Tokyo Magnitude 8.0 – 02



You know, I previously kept saying that Aoi Hana was my favourite summer show and all. But that was before I watched this episode. After this episode, I’m going to take that statement back entirely: Tokyo Magnitude is without a doubt the best show this season. This episode was utterly amazing and exceeded all my expectations. Even for Noitamina, this episode stood out as one of the best.

What baffles me the most is that it’s only been two episodes: this series only needed one episode of build-up and character-introduction, and after that it was able to put down such a sad and depressing episode around Mirai, who saw her entire world crumbled. What made the most impact on me was how she was separated from her brother at the time of the earthquake, and so she had no idea whether he was alive or not. She was all alone amidst tons of people who also struck with the same fate.

And the thing is, that if she listened to Mari it might have taken ages before her brother was found and he might have died of smoke. Only because she kept looking for him was she able to figure out that he went to the toy store afterwards, and got trapped underneath the shelves. The first episode really put her down as your average whiny teenager, but this episode most definitely made her human, and just a weak little girl.

And yeah, this episode also did a fantastic job of not just showing Mirai, but also how just about everyone else in the area is suffering because of the earthquake, all in their own ways. This is one of these series in which every random bystander is a character, rather than a paper bag who is just there to fill air.

This obviously isn’t a series for you if you hate depressing series, but damn. I really hope that the creators can keep this up. I’m going to be a bit careful expecting the rest of this series to be amazing after Eden of the East dulled in a bit after its introduction, but with this series, all the creators have to do is logically progress the story, throw in lots of realism and keep up with their realistic characterization. I really hope that the creators are going to be able to pull it off, because this episode was just too good to just waste on a mediocre series.
Rating: **** (Fantastic)

Konnichiwa Anne – 15


With this episode, I understand a bit more what’s wrong with this series: Marysville. Every single character introduced in the Marysville arc is dull, cliche and boring, and that’s why the previous episode was especially bad, because it was entirely centred around one of these characters. The Thomas family however, is a different story. They are the ones who make this series. With this, Anne has also shown that she doesn’t have the strength to carry this series on its own, and she really needs the Thomas family for this to make the series complete.

So, this episode starts during a lunch-break, in which Mildred is showing off her huge box of lunch. Anne’s lunch is small, so Randolf offers her a bit of his, but she declines. Mildred then mentions that for the upcoming pick nick she’s going to have an even bigger lunch. Anne obviously wants to join the picnic, but for that she needed to have donated to the church like everyone else has.

So, the question becomes how to get money in order to go to the picnic. Randolf comes with the idea of trying to search in a crow’s nest, but Anne thinks that it’s a better idea to ask Johanna. Johanna however, has just had a bad day because the well is giving trouble. She obviously declines giving money, since she believes that God isn’t there for the penniless.

Horace and Edward meanwhile are fascinated by a local tortoise salesman. When Bert gets back, he smells like tobacco again and Johanna scolds him again. He then comes with the news that he’s managed to get a promotion (or something similar that’s going to give them a bit of extra money), and his salary is going to triple in the process. Anne and Johanna are obviously elated when they learn of the news. They spend the dinner trying to figure out what they’re going to do with the money. When Bert asks Anne what she wants to do, she obviously answers that she wants to go to the picnic. This results into a fight between him and Johanna, who believes it to be a waste of money. Dinner ends with all four kids sitting outside because they kept yelling. At that point, Anne mentions how perhaps they can get stuff from crows nests.

A bit later, Johanna comes outside with the news that Bert has promised to stop smoking so that she can go to the picnic. Anne obviously is elated when she finds out. That evening Anne and Johanna spend a bit of time talking on how Johanna has never been on a picnic, and how she’s forgotten by now whether or not she ever wanted to go. Bert meanwhile gets the “brilliant” idea to wager the money he got in horse races.

The next day, Anne prepares to go to the picnic while Bert tells her that he’s going to bring her to the church, as he himself was planning to go to the horse races. Johanna however overhears him, and the two of them start fighting as usual. They get interrupted by Horace and Edward, who are stuck in one of the trees. Apparently they thought that crows really kept expensive things in their nests, but when they started climbing they got too scared and fell off. Bert manages to save them, but he hurts his shoulder in the process. He is okay in the end, but he can’t lift heavy things for a week. Yeah, that’s going to help with his work.

