Ano Hi Mita Hana no Namae o Boku-Tachi wa Mada Shiranai. – 02



A big season has a major advantage, but also a major disadvantage. The major advantage? There will be more great shows. This will only become more apparent as the season goes on, and right now there are already a ton of shows that are really good. The downside though… is that there also will be more bad shows. This season was no exception.

When I checked out Anohana’s first episode, I had nearly given up. Seriously, I haven’t dropped so many series in one season in a long while. There are just so many mediocre series in this season, let alone bad ones. Things like Hidan no Aria, Sofuteni and Hoshikaka, among many others, had these terribly annoying character. Seriously, what’s fun about them? And then there also were series as Sengoku Otome, which I guess didn’t have any harem stereotypes, but also did absolutely nothing to stand out.

Moe in Noitamina? I really had no faith. Mari Okada surely is an amazing writer, but there is no way that she’d be able to write three series at the same time. Again. Where two are completely original stories. The Fractale debacle of the previous season didn’t help either. And then I started to watch the first episode of Anohana. And indeed, it looked like all the others at first, with a guy and a girl having random fun. And then Naruko turned up, it became clear that Meiko was a ghost, and it just blew me away. It’s been ages since I watched such a heartwarming teenaged drama.

A ton of character development, already in the first episode, excellent animation, these characters are just amazing. They’re unlike the stereotypes you usually see: they feel like people. They have personalities, but aren’t completely dominated by them. They have their own stories, but also feel like characters beyond that. Take this episode for example: Naruko was pretty tsundere, but for once I wouldn’t blame her, considering what happened. And at the same time the tsundere wasn’t the only part of her character. It’s clear that all of these characters still have their feelings about their childhood days, but they all grew away in their own ways. This really turned out to be a wonderful story about people growing apart from each other, with some being left behind. Also, this episode really hit home as well when they started talking about Pokemon (or… Nokemon) which they played together. You usually see kids play video games and all, but rarely do you see this much meaning put into it.

The thing with annoying characters is… well… they’re annoying. There are basically two types of them: the types that are annoying because the writers can’t write good dialogue, or the ones that are really meant to be annoying. And even the second category can become a pain to watch if the character in question is just one-dimensional. Meiko has impressed me, though: she has just the right amount of annoying antics so that it becomes a part of her character, while she also has plenty of scenes that just portray her as a normal girl. She has quite a few sides for only two episodes, which is really great to see. Remember Nessa from Fractale? She mostly ran around being happy and once in a while she got sad when Phryne was involved. Meiko is much more dynamic. Thank god!

Whether this series is going to be better or not than Hana-Saku Iroha obviously can’t be said yet: Hana-Saku Iroha is 26 episodes, so it can take its time to take detours to porn novelists. This just has eleven episodes, so it has to deliver in these eleven episodes. And it’s doing a mighty fine job so far!
Rating: *** (Awesome)

Some Quick First Impressions: Ano Hi Mita Hana no Namae o Boku-tachi wa Mada Shiranai., [C] The Money of Soul and Possibility Control and Denpa Onna to Seishun Otoko

Ano Hi Mita Hana no Namae o Boku-tachi wa Mada Shiranai.

Short Synopsis: Our lead character lives together with a cute girl.
Amazing! Wonderful! Excellent! Hell yeah! I really applaud Anohana. Finally a show that proves that you can do amazing stuff with moe. I refuse to tell why, though. Just watch the episode. The only thing I’ll say about this episode is regarding the production values: A-1 have yet again done an amazing job on the animation here. It’s in the same style as Fractale, meaning that there are absolutely no still frames. The characters move consistently across the screen and really come to life this way. I remember noting that Hana Saku Iroha would give Anohana some stiff competition this season. It’s at the same time also the other way around here: the battle for the best slice of life drama this season is going to be an awesome one.
OP: A decent ballad.
ED: A bit of a cheesy song, but works wonderfully here.
Potential: 90%

[C] The Money of Soul and Possibility Control

Short Synopsis: Our lead character gets tempted by a weird clown.
Well, it had it coming, but this was definitely the prettiest series of the season. The quiet scenes already look very detailed, but the dramatic parts look absolutely gorgeous. The action scene at the beginning of this episode in particular had some really imaginative action. It’s typical of Kenji Nakamura, but at the same time his style is evolving: it’s no longer just weirdness for the sake of weirdness, but there also was a lot of conventional animation used. Characters actually were animated here. And the combination between the extravagant action scenes and the other quiet scenes works really well here. The story is also full of potential. It’s perhaps a bit like Eden of the East, with the big difference being that the main character is actually flawed. This entire episode was about him giving into temptation. He is mundane, yet well fleshed out: this episode takes him seriously and establishes him as level-headed, yet insecure, curious, yet unsuccessful in love (it’s a definite plus to see a potential love interest immediately established as someone who already has a boyfriend other than him). With a bit of luck, this is going to be what Eden of the East couldn’t be. The whole question will be whether or not the creators took into account that they have only 11 episodes to work with. But then again, Kenji Nakamura is a Noitamina Veteran (he and Kenichi Kasai pretty much set the timeslot apart), plus he is an expert on short stories, so this is really promising. The only bad part right now is the cleanup animation: there are quite a few distorted faces.
OP: Awesome graphics, and not a bad song either.
ED: Excellent graphics, but the song is still boring unfortunately.
Potential: 90%

Denpa Onna to Seishun Otoko

Short Synopsis: Our lead character gets to live together with a cute girl.
Well, this is yet another one of the moe shows of this season. The formula is pretty much the same here: transfer student arrives to town, meets his romantic interest, people talk, the girls try to be cute and there is fanservice. Still, it’s among the better of the bundh. It actually has some good ideas put into the characterization (I’d like to thank the lead female for spending nearly the entire episode wrapped inside a futon and being nearly impossible to undrstand), and the dialogue is definitely better written compared to the likes of Hidan no Aria, Sofuteni, Hoshikaka, etc. At the same time though, it was also pretty forced at times, the male lead was rather bland and very little actually happened in this episode. So, here is my issue with this episode: the end of this episode actually hinted to an interesting story. However, this is Shaft. The rest of this show could just as well be the characters randomly wasting time, and they’re not interesting enough for that to work. On one hand, this has Shinbo who is working on three shows at the same time this season. On the other hand, it has a completely fresh writer who has only been active for a few years in many excellent episodes. This really can go either way and this episode didn’t really change that.
OP: Agh, my ears! It’s like they put a cat in a blender and recorded it.
ED: Simple, a bit of a boring singer, but I’ve heard much worse this season.
Potential: 50%