Kuchuu Buranko – 03



Ah, we get a look into the authors of cheap romance novels. Again, it had a very simple conclusion: just start writing good novels! The fun in this episode yet again came from exploring the life and carreer of this guy.

As I’m also somewhat a writer, I can identify with him a bit: so you’ve written a masterpiece. Then what? You’re popular as hell thanks to your hard work. Now what? I can understand how this guy would eventually fall into a habit of writing stuff that sells good, yet are utterly crappy and formulaic. For a starting author, this means complete suicide, however an already famous author can pull this off and still sell items.

While I’ve never written a masterpiece myself, I do recognize how you can be incredibly passionate about something when you first start out. If you happen to know the right techniques, then despite your lack of experience you can put down an incredible piece of work.

This episode was all about getting in the right mindset. It’s not about writer’s block; this guy was very able to churn out novels if you ignore his vomiting problem. Instead, it was focused on getting him from writing half-assedly to passionately. And that’s something I do recognize from my own writing, especially with my episodic reviews: the more passionately I write abot an episode (whether it was good or bad), the better that entry is usually going to be.

… and yeah, you could probably guess that this wasn’t such a passionately written entry. -_-
Rating: * (Good)

Konnichiwa Anne – 30



Every week I keep hoping for Anne NOT to go to school, and this episode listened to my prayers: it was an entire episode, dedicated to the Hammond family, and holy crap! Spoiler alert!

Hammond was bound to die, we all knew that. However, I didn’t think that the creators were going to be this fast with it! We’ve got eight episodes left. I really thought that the entire second half of this series would be spent on the Hammond family, in contrast with the Thomas Family, and that Hammond’s death, and Anne’s subsequent leaving of that family as the major climax. This episode gives my entire expectations for the rest of this series a whole new dimension.

Hammond’s death didn’t have the same impact as the Bert’s, but that’s only logical. He’s only had the screen-time of about four episodes, and really didn’t have the time to truly make an impact. And not to mention that his death was a bit cheesy. Did the creators really have to pull down these angelic lights for it? Nevertheless, this was a great episode that really gave a lot of depth for the Hammond family for as far as possible. We see how the couple fell in love, and how Mr. Hammond just kept working himself to death, in order to support his family.

The death scene also showed a fundamental difference with the Thomas family. One thing I really liked about that scene was the random passer-by: he immediately tried to do everything he could to try and save Mr. Hammond. That’s not something you see often in anime, is it? It really showed that Mr. Hammond is well liked in his town, completely the opposite of Bert, who people refused to help even when Noah was in trouble. You could call Mr. Hammond naive, but at the same time he strikes me as someone who didn’t want to give in to his illness: with his heart, he knew that he wouldn’t see his children grow up, and therefore did everything he could to ensure them a future as good as possible: he kept taking on large jobs to give his wife financial support, he searched for Anne to support his wife for after he dies. And in the meantime, he simply tries to forget about his problems by being nice, fantasizing like Anne and generally looking at the bright side of life.

But yeah, the problem is going to be: what will the rest of this series focus at? Anne is going to have to leave eventually, but how long will that take? We know that she and Mrs. Hammond don’t go well together, and I think that Mrs. Hammond will use that reason to send Anne to the orphanage. Still, I do think that the two of them are going to spend a few more episodes together.

I also really wonder what this series is going to do for its climax, and what this series is going to look like once Anne does arrive at the orphanage (which at the same time seems so close now). At this point, episodes in this series can either be really good or really dull, with nothing in between: at this point I’ve really lost my patience with this show’s cheesy episodic stories like what we saw in the previous two episodes. However, at the same time the themes of dysfunctional families have been fleshed out really well now, with the Hammond family to contrast with the Thomas family.
Rating: ** (Excellent)

Kemono no Souja Erin – 41



Yeah, this episode was meant as one big build-up for the thing that happened in its final 30 seconds. You definitely don’t want to read this entry if you have yet to see this episode.

The creators kept hinting, though I failed to notice that entirely. Erin basically gets summoned to the queen as a token of gratitude for using Lilan to save the royal family. Of course, Damya immediately proposes her to start working as the Queen’s bodyguard. They act really surprised when Erin declines, and so Erin tells the Queen (without Damya, and with Ialu) about the tragedy that happened when the queen was only one year old. Like expected, she didn’t know a thing about it, and everyone from her time has taken great care in order to never mention it again. I’m surprised if there are still people alive who remember it, aside from the Wind Tribe.

