lead character has her own servant.
For all series this season I could more or less see what direction they are going into. Not so much with this one, though. This episode ended with “this was the beginning of a long, long time”, and yet it does not look like this will continue for more than one season. Why not? Because only six volumes of the manga have been released so far. Good luck with that ending, guys! It’s very much unlike David Production to release an unfinished series. The reason I’m being so negative here is because out of all the non-sequels that premiered this season, this show had the best characters of them all. It also had the best direction of them all. The lead character? She is well acted and actually managed to carry this whole episode. She’s based on a cliche, but already very early on moved away from it, and actually became quite funny. The rest of the cast has this as well: usually they’d be bad cliches, but there is something about this direction that brings life to these people. The animation was also very good, and surprisingly this was in quite a different way from David Production’s usual animation: this show actually looks crisp and fluid, rather than their usual messy animation. There is fanservice in this show, but for once it feels natural, and not forced down your throat. Or at least not so much compared to the standard of the entire rest of the season…
ED: Dull J-Rock, but that animation is very good.
Potential: 80% (Would have been even higher if this wasn’t such an obvious “I am not going to finish well!”-series)

January Summary

It’s a solid season. There are few series that really stand out as amazing, but there really are a lot of solid stories this time, and there’s actually surprisingly little crap. It’s definitely an untypical winter season with a lot of series focused either on summer, or just being completely upbeat contrary to the kinds of series you usually see released at this time of the year.

