Hyouge Mono – 27

The soundtrack of this series so far has been unique. It’s still very clearly of a Bee-Train series, but Kou Otani really restrained himself this time. It had a wonderful effect, but it may have been a bit too restrained, to the point where it could really show off as much as it would have, for a Bee-Train series, whose trademark has always been absolutely fantastic soundtracks. This episode though, introduced a track that went into the right direction, though. It’s very interesting how the creators waited 27 episodes to reveal it, and especially considering the moment when it was played, it is a very interesting hint to the future of this series. All in all this was a wonderful episode dedicated to character development. Hashiba Hideyoshi was incredibly happy after the heir news, but again Sennou Soueki sole the show, when it turned out that his views actually changed after the previous episodes. During the past episodes, he really showed more emotions than ever (and again, the music really helped with it). What’s also surprising is that even Sasuke learned from his mistakes. He was really getting too silly during the past episodes, and he actually realized that. And we still have 12 episodes to go. Rating: *** (Awesome)]]>

Hyouge Mono – 26

And so ends the second third of this series. Yes, we still have 13 episodes to wrap everything up in what still is the must unique show of the year. The past ten or so episodes in particular, as they have completely forsaken warfare, in favor of diplomacy and esthetics. In this episode, Sennou Soueki stood out. I’m still watching this thing raw, and this show still has unforgivingly difficult dialogue, so I didn’t get this perfectly, but my impression of this episode was that Sennou Soueki went a bit too far in promoting his ideals. Because he’s so revered, there are countless of cheap attempts in showing beauty through poverty and simplicity that completely miss the point. People like Sasuke who completely miss the point of art, just for the sake of being ironic. Again, this seems ver much like a satire on postmodernism. Also, I didn’t expect the creators to show his younger version with actual hair. Beauty in the eye of the beholder was a theme that went throughout this episode as well, when it showed that weird frog painting and the weird expression statue, which elicited very different reactions from everyone. And then the second half of this episode came with that very vivid nightmare of Hashiba Hideyoshi, in which he was the one cut in half. I swear, something is going to happen to him, but this show just keeps stalling that fact. It’s not necessarily dragging on, because it has enough to do in the meantime, but seriously, seeing this smug guy actually cut up would lead to some really interesting situations. It’s also great to see that after 26 episodes, this show still is as detailed as it ever was. In particular that fire scene: the props were drawn with a ton of details within them, and you could really see how they were made. In fact, there have been many historical series before, but I can’t recall any that has this part nailed as well as this series. Rating: ** (Excellent)]]>

Hyouge Mono – 25

This series is starting to turn into a parody on post-modernism. Furuta Sasuke once again delivers a crazy set-up to hold a tea ceremony, dressing like a cavemen with people playing drums in the background. Indeed, here he took the beauty of poverty and simplicity way overboard, and it looked like a bad play or something (just as like how we nowadays like to dress up like historical figures and professions). Then there was the old man, Sennou Soueki’s brother. Seriously, who was that old hag who he brought with him? It was a hilarious scene, especially with how she had an implied crush on the tea master. The strange thing is that usually in anime, the oldies are meant to be the veterans, whose part is to step back and let the young ones stand in the spotlights. Here though, they’re completely dancing around and manipulating the main cast. Also, Sasuke’s son is actually growing up! Seriously, having a kid is already one thing, but this kid takes it much further than usual by being so normal. He has no importance to the plot, and seems to be quite a generic character who is too lazy to do something of his own at the moment. He really feels like this young brat who won’t listen to his father, without being a complete tsundere for it. Rating: ** (Excellent)]]>

