Natsume Yuujin-Chou – 34



Yeah, with this I remember again why I found the episodic episodes of Natsume Yuujinchou to be better than the arcs. It wasn’t that the arcs were flawed or anything. But the episodic stories were just that good. The drama is written so wonderfully in a way that only very few series can match. They’re so tranquil, yet incredibly heart-warming, and this episode yet again improved on it, and quite possibly was the most heart-warming episode of the third season so far.

I loved it that the fox spirit returned. And even there, the creators handled it wonderfully, just having Natsume meet him for a small, but very emotional moment. The rest of the episode was dedicated to show how he’s changed (it’s been a year since!), and to establish how he’s still longing to see Natsume again. The concept of time for youkai was really big here again, where they live for huge amounts of time, yet their lives consists out of long bursts of silence, with several short moments of activity inbetween. The watch was a great way to symbolize things.

On top of that though, I also love the things that the characters did in the slice of life part of this episode. For Natsume to go on a weekend trip with his foster father for a pottery master class. That’s really creative, and it really feels like a new experience for Natsume. Madara was also wonderful in trying to rest while waiting for his wounds to heal: he really looked in pain and disabled, rather than what you usually see where people can just walk around perfectly fine with a few bandages on.
Rating: *** (Awesome)

Natsume Yuujin-Chou – 33



This episode started a little clumsily (Natsume escapes, gets pulled down a hole in a well hidden place, is about to be attacked, and WHAM! Nyanko-sensei appears from out of nowhere. Didn’t expect Deus ex Machina from this series), but as it went on it once again was an excellent episode. This arc was very different from the other episodes, but the pay-off was just wonderful.

Also, with this episode I also realized something else: anime tends to abuse fast healing. I was really surprised when the wounds that were inflicted on Natsume and Nyanko-sensei… actually hurt. Especially the way Nyanko-Sensei got animated along the way was wonderfully done: it wasn’t life-threatening, but he really felt weak after having an arrow lodged inside of him. Overall I can understand why anime makes their characters very fast healers and all, but it’s much more satisfying to watch someone get hurt… and actually get hurt.

The big strength of this episode, and this series overall by the way, is that it has really good endings that throw a subtle twist and give an extra dimension to the characters involved. Here too, where that Matoba guy threw that anti-climax and it all turned out that he came for nothing. The storytelling also really came together at the end.
Rating: ** (Excellent)

Natsume Yuujin-Chou – 32



From what I remember of the first two seasons, it’s that Natsume Yuujinchou was one of those series where the episodic episodes were actually better than the arcs. The biggest reason for that was that it was just wonderful in writing self-contained stories, and the arcs, while very good, couldn’t match those. Let’s see whether the third season can bring in a difference here.

This arc was very different from the previous episodes, due to the inclusion of someone who can count as an actual villain. /at the moment, he’s not that interesting yet, compared to some of the bad youkai that Natsume met so far. He still needs something, and I hope that the next episode can deliver it.

And again, Nyanko-sensei sleeves Natsume alone unguarded, but in this episode it does make sense: he had no way of knowing that the bad guy was right onto Natsume, and that he’d be particularly interested to get the book of friends (otherwise I can’t see why he’d send six of his subordinates, including himself, after Natsume).
Rating: * (Good)

Natsume Yuujin-Chou – 31



Hmm, I don’t see what’s so particularly bad about this episode. Sure, it indeed wasn’t as good as last week, but it still was a very interesting story with a ton of character development for Natsume and two of his friends, alongside some pretty good background on one of their families.

I do agree that the pacing was a bit more jumpy than usual, and this episode indeed wasn’t of the soothing kind that we’ve gotten used to. Instead, this episode was full of character. Taki’s grandfather’s story was particularly interesting, in the way that he unknowingly set up a bunch of random things and seals, and it also explains how Taki got that seal that shows Youkai.

I also really liked the ending of this episode: with these two, Natsume has finally met two people who understand him, and in this episode he definitely got closer to them, up to the point where he can actually tell them about the youkai he encountered. I mean, he’s still very shy: the scene in which they were just randomly sitting around the table chatting: we get the big impression that Natsume was mostly sitting there and the other two were mostly talking about random classmates. This is like, the fifth episode in a row that contributes in some way to Natsume’s development.
Rating: ** (Excellent)

Natsume Yuujin-Chou – 30



I glanced at some comments in the shoutbox that this episode was supposed to be amazing. Now that I watched this episode, I agree. The episodes of the third season have been continuously one-upping each other. And we’re only at episode four.

My memory could be wrong, but I think that this was the first episode where Natsume didn’t play the part of main character. Instead, we got to see everything from the point of view of a Youkai he once met as a child. And the way in which it did this was just sublime. It was full of those small encounters, and it really seemed to come from the mind of a youkai whose sense of time is different from ordinary humans.

