White Album – 21



Oh god, guess who’s back? The one guy who could only turn this into an even bigger drama than it already was. He’s changed a lot, though. He was this confident asshole, but now he’s more like a wimpy moron. However, the impression he left on Misaki remains.

In any case, this episode marks the beginning of the climax. My guess would be that the creators finally found it time to start with the drama, and my guess would be that each of the successive episodes will now deal with and close off the stories of the various characters. The one to kick off, is Mana.

So yeah, she’s been paying Touya out of her own pocket money to keep Touya with her. In this episode her mother finds out. Since this is the same mother that employs Touya, this also means that Mana figures out that Touya is working as Rina’s manager. In any case, Mana runs away from home, Touya figures that she might have gone back to Haruka (involving her back into the storyline), but at the end of the day, she’s still missing.

The next episode should give us a bit of a hint into exactly what kind of finale the creators are going for. In terms of Mana’s story, there’s no reason for them to hold back anymore: the next episode is going to climax her story, as Touya either finds her back, or she commits suicide or something else that’s crazy. I see no reason why the creators can just make this into a temporary climax, because running away from home is pretty radical: Mana’s mother now also has to see that something went wrong with the way she raised her daughter. She’s a smart woman, so she will learn from this incident.

Also, I loved that little scene in which Touya ran into the girl he stood up earlier. ^^;
Rating: * (Good)

Kimi ni Todoke – 07



Now this is more like it. This episode was a major step in the right direction for me: simple slice of life with a bit of subtle drama here and there, instead of the forced and dragged-out cheese around a simple misunderstanding. It just showed the characters hanging out, while fleshing them out at the same time.

it’s a surprisingly well written episode in which Sawako gets more and more used to her new friends, and even ends up calling Kazehaya to join her, Yano and Yoshida at Ryuu’s house, which also is a ramen bar. We got to know the middle school versions of some of the characters (Kazehaya apparently played baseball), and the creators had enough inspiration to keep the rest of the episode going without getting boring.

My big worry right now is that call that Yano made to her mysterious “boyfriend”. While I like this subtle of an introduction, I still don’t quite trust this show for drama. This show is good at slice of life and dialogue, but the drama hasn’t caught me yet. Still, at this point Kimi ni Todoke is interesting enough to keep blogging, despite its flaws. Thankfully it’s not such a chore to watch and blog like other series I’ve dropped, like Valkyria Chronicles, Allison to Lillia and Soul Eater.
Rating: * (Good)

In a few weeks, I’m planning to write the first of my 2-part “Decade Summary”. Unfortunately it’s going to be filled with major spoilers, so I’m experimenting right now with a simple spoiler-tag. Let me know if you can read this text without highlighting it.

White Album – 20



Wait, he does it again? Holy crap, that bastard actually did it again! As if the situation he’s in isn’t bad enough already he decided to give the devil yet another one of his limbs. How much further is this going to escalate?

But yeah: screw the flawed first season. The second season did carry out many improvements. Especially the scene with Eiji and the paintings was just superbly directed, both in terms of art and direction. It definitely was the highlight for this series for me so far, and it really went out of its way to portray the insanity that’s going on inside Eiji’s mind, without cutting any corners.

But yeah, Touya. I’m starting to see where this series is trying to go to. In this episode, he hooks up with YET ANOTHER girl. Not only that, but he also stands her up in the middle of a date for Yayoi. I really hate Touya right now, but for once it’s in a good way: the way he’s portrayed as such an incredible bastard who just keeps running away from Yuki, fooling with every woman he can find. THIS is what School Days should have been. There were so many problems with School Days, but my biggest problem with it was that it didn’t seem to understand its characters: characters just randomly fell in love with Makoto without any possible reason. They acted conveniently like what the script wanted them to do. With White Album however, everything is well built up, and fits within the whole story. Or at least, that’s the case for the second season.

Also, that piano piece that plays during Eiji’s scene when he’s alone. Absolutely beautiful.
Rating: ** (Excellent)

Kimi ni Todoke – 06



Ah, the cheese.

I know full well that romances are supposed to be annoying and irrational. Heck, I really liked Bokura ga Ita, and I’m currently even enjoying White Album which has more drama than Kimi ni Todoke could ever hope to achieve, but still this episode just felt off. Instead of going for the subtle route, the characters in this episode cried more than Lag Seeing in your average Letter Bee episode.

I can see how this story worked in manga-format though. The manga-readers seem surprised at how the creators managed to stretch this arc over three episodes, and even I could pick it up that these past three episodes dragged horribly. I really don’t hope that the rest of the series is going to be like these past three episodes. The first three overall were fine, but the past arc just… felt off.

