Cheburashka Arere


Short Synopsis: Our lead character is a monkey that starts living with a crocodile.
Hmm, the kiddie-shows this season are surprisingly good. I wouldn’t exactly recommend Chebrashka to any adult, but for once we have a series that tries to be different from all the other kiddie shows out there. It’s actually a bit nostalgic, as it seems similar to the kiddie shows that I watched when I was only five years old (most notably, Barbapapa). One thing that especially strikes me is how good the animation is. The character-designs are simple, but they move really fluidly with hardly any corners cut. Interesting.
OP: Just a title screen, but original music.
ED: Very obnixious to anyone older than five.
Potential: 20%
Darker than Black: Ryuusei no Gemini


Short Synopsis: Our lead character stopped getting haircuts.
It was quite a surprise to see that this first episode focused on mostly completely new characters, but yeah: this was the best first episode of the new season. It’s got the intriguing setting of the Book of Bantorra with a solid and intelligent execution that can’t be matched by any other series this season. The characters are well written, the attention to detail to the origami was a very nice touch, and the battles still rely much more on wits and intelligence than raw power. This episode really showed that Bones didn’t make a sequel just to milk out this franchise, but they’re really intending to give it some more depth. It’s a shame that there are only going to be 12 episode, but on the other hand that’s going to make this series short and sweet. 2009 really looks like it’s going to be Bones’ best year ever.
ED: Solid albeit uninteresting ballad with a slide-show of random landscapes.
Potential: 90%
Sasameki Koto


Short Synopsis: Our lead character is a lesbian.
Sasameki Koto: a tad shallow, but definitely charming. This episode was one of the most emotional first episodes of the new season for me, because it was the best at combining subtlety and straight to-the-point drama. The soundtrack fits this romance series very well, and the atmosphere was pretty nice for this story. But yeah, that shallowness is going to become a problem for this series in the future. The dialogue felt not really very inspired, and the characters were a little too quick to cry. Nevertheless, after Aoi Hana with its mountains of subtlety, it might be worth watching a more direct lesbian series.
OP: A nice and calm song, although definitely not the best of its kind.
ED: A bit too annoying and poppy song.
Potential: 50%









I personally love those series in which you can never be sure what to expect, which is exactly the case in Umineko. Even after being spoiled that Beatrice was going to die I still loved how this episode played out. Seriously, can this series get even more intriguing?
In this episode, we learn that Beatrice indeed existed once on the island, but died in an accident when she was with Rosa. That part is most likely true, and the killer used that story as a basis for his murders. At that point, Beatrice also says that there are only 18 people on the island. However, she says this inside a flashback. What does that mean? That there were eighteen people on the island when Beatrice died? Or does that go for the current time-line?
Also, this episode ends up killing off all of the servants of the Ushinomiya-family for the first wave of victims. On top of that, it’s also revealed that the Kumasawa is the one who taught Beatrice her magic. That does make me wonder though: how did she let herself get killed off so easily in the first and second arc? Was it because she was with others? Did that prevent her from showing her powers?
Anyway, my guess is that there is a number of people that the killer wants dead, and he ends up killing a few more in order to cause confusion and throw people off. We know from the previous arc that Battller, Jessica, George, Natsuhi, Maria, Genji, Rosa and Kinzou are not among these people, which leaves 10 possible sources of the killer’s hatred. This arc should also promise to be interesting, because we finally get to see a bit more from Battler’s parents and Krauss, who all died in the first round in the previous arcs.
But yeah, the part in which Beatrice goes on a killing spree for the first six sacrifices is probably another illusion created by Beatrice, in order to throw Battler off. But how long can she keep pulling these things before Battler suspects anything?
Rating: ** (Excellent)]]>