Everyone is down, aside from Anne, who still starts fantasizing about going to the picnic, but she quickly stops when Horace and Edward start crying about their tortoise. Bert then just shrugs everything off, and promises Johanna that he’s going to work hard to make up for the work he missed, and even for Johanna’s part. The family then spends the rest of the day picnicking at their own location, since Bert doesn’t need to go to work anyway. Anne then gets to see the sea for the first time and the episode ends.

The Marysville arc has been quite boring, though. It’s much lighter, but in most WMT series the slice of life parts are just as interesting to watch, but thanks to those brats at school it’s getting a bit tedious to watch. Still, in this episode we finally got a bit more foreshadowing of what’s going to happen in the future, and I just hope that once Anne moves to her second family, the annoying brats are going away too. I’d really wish to believe that, but the fact that they’re in the ED while Elisa wasn’t does worry me a bit.
Rating: * (Good)
Finally the focus is back at the Thomas family.

Some quick first Impressions: Sora no Manimani, Spice and Wolf II and Tokyo Magnitude 8.0

Sora no Manimani

Short Synopsis: Our lead character joins the local astronomy club and falls in love.
Chance of me Blogging: 0% (Nope)
Ah, dammit. Just when I thought that this Summer Season did so well in avoiding the biggest cliché in the book (the childhood friend), Sora no Manimani comes around, in which the lead character moves to his new high school and runs into the girl he hung out with when he was six, and the two of them nearly instantly fall in love again. So this episode definitely had its boring moments since I’ve seen so many first episodes with the EXACT SAME premise, but thankfully there are a bunch of twists here: for once the male is the tsundere, instead of the female, while the female has ADHD and feels a lot like Haruhi Suzumiya without the tsundere part. This episode had its amusing parts, but it lacked proper build-up: the crying scenes really came from out of nowhere and felt forced and with such an excellent season, I really doubt that I’m going to continue with this one.

Spice and Wolf II

Short Synopsis: Our lead character looks for his next dal to make him some money.
Chance of me Blogging: 10% (Too many great shows this season!)
Ah, it’s nice to see this one back. Spice and Wolf was the big surprise in the season in which it originally aired, because it came from absolutely nowhere, it had the most incompetent staff imaginable and yet it turned out to be such a solid series. What I’m expecting from the second season is much of the same subtle charms that made the first season so enjoyable. My big fear is that it’s going to let its success go too much to its head, go too much in the mainstream direction and become an unsubtle romantic comedy and moe fest. Ah well, we’ll see in which direction it’s going to go, and this episode was enjoyable as one that set up the upcoming arc. It was nothing special, but the first season also started out rather underwhelming, so it’s nothing to be surprised of. My one complaint of this episode is that even though it’s got a much more superior animation company (Brains Base, of all things), the animation cut a lot more corners: there were lots of pointless flashbacks just to recycle some of the used animation of the first season, so I do hope that the creators have saved the rest of the budget for later episodes.

Tokyo Magnitude 8.0

Short Synopsis: Our lead character ends up in the middle of an earthquake.
Chance of me Blogging: 100% (Sounds very promising)
And so the next Noitamina series appears. It’s pretty similar to Eden of the East, actually: it’s set in the current day, it’s very realistic, it too criticizes Japanese society subtly and it too has high production-values. Both series have something that’s very rare in anime nowadays: a storyline that’s based on actual topics of today’s society. Production IG already did such a series with Real Drive, but for Bones it’s something totally new. Or should I say, for Studio Kinema Citrus, as they seem to be the main ones responsible for this series, much like Trans-Arts who like to slap the Production IG label on their work. In any case, this first episode was very promising. It’s easy to think that you’re never going to get hit by such a disaster, but what if it does happen? It doesn’t just go for Tokyo, but what if New York was suddenly flooded (which did happen in the past), or what if the oceans continue to rise, and half of The Netherlands ends up drowning? Great food for thought, and the creators chose a likable lead female to center this story around. Usually Noitamina is about adults, but in these days in which teenagers are growing up more and more spoiled by technology and conveniences, she is indeed more suited. I’ll stop rambling now, otherwise this entry is going to get too big.