Also, there’s one thing I don’t get in this episode. Did I miss anything? Sawako finally confronts the “evil bitches” about the rumours. The episode closes, and suddenly the entire class is outside the bathroom talking about how a fight has ensued. Did something get cut or something? The “evil bitches” only pushed Sawako to the ground after the entire class was already gathered and talking about this fight.

Also: Kazehaya, please grow a personality in the next couple of episodes. I’m getting pretty tired of how he’s supposed to be this perfect guy in love with the lead character. His only flaw at the moment is his crush on Sawako, and I’m still not buying this guy, even though he had relatively little airtime during the past arc.
Rating: – (Disappointing)

White Album – 19



Um… what? What?!

I should have known. I should have bloody known. Don’t get me wrong, this episode wasn’t exactly bad. The creators just did it again: as if the current storyline wasn’t already screwed up enough: the long-haired singer girl starts flirting with Touya. Technically though: I can’t fault this series: it was well built up, they both have their reasons (they both want to run away and ended up flirting with the nearest person possible, and just happened to be at the right time and place that made sense in the overall storyline), but holy crap. It’s a good thing that Haruka and Mana are taking a break or else all hell would really break loose. However, that eventual climax seems to be even more disastrous at this point.

But yeah, as much as I hate to admit it: the second season of White Album is actually pretty good. The first season definitely had its issues, mostly introducing pointless angst and emo. In the second season however, the angst is anything but pointless. In this episode, Yuki broke down crying, but who can fault her? She just found out that her boyfriend has been deceiving her with her best friend. It feels like something out of a bad soap opera, but it’s actually well built up. If you take everything that happened in the first season into account, this had to happen. Can this series still be called bad? In fact, I’m actually glad that we might get a School Days-like ending that doesn’t feel forced and instead consists out of genuine drama, and that doesn’t get bogged down by a terrible script, character-development or pointless fanservice.

Out of all eroge adaptations I watched, this one has the most realistic animation and quiet parts. As much as I hate to admit it, this series can only be seen as a step forward in this genre that lives off seeing who rip each other off the most.
Rating: ** (Excellent)

Kimi ni Todoke – 05



Every time I watch this show I get reminded of how utterly bland Kazehaya is/ He doesn’t feel like a character, and much more like a bunch of plot devices to get to Sawako’s development and the author’s view on morals and values. Fortunately, he only appeared in the first quarter of this episode.

Because apart from him, I have to admit that this episode was pretty good. There again was a lot of angst, but especially between Yano and Yoshida it felt very detailed and genuine. And I think that that’s the strength of this series: the detailed and imaginative dialogue. At times it’s really caught up in its own morals, but when it’s about the characters then it can actually get quite touching.

The end of this episode shows Sawako as she’s about to confront the person who looks to be the one who started the rumours. She looks pretty stereotypical right now, but that’s only logical considering she’s only had about half a minute of screen-time. Let’s see whether the next episode can flesh her out and make her something more than “that evil bitch who has a crush on Kazehaya and hates Sadako for being close to him”.
Rating: * (Good)

White Album – 18


Touya… Touya… Touya. What the heck do you think you’re doing? Every time you think this bastard couldn’t possibly surpass himself… he does. WTF.

In any case, let me start with summarizing the major flaws that made the first season so unbearable:
– The set-up itself: how the heck do all these five girls pick Touya of all people to fall for. However, you can’t hold this against the second season, as it’s already part of its premise.
– The huge amount of drama that resulted in people who kept missing each other. This doesn’t return in the second season.Touya bought an answering machine, and he and Yuki actually meet a lot.
– The huge contrast between the drama: it was either incredibly subtle, or totally not. And really, the second season has been much better balanced in terms of drama.

yeah, as much as I hate to admit it: this was a really emotional episode. For the first time in this series, I really felt along with the characters, without being hampered by angsty melodrama getting in the way. The drama was definitely heavy (I mean, Touya kissed two girls WHO WEREN’T YUKI), but it felt much more heartfelt than anything I’ve seen in that first season. Am I going crazy?

Yuki.. finally she too gets suspicious of Touya, thanks to a major screw-up that he made. Or rather, two. First of all, he flaps out about how he’s been meeting Yayoi. Nice one there, dude. On top of that, when Yuki proposes to go and see Rina together. Touya declines and says that he’s got enough to do. ONLY TO SEE RINA THAT DAY, AND KISS HER. Holy crap, what an asshole. On top of that, he also starts ignoring Yayoi, even after Yuki already left, which also puts him on bad terms. Not to mention that some mysterious dude has photographs of the two hitting it off together.

I really feel like this episode was the beginning of the end. And someone shoot me: I’m beginning to like this series again!!
Rating: ** (Excellent)

Kimi ni Todoke – 04



I’m not exactly happy with this episode. It was all angst, angst and more angst based on a misunderstanding, and I feel like the creators were really forcing it in order to get as much drama as possible. Wasn’t this supposed to be a very simple romance? When I think of simple romances, I think of Sasameki Koto, not this kind of series in which the creators try to create as much misunderstandings between the lead characters as possible.