Some Quick First Impressions: Kimi to Boku, Tamayura ~ Hitotose and Phi Brain

Kimi to Boku Short Synopsis: Our lead character is an average high school boy. Agh! Why does this air on the exact. same. date as Tamayura?! I mean, it has its qualities on its own, but when it airs right after what in the end is a superior slice of life series it is in real danger of just being overshadowed. Still, despite that Kimi to Boku has this strange kind of catchiness. It suffered from trying to be too ironic, its characters still stick a bit too much to their stereotypes (which especially sticks out with such a small cast of only four characters), but the dialogue between them in the end was quite enjoyable. These guys are down to earth, and in any case it’s good to see another slice of life series that is in no danger of being overrun by boob jokes. There’s a scene of their past together, which is also a good sign and this episode was also good at portraying things going on in the background. This will probably be a very uneventful series that fleshes its characters out through its dialogue, and based on that, this episode did well and has the potential to last through 26 episodes. OP: Another boring ballad. The use of photographs again does not help after seeing Tamayura do this so much better… ED: A bunch of (admittedly good) drawings, with another dull song. Potential: 75% Tamayura ~ Hitotose Short Synopsis: Our lead character is just a regular teenager. Yes! Yes! Yes! The creators actually did it! Instead of just continuing with showing just a bunch of random sketches around the main cast, this entire episode was dedicated to the past of the main female character. Not only do we get to see her in the days when she was away from the rest of the main cast, but they also made clever use of that she’s a photographer. Throughout the episode we got to see a bunch of slide-shows, which did a wonderful job of painting a picture of her childhood. The writing in this episode also was great, combining slice of life and realistic dialogue with subtle morals and life lessons. Sato Junichi really is on fire this season, and it’s almost unfair competition to Kimi to Boku with how good this was. This really is what I want from a slice of life series: realistic characters, visible growth, and plenty of scenes to relate to. Knowing the creators we’re not going to get a slew of boob jokes or other bad comedy, nor was the drama in this episode forced or cheesy. Really, ideally every episode needs to be like this. OP: Fits the series perfectly, is well sung, and again makes great use of photography. ED: The singer is a bit weak, but the use of photographs once again is great. Potential: 85% Phi Brain Short Synopsis: Our lead character solves puzzles. Yeah. This was pretty much the best opening episode of the new season to me. I mean, this is a series with a strange premise: the main character is really tempted by just puzzles. But that’s the thing: it’s creative, and it showed in this episode. While the main characters solves sudoku puzzles like its nothing (yes, there is sudoku in this show), the larger puzzles are these huge imaginative contraptions that are well made and have interesting solutions. Waht really sold me on this series however, is how expressive it is. It’s got the best OP of the season, the best ED, the best character-designs (even including the series that still have to air), and most importantly: the animation and voice acting brought the characters to life. The female lead is actually a damsel in distress who is useful: on one hand she’s there to increase tension, but she’s also more athletic and more observant than the male lead, who in his turn also isn’t your average shounen hero. He thankfully is miles away from the usual whiny and hot blooded main character. The music is excellent, the pacing rocks. You can really see Sato Junichi at work here. OP: Best of the season so far. Solid song and great visuals. ED: Nice use of a puzzle-like slide show. Potential: 90%]]>

Some Quick First Impressions: Fate/Zero, Bakuman II and Shinryaku!? Ika-Musume

Fate/Zero Short Synopsis: Our lead character is about to fight in a holy war for a holy grail. Okay, so this was completely different from what I expected it to be. When I started watching, I had something along the lines of Fate/Stay Night in my mind, only better, so I expected some sort of teenaged harem-set up with a lot of action. What I got had no action whatsoever, there was no harem present whatsoever and there were no teenagers at all! Instead of action, this entire episode consisted out of people talking to each other. Awesome! The animation budget was surprisingly limited: only the background art was great, though the animation itself made use of a lot of shortcuts, and far-away shots. Yuki Kajiura also delivered a solid soundtrack, although I wouldn’t classify this among her best. Overall though, this seems like an intriguing series where you need to pay it a lot of attention in order to be able to follow it. This episode gave a solid start, introduced some interesting concepts (I also liked the small details like the magic typewriter). It’ll probably take a while for this one to get going, but the script will probably continue to be interesting until that happens. Potential: 85% Bakuman II Short Synopsis: Our lead character is a mangaka. I do want to stress that I’m not guaranteeing that I’m going to blog the series whose prequels I already blogged before. The competition this season is just too strong for that. Instead, these shows also still have to prove themselves. Not particularly by delivering two awesome opening episodes, but by showing that they’ve got enough potential. Having said that, this episode of Bakuman had an effect that I did not experience at all when watching the first season: I can’t believe that it just took up 20 minutes. In my mind, it felt like it was much longer. For this series’ standards, a lot really happened this episode and instead of dragging on, it kept a steady pace and introduced a lot of new and interesting characters. The animation also feels lightly better than what it was before. Can this pacing be kept up for the rest of this season though? OP: The OP still is pretty dull, though. The kind that sucks the energy right out of me. ED: Better than the first ED, especially as it goes on. Potential: 80% Shinryaku!? Ika-Musume Short Synopsis: Our lead character is still trying to invade earth. Creating a good comedy sequel takes effort, especially when its predecessor already was very good: what are you going to do to match it? Will you still have enough ideas to fill a season? Won’t the comedy get stale? With Squid Girl, at least we’re not having one of those comedy sequels that immediately drop down in quality: it was still pretty funny, albeit nowhere near the best episodes of the first season, so we’re just going to have to wait to see whether this show has what it takes to remain funny (also, what the hell was Tomomi Mochizuki doing there?). Nevertheless, the first signs of decay are starting to show. There are various jokes on the verge of being overused, and this episode did not shy away from them. I also felt like the direction in this episode wasn’t as sharp as in the first season. These need to be fixed in the next episodes. OP: What happened to that excellent first Opening? This was so bland in comparison! ED: This feels composed at the last minute in a rush-job. Potential: 65%]]>