But yeah, that came as an utter shock to the queen. I’m not sure what exactly did it: that shock at such an old age, or whether the Psi Gamuls finally succeeded in poisoning her, but whatever it is her death came as an utter surprise to me. This of course has huge implications. I already thought that Damya would cause trouble eventually, but what kept him back was his genuine loyalty to the queen. Now that that’s gone, he’s probably going to pick a fight with the Grand Duke, using that attack as an excuse, and in order to win he’s probably going to do whatever it takes in order to get Erin to cooperate.

If there are indeed only 2 novels, then this marks the beginning of the end. There are nine episodes left, and in those, the story is going to have to come to an end, and I’m very curious to how the creators are going to do it.
Rating: ** (Excellent)

Kuchuu Buranko – 02



Well, so I don’t think it’s much of a surprise that this is going to be the final series I’m going to blog this season, making my blogging schedule:
Monday: Konnichiwa Anne
Tuesday: none
Wednesday: Kimi ni Todoke
Thursday: Umineko no Naku Koro ni
Friday: Darker than Black, Kuchuu Buranko, Armed Librarians
Saturday: Letter Bee, White Album, Kemono no Souja Erin
Sunday: Full Metal Alchemist, Cross Game, Aoi Bungaku
In other words, I’m going to have busy weekends.

In any case, I’m a pretty big fan of Kuchuu Buranko. Not necessarily because of the depth (we’ve got Aoi Bungaku for that), but rather for the entertainment value. The cases in this series are often easily solved: the protagonist just needs to realize something and his troubles are over. However, the fun comes with the presentation, and the majority of the episode which explores all of the problems that are generated from the ailment that he has.

The weird graphics may seem quite random, but I’ve discovered that there’s at least a shred of logic in them: the calendars for example signify that a day has passed. The nurse-injection scene seems to be there in order to change the lead character in a weirdly coloured animal (this time, a rhino). Also notice how there are now two syringes in the waste-basket (nice reference to the previous episode), and how the guy’s horn got smaller, right before he got healed.

This time, if I understood correctly we have a guy who injures his penis, and therefore can’t stand straight and cringes down in pain whenever he gets turned on. Yeah, you just have to think about it. Cue an episode full of awkward moments of intimidation in which the lead character in this episode fails completely and gets increasingly stressed out by the women around him.

I’m often not into sex-jokes. Not because I’m that allergic to them, but 95% of them are so uninspired, cheap, unsubtle and corny that they stopped being funny for me ages ago. This episode however was a nice exception. This was a pretty funny episode, and especially the loser of a lead character was pretty likable and fun to watch.

Also, I already thought that the OP and ED sounded familiar: they’re done by Denki Groove, who also did Hakaba Kitarou’s awesome OP. They’re a bit less impressive, but still among the best OPs and EDs this season.
Rating: * (Good)

Kemono no Souja Erin – 40



So in the end I’m not going to blog Winter Sonata, for the following reasons:
– The release schedule that’s even more uncertain than Aoi Bungaku. Besides, I don’t know a word of Korean.
– The producer: only three episodes are finished at the moment because the lead actor was changed at the last moment. It’s the task of a producer to prevent these kinds of screw-ups!
– I’m already blogging enough angst this season (glares at White Album, and based on the rumours Winter Sonata seems to be even more annoying, if that’s possible).

I also decided not to blog 11Eyes: it really only has those tense moments that are good. The chemistry between the lead couple is just… generic to say the least (in the kind of “I’ll protect you and your bosom!”). And since the rest of this season didn’t have anything else that was promising, I figured that I might as well blog the final 11 episodes of Kemono no Souja, to make up for how I ignored it when it first aired.

Overall, this really is a lesser season. I wouldn’t say that it’s the worst Autumn Season ever, that award goes to Autumn 2007, in which there only were like, 6 shows that left a good impression on me, while this season does have more interesting series. The problem with this season also isn’t the moe overload. Previous summer had that too, and that turned out to be a really enjoyable season. It’s also no problem that this is the first season since ages that doesn’t have any mecha in it. In fact, it’s actually quite refreshing.

