Category: Finished Series: Romance

Sakurasou no Pet na Kanojo – 04

by psgels, posted in Sakurasou no Pet na Kanojo

What also fascinates me about this series: it’s two cours long, and already really engaging. This isn’t like Sankarea or Nazo no Kanojo X that just go on for one season. It’s got me intrigued, because it’s been quite a while since we’ve seen such a long romance series that made good use of its time.

This episode was quite sappy, but I liked it a lot. The point of this episode was pretty much to get Sorata to stay at Sakurasou, but the way in which they made him realize this was something I really liked. There were a lot of subtle and not so subtle hints thrown at him, and I really like how Shiina turned into his inspiration to pursuit game development.

Jin meanwhile is quite a bit unpleasant to watch at times, not necessarily in a bad way though. It’s not just his utter refusal to date Misaki despite his obvious feelings for her, but also how he stops Misaki from running after Sorata… only to go after him himself. As if he doesn’t trust her with anything.

EDIT: Holy crap, I just realized that Rintaro, my favorite movie director along with Satoshi Kon, directed the ED for this series. The ED indeed is quite stylish.
Rating: 5/8 (Great)

Kamisama Hajimemashita – 04

by psgels, posted in Kamisama Hajimemashita

This show didn’t turn out as what I expected it to be. With Akitaro Daichi behind the direction I was expecting a lot of hyperactive comedy here, but this episode yet again took a step back in terms of pacing. The way this episode progressed also quite surprised me.

To be honest, the first half of this episode had me wonder whether I perhaps overestimated this series. The set-up was basic with Nanami running into this snake familiar who suddenly decided that he was going to marry her against her will. It was a very cliched set-up, especially with Tomoe joining the school as a student. But as the episode went along it just kept getting better and better.

It did suddenly get quite dramatic, but what seemed forced at first turned out to be surprisingly genuine. First with the story about the snake familiar who has created an entire dimension to protect the memory of his deceased master, and afterwards Tomoe realizing that the same might happen to him and Nanami. And inbetween Nanami just walked around brightly and took a lot of those worries away. The drama here is simple, but really effective, especially with that ED. Because of how well these episodes are told, this still is my favorite shoujo of the season, even in terms of drama. Sukitte Ii na Yo is also good, but it comes across quite forced in comparison.
Rating: 5/8 (Great)

Sakurasou no Pet na Kanojo – 03

by psgels, posted in Sakurasou no Pet na Kanojo

Sorry for the lateness. A combination of me having many real life appointments and my computer catching a virus lead me to create quite a backlog. Still, now that I’ve managed to finally see this episode, I can again get really surprised at how GOOD this show actually is. At this point this show can pretty much become the best shounen romance in a long while.

So many cliches died today. Sorata definitively stepped away from the other male leads in this episode. Before, he was like them in that he had nothing that set himself apart: everyone else in Sakurasou had something to do, but he had no hobbies. In this episode, he actually realized that, and became fully aware of it. That is so much better than your average shounen lead who is kept bland on purpose and doesn’t even seem to realize it.

Misaki meanwhile. Holy crap, her role here was really good. I really feared that she would be the typical ditzy girl you see everywhere. Well, those ideas ended with this episode as well; she really managed to show her feelings for Jin. Who by the way had the best dialogue of the episode. The guy is subtle: he was obviously pissed in the first half of the episode, yet he hid it in a really good way. It’s still a mystery why he doesn’t just go after Misaki though. My guess is that his pride is in the way, but they just know each other for too long fot htat to be true.

Also, Shiina. I mean, she started out as the typical girl who needs to be taken care of by the male lead. It’s a typical wish fulfillment trope, and yet in this episode she became so much more. She’s just so focused on drawing manga that she doesn’t care about anything else (or so it might seem), but she’s really sharp in her dialogue and she really knows what she wants.