Holy crap… this series really seems to just get better and better over time. This episode not only was a major step up when compared to the first episodes of the first and second arc, but it was also much more solid, composed and the voice acting was also better than ever. I’m not sure exactly what happened, but I really hope that the creators can keep this up.
This episode featured a slightly new op with a bunch of new scenes here and there (nicely shaded, by the way), and it starts out again with a bit of background for the characters Beatrice and Eva. It tells something about the supposed nature of magic (very creative, I must say), and it shows how Eva seems to have created an imaginary friend in her attempts to stand out as a woman in the Ushinomiya family, especially discriminated upon by Krauss and Kinzou.
Speaking of Kinzou, this guy’s an asshole. He isn’t the least bit subtle about his wishes to marry off Eva for his own happiness, is he? Still, in this arc we should probably see a different version of Eva: in the first arc she didn’t have to struggle a lot, because everyone else entitled to her father’s inheritance was presumed dead, and in the second arc she was dead herself. My suspicion is that she, along with some other heir, is going to survive the first slaughter, which should give her character a different dimension.
This episode also destroys the theory that Beatrice herself was the culprit: she’s dead. Rosa killed her. I guess that that’s why she was so paranoid in the previous arc: someone she believed to be dead suddenly appeared. Of course she’d start doubting everyone and his dog. Still, we have no proof yet that there wasn’t a twentieth person on the island, because Beatrice also refused to red text that the minimum of people on the island is twenty. This final mystery person could prove the key to how the killer was able to move around and arrive at the right time to kill everyone. I’m beginning to suspect that the murders weren’t all committed by the same person; it’s either a bunch of accomplices, or two people are killing people on their own with different motives.
And the nature of that meta world indeed is starting to look like a world in which dead people gather. With this, Beatrice’s motive may actually be that she wishes to return to the realm of the living, and there’s this link between her and Rosa that seems hold a key clue to solving this mystery.
Oh and as usual, please try to refrain from mentioning what happens in the visual novel after this point, for the sake of those who haven’t read it.
Rating: ** (Excellent)]]>

Okay, at this point I have no idea what’s going on with this series anymore. This episode was… disturbing to say the least. For the first time in this series, the gore really disturbed me, and this also is the episode that really put my ability to not believe in the witch to the limits. This time, Beatrice really goes all out with her magic.
So at the start of the episode, we’re left with five people still alive: Battler, Maria, Rosa, Genzo and Genji. It would therefore be logical if one of them were the culprit:
– Maria, if she indeed were the culprit, must have had some sort of help. Yeah, I suspected her before to be some sort of reverse red herring, but then again, she could never have killed six people at the same time.
– Battler would of course be the perfect culprit: how often can we suspect the lead character of being the murderer? But yeah, he’s just been accompanied with others too often.
– Genji is one of the more obvious culprits this arc: he distances himself away from the others near the end, he somehow ends up finding Nanjo and Kumasawa’s corpses in the middle of the rain, even though he was supposed to be inside, ready for the orders of Kinzou. And what the heck was he doing as Beatrice’s servant? That could have been an illusion from her just as easily. the question remains though: how did he fake his own death in the first arc?
– Rosa also is an important suspect, because she is one who could have faked her own death in the first arc. But in this arc she has been constantly surrounded by Battler and Maria. If she were indeed the killer, she would have had to ally with the two of them.
– And what about Kinzou? He survived in this arc, as opposed to getting himself burned. What’s the difference? Also, the only reason we have that he didn’t fake his own death is because he has six toes. Did he perhaps have an identical twin brother or something?
Also, I’m intrigued because in this episode Beatrice didn’t seem to realize that Meta-Battler differed from normal Battler, who acted totally different in this arc. My guess would be that in the first arc, he had less reasons to despair because at least George and Jessica, who he seems to like a lot, survived. In this arc, he had nobody and had to be accompanied by the ever-paranoid Rosa. Instead, the one who fought back in this arc was Rosa, in my guess she was motivated by some weird kind of mother instinct, but in the end it seems that she lacked the willpower of Battler in the first arc to fully reject the witch.
I think what made the gore in this episode work better was that for once the creators didn’t try to be as graphic as possible. For once that eliminates the need for censorship, but it also left a lot to the imagination, the psychological side of the gore. Especially during the *ahem*”dinner scene”…
Umineko at the moment is really like Higurashi’s first arc over and over again. At first it seems like an incredibly disturbing murder mystery, but when the truth gets revealed there turns out to be such a deep story behind it. Heck, can we even be sure that everyone got killed here? Knowing Higurashi, there promises to be so much going on, despite that at first sight this just seems like a repetitive killing spree.
Rating: ** (Excellent)]]>