#31 (new) – Senki Zesshou Symphogear – (4,75/10) – I was very surprised to see how many people actually liked this, so with that I at least tried to give this series a few more episodes just in case I really was wrong. But after four episodes, I can’t take it anymore. The amount of stupidity and fake shock factor here is just way too much. The characters do nothing to make themselves more engaging, the entire cast is just painful to watch. This is one of those shows that feels made by people who want to make something epic, but have no idea what it really takes to actually do that beyond explosions.
#30 (19) – Amagami SS+ – (5/10) – I refuse to spend more time on this crap. Especially now that it also started to introduce completely stupid and pointless drama.
#29 (new) – High School DxD – (5/10) – Want some boobs but don’t want to watch porn? Well, then this show is for you. Otherwise, stay away at all costs!
#28 (new) – The New Prince of Tennis – (5,5/10) – This is just completely stupid. I gave this until the second episode, but that was just too much. Why would you bother to give someone a completely stupid power as having a tennis racquet with only two strings… if you don’t even use this?
#27 (18) – Persona 4 The Animation – (5,75/10) – I give up. I can’t take it anymore, I don’t want to watch this. This show moves way too fast, and yet at the end of the day it doesn’t really accomplish anything. The summer holiday arc in particular stands out: that could actually have been a good story with a good concept behind it, but things moved at such a rate that they were impossible to properly follow unless you’ve played the games. AIC was already one of my least favorite production companies out there, and seeing how they treated what could have been an interesting story doesn’t really make that better.
#26 (new) – Zero no Tsukaima – (6/10) – Thank god that this is the final one. There are just too many bad points about this show that it’s seemingly impossible for it to redeem itself to me at this point.
#25 (new) – Brave10 – (6/10) – I lasted about two and a half episodes for this one. This series is just crap: bishies fighting each other who are way too busy trying to look cool, amongst a female lead who grows exponentially more annoying with every single episode.
#24 (16) – Guilty Crown – (6,75/10) – I realized something this month: the creators are making up this story as they go along, don’t they? I mean, previously this series was just bland. This month however, something changed. What caught my attention above all is how incredibly convenient everything that Shu pulled out of his ass was. Never before were the things he did here hinted at all, and all of them turned out to be exactly what he needed at exactly the right time. I mean, this is even worse than Code Geass:at least that series realized it made no sense and just went to hell with it. This show is actually trying to take itself seriously at the same time. It’s very jarring to see the entire cast suddenly make a 180 degree leap in personality while crap like this goes on at the same time. I mean, Mirai Nikki may have plotholes, but even they aren’t as blatant as the stuff that this series pulls.
#23 (new) – Recorder to Randoseru – (7/10) – I can’t get anything out of this series. It’s just a collection of pointless skits that are all just forced. Once in a while it gets a good joke, but most of them are just badly delivered or just don’t work n the first place. It’s also just too short to just build up for anything, really.
#22 (new) – Kill me Baby – (7,25/10) – I’ve also dropped this series. It’s better than I expected, but in the end it’s just a collection of random gags that fall flat more often than not. Over the course of four episode, there is nothing that really progressed or changed, so I see no point in continuing this thing.
#21 (new) – Area no Kishi – (7,5/10) – The problem with this series is that it’s really inspired by Adachi. Sure, it’s about football techniques while Adachi’s series are more about slice of life, but this month was entirely centered around the big Adachi inspired twist. And sorry, but with that in mind, I just can’t help but compare and realize how bloody melodramatic that was.
#20 (15) – Bakuman – (7,5/10) – It’s getting harder and harder to watch this series. I thought that things were missing, and that the first season could be more exciting. I did not expect the creators to turn this into a bloody soap opera. The drama between the characters is just completely annoying and uninteresting. And the bad twists just keep coming. It’s still interesting to see these characters evolve, but I don’t want to watch 40 more episodes of this thing. Because it’s going to be so goddamn long, this one’s on the verge of being dropped.
#19 (new) – Danshi Koukousei no Nichijou – (7,75/10) – Danshi Koukousei is a hit and miss comedy. When it misses, it’s very awkward. When it hits, it’s awesome. There are times when the characters aren’t really sure what personality they’re supposed to have, but the skits that work totally make up for it.
#18 (26) – Nisemonogatari – (7,75/10) – Don’t get me wrong: I really want to like this series. This series has a really good artistic direction. Heck, it’s actually more toned down than Bakemonogatari, and actually focuses on the characters instead of random scenery, eyeballs or blank screens. The story for once isn’t formulaic (or at least so far) and it actually devotes a lot of time to flesh out the characters. But seriously. This show has the most fanserivce of the entire season, and with High School DxD that’s really saying something here! It’s all incredibly pointless and grating. I mean, I understand that there’s functional nude: if nudity fits in this storyline, go ahead and show it. This show though is just showing episodes where characters randomly walk around naked for no particular reason, for the largest amount of their airtime! I mean, why bother giving the characters clothes at all if you’re going this route anyway?
#17 (new) – Listen Girls, I am your Father – (7,75/10) – I think that this one is the surprise of the season. It started off incredibly bad and generic, but there was a surprising amount of heart in the later episodes. Now please don’t turn this into another Astarotte no Omocha, because I like how down to earth this show has been so far. And drop the obvious fanservice, please.
#16 (new) – Thermae Romae – (7,75/10) – The best episode was episode 4. Episode3s 5 and 6 were a bit less interesting,but still it’s a very solid comedy overall. Also, I’m not asking for terrific animation. Heck, I’m just asking for animation on the level of Poyopoyo Kansatsu Nikki, where things actually do not feel like a bunch of cardboard cutouts sliding across the screen.
#15 (new) – Ano Natsu de Matteru – (7,75/10) – Look, I fully understand why this series gets its praises. The characters are well acted. It’s full of cliches, but everything about this series is well written and delivered. I still consider it a very good series. But the main cast just gets on my nerves too much. The lead character still is too much like the same annoying harem lead, and the romantic cliches in the scenario are just things of which I’ve seen too many to really enjoy at this point.
#14 (new) – Inu X Boku SS – (7,75/10) – This show has the potential to go into really interesting directions. With 3 episodes its themes are already quite engaging, but its big problem is that it’s too one-sided at the moment. This both goes for the drama, and the characters. The rest of the series will need more variety.
#13 (new) – Poyopoyo Kansatsu Nikki – (8/10) – This turned out to be a very charming series with only five-minute episodes. It makes great use of its time (all skits re about 30 seconds long; compare that to Recorder to Randoseru which drags on its scenes beyond belief)and every skit has a lot of energy and well done punchlines to remain funny.
#12 (new) – Another – (8/10) – Another doesn’t seem to offer anything new, nor will it end up as one of the better horror series out there. Still, it is one thing: very solid. The dialogue is natural and detailed, outside of a few points here and there where it’s trying a bit too hard, and it already delivered a pretty solid atmosphere so far with some good build-up.
#11 (9) – Last Exile – Ginyoku no Fam – (8/10) – The big problem with Ginyoku no Fam is, well, Fam. Fifteen episodes in, and it still doesn’t really feel like she belongs in this series. Apart from that though, I still am really drawn into this series. The setting is still rock-solid and the series continues to expand upon it, the action is just amazing and the side characters are also growing more on me.
#10 (13) – Mirai Nikki – (8,25/10)