Yano and Yoshida, overhearing Sawako talking is classic romantic fodder. Instead of letting these romances play out naturally, the creators just had to drag on these misunderstandings, hadn’t they? It would have been fine if this was just a short misunderstanding, but the creators were dragging it on for way too long. Angst isn’t necessarily bad, I really liked how Bokura ga Ita did it, but this episode just felt forced and pointless.

One thing I do like more and more was that teacher and his crazy midget theories about Sawako. He’s getting funnier with every episode. But seriously though, I hope that the rest of this series is going to be different from this episode. There definitely is potential: even though Kazehaya is rather dull, Sawako, Yano and Yoshida are nicely characterized. Just not in this episode.
Rating: – (Disappointing)

White Album – 17



It’s amazing: Touya only had five scenes in this episode in which he appeared. In three of them, he did nothing, so he only had about one minute of serious airtime. And yet he still manages to come across as an inconsiderate asshole in that time.

But let’s look at the other characters first. A majority of the episode was spent on Yuki’s grief after she found out that Rina would leave her. Can I fault this series for overdoing that? Not really. Yuki always was a crybaby who always sought protection from Rina. She sees Rina as a very dear friend, and thus I can see how she would not accept Rina’s choice of leaving her brother, especially if she was the indirect reason for it. The scene they had together was very nicely done, actually.

And you know, Eiji with his painting, which apparently originally belonged to Mana’s mother. Since he didn’t know it was a very pricey painting, I can see how he in his delusions would have had no reason not to paint over it. I’m now beginning to see the part that that new singer girl is going to play in the whole story. The thing with Yuki always was that she’s weak and can’t protect herself. If Eiji ends up abandoning her, she only has Yayoi left, and we all know what a reliable woman she turned out to be…

Speaking of the devil, she’s getting love-sick. When Touya stood her up, you could really see that she’s not screwing him just out of business anymore. Could it be that she was left by her previous boyfriend and has therefore been looking for someone to fill that void?

A lot more questionable was the bar scene, in which Mana and Haruka both started crying while talking about Touya. I know that Haruka is sad for the loss of her brother, and that Mana longs for her mother, but whether that would result in both of them crying… that scene was a bit too much perhaps, but I know too little about psychology to really say for sure.

But yeah, Touya. He makes an appointment with Yayoi, but goes to his father instead. His studying turns out to have been a preparation for his student tuition work for Mana. He finally puts in some work for something, but to me it’s just a way to escape his relationships with Yuki and Yayoi. On top of that, not knowing what happened between Yuki and Rina, he simply brushes off her tears on television as something that she does to ask for attention. When he finds out that Haruka cried about him, he starts laughing. Oh boy.

There is no doubt that Touya is one annoying SOB. However, is he a bad character? I’m still not sure, to be honest. In technical terms, he is well developed: he’s been inside a downward spiral ever since the start of the series, and the end of this episode only makes this worse. White Album asks an interesting question: if a character isn’t likable, does it make this character automatically bad? School Days did this before but it failed horribly with its badly executed development and script that just seemed geared to getting to that bad end. White Album however is much more subtle, and while we have to wait a few more episodes to find out whether or not it actually paid off, I’m still having problems to determine whether this series is bad, or simply annoying.

I think that the first season had its obvious flaws, but those were in its set-up: as an adaptation of an eroge, the creators had to create a scenario in which all of the five girls would have feelings for the lead characters in a certain way. But accepting this set-up, I’m still not sure what to think of this series.
Rating: * (Good)

Kimi ni Todoke – 03



You know, I’m starting to get into this series. Or rather, I’m starting to care about the relationship between Sawako and Kazehaya, and Sawako’s quest in trying to connect with the class. I’m starting to see her desire to be liked, clashing with her desire not to be hated. On top of that, Kazehaya is finally starting to show some flaws, so I’m liking this series more and more.

But on the other side, Sawako’s facial distortions still are pretty annoying, especially when repeated over and over again. It’s a problem that a few other shoujo-series have, but ironically I ended up really liking those (Yamato Nadeshiko Shichi Henge and Skip Beat both abused them, and yet they turned out to be great otherwise. Let’s hope that this will be the case for Kimi ni Todoke as well, though a lot still has to happen for that).

I think the next episode is going to be a major one to determine whether or not this series is going to work: it’s going to be about the first love rival for our couple. The set-up is pretty obvious: this girl is in love with Kazehaya, she doesn’t like Sawako being near him and starts spreading all sorts of rumours about her. It’s obviously a plan that’s generic and never going to work, so it’s all going to depend on the execution to make up for it.
Rating: * (Good)