Category: Finished Series: Comedy

Interesting, it’s quite possible that out of all the shows that will be ending in a few weeks, Ooedo Rocket will have the most unpredictable ending when it comes with a few nice twists this episode. While the final two episodes for both Bokura no, El Cazador and Toward the Terra are promising to be awesome, I do somehow know what to expect (and let’s not talk about Claymore, which will probably end in the most predictable way). Some of the new twists were hard to follow, though, especially the ones at the end of the episode. Apparently, Mizuno-sama has ordered Torii to order Kagiya and his daughter to construct another rocket. This one, however, isn’t for going into space; it’s artillery. Torii explains a few things, but Norio Wakamoto’s voice is among the most difficult to understand amongst voice-actors, despite his manliness. I assume he wants to fire to the other side of the ocean, but why? Nice cliff-hanger by the way. ^^; And Akai! Here I thought that he’s been busy with some cunning plan to get revenge on Seikichi, and all he did was sit in a tent and do nothing. I LOVE his new look as well, and it seems that he’s finally getting back into action with the next episode, as we saw him hiding behind Kagiya’s rocket at the end of the episode. That has to mean something! The rocket also gets an interesting development: the blue monster from the sky comes, right before the official launch and blows the thing up! I loved how Tetsuju was near it, and the question remains: what happened to it? Tetsuju was found near the rubble, but there’s no sign of the Blue monster. Not even a shot of it escaping. What also surprised me: the thing now has the same eye as the guy it took it from. Could it really have merged with Tetsuju with that blast? By the way, does anyone know his voice-actor? I think I spotted another reference to a different anime when he suddenly put glasses on. I’m really curious about the final two episodes, because they’re actually got so much potential. Heck, I’m not even sure if Sora is going to go into space or not. This episode showed that the rocket design remains buggy, so I wonder whether such a large construction will actually launch. Both Ginjiro and Akai have some kind of unexpected role to play as well. Overall, it’s going to be fun. :)]]>

While the previous episode was the big climax for Shunpei and Onui, this episode was all about Ginjiro and O-Ise. It started out serious, so I began to worry whether this episode would deliver or not, though these worries weren’t necessary at all. The more it progressed, the better this episode became. 🙂 Ginjiro indeed has decided to stay away from Seikichi, because he still feels that he won’t forgive his betrayal. Instead, he’s been wandering around aimlessly and perhaps unconsciously returned to the place where he used to fight in the war (see episode three for this). It seems that after the war, it was haunting him so much that he attacked random children and nearly committed suicide. The thing that saved him: Seikichi’s fireworks. That quite nicely explains why he stuck with everyone for a couple of years. He then runs into his former commander, who has turned blind in an accident. He puts up an act of taking care of parentless children, though Ginjiro quickly notices that he’s involved in some shady businesses, so he leaves. Most of the episode, though, resolves around Kinshiro, who sends O-Ise and Tenhou (and Tetsuju as well) to check out some strange rumours, considering this former commander. I suspect that O-Ise got interested when she heard his name, and I suspect that this is also somehow good for the production of the rocket, though I didn’t exactly catch why. If I had to guess, then a bunch of rebels seem to have stolen the gunpowder that was meant for the rocket. The highlight of the episode was the fight at the end, though. Battles in Ooedo Rocket have always been excellent, and this is no exception. It’s great to see the couple of Ginjiro and O-Ise together again, and it’s nice to see that Ginjiro gets saved by fireworks yet again, when he’s forced to battle the blind guy in total dark This time, though, the fireworks came not from Seikichi, but from Tetsuju, though. ^^; In the next episode, we should see the climax really starting, according to the preview. I’m having high hopes for that episode, at least. It would be awesome if the creators put lots of comedy in it, and didn’t just focus on drama, though it’ll definitely be interesting to see how the wooden rocket fares into space, and how the Akai-problem will be solved. Seriously, that guy is up to something; I just know it!]]>