Mirai Nikki has improved a lot over the past month. It’s gotten more fun to watch, the characters have become more interesting and especially the dynamics between Yukiteru and Yuno improved here. The show still is full of plotholes, but something tells me that the author wasn’t particular on avoiding these things.

#9 (new) – Mouretsu Pirates – (8,25/10)

The great thing about the three big sci-fi shows this season is that they’re all completely different, and yet none is inferior to the other. Mouretsu Pirates stands out with its slow execution, really allowing the characters to play themselves out. In the meantime it mixes this with hard sci-fi and interesting theories behind this setting. This series is laid-back, yet very interesting to watch. It’s definitely not what you’d expect based on the title and promo material.

#8 (new) – Aquarion Evol – (8,25/10)

This is another surprisingly fun series to watch. On paper a show that explores males versus females seems very dull, but this show actually made it a very fun series to watch. It also has the biggest production values of the season, and it really leads to a series with gorgeous visuals and music. The direction also is very good here and it’s a very engaging series so far.

#7 (new) – Rinne no Lagrange – (8,25/10)

Rinne no Lagrange has very sharp direction. The chemistry between the characters is quite witty, and it’s also taking care to subtly flesh out the setting it takes place in. It’s got characters who at first sight are annoying cliches, and yet turns out to be completely different. Like the other two big sci-fi shows, it’s consistently fun to watch.

#6 (8) – Hunter X Hunter – (8,25/10)

As the series goes on more and more, ti also gets better and better. This was pretty much as expected though, because at this time this series still is very nearly the equivalent of just rewatching the first season. There are a few differences here and there, but I still don’t feel like they’re big enough to warrant this complete remake. The big difference between this series and Full Metal Alchemist – Brotherhood is that Brotherhood just took 15 episodes to get to the new content. At what point can we start to expect this series to reach new material? Episode 40 or something? The good news however is that the series has been a huge success, and Hunter X Hunter has actually managed to conquer a place in the top 10 of TV-ratings. So when we’ll finally get to the point where we’ll get new content, it’s pretty certain that they’ll extend this past the original 45 episodes that were promised. Of course, that brings along other problems of long running shounen, but let’s not worry about that one for now.

#5 (11) – Phi Brain – (8,25/10)

Phi Brain really surprised me in how good it became. Ever since Rook appeared, there hasn’t been a wasted moment, and it delivered some really good character development here, both on the side cast and the main cast. These people actually succeeded in making a show about solving puzzles.

#4 (10) – Tantei Opera Milki Holmes – (8,5/10)

This show is madness! Seriously, this is even crazier than the first season. Every episode so far has been completely hilarious and delivered some of the wtf-like scenarios. The acting and performances are also completely hyperactive and full of energy, and the animation is also really well done. If you’re looking for something with a ton of energy, then look no further. This show thrives on being completely stupid and crazy, and I really like how it’s being delivered so far.

#3 (4) – Chihayafuru – (8,75/10)

Chihayafuru has surpassed itself this month. There was so much emotion put into just this one tournament, and the creators perfectly went into the heads of the lead characters. It was everything that a mid-climax should be. The big question now is: how the heck are they going to finish it?

#2 (2) – Natsume Yuujin-Chou – (9/10)

This season started with a rock-solid set of episodes. In fact, it’s had the best opening episodes of any season of Natsume so far. Where the third season was all about Natsume’s development, this is more varied, and has a bit of everything here. And somehow, all of them work really well. This show is both heart-warming as tense, and this series is still happily adding all kinds of details to Natsume’s character, as if it’s far from done yet.