Konnichiwa Anne – 14



Meh, this episode was a step down for this series. It had good intentions, definitely, but the CHEESE. This episode wasn’t WMT, it was just a random episode that the creators decided to stuff in. The summary of this episode is a bit shorter than usual because it turned me into a bad mood.

So this episode starts with Anne arriving late at school because Noah chose the wrong time to relief himself. In classes meanwhile, Randolf is screwing up again and the girls are laughing about him. Anne then arrives and demonstrates how well she’s been learning when she was taking care of Noah. Randolf then thinks it’s funny to throw a chalked blanket on her, and he then gets scolded by the teacher.

Bert meanwhile runs into a rich guy who is yelling at one of the poor people who owes money from him. He turns out to be Randolf’s father. After classes, Randolf thinks that Anne was laughing at him, and starts yelling at her. That evening, he’s trying to study even though he doesn’t understand the material, and instead starts playing with the cows on his farm. And turns into a completely different person while doing so, until he gets called (or screamed) back by his father who stubbornly orders him to continue studying.

The next day the teacher gives the assignment for the children to write down their ambitions for their future. Anne obviously wrote up an incredibly moralistic dream inspired by Robert Browning, while Randolf didn’t write down anything. When Anne reads her own piece, Randolf can’t take it anymore and starts making fun of her right in front of the class and the two starts fighting until the teacher takes them apart.

That afternoon when classes are over, Randolf’s father drops by the school and yells for his results. In the meantime, it turns out that Randolf and Anne live quite close to each other, and that’s where they run into a bunch of the cows on their farm that decided to wander off. At this point, Randolf changes character again and starts talking about how it’s his dream to be like his father: he started out incredibly poor and managed to build an entire farm and became one of the richest people in town from pure scratch.

So yeah, as it turns out Randolf wanted to be like his father, who worked hard as a farmer and achieved all of his success on his own. His father meanwhile wishes to forget those days and wants Randolf to grow up with a solid future, so that he doesn’t have to go through the same pain he did. So yeah, once they talk this out, they understand each other and everyone lived happily ever after: Randolf gets to chase his dream (although he does have to study for it), Randolf and Anne become friends and Randolf even develops a crush for Anne (yugh). And the episode ends.

I’m feeling really blegh about this episode. Not only was it a cheese-fest that SO doesn’t belong in the WMT, it also destroyed my suspense of disbelief and forced me to take critical look on the rest of the series, and I’m starting to understand what Windy meant with how this series isn’t as good as the previous WMTs.

The first arc is fine. While it had its rough edges, it was a roller-coaster of emotions, that definitely brought out the best in Anne’s character and shaped her to become like that great character we came to love. The Marysville arc however is different. I’m not bothered by the fact that it’s much lighter. It’s a nice change of pace for the darker parts of the story that are yet to come.

I’m only very much bothered by the fact that it’s a complete rip-off from Emily of the New Moon. Eggman and Henderson combined give Mr Carpenter. Mildred? Well, if it isn’t Lorna, the stuck up princess. Perry, Teddy and Ilse can be compared to Anne’s new posse of Randolf and Sadi (who by the way completely disappeared in this episode… wtf?). The thing is that Kaze no Shoujo Emily really was an amazing series, but when all of these things get taken out of context, they lose all of their meaning. Carpenter was an honest critic: he was there for the characters when they needed support, and he was the one who motivated everyone to keep chasing their dreams and aim high. Here, Eggman is a nice grandpa who lost his daughter (I just realized… we’re going to get an entire episode devoted to that one, aren’t we?), while Henderson is an idealistic feminist who does nothing but praise Anne over and over.

Mildred as well. Lorna and the girls were annoying, yet amusing, but the whole formula only worked because Emily too could be a bitch at times. Here, it’s simply the good Anne who gets bullied and teased by her evil and stuck-up classmates. Bitch-fights like these aren’t fun when one side is clearly in the right and the other clearly in the wrong. On top of that, the most memorable thing of Lorna was her grown up self: seeing how she grew out of that stuck-up character of her. Konnichiwa Anne however, is not going to travel that far into the characters’ lives. How are the characters going to develop her without making it look the same as Randolf’s?