I think the problem with this season is quantity: when you look at the amount of series that aren’t sequels, we’re back to the amount of 2005 or perhaps even worse. To add to that, while Autumn 2005 did feature a lot of 26-episode series, right now we have like, what? only four series that are going to be more than 13 episodes (Kobato, Armed Librarians, Kiruminzoo and probably Kimi ni Todoke as well, but even that isn’t certain). It’s really such a shame. Let me tell you, if the Sacred Blacksmith would have had 26 episodes instead of 13, I probably would have blogged that one instead. But what can it really do in just 13 episodes?

And that is what I think is the biggest problem with anime: a majority of the series are just too short. And don’t give me that talk of “yeah, but second seasons can be announced”. That’s what I thought with Amatsuki as well and I’m still waiting for that much, much needed sequel. That’s why the past spring was so good: finally we had a good amount of series that even went beyond 26 episodes: these series really took a risk and gave their series the time needed.

And the same Kemono no Souja: I actually remember that a lot of people were scared away by the scheduled 50 episodes, but thinking back, those were pretty crappy reasons to drop this show. I think that Naruto and Bleach really made this long length infamous, and the currently airing Inu Yasha also prevents people like me, who don’t like the genre it’s in to give it a chance out of the fear of committing time to something that was ultimately not worth it, however I’m now starting to see that at least these series give their franchises enough time to play out. Kemono no Souja Erin has 50 episodes, and it still doesn’t look like enough.

Anyway, I’m not going to talk about this episode because it was a recap, but I do want to use these posts as a means of making up to this great series. I originally dropped it for a very clear reasons: the creators. At the time this series aired I really wasn’t happy with Trans Arts: they had this very nasty trend of picking out very interesting premises, only to screw them up:
– Sisters of Wellber? Great premise for a fantasy-series, but THE CHEESE.
– Library Wars? Sounded very nice, but it lacked complete direction and wanted to do way too much in too little time.
– And Chocolate Underground was entirely crap.

So yeah, as interesting as Erin sounded, I believed that they would screw this one up as well, and so when I detected a bit of cheese I dropped it. That was a bit of a stupid decision. This series built itself up very slowly, but in the end it was definitely worth it. This series reminds me of other lengthy shoujo-series as Glass Mask and Kaleido Star, which just focus on one aspect, but really take their time in exploring their subject matter to the fullest.

Edit: oh, silly me. I never noticed that I downloaded the wrong episode.

The “real” episode 40 was indeed much more like it, and did such an excellent job portraying the aftermath of last episode’s shocking climax. The start of this episode was really hectic, in which many things happened at the same time: Erin’s shock at what happened, taking care of the wounded, the queen who collapsed, the fact that Erin pretty much worked herself into trouble by commanding a Beast King right in front of a small army, including Damya.

And yeah, we now know where the Touda eggs which were previously stolen went to. I don’t think that that organization whose name I forgot has that many Touda, but you can clearly see that they’re trying to spark a war between the Queen and the Grand Duke. During these tense times, all Damya has to do is to bite back, and the country is pretty much doomed.

I also must praise how well the relationship between Erin and Ialu has been built up throughout the series. Now this is romance that really takes its time, instead of going down the cheesy part. Very nice.
Rating: ** (Excellent)

Some Quick First Impressions: Winter Sonata, Kuchuu Buranko and Kiddy Girl-And

Winter Sonata

Short Synopsis: Our lead character is angsty.
Thank you Meep for pointing towards the first episode of this new series. This time, you should really consider this entry as a “first impression”, because I ended up watching this series in raw Korean despite knowing not a single word of the language (hey, at least in Spanish I know the words for one, two and three). There were subtitles in both Chinese and Japanese, but that too didn’t help me either since my Kanji is terrible. Anyway, my first impression of this episode: really pretty graphics, but the drama was sappy. It’s of course great to see a romance that focuses on actual ADULTS, rather than teenagers, but I would have preferred a bit more slice of life. Perhaps that’s yet to come in future episodes, but the characters were a bit too often staring into nothingness, rather than interacting with each other. However, I do support this series: it’s the very first attempt at a full-fledged Korean TV-series. If this can be the doorway to more and interesting premises that set themselves apart from both anime and western animation, then it’s definitely a good thing.
Also: Irony. There are a few English-speaking characters in this series. The good news: the creators actually hired properly English speaking people to voice them. The bad news: the creators still screwed up by miscasting a 30-year-old woman as a 10-year-old girl. She sounds like a strange witch now!
OP: Sappy love ballad. Not my style.
ED: Decent ballad. A nice way to end every episode.
Potential: 50%