#1 (3) – Hyouge Mono – (9/10)

Well, it took a while, but in this month we finally got to see the finale of Hyouge Mono. And it really was worth the wait. The way in which this series decided to close off was really well chosen, and it set a really high standard for the other endings for the rest of the year. We can only hope that they’ll make more series like this.

Thermae Romae Review – 77,5/100

So, for those of you who don’t know: Noitamina is a timeslot started back in 2005, dedicated to showing anime for an older audience and touching upon themes that are beyond the norm for anime. 2010 was a huge year for it: it upgraded to having two series air per season, on top of showing three brilliant series right after each other (Sarai-Ya Goyou, Yojou-han Shinwa Taikei and Shiki). Unfortunately these didn’t sell so well.

This lead to a completely different direction for the timeslot in 2011: it actually started making series that focused on a younger audience. Yeah, the same audience that every other show was also focusing on. In particular Fractale and Guilty Crown were very unnerving examples because of how they also dumbed down their own content and characters. For a long while the future of the timeslot was uncertain. Of course an experimentation into different audiences should be encouraged, but the timeslot shouldn’t stay in this and lose the thing that made it stand out in the first place. Thankfully, with Thermae Romae the producers have shown that they haven’t run out of their drive to experiment anytime soon. Yes, we here have a series about roman baths.

This probably is the first full comedy that the timeslot aired. It did feature funny series before, but the humour never was as important to the whole series as here. What makes this series work so well is the deadpan humour that it uses. It’s got this great lead character who is a roman architect in charge of building baths, and throughout the entire series he keeps taking himself seriously, even though some really weird stuff happens to him. The show is only six episodes long, and each episode is just ten minutes, so it’s perfect if you want to watch a little bite-sized comedy that touches upon something different for a change.

It’s just a damn shame that out of all the production companies to get their hands on adapting the manga for this series… it had to be the single worst one out there. The animation i this series is just completely abysmal. Instead of actually animating the characters, they just stand as cardboard cutouts on the screen and wiggle back and forth with bad flash transitions. This feels more like a fancy visual novel than an actual anime, and it’s the same in a long line of terribly animated gag stories like High Score, Haiyoru Nyaruani, that gothic teacher one and Himitsu Kessha Countdown. With Thermae Romae, they finally sat down and actually got themselves some good source material, and it shows, even through their crappy translation. But how good this series should have been if it didn’t have such awkward animation and direction.

Storytelling: 9/10 – In particular the deadpan dialogue works really well for a comedy, and it’s well written here.
Characters: 8/10 – The only one who really stands out is the main character. But he is so enjoyable to watch that he dwarfs the unlikable and one-sided other characters.
Production-Values: 5/10 – I usually don’t try to be harsh on bad animation: sure, it’s nice to have good animation, but it’s not vital for a good series. Here though, the animation is so bad that it really does get in the way of the story. And that’s a bad thing.
Setting: 9/10 – It’s baths in Rome, with a little japanese twist.

Suggestions:
Marie & Gali
Hetalia Axis Powers
Gag Manga Biyori

Hyouge Mono Review – 87,5/100



Nowadays, there are few series that you could really call unique. Nearly all shows base their ideas and concepts off of some other work that came before them, or build further upon concept introduced anywhere else. Once in a while though, an anime appears that just can’t be compared to anything. Hyouge Mono is one of those series.

I mean, seriously, I’ve got nothing. At first sight this might be lumped with the other historical series, but there are just a ton of elements in this series that no other historical anime has. Here we have a series of 39 episodes that is solely about a bunch of old guys talking about aesthetics, while making the most bizarre faces in the process. Beyond my wildest expectation, this series ignores just about every convention that has been established over the past ten years and just goes into its own direction. It has really been years since I last saw a show do that.

Being unique is of course one thing, but you still need to be interesting. A show can be unique, but a chicken riding a unicycle while singing the Estonain National Anthem is too, but that perhaps isn’t the most interesting to watch. Thankfully though, Hyouge Mono is a delight to watch for those who are looking for something slow, yet substantial. There are a lot things that this show does right.