I’m really glad to have decided to blog this series, because there is so much interesting stuff going on. I also don’t mind the fanservice at this point. It’s blatant yes, but it’s part of the characters, instead of just there for the sake of having fanservice. That’s also why I minded that one panty-shot of Little Busters so much: that just had a girl tripped up in an incredibly weird position that made no sense, just for that shot). It also is there to create this wonderful tension between the characters: without it the chemistry between the characters actually wouldn’t be as good as what it is now. That’s what I call good fanservice.
Rating: 5.5/8 (Excellent)

Kamisama Hajimemashita – 03

by psgels, posted in Kamisama Hajimemashita

It is great to finally see such a likable shoujo lead female again. Don’t get me wrong: the leads in Tonari no Kaibatsu-kun and Sukitte Ii na yo are good too with the focus on their flaws, but the energy and optimism that she has finally are done right again. After watching so many dull and bland female leads, this is so refreshing! For once we have a lead again who isn’t bound by angst, but rather by optimism.

Her flaw, her naivety is also used quite well. Rather than using it for her to run into all sorts of trouble, the creators use it to get her try try out things, even though they might not be the smartest. She actually does things herself, rather than wanting to be protected all the time or having males fight all over her.

The humour in this episode was different from the previous episodes. Strangely enough, it lacked the hyperactivity and instead was more conventionally paced, or a bit more conventional than usual for this series’ standards. It still was full of well-timed jokes though, and the way in which it portrays the emotions of its characters still rocked and was hilarious to watch.

The story of this episode seemed nothing special, just a random love story. There are a few interesting things to say about it though. First of all it used its own simplicity quite well. It’s not as good as in the first episode, but the way in which it combined humour and drama together still was excellent. It’s to the point where you don’t know what to expect and where it’ll move to, wihch is the sign of a great direction. Also the ending of the episode worked really well. Instead of the usual cheesy aftermath, the creators decided to end with just a push in the right direction. Nothing really got resolved, but we could all see where it was going and there was no need to show more of it. Plus, the ED works brilliant for these conclusions.
Rating: 5/8 (Great)

Sakurasou no Pet na Kanojo – 02

by psgels, posted in Sakurasou no Pet na Kanojo

Ixion Saga’s second episode was funny, but not as funny as the first episode, which has me a bit worried. Can it keep up its pacing for its entire airtime?

Also, there is only one reason why I picked Sakurasou no Pet na Kanojo over Little Busters. It’s a simple reason that could have very easily been fixed, but it’s massively affecting my enjoyment of the series: the female voice actresses! I mean I get high-pitched and all, but you don’t have to feed them helium. It had good parts, but that alone turned this into the show with the worst two opening episodes for a Key series for me. It’s still quite good and I will pick this up if I ever were to drop SAO… but I first need to numb myself to those antics.

As for Sakurasou no Pet na Kanojo, here is the thing: after watching so many annoying, flawed and poorly done shounen romantic comedies, I want to follow one that is actually done right. That’s another reason why I didn’t go with Sukitte Ii na Yo, by the way. Both series have a lot of romantic tension and good drama, both are quite underrated, but in the end, Sakurasou’s characterization is just better. Add that to Kamisama Hajimemashita and it would be a bit of a romance overload…

What sets Sakurasou apart is the small bits it adds to the characters. They’re stereotypes, but this show fleshes them out in very interesting ways. Like the detail in eating baumkuchen, or saying congratulations with the cabbages. Little Busters for example did not have that: that also had characters who were really trying to be quirky, but there is little variation in them, and it also lacks some of the wit. Granted though, some of the yelling does get on my nerves, not to mention the pointless harem set-up involving that female classmate.

Then there is the genius subplot. In Tonari no Kaibatsu-kun, I could buy the really high grades of the female lead, but not from the male lead. With the geniuses in this series, I can buy it. Shiina has been so focused on drawing and nothing else that it makes sense for her to be this amazing artist. Misaki and Jin meanwhile feel like the kinds of eccentrics that aside from devoting time to study, also devote a ton of time to being weird/chasing girls.

And then there is Shiina. I mean this show has a ton of fanservice, and she is the biggest source from it. With her, this show is pretty much huge wosh fulfillment. What it does better than most other romances is character chemistry, and this especially stands out for Sorata and Shiina. The tension between the two of them is actually surprisingly engaging to watch, especially with Shiina’s incredibly blunt statemtns, and Mashiro being more than just yet another straight man for them.