The way this show stands out is in the research it did. According to Wikipedia, the creators went to actual Nova Scotia to study how kids live there, and it shows. Kids really behave like kids here, especially during the slice of life parts and that’s what makes this show so memorable but I’m starting to see that in terms of storytelling, the creators of this anime fall short, especially when compared to the other World Masterpiece Theatres.

There is one point about the realism in this series that bugs me a bit though, but I’m not sure whether or not the creators are accurate on that matter. Henderson has really set herself apart as a teacher who keeps praising the ones who do a good job, while ignoring the ones who are just average. On top of that, the top students are all looked up to in awe by their fellow classmates. This is really something typically Japanese, because it sure as heck doesn’t happen in the Netherlands at least. I’m just not sure what the standards for this are in Canada, and especially the Canada of 100 years ago. Any Canadians here to fill me in on that?
Rating: – (Disappointing)
A rather boring cheese-fest about Randolf

Konnichiwa Anne – 13



Seriously, can this show get any more adorable? This episode was so incredibly charming, even though it was about a bunch of characters that have yet to be introduced beforehand. The children in this episode were portrayed really life-like. Well, I guess that that’s the World Masterpiece Theatre for you. ^^;

Anyway, this episode starts with a regular day at school, in which Mildred is showing off a brooch with angels that she got from her birthday. Anne stays away from them, but she of course is interested in the angel-story, but when Randolf notices her looking she looks away again. Mildred wonders if Anne is interested in the brooch as well, but Anne answers that while angels tend to grant wishes, they’ll never grant wishes to liars (a nudge to what happened in the previous episode).

During class, Anne actually did better than Mildred (for her grade, anyway), which rather pisses Mildred off. A girl then arrives at the classroom, whose name is Sadi. Her house seems to be poor, and she too apparently has had to stay home to take care of it. Because of this, Anne becomes interested, and sits down next to her during the afternoon break, and starts telling about Elisa and Katie Morris.

Sadi then reveals that she has a number of younger siblings, and the reason why she has been away is because her mother is sick: her father is dead (you have to love how Anne rejoices when she finds this out, having discovered someone who is similar to herself, even though it’s about such a touchy subject), and since her mother has been taking care of the family and making the money, her becoming sick has put them into a bit of trouble.

Anne, still fascinated by the angels, asks her what she wishes for if angels were able to grant wishes. She herself wishes for new ribbons in her hair, since she’s gotten bored of her old ones. Sadi of course answers that she wishes that her mother would get better soon. Meanwhile Mildred is setting everyone up against Anne, and they come up with a plan to frame Anne: Randolf was supposed to put Mildred’s brooch inside Anne’s bag, so that they could blame her for taking it. Obviously the plan goes wrong because Randolf mistakes Anne’s bag for that of Sadi.

At the end of the classes, Anne notices how the brooch is in Sadi’s bag, but at first she’s too afraid to say something. That’s why she follows Sadi to her house. Sadi then comes out of the house and notices Anne, and then tells her about the brooch. It turns out that Sadi never knew of anything, and Anne informs her that it’s Mildred’s.

A while later, they start talking about the brooch with the angels on it along with Sadi’s younger sister and brother, and when the two of them find out that angels are supposed to grant wishes, they wish for their mother not to go to heaven. Apparently, their mother’s condition is much worse than previously thought, because one of the kids overheard her mother say that she’d join her husband soon, that evening earlier.

They then drop by their mother, along with Anne, who gets all shy when the mother gives her a compliment on her looks. When she is about to get up to do the chores, Anne and the other children instead insist on doing the chores themselves, so that she can rest. Afterwards, Sadi gets more and more worried about her mother’s condition, and how she can’t believe that her mother is hiding a serious illness from them. Since they don’t have any income, they also don’t have any money to call a doctor. The children suggest soup with milk, which is supposed to help (hey, they’re 3 years old…), but even for that they don’t have any money. Anne suggests collecting a type of flower, which is supposed to help according to Eggman. In the meantime, Sadi’s mother suddenly gets out of bed and starts doing the chores like there’s nothing wrong.

After a very touching moment in which the children seem to give up all hope because they can’t find that particular flower, they return home… and find out that it’s all been one big misunderstanding. All their mother had was a simple cold. When they overheard her talking that evening, she simply was talking about how she remodelled some of her late husband’s clothes to fit their children, so that it’d be like they’re always with him.