The acting in particular is just sublime. This series managed to deliver the most accurate version of the Sengoku era we’ve seen so far (which admittely isn’t that hard with shows as Sengoku Basara), and put down very believable portrayals of characters like Oda Nobunaga, Toyotomi Hideyoshi, and the tea master Sennou Rikyuu. And on the other hand it’s also chockfull of the most bizarre facial expressions that are almost glorified throughtout the entire series. And strangely enough, these two extremes blend in really well. The performances of the main characters in particular is stunning, but also the side characters (and that cast is HUGE) shines with very diverse and true to life characters.

By far the biggest mystery of this show is how on earth it managed to land itself a whopping 39 episodes. In a time when all experimantal series can consider themselves lucky if they can get 13 episodes, and here this show comes from out of nowhere with a length three times of that. Because of that, it can get really in-depth into its subject material. This both is a really good look into history, but it’s in particular the detail into aesthetics, and the teachings of “wabi sabi” that really stand out in this series.

In terms of flaws, I’d say that this series is a little too slow for its own good at times. It’s not exactly dragged out or anything, but when you look at each individual episodes, there is relatively little that actually happens, for the sake of detail, and that balance at times was skewed a bit too much to the slow side. The visuas in this series are limited, but most of the times they try to make very good use of their budget. There are some exceptions here, resulting in badly drawn faces on what are actually key moments.

Also, this series can be quite misleading in its actual subject matter. At first it might seem like there will be quite a bit of attention into medieval warfare, and the first half of the series has some very interesting battles (including what could possibly be one of the best death scenes of the most recent years). There really is signfiicantly less action and even more talking in the second half. The action that’s there however is incredibly stylish. This is a series that really evolves and changes over time, amd the conclusion they went with really fits the series perfectly.

Storytelling: 8/10 – Excellent direction. A bit slow at times, but the use of camera angles and the dialogue are just wonderfully written.
Characters: 9/10 – The acting for these characters is just sublime. Rock-solid performances from the main cast in particular.
Production-Values: 8/10 – The animation is simple. but very effecitvely used with very detailed character designs. Soundtrack also is excellent, but doesn’t get many chances to really stand out due to its restricted nature.
Setting: 10/10 – Spends a huge amount of time fleshing out the teachings of wabi sabi, japanese tea ceremonies, and is an amazing look at the days of the Sengoku Era.

Suggestions:
Not gonna even attempt to find similar series for this one

Some Quick First Impressions: Thermae Romae, Listen Girls, I am Your Father and Danshi Koukousei no Nichijou

Thermae Romae

Short Synopsis: Our lead character is a roman bath architect.
Yeah, so this was without a doubt the single most unique series of the entire season. Thankfully DLE’s hack-job still didn’t prevent this one from shining. what we have here is a show about roman baths, and on top of that it’s centered on deadpan humour. That really isn’t something that a lot of anime tend to do, even though I really like that kind of humour. Most deadpan humour in anime either misses the point, or isn’t trying to be funny in the firts place. This show is based on such a strange and unusual premise, and thankfully the script can back it up. I can really see how much fun the original manga that this was based on must have been. But yeah, DLE. The thing about animation is that things need to be… animated. The one advantage that this medium has is that things actually move. Not hop around the screen in bad flash transitions. The animation in this show is just plain bad. With this hack-job you could just as well have shown a slide-show of the coloured manga and call it a deal. The one thing I have to give them: they did pick some great music to go with this show. At the very least I can say that this was by far the best thing they ever did. And half a year ago, I never expected to see a show even slightly similar to Hyouge Mono. And yet, while that series is still airing we get another show that’s entirely about a bunch of old guys talking.
ED: Bizarrely enough: the best ED of the entire season.
Potential: 75%

Listen Girls, I am your Father!