Kuchuu Buranko

Short Synopsis: Our lead character is stressed out.
What is up with the raw providers this season? First Aoi Bungaku and now this. Are they allergic to shows that don’t focus on cute teen-aged girls or something? Anyway, Kuchuu Buranko… yeah. What is there really to say? It’s really an experience, and an awesome one at that. It’s full of the weirdest animation techniques, surreal art styles, and the direction keeps changing from one mood to the other. It’s really just a game of “let’s play psychologist”, with a different case looked upon during every week. With the best sense of humour of the entire season, I’m loving this series already. 🙂
OP: Heck, this is actually a really good song. Simple, but not annoying, and the strings int he background really work.
ED: Yeah, the best ED of the season. Funky, catchy and a great way to close off this series.
Potential: 100%

Kiddy Girl-And

Short Synopsis: Our lead character is a teen-aged maid who kicks bad guy ass.
Wow, Satelight sure is busy this season. With four shows, they’re definitely the most represented in this season. While last season, they produced some of the best-looking shows of their seasons, this time… not so much, and all of their shows look pretty generic on the outside. The epitome of this… is Kiddy Girl-And: yet another moe action comedy in which teen-aged girls have kick the ass of various bad guys. But what about the execution? Unfortunately, this also is pretty generic. The female lead is incredibly annoying to listen to; her voice actress keeps yelling and yelling, hoping to make an impact. The scenario also keeps hanging too long around panty-jokes. The gimmick of this show seems to be quirky and over the top action-scenes, but even they fail to stand out. While they’re nicely animated (especially for Satelight: for once the animation wasn’t rushed at all), but the direction lacks any sort of creativity.
OP: Obnoxious J-Pop. Do not like.
ED: A bit better, but still with that obnoxiously cute J-Pop voice.
Potential: 0%

Konnichiwa Anne – 29



Well, I actually forgot to publish this post after I wrote it. That’s a headdesk-moment right there.

Obviously I’m not in the mood of writing everything all over again, but I do want to say that this episode confirmed my fears of the return of the cheese in this series. It wasn’t as bad as during the Marysville arc, but nevertheless the climaxes are getting formulaic at this point. This will probably continue for most of the rest of this series.

However, there is good news, because this series promises to end on a good note. This really is a series with its ups and downs, and we’re unfortunately currently in a down again.
Rating: (Enjoyable)

Konnichiwa Anne – 28



So, this was really the episode that would make or break this series: it was going to be the first episode of Anne, as she settled in the Hammond family, and visited her new school for the first time. The result is really a mixed bag, but I think that the creators are going to be able to make something out of it. At least, I don’t think that we’re going to get another repeat of the disaster of the Marysville arc.

First of all, Anne has grown again: she’s now ten years old, and you can see her development for the past three months that skipped: she has had no time to play around and be a kid, and really grown up in the meantime. But yeah, that brings us the the problems of continuity again: 10-year-old Anne is much more mature than 11-year-old Anne of Green Gables.

At a certain point in this episode, Anne also finds books of Shakespeare, and it’s actually very interesting to see her using these books and her own fantasy, in order to distract her from the reality she’s in. Like with the books she read in Marysville, she becomes entranced with them, especially because this time, she really has nobody to talk to. In Marysville, she at least had Johanna to talk to, Bert to relieve her worries to, and Noah, who she saw as her own brother because she had been raising him ever since he was born. But yeah, that brings us to continuity again: remember the beginning of Anne of Green Gables? Anne talked about a lot of girly things, but to my memory, she NEVER mentioned Shakespeare. This just again shows that there were a lot of red-haired Anne Shirleys walking around back in those days.

Now, as for the school. I absolutely loved the part in which the teacher was grading some tests by his students. That was really realistic. We didn’t actually get to see the students, because the schools were closed for summer break, but at least the teacher is much better than Henderson: he has this down-to-earth attitude towards teaching, and yet you can see why he decided to become a teacher in the first place.