Also, thsi show is concise. I remember how Nisemonogatari annoyed me with a similar set-up because it just refused to go anywhere with its endless dialogues. An even better comparison would be Denpa-Teki to Seishun Otoko, which also focuses on a guy taking care of a girl with mental problems. The balance between the dialogues is actually good here and the show actually does not drag itself out.
Rating: 4.5/8 (Good)

Some Quick First Impressions: Jormungand – Perfect Order and Sakurasou no Pet na Kanojo

by psgels, posted in Sakurasou no Pet na Kanojo, Some Quick First Impressions

Medaka Box Abnnormal

Short Synopsis: Our lead character fights a bunch of strong characters.
Hmm, I just realized a very big danger for Medaka Box with this episode. I mean, the reason why I liked the first season was that it went from a perfectly normal school series to over 9000. In this season, though, I fear that it’s just going to be nothing but these over the top fight with nothing to contrast it with. Especially because this episode introduced your typical cliched gang of rivals that Medaka probably all has to fight at some point, and they all probably have some kind of gimmick. The problem with that is that it grows old after a while. Will the creators be able to keep all these fights interesting? How will this show avoid that formulaic path that it’s dangerously close to now? Will there be more to this than just fighting? Take for example the girl that was shown in this episode: the way in which she talked in numbers was nice and all… but that also was her entire gimmick. Beyond that the fight wasn’t really that interesting.
OP: Generic opening with the upcoming characters.
Potential: 70%

Jormungand Perfect Order

Short Synopsis: Our lead character sells weapons.
Jormungand’s biggest challenge will be managing its characters. The plot is bound to be interesting: this episode showed that with the central focus being weapon dealing. However, that will be a big waste if the characters just all look the same. This episode made a good start by finally showing Koko as an interesting character, but there still is a lot to do for this show, because the side-characters nearly all have the same personalities. On top of that this episode finally introduced a major villain (or at least it looked that way), and her personality is like all the other female characters, only more extreme. This lack of variety really bugged me in the first season, and I really hope that it will be handled better in the sequel. The best thing would be to just have a select bunch of snarky characters, while making the rest set themselves apart in completely different ways.
OP: I don’t really like the vocalist in this song, but it does serve as a rather strong opening for each episode.
ED: Bit of a random use of a piano, but the effect is nice.
Potential: 75%

Sakurasou no Pet na Kanojo

Short Synopsis: Our lead character gets to take care of a cute girl.
Well, there you have it. There is a lot of bad stuff in this premise. The show is riddled with fanservice. There are lots of cliched characters. The characters are not ashamed to be annoying, especially when it comes to fanservice… and it is really well delivered. I mean, it really shows that there are talented people working behind this. The direction was far from what you’d expect with these kinds of romance series: the characters were really well portrayed: they were full of energy and the direction is full of these small details that bring the characters to life. Think of the subtle movements of the various cats in this series. All the characters in this show have presence, and even though the nudity gets incredibly forced at times (I mean, this is a premise about a guy who lives together in a mansion with two girls who have no sense of shame), but the way it’s delivered is something else, and makesimpact. Also, I feel that JC Staff are currently quite underrated. Sure, they make some crap, but there are some very good animators among them. They really showed that with this episode where with the right director, they can really breathe life to characters in ways that most other shounen romance fail with their too restricted movement. In a way, this reminds me of Denpa-Onna to Seishun Otoko, but better and actually much less annoying.
ED: Very nice artistic direction. Shame for the dull song.
Potential: 80%

Kamisama Hajimemashita – 02

by psgels, posted in Kamisama Hajimemashita

This is something I could only dream of: two Akitaro Daichi series airing at the same time. For those of you who don’t know: he’s pretty much my favorite comedy director. For the past years he has only worked on short series with 5-minute episodes (or 2 minutes, in Poyopoyo’s case), but finally it’s time again for him to handle a full fledged show.

And yeah, this season has a lot of comedy and a lot of romance. And in those areas, it just stands out as the best. It’s a simple show, but what it does it does really well. Akitaro Daichi’s style also is more than obvious: the way he uses his cameras to simulate movement when people are running, and the way he creates energy by having characters talk really fast and get right to the point are just awesome, and here it’s no different. The voice acting is also excellent and the voice actors manage to deliver in quite a few different ranges.