Hyouge Mono – 24

This again was a pretty bizarre episodes, meant to extend the influence and fame of the main cast when Hashiba Hideyoshi opens what could be called an exhibit of all sorts of tea ceremony props. A museum was made with all kinds of ceramics that he collected over the series, and what seems like an entire village of tea ceremony houses. Buy far the strangest was of course Sasuke’s tree-house, which inevitably crumbled (though in quite an hilarious way), but also the strange old man made an interesting reappearance. What really sold me on this episode was how wonderfully Sasuke is enjoying all of the attention cast on him. At this point, he really is a famous character, even though he too still is in Sennou Soueki’s shadow. The acting was once again just wonderful: 24 episodes and it still hasn’t dulled in. The characters still are as sharp as they ever were. Also, who was that kabuki-player? Rating: ** (Excellent)]]>

Natsume Yuujin-Chou San Review – 87,5/100




Finally, after two long years of waiting, Natsume Yuujin-Chou continued into its third season. And how! It probably even surpassed itself!

The reason why this series sets itself apart is simple. The first season consisted out of all sorts of stories around youkai. They were the ones who stood in the center. The second season’s focus was on intrigue; it explored themes as humans versus youkai. The third season is about Natsume himself. Yes, this entire season is dedicated to the character development of just one character.

This season goes back to the more episodic nature of the series, with only two arcs that last two episodes. They tell all kinds of stories about Natsume encountering all sorts of youkai, but every single one of them contributes to his character, and is meant to either show how far he has grown, how he is growing, or how he will grow. The creators always manage to find fresh ways to do it, and make excellent use of the side cast of characters in the process.

And don’t think that the side characters get ignored for the sake of Natsume himself: every story in this series focuses on a different one of them, and every story ends up contributing to them to. This series still has excellent characterization, it is still wonderfully told, with a calm and relaxing atmosphere, a wonderful sense of build-up and a great sense of conclusion.

Now, not every episode is as good as the other: there are some that work better than the others, and in particular the two-episode arcs take up a tad too much space in the series while not having the same charm as the short but sweet other episodes. But even then, I’d say that its consistency is even better than the first season. Really, Natsume Yuujin-Chou was second to only Mawaru Penguin Drum this Summmer Season.

Storytelling: 9/10 – Still wonderfully told. Great direction, great pacing, great script.
Characters: 9/10 – Natsume’s development is just fantastic. The rest of the cast is also excellent.
Production-Values: 9/10 – Restrained, but very vivid if it wants to. Excellent and soothing soundtrack.
Setting: 8/10 – Still a great depiction of how youkai would live, much more realistic than most other shows who try to do this.

Suggestions:
Windy Tales
Mushishi

Natsume Yuujin-Chou – 39




I’m not going to say that this was the best ending of the season for two reasons. The first is that this show hasn’t actually ended yet (the Winter season can’t come soon enough). The second is that this ending was completely different from any other ending this season.

But still: if this would have been the ending of Natsume Yuujinchou, I would not have complained at all.

This episode was so different from your usual ending, and yet it was the perfect way to end the third season. This was by far the episode with the most positive outlook of the entire third season. There was no evil youkai to take care of, and instead the creators chose this to just show a bunch of youkai having fun (playing hide and seek, or Kakurenbou with Youkai; ah, the irony). It was a wonderfully fun and heart-warming episode that showed the cast just having fun, while at the end it also had a powerful message when Natsume’s friends arrived: he’s not alone. Neither in the world of youkai, and the world of humans.