Unfortunately on the other hand, the cheese is back. The drama in this episode was of the shallow kind again: Anne meets person, Anne talks to person and in the end the person completely changes into a different character because of the insights that Anne gave him. Especially the way in which the teacher said exactly what he learned and how it’s going to change his life just felt forced. I know that this is a kids’ show and all, but Porfy no Nagai Tabi faced the same problem, and that series again and again came up with great one-episode stories with plenty of well-written drama.

So yeah, overall this episode pretty much solidified as an inferior, though capable WMT-series, somewhat like Ie Naki Ko Remi (the 1997-version)’s sister-series. The two have a lot in common: both are spin-offs of utterly brilliant adaptations of literary works, but have drama that’s too shallow to really call themselves equal to the series they’re based on. And yet standalone, they’re pretty enjoyable. Remi had this with its excellent soundtrack (along with the best OP and ED of any WMT I’ve seen so far), strong lead and dark story about child-labour, while Anne did this with its dark attention to dysfunctional families, and a well-developed lead character Anne, who hardly resembles her original character.

Now that 2010 is getting closer and closer, I can only hope for an announcement of next year’s WMT-series to appear. Oh, I so hope that Nippon Animation is going to continue this franchise, despite its low popularity.
Rating: (Enjoyable)

Konnichiwa Anne – 27



Another dark and haunting episode for this series. At this point, I’m really doubting how to exactly rate this series in the end: the Marysville arc was very annoying to sit through and contained lots and lots of stereotypes, and yet the Thomas Family was very well developed, and the Hammond-family also is promising to be a very engaging family for Anne to get caught up in. This series is definitely the worst of the new generation of WMTs, but how much worse than Porfy is it?

But yeah, the original Akage no Anne already hinted at it: raising large families is hard, and the Hammond family at this point just shows how hard this is when you have a dysfunctional family. The father seems like he has the financial resources to take care of his kids, but he has heart problems that prevent him from helping his wife when he returns home. His wife right now was in the middle of her pregnancy, so there was nobody who could keep the children in check this episode. It’s a very real problem that I’m sure a lot of families had back in the days in which this series took place.

This episode also introduces a new character, Miss Hagaty, who is the local medical specialist and helps the mother through her birth in this episode (I’ve got to look up their names some day), and she really strikes me as a very strong character with a lot of experience in these matters.
Rating: ** (Excellent)

Konnichiwa Anne – 26

I really like the World Masterpiece Theatre, but damn. There are times when it can be so goddamned cruel to its characters. It’s episodes like this that are heart-wrenching, simply because of what the characters have to go through. This was such a powerful episode, but oh my god… it was hard to watch Anne with the situation she’s been thrust in. So Bert is dead. He left a considerable debt behind due to his drinking problem. Johanna’s parents are willing to pay this debt, take care of her and her four children. Only Anne is left out of the picture and has to be put into an freaking orphanage. Okay, so there turns out to be a guy who’s willing to take Anne in. Johanna is then forced to give Anne over to a TOTAL STRANGER, who’s going to take care of her, provided that she takes care of his children. These children turn out to be two pairs of twins, two older sisters, and another baby that’s about to be born. Suddenly Anne’s life with the Thomas Family is starting to look like a goddamned walk in the park. I knew that this was going to happen because of Anne of Green Gables, but damn. Seeing it actually animated only shows how many tasks are put to such a young girl… The only bright side at this point is that the father looks like a nice guy compared to what a bastard Bert was, however that brings us to another problem: this guy is also going to die, isn’t he? On top of that, this episode definitively said goodbye to the Thomas family as well. In this episode, finally another reference to Elisa appeared. Seriously, I had totally forgotten about her, but she was the one who gave Anne a happy early childhood (see me talking about this for a character who only is 9 years old? How many others of Anne’s age have received this much depth already?) Something tells me that the new family is going to be fine. It’s going to be exactly what this series is good at, only much worse than the Thomas Family (who finally grew up, dammit!). I guess that it’s here that Anne goes to school, and with that I have absolutely no idea whether that’s going to turn out all-right or not. It should prove to be great slice of life, provided that the creators can get the characters for Anne’s classmates right, instead of making them into a bunch of stereotypes. And hey, the creators can’t create a worse teacher than Henderson at this point, can they? Rating: ** (Very hard to watch, but Excellent nonetheless)]]>