By far the best part of this show is the chemistry between the different characters. This is utterly hilarious in the way they just keep teasing each other. But also, this series knows when it goes too far. What I really liked about this episode for example was that when Tomoe went too far with his pranks, they talked with each other to sort things out.

Now, this episode was not as good as the first episode, which really did go all out. What I did like is how it subverted the “bad boy” cliche: you know, the bishie who is abusive and yet somehow the lead female starts falling for him. In this case, she didn’t and very clearly dumped him because of that behavior. And of course, this guy also meant to poke fun at a lot of other stereotypes, which worked quite well. It’s really good to finally see a show that makes idols look completely ridiculous.

And well, first there were Lupin and Zetman, now Kamisama Hajimemashita. TMS are really busy reinventing themselves in this year. I mean, they were behind some of the series with the most unique direction this year, which is especially impressive considering they clearly don’t have a big budget, or cleanly polished animators. Kamisama Hajimemashita is helped with Akitaro Daichi’s direction, but even taking that into account the poses of the different characters are full of creativity, rather than having the characters move the same over and over again. It may not be the best looking series of the series by a loooong shot, but on the other hand, this show tends to ignore a lot of conventions when it comes to animation, which is nevertheless quite refreshing.
Rating: 5/8 (Great)

Some quick first Impressions: Chousoku Henkei Gyrozetter, Liche Ligtht Club and Kamisama Hajimemashita

by psgels, posted in Kamisama Hajimemashita, Some Quick First Impressions

Chousoku Henkei Gyrozetter

Short Synopsis: Our lead character just got his driver’s lisence.
Before you write this off immediately: this series is written by Dai Sato, directed by Shinji Takamatsu, and has its music composed by Naoki Sato. There’s talent behind this, yo. So did they actually use it, or did this become the mother of all sell-outs? Yeah, pretty much the latter, this was basically just a glorified car commercial whose only merit is its ridiculous premise. I mean usually with these kinds of mecha series, it’s relatively easy to suspend your disbelief because you know, they’re giant humanoid robots. In this series you have 8-year-olds driving cars like they’re pros. Yes, it’s as hilarious as it sounds. You also have to love the scene at the end of the episode, in which the big bad guy looks over his arsenal of identical evil cars, and they all start glowing with these evil head-lights. The rest of this episode was incredibly bland by the way. I wouldn’t bother with it.
OP: Cheesy shounen OP.
ED: Who found it a good idea to rip off the Precure EDs with robots!?
Potential: 10%

Liche Light Club

Short Synopsis: Our lead character kidnaps innocent boys.
Aww. I compiled my preview before finding out that this would just be a 2-minute short with minimal animation. You know, another one of those really bad flash shows. It’s a shame because with a full release this would have made for a killer anime. In its current form… it degenerated into bad SM-jokes. This is supposed to be a horror anime, but it exchanged all of that for jokes that all fall flat. It’s also got waaay to many characters for just episodes of two minutes. There were like 12 different characters, all of them had to be included with their own joke (which by the way also was their only defining character trait). So yeah… this one definitely should have been handed to an actual animation studio.
Potential: 10%

Kamisama Hajimemashita

Short Synopsis: Our lead character meets a supernatural bishie
Yes! Yes! This is more like it. I watched this right after Tonari no Kaibatsu-kun, and this episode just was better in every way. Fiunally, after such a long wait, a genuinely good shoujo romance has appeared. It’s about time. Akitaro Daichi‘s directing is as delightful as ever. And really: I already found Tonari no Kaibatsu-kun’s first episode to be quite funny, but this episode just blew it out of the water with its jokes, and it had me giggling uncontrollably through the entire episode. But what’s even more impressive is how well this was all combined with the drama: this show can go from funny to serious and back in an instant, to the point where there were quite a few scenes in which I was both laughing and feeling sorry for the lead female. The animation is also quite interesting: it’s simple where it needs to be, and fluid where it needs to be. This allowed the animators to create a very dynamic-looking series with quite a small budget.
OP: Quite a typical OP with so many close-ups of the lead female. Catchy song, too.
ED: An ED that actually flows quite seamlessly with the end of the episode. Been a while since we saw one of those, and it helps that it’s a pretty good song here.
Potential: 90%