Anne stays until it’s nearly dark, after which they say goodbye but not before giving Anne a new set of pink ribbons,

This really was a mean episode. It was so sad, with especially superb voice-acting from Sadi’s little brother and sister, who really sounded like a bunch of sad children, only for everything to be a simple misunderstanding that was blown out of proportions by these simple kids’ minds. Stories around misunderstandings are often a bit lame, but this time it was the complete opposite, and this episode became so incredibly adorable because of it.

There’s one thing that doesn’t quite sit well with me, though, and it has to do with the continuity with the original Anne of Green Gables. I mean, how often has Anne been praised for her looks by now? It becomes harder and harder to imagine how this would have caused her to start yelling at Gilbert Blythe like that when he first pranked her. But then again, around that age she indeed should have started to get into puberty, so I think that that was the major cause of it.
Rating: ** (Excellent)
A light but downright adorable episode.

Ristorante Paradiso Review – 85/100



I’ve turned into quite a fan of the modern horeca-series, brought back and popularized by Bartender. It’s a genre with an atmosphere unlike any other genre, and one of those very few types of series targeted solely at adults. The latest installment is Ristorante Paradiso: yet again a short but charming and relaxing series about a restaurant somewhere in Rome.

From the outside, the premise of this series indeed looks quite shaky. It’s easy to think that this is just a harem, but this time the lead character being a female in her twenties and the male characters all being stereotypical bishounen in their forties or above. Thankfully, the series proves that it’s fully able to avoid this cliché. There is one lead couple, and the rest of the characters all have their own romances.

One of the things that makes this series so enjoyable is how well it manages to handle its limited airtime of only eleven episodes, and yet it manages to develop a relatively large cast of characters. Every episode is basically dedicated to one or two characters, but they’re all inspired and miles away from stereotypes. The characters here have realistic problems and issues, rather than those overdramatic ones you tend to often see in anime. Every episode keeps you guessing on what’s going to happen next; despite the next-episode previews, you’ll hardly ever find yourself able to predict what’s going to happen next, or what the next character’s back-story is going to be about.

And still the series forms a coherent whole in the end. A major theme is the past, and how it affects characters today. Surprisingly, most people in this series have relatively dark pasts, but unlike most other anime they hardly ever bear grudges or feel depressed. A major theme of this series is not getting worked up about what happened in the past, but instead using these experiences to enjoy today. It’s a theme that’s explored wonderfully throughout the series, and makes it feel complete.

Of course, you need to know that this isn’t the series for those who want action or lots of drama. Instead, it’s meant to be relaxing, while most of the drama is done very subtly without ever dragging on. Apart from that though, I couldn’t find any major flaws in this series, or reasons why one would not want to watch this. It’s not anything epic, but what it does it does really well: the creators really put thoughts into how they could make this show work best, and not let a minute go to waste. It’s a recommendation for those who are looking for a short relaxing series.

Storytelling: 9/10
Characters: 9/10
Production-Values: 8/10
Setting: 8/10

Ristorante Paradiso – 11



Haha! This series pulled it off! Mitsuko Kase really proves that she knows how to make a good series. She’s probably one of the very few female anime directors out there, most of her series are very under-appreciated, but you can really call me a fan of her. Especially when it comes to the endings, nine out of ten anime series simply fail to put an actually good and satisfying conclusion to their story, but she time and time again uses that ending to wrap up all of the hanging plot-lines, develop the main characters, AND pull in a few surprises here and there to boot while still staying true to the atmosphere of the rest of the series. There really aren’t many directors who also have consistently proven to do this.

So yeah, I don’t think I could have hoped for a better ending than this episode. I had to laugh at when they played the scene that showed up in last episode’s next episode preview: when watched in context with the actual events, it was much more humorous (Nicoletta basically out of nowhere slapped a plate of spaghetti over Claudio). Last episode’s preview made it look so dramatic, but in the actual episode it happened so fast that there was hardly any time to build up any tension, and instead the focus fell on Nicoletta, trying to get Isabella to understand to stop making Claudio suffer.

