Surprisingly… I found very little to rage about in this episode… Instead of that, I should congratulate Touya for finally getting himself an answering machine. Damn, if he had that thing, how different would the first season have looked?
However, the cast of characters still are a miserable bunch. The premise of it was about a new performance for Yuki, while Touya’s father collapsed again. To start with the first, Yayoi makes a bold move: for once, she invites Touya without the intention to kiss or screw him, but rather outright tells him to stop seeing Yuki for her own good. This seems to contradict her behavior up till now, in which she kept calling Touya more and more often…
Later, Eiji indeed reveals that he’s planning to star Yuki in some big event. However, the rule is that each production can only be allowed to submit one idol, so yeah: he pushes Rina aside for Yuki. In response to this, Rina declares that she’s going to start her own production, and move away from her brother. Rina indeed seems like the most stable member of the cast (okay, that’s not saying anything, really), but that also may have been because she’s the most mysterious at this point. We hardly ever know what she’s thinking, are we? Did she work with her brother for so long because it were his connections that allowed her to grow big in the first place, or is there something more to it? I mean, there has to be a reason why she’s the focus of the OP, hasn’t there?
Then there’s the matter of Touya’s father collapsed again. He seems to be fine according to Touya, but it’s gotten much harder on Misaki, who somehow ends up staying longer with him than Touya while Akira leaves prematurely. On top of that, Misaki later discovers that Touya was outright lying to her, and he’s in much worse shape than he said, even needing a pacemaker.
But yeah, one of the big complaints about the first season was simply the following: ANSWERING MACHINE! As it turns out, the creators didn’t forget this at all, Touya just didn’t have one. I wasn’t of course born in those days, but in a way I can imagine a poor student in those days, not being able to afford one. If I recall correctly, the first answering machine was marketed 3 years before. I don’t think that at that point, they were as common yet as ten years later.
And yet, even with the answering machine ready, the problems still aren’t as easily solved, like the end of this episode showed. That yelp of attention of his in the final scene can have a lot of different meanings: is he afraid that he’s going to lose Yuki? Does he finally feel remorse for his father? Or is he just lonely because he can’t see Yuki? Anyway, considering the things he’s done so far…
Rating: (Enjoyable)
At the start of this year I wasn’t exactly the biggest fan of romance, but damn. 2009 has surely proved to be an excellent year for this genre. The year already started out with gems as Clannad’s After Story and Genji Monogatari, then it continued with the truly excellent Ristorante Paradiso and Cross Game, and if that wasn’t enough the Summer season only continued this trend of awesomeness with Spice and Wolf II and, of course, Aoi Hana.
At first sight, Aoi Hana may seem like your average lesbian series with lots of girls who cheesily fall in love with each other, but this series quickly proves those suspicions wrong when it subverts just about every cliché in the romance genre imaginable. FOR ONCE, romantic relationships are portrayed realistically, rather than those overly romanticized relationship you see in most average romances. For once, you see childhood friends who really behave like childhood friends, rather than the creators using the childhood friendship as a cheap plot device to get the lead couple in love with each other. For once, the two lead characters don’t end up falling in love with each other, and instead the main romance plays out between one of the lead character, and a side-character. And really: for once in a gay show we see actual straight romances. In fact, there’s only one lesbian in the entire series (Fumi, one of the lead characters). The rest is either straight or bi.
On top of that, this series is incredibly well told. there’s a huge amount of subtlety within the relationship of the most important characters in this series: the way they behave, feel and interact with each other is really done with a superb attention to detail. The series is only eleven episodes long, and yet the personality of each character can’t just be explained in one sentence. There’s absolutely nothing that’s shallow in this series.
The animation for this series also really stands out among the best in the romance genre. It’s very subtle, and portrays very accurately how all of the different characters move. But it’s especially the scenes in which people are touching each other, whether holding hands or messing with each other’s hair, in which the animation really makes those movements feel so incredibly real.
I feel hard-pressed to pick up any flaws for this series. Obviously, you don’t want to watch this series if you dislike a slow-paced series, but it really is a must-watch for any fan of the shoujo-ai genre in the way that it so realistically portrays lesbian relationships. There are a few scenes here and there that could have used a bit more build-up (like Kyouko’s fiancee, or the ending), but those moments are few and far in between. Aoi Hana really is one of my top picks of the past Summer Season.
Ah, this really was a cute ending for such a consistently excellent series. While not the best single episode of the series, it provided closure in a “life goes on”-kind of ending. The series feels complete, even though the manga goes on after this point.
As for my big fear for the ending: thankfully the creators didn’t end up making Fumi and Akira a couple, although this episode did play around with the romantic feelings between them. I began to fear a bit when Fumi saw Akira hanging out with Kou together and got jealous, but in the end the creators had a very nice explanation for that: Fumi had forgotten that her first crush was the one she had on Akira, when they were little. It’s this realization that made for the charming ending, and yet at the same time you could see that Fumi and Akira weren’t cheesily falling in love once they realized this. They could become a couple in the future, they could not. Who knows? Thankfully it feels much more natural than just about every other childhood crush out there.
Overall, I’m really glad that I managed to stick with this series. It definitely stands among my Top 3 of the series that premiered at the Summer Season, along with Tokyo Magnitude and GA. At the beginning of the season, I claimed that this could be one of the best summer seasons ever. That unfortunately didn’t hold up, since a number of series did end up a bit disappointing after their initial episodes (most notably, Canaan, Bakemonogatari and Sora no Manimani), but I do have to agree that there are surprisingly few series that are below average. And Aoi Hana really ignored everything and just went on to deliver one consistently solid episode after the other.