The way in which the creators portrayed this youkai was just brilliant. Due to the nature of this episode, consisting out of a ton of small encounters, they were really able to nail her development and make her change gradually over time. Her inner monologues were also delightful to watch. It was nothing short of adorable.

It also seems that the creators are shuffling around chapters this time. That’s also the reason why I was so ecstatic when I learned who was going to be behind the series composition of this series: Sadayuki Murai. He pretty much was the best guy that they could have possibly gotten in terms of adaptations. For those too lazy to click the link: this is the guy who adapted the story for Boogiepop Phantom, Kino’s Journey and Mouryou no Hako, on top of writing the scripts for Millennium Actress and Perfect Blue. This guy is a GOD amongst scriptwriters. Natsume Yuujinchou San still is one of the most normal things he’s done, but even here it’s great to see how well the chapters to be animated have been chosen so far. This episode once again delivers a ton of development for Natsume and it falls perfectly in line with the previous three episodes. Heck, this episode’s message about Natsume growing up, changing and appreciating the things that he once found scary was really strong here. I’m really interested in what he can do with the rest of this series.
Rating: *** (Awesome)

Natsume Yuujin-Chou – 29



This really was a wonderful episode. The best of the third season so far. It’s focused on Natsume’s past, interestingly, and on the kids who used to bully him. They changed too over the years, and this episode focuses on one who came in contact with a youkai.

Again things are much different from what they seem at first. The guy seems the same jerk at first, but gets much more rounded as the episode goes on, the youkai goes from a cute girl to a monster to a weak cute girl again. It’s great character development, not to mention how confronting this was for Natsume: throughout the entire series he has been trying to leave his past behind him, and here it comes back to him. For the first time we actually got to see Natsume really uncomfortable. The creators handled it really nicely.

Three episodes in, and I have to say that the creators really nailed the consistency so far. Right now, the third season is somewhere in between the first and the second season in terms of how much I like it. What it needs now, is the kinds of episodes that make it stand out: the really well written and heart-warming ones, like the Hotaru-episode. There still is plenty of time to do that, so I really hope that the creators are going to make use of that. In any case this season has the big advantage of character-development.
Rating: ** (Excellent)

Natsume Yuujin-Chou – 28



The first series I’m going to blog this season… is a pretty obvious one. I blogged the first two seasons back in 2008 and 2009, and I really liked them, so it’s awesome to see a third season appear. This is one of the three series of which I was 100% sure that I was going to blog this season.

This episode really reminded why I originally fell in love with this series. When this episode aired, I felt completely refreshed. It had this completely refreshing atmosphere that I haven’t felt in a long time. This was a simple, yet wonderfully paced story about another youkai that crosses Natsume’s path. I really liked how nothing was really what it seemed: this episode dealt a lot with superstition and rumours.

Normally in anime, you can guess pretty accurately who are the good guys and the bad guys, whenever it’s not being morally ambiguous, of course. Here though, you’ll never know whether or not a youkai bears ill feelings until it starts to attack. This episode showed a dangerous looking, but well minded youkai, but then again this series did have plenty of scary youkai who did attack.

What’s especially awesome about this third season is that we’re seeing more of Reiko than ever. The previous episode already showed a lot of her, but this episode went even further. This series just kept hinting at how huge her powers were, and yet in this episode she used Rock Paper Scissors to get the name of the demon. Did she use this same trick everywhere? I mean, there have been enough youkai who unwillingly gave up their own names.

The village scene felt a bit out of place, but it was definitely an interesting representation of the mythical village: to have it be exactly like how it was painted in the past. It’s also something new in this installment of the series.

Overall, I do wonder whether this series is going to surpass itself or not. I really like this series, but I also have to admit that the second season was not as good as the first. The biggest reason for that was that it was incomplete: the episodes that built up the main storyline built up for something that wasn’t in that season, whereas the individual stories (of which the first season entirely consisted) really focused on delivering good standalone stories,. The past two episodes were in the same vein, and really wonderful to just sit back and relax at. I really wonder whether we’re going to see the build-up of the second season pay off at a point now.
Rating: ** (Excellent)

Some Quick First Impressions: Natsume Yuujin-Chou San, Yuruyuri and Ikoku Meiro no Croisée

Natsume Yuujin-chou San

Short Synopsis: Our lead character can see youkai.
Oh, it’s wonderful to see this one back again. It still has the dreamy atmosphere it always had, and the way this episode started off with another episodic story was great to get back into it again. It’s a basic, but very charming story about another youkai who met Natsume’s grandmother a long time ago, and this episode once again did a great job of showing her story while keeping things simple. It may not have been the best episode so far, but it had a lot to like. The animation still is really good, and this episode also stressed some of the character development that Natsume went through in the first two seasons. It’s a very relaxed episode that did its job really well. Oh, and it also was great to see Nyanko-sensei again.
OP: Well built up song with a good use of instruments, though the visuals are a bit unremarkable.
ED: Simple and relaxing, fitting this series perfectly.
Potential: 90%