I really liked how the creators resolved Claudio’s issues with his former wife, which was very un-typical of anime. Usually, you’d build up and up, until the climax where characters confess their feelings and suddenly forget about all their problems, but here it was done very gradually. There wasn’t one point at which Claudio immediately forgot about his past. Instead, they just gradually became a couple over the episode: slowly, bit by bit Claudio was able to let go of his past, until eventually he returned his wedding ring. I wish more anime did this.

As a surprise, we also see more development for Olga. Her story was handled with a bit less subtlety, but I still liked it a lot. It really showed how much Nicoletta has grown over the past series: at the start of this series, you’d think that this show would be about a bitch-fight between an angry mother and daughter, but in this episode Nicoletta proved to be much more mature than her mother, and managed to convince her that she doesn’t mind the past anymore.

Overall, I’m glad to have followed this series. It was probably the most un-typical anime of the season, the drama was nearly always subtle and yet packed a punch. The ending wasn’t my favourite, but I would definitely label it among the top 5 of best endings I’ve seen in 2009 so far. The series also had the best character-designs for the past spring-season (in contrast to most people, I’m not yet a fan of Range Murata or Satoko Morikawa). It obviously wasn’t an epic series that had me on the edge of my seat, but it didn’t need to be: it used its time well and delivered a very enjoyable and relaxing series. I’m looking forward to what Noise has in store for us the upcoming season.
Rating: ** (Excellent)
Among my top 5 endings I’ve seen this year so far. (For those wondering, the others are Birdy the Mighty Decode, Michiko e Hatchin, Ride Back and Jigoku Shoujo Mitsuganae).

Konnichiwa Anne – 12



Well, there you have it: Anne’s first day at school, or 20 minutes of Anne making a fool of herself in front of her classmates. While in the original series, she was quiet in classes, she obviously didn’t have those restraints as a six-year-old. This episode was really embarrassing to watch at times, but really: it’s typical of Anne to do such a thing.

As this is one of these episodes in which Anne rambles on and on, I’m not going to translate every sentence she says, but I’m just going to summarize the main points, in an attempt to retain my sanity. The episode starts with Anne’s first day at school. She gets ready for school while at the same time trying to take care of the kids, but she’s too excited to really care about it. Horace and Edward don’t seem to be going to school as well, on a side-note.

Johanna gives Anne her lunch (an apple and two cookies). A walk to school takes about one hours, but Anne doesn’t seem to mind. When she arrives at the school, she immediately starts comparing the most popular girl to a pretty doll (yeah), after which she gets called by Henderson, her teacher, who is all excited to see her. When it’s time for Anne to introduce herself, her classmates obviously make fun of her because of her incredibly long-winded introduction-speech, and how she’s never been to school before that point (and her red hair, of course). The first class is spelling, and Anne shows that she already knows how to write down the alphabet (courtesy of Elisa).

The popular girl’s name turns out to be Mildred, whose father seems to be the mayor of Marysville. They try to annoy Anne during the break, but Anne is too busy with the new things she learned. They then try to give her a bit of a tip of how she could use Randolf(another kid in the class)’s dictionary if she ran into a word that she doesn’t know. So obviously, they pick up Randolf’s dictionary and Anne gets blamed in the end for taking it.

At the end of the lessons, it turns out that the next day history is going to be the subject (unfortunately, Anne can’t come to school that day), and the day after that is going to be a test. Because it’s Anne’s first day at school, she doesn’t have to take it, but she still takes the test seriously. Especially when Mildred pops up and tells her that the test is going to be about India’s history (instead of a simple spelling test). She gives Anne an incredibly complex book to study (which Anne obviously can’t understand).

So Anne ends up asking Eggman’s help with India’s history, and she spends the next few days trying to understand it. Unfortunately, in the meantime Noah gets sick and so Anne alternates between studying and trying to take care of Noah. So at the day of the test, she of course gets really surprised when she prepared for something completely different. Anne’s classmates are doing so-so (especially Randolf screws up), and when Anne gets her turn to try she also fails to spell “chocolate”. Mildred of course jumps in to correctly spell it, and Anne feels pretty down.