I also want to yet again applaud Brains Base for understanding the importance of an ending. Here is the interesting thing: final episodes often have a lot of budget, meaning a lot of animators are put on them. That’s nice, but also constraining: because of that you hardly ever see final episodes with interesting direction, animation, or plot progression, like what you sometimes see when a particularly talented team is behind just one episode. This episode instead brought together a bunch of excellent animators, who really got to do as they pleased during the hide and seek game. This brought the characters even more to life than they already were.

I would love to say that Brains Base’s endings this season are awesome, however Kamisama Dolls doesn’t seem to fit in that picture. Instead though, I do have to praise Sadayuki Murai for adapting this story, and getting the best out of it. This wasn’t just animating a bunch of random chapters. Every single episode was dedicated to Natsume’s development, and the final two episodes were just the perfect ending. He also seems to be doing the fourth season, which is yet another reason to look forward to it.
Rating: *** (Awesome)

Hana-Saku Iroha Review – 85/100




Hana-Saku Iroha…. is an interesting one. Probably the best way to start a review about it is to warn that it can be quite misleading when you start watching it. This series has two wonderfully written opening episodes that have a ton of well written drama, only followed by episodes of random slice of life hi-jinks.

This is a criticism, it takes time to get used to, but also: once this show finds its pace, it delivers a unique slice of life series. The thing is however, that it doesn’t care whether or not it annoys its viewers. This can be great for realism, but this series always tries to take this a bit beyond the comfort zone by inserting random stupidity at times. Throughout the series there will be plenty of teenaged romance angst, random yelling, characters who turn a mosquito into an elephant. Oh, and a depraved writers of smutty romance novels.

And on the other hand we have this series’ brilliant ability to write drama. Seriously, the characters in this series can get annoying, but their development is absolutely wonderful. When it wants to, it can create strong conflicts, character-development focused scenarios and heart-warming dialogue without getting cheesy. Especially in the second half the cast (and with that I mean nearly the entire cast, not just the main characters) develops into engaging characters, with everyone making some sort of impact.

What also helps is that PA Works really put in effort to make this series a feast for the eyes. The art and animation is crisp and fluid, the background art is gorgeous. This was really intended as their celebration for their 10th year anniversary, and they really succeeded here. Hana-Saku Iroha celebrates working and taking responsibility. And through its characters, it really turned that into a wonderful message.

Storytelling: 8/10 – There are scenes that come off as stupid and annoying, especially in the first half. When this series gets serious though, it really delivers excellent drama.
Characters: 9/10 – They will get on your nerves, but their chemistry is excellent, they’re really well used, and their development is top notch.
Production-Values: 9/10 – Clean and crisp. A feast for the eyes.
Setting: 8/10 – Good themes, although it does tend to ignore the borders of realism at times.

Suggestions:
True Tears
Konnichiwa Anne
Les Miserables – Shoujo Cosette

Hana-Saku Iroha – 26



What a wonderful ending. The creators did a wonderful job at adding in some final character development, while the epilogue at the end that showed where everyone ended up at was exactly what I was hoping for. This was really heart-warming, and out of the slice of life endings this season (Usagi Drop, Croisee), this was my favourite.

The stars of this episode were Sui and Ohana. Ohana’s wish-tag, where she claimed to want to be like her grandmother was wonderful. Sui meanwhile, saying goodbye to her memories of the Kissuiso and wanting to pick up being a waitress again. those two things made this ending really worth it. My only criticism: the Kou storyline was cut off. Anime, let’s face it: running into two characters as they are about to romantically confess is a dead horse. Stop beating it!

In the end, I think that the biggest problem with this series is its first two episodes. And don’t get me wrong, they were two wonderful and amazing episodes, but they also caused me to sit with an annoyed face at the subsequent eight episodes. The big reason for that is Ano Hana: the first two episodes gave off too much of an impression that this show would be similar. Anohana was meant to be a romantic tear jerker. Something which it did really well, however during its airtime, Hana-Saku Iroha just couldn’t get out of its shadow. Only now, in the summer season it really was able to show ts worth, and stand out on its own.

I mean, the first half of this series did have its share of charming episodes, but the second half is superior because of how the cast grew. The cast growing together was done wonderfully and gave this series a wonderful closure, even though there were enough points that were rather annoying. PA Works, I applaud you.
Rating: ** (Excellent)