Short Synopsis: Our lead character gets to live together with a bunch of cute girls.
Urgh. I keep stressing that I like series to focus on a more older cast, just than only teenagers. I know I say that a lot. But when the oldest main character of the entire season is in a show like this, I really make exceptions. This show already stood out as the worst pandering premise of the entire season. Now that I watched this episode, I unfortunately have to say that this show is exactly what it seems at first sight. Only not in the way you first expect it. The weird thing about this episode was that it took an incredibly long time to get anywhere. Most of this episode actually was build up between the lead characters and his friends from college. It really stood out in how dull it was, but with those parts it would have just been a dull average romance. Only near the end of the episode do the lead character’s little nieces start living with him, and it immediately turns into a fanservice fest full of some of the most overdone cliches. That’s where this show really descended from forgettably mediocre to just plain bad. Really, at the very least the largest part of the episode explored who the characters were. But with its true colors really being the way they are… yeah.
ED: Really bland J-pop
Potential: 1%

Dansei Koukousei no Nichijou

Short Synopsis: Our lead character is a hyperactive middle schooler.
Now here is a surprise: this show turned out to be quite funny, and I laughed a lot with this episode. The characters all have a good chemistry together, and this episode was a lot of fun. The big question is for how long the creators can make it that way. To me, the characters were often not sure what kind of personality they had, and yet they still remain pretty one-sided and some of the jokes were pretty forced. There also is one very interesting thing about this series: Tomokazu Sugita. This show comes from the director of Gintama, and I have a lot of reasons to believe that he really tried to get Sugita Tomokazu (Gintoki’s voice actor) into this series. The result is that finally we can listen to the wonderful rants of this guy. His over the top rants are just hilarious to listen to. But how the heck did he think that he would get away with playing a middle schooler with that kind of a performance? I mean, I know that there are kids who grow up earlier than others and all, but seriously, something really went wrong when his balls dropped when his voice is this masculine already…
OP: Generic J-Rock
ED: Now this is a very witty way to end a comedy with.
Potential: 75%

Some Quick First Impressions: Another, Ano Natsu de Matteru and Aquarion Evol

Another

Short Synopsis: Our lead character is a transfer student.
To the people who claimed that the season sucks after only half of the shows had aired: perhaps a bit of patience would have been in order, because this season also has a very good horror series. Another again doesn’t have the best premise. Heck, it yet again takes place at a high school. If there’s one flaw of this season, it’s that everything is centered around bloody schools. In any case though, this show understands horror. This episode built up this wonderful horror atmosphere with a good script, neat camera work and some subtle mystery that combined all really drew me in. This was the kind of horror series that combined the ordinary life with a lot of creepy hints. This episode was very uneventful, but it slowly revealed more about what was going on, which will very likely get continued into the next episodes. The ordinary parts about this episode in any case were a neat way to flesh out the cast, and in particular the script gave them some character that made them interesting to watch. They all had something interesting to say here.
OP: Ah, the ALI Project. That’s long ago. Their style still doesn’t really match here though…
ED: Dull ballad with dull images.
Potential: 85%

Ano Natsu de Matteru

Short Synopsis: Our lead character gets killed and then revived again.
Here is the thing with this season: its premises are crap. In fact, it’s been years since we had a season with less interesting original series. And yet, it’s got so many big names, there are so many talented people working on all kinds of different series this season. The best example of this is Ano Natsu de Matteru. Here we have a show which follows all of the romance cliches… only it actually is well executed. What does this mean? The characters act and feel real. The animation and acting is realistic and believable, rather than the overacting moe stereotypes that you usually see in those types of series. On top of that, this doesn’t feel disjointed, but introduced a few different subplots that should keep the show interesting, rather than having it hang apart from random incidents. This show has a degree of believability that a ton of other shows of the genre lack. And yet the lead character is wimpy, there were quite a few romance cliches, there is the ditzy blond girl. And yet it feels strangely interesting when it’s delivered so much better than usual.
OP: Finally some J-pop I like this season. The really good use of instruments did it.
ED: Simple yet interesting graphics. The j-pop was a bit dull, though.
Potential: 75%

Aquarion Evol

Short Synopsis: Our lead character can pilot a mecha.
There is one way in which this season stands out: the amount of teenaged sci-fi mecha epics in it. Rinne no Lagrange, Mouretsu Pirates and Aquarion Evol are all ambitious action/adventures, while they still all pursue a different direction with a different kind of execution. Rinne no Lagrange focuses a lot on its direction and script, Mouretsu Pirates placed emphasis on its characters, and Aquarion meanwhile has gorgeous action and a ton of eye candy. I mean, this is the kind of big budgeted flick you’d expect in the big seasons, not the small ones. Besides that, Aquarion has the least interesting characters of the three, yet they’re still an interesting bunch. Their biggest problem is that most of them blend into each other due to the cast being huge. A long show can fix that nicely (and it’s Mari Okada behind the script. She has shown often enough that she’s able to do this). The plot had these interesting elements of males versus females. I haven’t seen the first season, but heck, I’m curious where this will go.
ED: A well produced song that fits the epic nature of this series really well.
Potential: 80%