The next test is calculating, and like expected Anne has a lot of trouble with the answers (just like the majority of her class aside from Mildred, by the way). Mildred gets asked to write down the answers on the blackboard, though Anne then notices that she made a mistake (100 x 0 = 1000). Everyone in class was so convinced that Mildred could never make a mistake like that, so they didn’t even notice the mistake she made. Anne in the meantime comes with an anecdote she picked up from Eggman when she was studying India to explain why Mildred’s answer was wrong.

Because of that, Anne gets to tell the class a bit about the things she learned about India and the episode ends.

Well, that’s the World Masterpiece Theatre for you. I remember how Anne of Green Gables devoted an entire episode of Anne and her best friend, playing mother and father in the woods. It’s obviously that those things are nowhere near my interests… but it’s so incredibly charming.

And yet it’s episodes like this that really remind me why the World Masterpiece Theatre series is so awesome. There are so few series that have as detailed and colorful characters as they show here. They may be boring at times, but these anime really showed me what a wonderful genre slice of life can be.

I’d be lying if I said that I didn’t miss Porfy or Les Miserables: both two brilliant series with some incredibly well fleshed out and developed characters, and both really were unique anime. Konnichiwa Anne in return doesn’t have that overarching plot that these two had: it simply tells the story of an overly energetic and talkative girl called Anne. And yet it shows that even with that, the WMT-series can be awesome.

I’m really curious what the creators have in store for episode 13. In Porfy and Les Miserables, it both was the episode that really set the bigger plot in motion: Porfy had its earthquake, while in Les Miserables it was the point in which Jean picked up Cosette. Obviously such a thing isn’t going to happen here, but I still wonder whether the creators here have some sort of climax planned. If they have, then this episode showed no signs of it.

One issue I did have with this episode was that the animation looked off at times. Faces were more distorted than usual, it seemed. I also believe that Anne suddenly learning a lot about India was a bit overplayed, but it definitely remained charming in the end.
Rating: * (Good)
A rather uncomfortable episode about Anne making a fool of herself in her first day at school, but that’s what storytelling is: evoking emotions from the viewer.

Ristorante Paradiso – 10



Ah, of course: for the conclusion, the creators didn’t just try to focus on the relationship between Claudio and Nicoletta, but also they’re going to try and give a conclusion to Luciano and his dead wife. This episode was much more about the latter, while the final episode next week will probably focus at the former, especially considering that next-episode preview: we now already know how it’s going to end, but I’m curious to see the context in which it’s going to happen.

I loved how in this episode, both Nicoletta and Luciano tried to encourage each other to pursue a bit of romance, but neither of them really got anywhere. Luciano just stubbornly ignored the advances that the woman in this episode tried to make on him, while Nicoletta, who was supposed to invite Claudio to a concert that they were all going to attend, ended up chickening out and invited Vito’s wife instead. I also liked how a bit of extra attention was given to the rest of Luciano’s family. It really makes his back-story more complete to not just focus on him, but also his offspring.

At the same time, this episode also built up the fact that Claudio really doesn’t want to forget about his old marriage, and he still hasn’t properly gotten over the divorce. As a conclusion, it definitely makes sense for this series to wrap up that part of the show, but like with every series: pulling off a good conclusion is hard, and probably one of the things that’s the easiest to screw up in, or to become lackluster at. Let’s see whether this show can pull it off, though I’m confident for now: the director has pulled off great conclusions before with Saikano and Crystal Blaze, which both closed off their respective series pretty nicely. Let’s hope that he can do the same here.

And overall, I don’t think that David Production could have hoped for a better debut in the anime scene. It smartly chose not to go the way that’s been travelled a thousand times already, but instead they went with their own style, and it pretty much worked, and they put down a pretty good series without any major flaws. The artwork also looked really good, with hardly any screw-ups. Now all that they need more is the ambition to continue to produce new series, instead of to simply give up.

Rating: * (Good)
Pretty quiet but solid build-up for the finale, and it’s good to see that even with the finale this close, this show doesn’t forget what it’s good at.

Konnichiwa Anne – 11



Oh, how I love the World Masterpiece Theatre. They never have a clear distinction between good and evil; just people who live their lives. Johanna… you can’t call her on the good side, but neither can she be labelled as a villain. This episode again was much lighter compared to before the move to Marysville, but again it was a really heart-warming one.