According to tealovertoma, this episode was supposed to be mediocre, but I can’t see why. It yet again was a standard episode for Umineko, but the mystery yet again deepened, it gets harder and harder to explain everything with simple logic, which is exactly what the witch wants, and the situation gets more hopeless with every single episode. Sure, this show isn’t as good as Higurashi at this point, but what exactly is turning this series into a disappointment?
I mean, seriously: what the heck is going on here?! At a certain point in this episode, the characters split up: Maria, Battler and Rosa go off in one group. Gouda, Sharon, Genji and George go off to the other room. At one point, Genji stays behind because he has to keep alert for any requests of his master. After that, Gouda, Sharon and George get attacked by the supposed “Beatrice”. Rosa, my prime suspect behind the murders, could not have done this, because she was with Battler all this time. Gouda (who I also suspected as the culprit) at the same time could have done it, but he got killed off at the end of this episode. It could be a big illusion, though. At the same time, we have Genji, whose whereabouts are unknown. Yet at the same time, he couldn’t have been the killer because he died in the first arc. Either that, or that was an illusion as well.
But then again, there’s a good chance that the murderer is some sort of a magician. He could have pulled a fake body in any of the occurrences. What about Kinzou? All we saw was his dead body, but he at the moment is the only one who has the freedom to move through the entire house without being detected. He’s the one with the master key, right?
It’s also interesting how the Battler in this universe is the complete opposite. While I called Natsuhi unstable at one point, she was like a sweet little kitten compared to Rosa. Because of this, I think that he gave in to the witch in this case. Or that could have been yet another illusion by Beatrice to get him to break down. I have no idea what’s real anymore: we know that the red texts are true, but is there any other part that we can really trust?
I’m really starting to see the appeal of the Umineko series: it really builds further upon the first arc of Higurashi: mad, twisted, and nothing is really what it looks as things start looking more and more impossible to have happened without any sort of magic. Sure, this series isn’t anything amazing as of yet, but hey: we’ve still got tons of episodes left. Right now this series is quite likely building up.
Rating: ** (Excellent)]]>

Okay, so this series isn’t exactly the best of the season at the moment, but then again that’s only logical since it’s clearly only building up, and yet I’m already enjoying it a lot. when this series started, I admit that I was really doubtful whether or not Chiaki Kon would be able to pull off this series, considering the other shows she has worked on after Higurashi, but this again shows that even directors with flawed records can be able to produce good series if the source material and guidance is good enough.
Anywaay, while the first arc focused on the younger generation, this arc puts the focus at the servants, as they’re labelled as the prime suspects. This episode shows that someone killed Kanon and Jessica, dragged Kanon out of the room and locked the room afterwards. There are only six keys in existence that are able to open the lock, since Beatrice ruled out window-climbing and lock-picking with the red texts. There were two keys inside the room as it was locked: Jessica’s and Kanon’s. That means that there are four keys left, and all of them are in the possession of the four servants left alive.
In this way, the most suspicious one is Gouda. He could have faked his own death in the first arc and he had no alibi for the death of Jessica and Kanon. Furthermore, Battler’s argument of how such a guy with a nice face couldn’t possibly be the murderer is weak. Try saying that to Higurashi.
However, that doesn’t really mean that one of the servants is the culprit. Have we actually seen it confirmed that all four keys are present at their owner? I think that we’ve established by now that the killer is a good pick-pocket. He could have just taken one of the servants’ keys to make it seem like they did it, which also would make more sense because it would be stupid of a servant to put the blame on himself like this. In this way, Rosa fits as the main suspect: she too could have faked her own death in the first arc, and taking charge of the situation as a leader figure does kind-of take suspicions away.
That just leaves the question as to who committed the murders here. The illusions in this series become weirder and weirder, and harder to logically explain. Previously, you could just assume that the murders on Kanon were flashy set-ups by Beatrice, but Gouda actually felt the zombie-Kanon as some sort of solid matter. Do you suppose that the killer actually used some sort of magic mushrooms in order to accomplish that?
One thing that rather annoys me about this series is how they keep censoring the gory parts. I mean, come on. Take a look at Himitsu ~The Revelation~ for example: in that series the corpses were even more disturbing, and not even an iota was censored, which really contributed to its dark and creepy mood. This show airs like, how late? 2:00 in the morning? What kid is going to be awake at that hour?
And as usual: when discussing this episode, please refrain from mentioning events that happen after this point in the visual novel.
Rating: ** (Excellent)]]>