Uta Koi Review – 84/100

by psgels, posted in Anime Reviews, Uta Koi



Anime is a commercial medium. It has to be catered in a way in order to attact sales, so concessions have to be made with the premises that get adapted. With that in mind, there sometimes just appear series that make me really glad that they got made, while avoiding all this. Uta Koi is one of these. It’s based on a manga that wasn’t even officially published at the beginning. It’s about freaking poets in the 10th century. No marketeer in their right mind would usually pick this up immediately, and yet the anime of Uta Koi has been made, showing that yes: we can still get things that aren’t catered in any way.

And really, Uta Koi is such a fascinating series. Very rarely we see series that also end up strengthening other completely unrelated series. This show attempts to show the mindset of famous poets as they wrote the various works that were used to compile the famous collection of 100 poems. Yes, the same poems that were used in Chihayafuru. This series gives such a wonderful background to all of the poems that appear in that series, adding even more depth to them. One episode in this series is also dedicated to the author of Genji Monogatari. It’s such a wonderful opportunity to see something about the people behind the stories for once, making this show without a doubt the most unique series of the entire year.

Now, as for the actual execution, there is also something interesting going on, plus a number of things that take a bit of time getting used to. Most notably the animation is quite bare-bones: the character-designs here are very intricate and detailed, but the downside of this is that they’re very hard to animate, and the budget for this series is not big at all. This leads to great drawings that move around really akwkwardly, and that sometimes don’t move at all. On the flipside, this series is wonderful in the audio department. Voice acting is top notch and the huge cast of characters are all very well delivered. The music also is really good and fits the romantic setting perfectly.

Now, Uta Koi is a collection of stories: every episode tells a different one, sometimes even two, so this show does not have much time to dedicate to each of its characters. Some of the characters end up forgettable this way, and it does have a tendency to get a bit cheesy in its worst stories, but there are also more than enough characters that make an impact. It’s not a series that thrives on hard-hitting storytelling, because the animation simply is not good enough for that, and a lot of the stories are strangely focused on forbidden relationships. It’s biggest strength is definitely how well it provides background.

But it’s nevertheless an excellent view to how life was in the upper classes in those days. Being a woman basically sucked, and this series has many stories dedicated to that, but also focuses on how these women found their inner strengths. Court politics also are very much present in here, not to mention that one episode in which it deliberately takes the piss out of everything it stands for. If you’re looking for something with historical depth and don’t mind a lot of awkwardness, then this is a fine choice.

Storytelling: 8.5/10 – Episodic, but very well laid out, moving though time across various poets.
Characters: 8/10 – Huge cast, so there are a number of forgettable characters, but also a bunch of great ones.
Production-Values: 8/10 – The animation is having a lot of trouble and looks awkward. The music and voice acting are brilliant though.
Setting: 9/10 – An utterly wonderful look at poetics of 1000 years ago and the people behind famous poems and stories.

Suggestions:
– Chihayafuru
– Genji Monogatari Sennenki
– Aoi Bungaku

Uta Koi – 13

by psgels, posted in Uta Koi

Ah, of course. With the series going through time like that, the only logical story to end with would be the one about Fujiwara no Teika, the guy who composed everything. A very fitting end, both in its themes, and execution.

Also, with this the creators found a nice explanation of why al lot of the poems are about forbidden relationships: Fujiwara no Teika was in one himself. It’s of course debatable how true to history this was, but for the series Uta Koi it fits perfectly. It’s great to finally see that annoying guy who kept making the most bizarre cameos in each episode to have a bit of depth, and to show an interpretation of what his life was about.

What’s also interesting is that the animators actually tried to have some good animation, at the point where Teika and his first love have their big moment. It’s interesting to see in an animation that was otherwise filled with jerky animation and still frames to really create a dynamically moving scene like that. Okay so it again had budget issues, but it’s the intent that definitely was appreciated.

Overall: great show. Please make more series like this. And now it’s just a season’s wait for Chihayafuru 2.
Rating: 5.5/8 (Excellent)