Yuriyuri

Short Synopsis: Our lead character is a random junior high school girl.
Well, here we go again. Here’s the thing: this first episode of Yuruyuri wasn’t half bad. It’s an episode of a bunch of random junior high schoolers goofing off, but it had a number of good jokes, it made sure that its characters, while annoying, weren’t at least one-sided stereotypes and this pretty much was the best animation we’ve ever seen from Dogakobo. It could have been much worse, but the thing is: this remains a show in which nothing happens beyond the antics of a bunch of cute girls. I’m not saying that that on its own is bad, but those series tend to have one really, really big disadvantage: they get incredibly repetitive. Take A-Channel: it could have been decent but devolved into an onslaught of boob jokes and characters repeating their quirks over and over. Denpa Ona? Nice coming of age drama until the characters just kept repeating themselves and the horny aunt just kept hitting on the male lead. Astarotte no Omocha? Heartfelt until it couldn’t stop talking about panties and generic romance cliches. And the thing is: the first episode of Yuruyuri has yet to show any hint that it won’t follow the same path. It only had a few bad fanservice jokes, but you can bet your hat that once they run out of jokes they’ll start groping boobs on a daily basis. On top of that, the main character is a complete airhead. And while she was far from the most annoying airhead out there, there really is little what you can do with such a character in the long run.
OP: The usual generically upbeat j-pop song that will get annoying really fast.
ED: This just feels like the second part of the OP song…
Potential: 45%

Ikoku Meiro no Croisée

Short Synopsis: Our lead character gets to take care of a young Japanese girl.
Oh my god. That was almost too adorable. This was once again an unbelievable first episode. This time in the incredible undeniable charm that this episode has. This goes beyond being just cute: just about everything about the lead female is just ridiculously charming. The animation isn’t trying to be anything big, but it is really consistent and does a great job of bringing the cast alive, plus you can also see the amount of detail that has been put into the background art. The lead character isn’t just an ordinary character: he’s a blacksmith. His shop is full of all kinds of interesting designs and furniture and a lot of attention was put into making the art as authentic as possible. Heck, the creators even got a number of fluent French voice actors as the narrator and vocalists. I really have to say that Satelight are making brilliant use of their French roots and connections here. Overall: Sato Junichi did it again. This once again was brilliant characterization. Although I do have to say that it is very dramatic. It needs to take care not to devolve into melodrama as the show goes on.
OP: A bit of a mundane OP, but quite well animated.
ED: Adorable. Just… adorable.
Potential: 90%

Zoku Natsume Yuujin-Chou Review – 82,5/100



The first season of Natsume Yuujin-chou was basically a string of random stories about the lead character, Natsume, meeting a bunch of Youkai. The second season forms much more of a unity as Natsume’s development starts kicking in. The random stories are more connected to each other, and instead of an episodic series, we’re suddenly treated to a character-study of a boy who grew up with being able to see youkai.

The production-values are as solid as ever: backgrounds are rich and detailed, the animation is crisp and the different designs for the youkai are very solid. The music is also very enjoyable again, with especially the ending theme standing out as a great song.

Unfortunately, despite this it did lose some of the charms of the first season this way. For me, the show has lost its novelty by now, and I don’t think that it’s really succeeded in making up for it, even though many people seem to disagree with this. For me, the height of Natsume Yuujin-chou still is the Hotaru-episode, and the second season did nothing to change that.

I think that one of the reasons for why the second season has made less impact is that it ends at a point where it’s simply still building up. There’s a huge part of the manga left to be animated, and the second season was mostly just setting the pieces correctly for those arcs. I that way, it served its purpose very well if there’s going to be a third season, but it doesn’t suffice as a finale here.

And don’t get me wrong here: Zoku Natsume Yuujin-chou is still a very enjoyable and relaxing slice of life series without any major flaws, but it just lacks the impact that the first season had, but there is still enough worth watching if you were also charmed by the first number of episodes like I was. Especially don’t miss the Tama-chapter.

Storytelling: 8/10
Characters: 8/10
Production-Values: 9/10
Setting: 8/10

Natsume Yuujin-Chou – 26



Short Synopsis: Natsume finds himself having to choose between Kai and Natori.
Episode Rating: 7,5/10 (Good)
Well, the creators did it, even though they had to stuff two chapters into only one episode. It makes a lot of sense to save this story for last, because it really forms a conclusion to the development of Natsume throughout the second season: for once, he’s being forced to choose between humans and youkai.

I also liked that little scene at the end, which symbolizes how much closer Natsume has gotten to his classmates now. It’s time for the guy to grow up and stop only interacting with youkai. It was a very nice idea for an ending, and while not the best ending I’ve seen this season, it was definitely a good one; something that most other shows this season can’t boast.

Overall, the second season wasn’t exactly among my favourites, but it was nevertheless enjoyable to watch and the character-development on Natsume was very nicely done. Let’s hope that there’s going to be a third season some day.