Oh boy, even more questions are asked throughout this episode, but at least the premise of this series is starting to become a bit clear now. It’s indeed a series very much like Higurashi, but the whole iterations are much more similar and the whole ghost world around it has a much bigger role here than it had in Higurashi. I’m not sure yet whether or not the endings for each arc are going to be the same, but who knows?
In this arc, it was pretty clear that some of the scenes are viewed by ghost Beatrice and ghost Battler, while others aren’t so much and are rather a speculation of how Beatrice would make Battler believe things went. Otherwise I can see no way to explain Beatrice suddenly summoning walking bunnies and two of the seven sins to kill a bunch of people. Also, Battler never mentioned the deaths of Kanon and Jessica even though he was very much trying to explain the deaths of the first six corpses.
Speaking of which, he’s really been reasoning with the assumption that Maria had nothing to do with the murders, but she’s been acting so evil that she’s turning into some sort of reverse red herring. I mean, for a girl with a bipolar disorder who doesn’t seem to think it weird that blood is everywhere, I wouldn’t be surprised if she did turn out to be the killer in the end. A lot of things would make sense if this was true in any case.
In any case, this episode destroys the theory that one of the six people who were murdered first might have prepared a fake body. Instead of Maria’s mother Rosa, Natsuhi got killed off this time, Shannon stayed alive in exchange for Eva and Gouda wasn’t killed in exchange for Hideyoshi. This could mean that Shannon, Rose or Gouda did use the trick of the fake body in the first episode, but this time decided for a different strategy.
Another big difference with the first arc is that the killer showed some of the gold. This is going to bring actually finding the gold as a much more important goal than it was in the first arc. On top of that, the second set of sacrifices is also going to be different this time. Who know, perhaps this arc is going to end in an entirely different way.
Oh, and when discussing this episode: please refrain from mentioning events that happen after this point in the visual novel.
Rating: * (Good)]]>

Okay, so after last week’s little episode of background, we’re back to the island and get another clue to what’s going on with this series. This series’ set-up is indeed a bit like Higurashi, but with slight differences. Most notably that Higurashi focused at different people with each arc, while in Umineko instead keeps on looping the same story with perhaps one or two slight differences that we’re not even sure of.
So this episode shows a bit more of what happened in the first half of the first episode, with the big difference here the appearance of Beatrice. At this point, it’s still not clear whether these events happened exactly the way they did in the first arc, or whether Beatrice conveniently inserted herself into the story to make it seem to Battler that she indeed existed.
Since Higurashi also was a really layered story, I also suspect something similar to happen here: the basic world has no magic whatsoever, but outside of it Beatrice’s power has free range, and her ultimate purpose seems to be to have everyone acknowledge her, and my guess would be that she tries to make everyone believe that she has magic, while in fact she doesn’t have any at all in the “real world”. This episode would then show that she managed to get accepted her powers apart from Battler, which is probably going to be the main focus of this series.
If this indeed turns out to be true, then that must mean that Beatrice is a very talented illusionist. The way that she seemed to make Maria close her eyes while turning the candy back seems to suggest that, and I assume that she used some sort of trick to prevent Maria’s mother from seeing it. While it’s a bit far-fetched, the butterflies then could be the product of some sort of optical illusion concerning holograms.
This episode also paid a bit of attention to Maria and her mother, and learn that Maria may have an issue of multiple personalities that run in her family. Perhaps Kinzou is also bothered by it, or his mysterious wife could be the key in this. It also could have spontaneously appeared with her, but in any case you could see that the two of them were related to each other in this episode. Maria’s mother at one time is the worried and caring mother, and the next moment she starts beating her own child. With that, it’s somewhat understandable for Maria to develop a split personality as well. With the way she seems to be closed in her own world, her ramblings about Beatrice could be blamed on her imagination running wild.
In any case, while this episode did build up, I liked it a lot. Beatrice could have been a bit less stereotypically evil, but overall it was a very nice episode. Oh, but one thing: I know that we’re not supposed to expect much from the graphics in this series, but could the creators in the future please try to give Battler a less constipated face when he’s angry? This isn’t Dragonball Z, or anything.
Oh, and to close off, I want to put a little disclaimer here: THIS POST IS ABOUT THE ANIME VERSION OF UMINEKO. If you want to say something about events that happen after this episode, then GO FIND A BLOG THAT COVERS THE VISUAL NOVEL AND PUT IT THERE.
I really hate to put up this warning, but I’ve personally gotten really tired of all of the visual novel fans flaunting their superior knowledge to us simple mortals who haven’t played the game yet. I’m interested in seeing the speculations of other people who haven’t played the games yet, and are also in the dark of what’s going on here. What’s the point of hearing the speculations of someone who already knows what’s going to happen?!
And sure, normally I’m not such a Nazi with this. A subtle hint of what’s going to happen next of course isn’t bad, but the problem arises with popular franchises as this one, when seemingly every single fan of the visual novel is keen to drop a small hint of what’s going on. With hundreds of “small hints” like these, it just doesn’t remain fun anymore. Not to mention the few not-so-subtle hints that float among them.
I know that I’m confused, but isn’t that the whole point of this series? Then what are you doing trying to clarify things that were meant to be completely mind-boggling?
Rating: * (Good)]]>