Some Quick First Impressions: Brave10, Nisemonogatari and Mouretsu Pirates

Brave10

Short Synopsis: Our lead character meets a bunch of famous figures from the Sengoku Era.
Well, the good news: the lead female is better than her counterparts from Sengoku Otome and Hakuouki because she actually tries to act. The bad news is that she is far from out of the danger zone because she still remains a female who gets thrust in the midst of these famous Sengoku Era figures through really shallow reasons (this time it’s because she possesses some sort of really powerful thingy of doom). The good news about the males is that they are better than the other bishie show this season (Prince of Tennis), because they too actually remember to act. Again though they’re still pretty one-sided. This is really one of those shows that needs time to show whether it’s really going to be worth it. It’s got potential to grow and the characters were at least fun to watch, but this show will have to put a lot of time developing these characters, and not just rely on their famous names. Also, the lead female. She kept hopping back and forth from interesting to Mary Sue to trying to use her female charms a bit too forcedly.
OP: A bit of a bland j-rock tune.
ED: Was it really necessary to put auto tune on these vocalists?
Potential: 65%

Nisemonogatari

Short Synopsis: Our lead character talks a lot.
I want to like Shaft. I really want to like the way they use their storyboards, the way in which they try to show a lot with limited efforts. I really want to like how they use their creativity. But dammit they make it so hard! Nisemonogatari is exactly like Bakemonogatari; most of the things I disliked about it are still there! Or at least the flaws that can be apparent after only 1 episode: this episode did not have any budget issues yet, so thankfully I didn’t have to watch an incomplete episode. Still, my other issues with Bakemonogatari still stand. First of all, watching this episode didn’t feel like watching characters, but it felt like watching a slide-show over which a bunch of voice actors read a script. The first half didn’t have this problem, but unfortunately it returned in all its glory in the second half. The camera panned way too often to random scenery, random images, or the characters making weird poses that had no relation to what they were saying or doing. Second of all: what really happened in this episode? I mean, all it consisted of was Araragi talking to various members of his harem, and his sister. One of the other sisters, who this show apparently is supposed to be about, didn’t even make an appearance. Heck, this arc is supposed to be about this girl named “Karen”, but even she was completely absent here. All this episode did was restore the status quo and reiterate that Araragi is some weird pedophile (seriously, what the hell did he do to Hachikuji?). As for the dialogue: yeah, it had its witty moments and there was some nice wordplay, but it also had its moments where it just blatantly wasted time for the sake of wasting time or deliver bad 4th wall jokes. Now, Shaft does have this habit of airing troll first episodes, so at this point I can only hope that I’ve been reverse trolled and that the next episodes will have something genuinely interesting and new to offer.
OP: More staples. How are these still relevant?
Potential: 50%

Mouretsu Pirates

Short Synopsis: Our lead character is a space pirate.
Haha, it’s just as I hoped. This series may look silly, but the acting is very good here: it actually treats its characters like actual characters. The result is a mostly mellow episode that’s full of subtle quips that the characters make towards each other, followed by a random action scene. This is what I’ve been looking for: a show that gets the balance of both silliness and subtlety. That made this a fun episode, even though it was just an introduction episode in which the characters haven’t even entered space yet. There are a lot of parallels with Rinne no Lagrange: they have the same length, same director, they both air outside of the season you’d expect them to air in, and they both advertise themselves as fun teenaged mecha series with a serious undertone. The big difference is that Rinne no Lagrange’s direction is better, while Mouretsu Pirates has better characters. They both can become quite fun, though.
OP: “Hey, let’s try to stuff as much audio ideas into just one song and see how it works!”
ED: Very uninspired visuals and all, but the song could be worse.
Potential: 80%