At this point, it seems 
Oh, what a powerful episode this was. It was entirely quiet: no overblown or forced drama, nor an overemphasis on angst whatsoever. I believe that this episode was the most subtle of the entire series, and with Aoi Hana, that has to say something.
The first half showed the wedding between Yasuko’s sister and teacher: this sealed the deal, and her teacher has now officially become impossible to reach. It really was a time in which Yasuko was finally able to close off a big part of her teenaged life. After that, we see her telling a bit about how she originally came to love her teacher. We also see how she cut her long hair short, as a means of symbolism. At the same time we see her befriend Kyouko, who also cut her hair short in response. With this, I’m beginning to see the relationship between Yasuko and Kyouko: Yasuko really does like Kyouko as a friend, but has gotten annoyed with Kyouko’s obsession over her.
But the really good part of this episode happened in the second half, in which Fumi (who was absent at the wedding) invites Akira over, and Akira’s brother and Yasuko end up tagging along. What follows is a very awkward scene, in which Fumi tries to distance herself as far away from Yasuko as possible by using Akira, and Akira’s brother keeping Yasuko a bit busy by telling her about how Akira used to be in the past. I especially loved the last part in which Yasuko tries to apologize to Fumi, and then getting rejected. You can see that she really broke up with Fumi in a tantrum. She ruined things between the two of them herself, because she should have known that Fumi is a really emotional person who takes what people say to her very seriously, especially since she was heart-broken once before.
In a way, Fumi has grown out of this as a stronger person, but at the same time it’s also sad to see that she’s completely shielding herself away right now, afraid to be hurt for a third time.
So, with one episode left, I really wonder how the creators are planning to end this series. I really hope for a “life goes on”-ending: an ending that’s just going to show a final part of the characters, and what’s going to happen to them after that is just going to be left to the viewer’s imagination. Especially since it’s very unlikely to see a second season of this, it would be the perfect ending for such a small little series.
Just one thing: PLEASE don’t end the series with Fumi and Akira falling in love with each other. This series has done SO WELL in avoiding just about every romance cliché in the book, it would be such an incredible shame to ruin it at the last possible minute!
Rating: ** (Excellent)]]> 
A peculiar episode for this series, especially with only two episodes left after this. You’d think that this close to the end, the creators would pump up the drama, but instead we get what is likely the quietest episode of this series yet. There was a lot of simple slice of life.
So in this episode, Kyouko basically takes Akira, Fumi and some of her classmates to a holiday house owned by her fiance. A lot of the episode was just focused to the bunch of them having fun. There was a bit of drama, but this was much lighter than previous in this series. Basically, Kyouko’s fiance turns out to really like Kyouko, even when he knows that she has a crush on a girl. Yet again a subversion of the “childhood friends becoming lovers”-trope. This also is an important episode for Akira at the end, where she finally seems to realize that she’s the only one of her friends who still hasn’t fallen in love.
With two episodes left, I’m very curious to see how the creators are planning to end this series. Of course, I’d be happy with a second season, but there are other shows that are currently airing that deserve a sequel much more than this series. With the Noise time-slot apparently having bombed, I don’t think that the producers are very keen on keeping this series going, and I’m really not bothered if that turns out to be the case: we’ve got ourselves a nice, short and consistently excellent romance here that was really good while it lasted.
I personally hope that the creators are going for a Hitohira end here: don’t try to save the biggest climax for last, and instead try to wrap up the plot nicely, and let life just go on afterwards. That’s going to be perfect for this series, instead of inserting some shallow conclusion in which Akira suddenly comes to realize that she’s in love with Fumi. That’s going to be rather lame.
Rating: * (Good)]]> 
This entry starts with a spoiler so you may want to look away if you’re skimming through this paragraph. Holy crap, they actually broke up, and this doesn’t look like they’re going to get back together at this rate. It’s a bit of a shame though. It’s a bit predictable that Fumi is going to end up with Akira after all, since I really liked how originally this series didn’t seem to go down the clichéd road of childhood friends becoming lovers. Nevertheless, this was yet another truly excellent episode for Aoi Hana.
Anyway, I have no idea what’s going to happen with this series. Everyone says that this series is only going to last for 11 episodes, but I really doubt this. The reason why Michiko e Hatchin and Ristorante Paradiso had so few episodes was because they had a really strange broadcasting policy: Ristopara had a bunch of hiatuses in the beginning, while Michiko e Hatchin had one of the weirdest broadcasting policies I’ve ever run into when it kept getting to hiatuses one week and air double episodes the next. With Aoi Hana however, every episode aired like it was supposed to, and I find it really hard to believe that it’s already going to be over in three weeks. Speaking of which, is it already known which series is going to be the next one to fill in the Noise time-slot, or is that even unknown? Because in the case of the latter, we might have ourselves a 26-episode series here….
Anyway, what struck me the most in this episode was the incredibly cold way in which Yasuko talked to Kyouko, who found out that Fumi was dumped through Akira. That was absolutely nothing like what I expected from her. She must have been really upset with her sister marrying the teacher that she was in love with, and so she vented all of her frustrations on Fumi and Kyouko. In that way, she’s even worse than Fumi in her sulking about her past crush. And it took me a while to realize how similar the two of them are. It’s really a huge shame that they broke up, but unfortunately it really seems that Fumi has lost her feelings for Yasuko.
Also, the drawings and animation in this series are incredibly good when two people are touching each other in some way, whether messing with each other’s hair, hugging, or just holding each other’s hands. Those are the scenes that you can almost feel coming to life.
Rating: ** (Excellent)]]>