The episode starts as Anne drops by on Eggman again, and she brings him the book by Robert Browing that she got a few episodes back. Apparently, a bit of time has passed since the previous episode, because Anne already knows how to read a few more words words, and Robert shows her where they are in the book. They talk a bit about the book, and what the feelings of the author Robert Browning could have been. Eggman then says how he likes winter, as it covers the things he doesn’t want to see with snow.

Anne then notices a bunch of paintings that Eggman made. They are all unfinished, but that was Eggman’s intentions: when something is finished, it’s done, and over, and he doesn’t like that. Anne then notices a picture of presumably Eggman’s daughter, and he quickly turns it away and changes the subject to his own name: Robert Johnson.

Obviously, Anne returns very late and she gets scolded by Johanna for being so. Because Anne ruined the brush, she has to clean the potatoes by hand,, which is rather nasty with the cold water. The next day Johanna takes Anne out to town so that she can watch the carriage while she goes shopping. While she waits, Anne notices a shop full of new brushes, though she quickly gives up on these hopes because they cost money.

Her attention then falls on a man and a woman who are bickering with each other. The woman turns out to be a new teacher and quite the feminist, while the man doesn’t want to believe that women can be studying. The woman meanwhile passionately tries to convince him how women can contribute to society, and she starts quoting her favourite author: Robert Browning. Obviously, Anne also joins in at that point, but she quickly gets taken away by an angry Johanna. The teacher however tries to call her back, though by calling her red-haired she gets a very angry look from Anne.

The teacher however says that her hair looks really good. And then she asks whether she heard that line at school, but Anne answers that Eggman told her it, and how he’s been teaching her all kinds of words. As Johanna is standing right next to her, she finally realizes why Anne has been staying so long with this Eggman. The teacher then realizes that Anne isn’t going to school, and offers her to join the class that she’s about to teach. Johanna however then quickly pulls her out of it, saying that Anne is needed to do the housework. Who is going to do all her chores if Anne’s going to school every day? Johanna then quickly takes Anne away. Especially since she ruined that brush, there is no way that Anne is going to school.

That evening though, school still is on Anne’s mind, and she imagines how wonderful it must be. Bert meanwhile quietly says that Johanna perhaps could let Anne go to school, but Johanna says that since they’re a poor family, but you can see that she’s not entirely sure about her decision. The next day Anne again heads off to Eggman, and she talks about how perhaps when she gets her aunt a new brush, she’ll get to study at school. Eggman then proposes that Anne should give Johanna a brush as a present, though Anne says that she needs money for that. Eggman however offers to let her work for the money needed to buy the brush.

the next couple of days Anne works hard until she receives enough money. She hasn’t told Johanna about it, though Johanna overhears her talking to Rokimba once (still unsure of how to spell that name…). When she has enough money, Eggman offers to drive her to the shop that sells brushes. So Anne goes to the shop and buys the brush, and she’s very proud of it since it’s the first thing she bought with money that she earned herself. The teacher from before then shows up, and Anne (obviously elated) tells her about how she earned her first bits of money. Eggman then shows an entirely different side of himself, and suddenly gets very reserved and leaves pretty quickly, enforcing the rumours about how he is a bit of a strange guy.

When Anne gets back, Johanna yells at her for being back so late, but Anne then shows her the brush. Johanna however says that she isn’t going to let Anne go to school… in the winter. In the winter, there is just too much that Anne needs to help out with, though when spring comes, Johanna offered to let Anne go to school. The episode closes off as a very happy Anne runs outside and starts uttering some random lines again.

This episode really shows the start of what’s going to become Anne’s quest for knowledge, and this episode also showed that even though women were starting to take up studying, there were still enough people who didn’t see the use in that and just laughed off the idea of a female teacher, though it’s interesting how at the Green Gables farm, there hardly was any mention of it, but that’s probably because that takes place among some richer families, rather than the poorer environments in which Anne grew up in her first ten years.

One thing I didn’t like that much in this episode was the lack of subtlety in which Eggman’s character is handled. He’s really doing wonders for Anne, but it really is a bit too obvious that he lost his daughter to some reason and is a social outcast. The teacher of Kaze no Shoujo Emily was much better.

Rating: * (Good)
Heart-warming episode about Anne’s wishes to go to school