Now THAT was an awesome episode! I thought that the previous episode could very hardly be toped, but I think the creators actually did it! It’s almost like everything about this episode is perfect: both Genzo and Tetsuju get a minute to be as hilarious as usual, Sora and Seikichi weren’t the focus of the episode, but they were incredibly fun to watch, the windows and Youtube-parodies were utterly brilliant, the love potion was hilarious and most of all: Shunpei and Onui were so awesome together! Basically, the main plot is about Shunpei, accidentally using another one of Hiraga’s inventions: a love potion. Any woman who sees him, falls in love with him. This leads to hilarious results, as O-Ise calling him “Onii-chan”, Tenten trying to dress him up into various outfits, and Kagiya, trying to woo him with a pair of trousers. ^^; This, however, was just a way to develop his relation with Onui, since she’s the only one who isn’t affected by the potion, being a dog and all. Even Sora falls for it in the end. I like how this anime already assumes that the viewer has understood that Onui is a dog. Anyway, we also finally get to see the reason why she turned into a human: she used to often play with Shunpei, hence her crush on him. To make things even better, it seemed that Shunpei had already figured out that that dog and Onui were the same person. I just wonder… why the heck did Tetsuju recognize Onui when she was in her dog-form, trying to save Shumpei from his fate? And regarding the main plot, Genzo discovers that the building-time of the rocket might take a bit longer than expected, and that at this rate, it’ll only get finished when Seikichi and Sora have become way too old. For that, Hiraga assembles an army of cats to help them. In the meantime, there is still no sign of Akai anywhere, so I’m really wondering what that guy has been up to. I wish that episodes like these could continue forever, but I’m afraid that the plot is about to kick in again. I really wonder what the creators have in mind for the climax, as they must want to try and surpass the climax in episode 20. The best thing would be to not lse the humour in the process. There haven’t been many comedies with a good ending, and even though Ooedo Rocket spent more time than average on its plot-development, the fact still remains that it’s much more fun to see the characters just interacting. Oh, and about the download link for this episode: it’ll come up soon, but Megaupload is currently being a bitch and refuses to upload it.]]>

Before I start with the usual episode, I’d like to share the following: Ooedo rocket – 19 Ooedo rocket – 20 Ooedo rocket – 21 For some reason, no new raws have appeared at all on Tokyo Toshokan, so Kallen requested these. It would be great if someone would host these on a torrent and submit to Tokyo Toshokan, for those who can’t use Megaupload or don’t follow this site. It reminds me of last year, when the same happened to Sasami Mahou Shoujo Club. It’s such a shame that even the raw providers don’t bother with such excellent shows, though it’s great to see that Shinsen Subs are starting to release subs for this series, They’re up to episode eight already. Anyway, you don’t want to miss any second of this episode, as it’s one of the most hilarious of the entire series. It’s one of these episodes that are completely devoted to comedy and characters-development, while the story takes a step back, and it works perfectly. I finally realize that this is one of the few shows where the building-up scenes are better than the actual climaxes, just because it’s a delight to see al the different characters interact with each other. Basically, this episode revolves around a play, organized by O-Ise, probably to raise money for the rocket-developments. The entire thing looks completely improvised, and things keep screwing up, but people sure do have fun in the process!! Another interesting thing is that it’s a play, based on Kaguya-hime, but with Seikichi and Sora not in the main roles. Tenhou is the prince (she looks awesome, dressed as Seikichi, by the way), Hiraga Gennai is the farmer who digs Kaguya-hime up, Tenten is the leader of the government officials (combined with a grat accent), with Santa, Shinza and Rokubei as his underlings. Sora plays the voice of Kaguya-hime, and as for Kaguya-hime herself… *grin* Probably one of the biggest reasons behind the success of this episode was the following: Genzo returns!!!! Finally our hero gets his original form back, and the result turns out awesome. He gets to play the role of Kaguya-hime because of his feminine features as well, and I’m so glad that we finally see him as a normal human again. O-Ise also was brilliant in her role as manager, and not to mention her new costume. The several interruptions to the play also were hilarious. Both Tetsugyu and Kagiya try to intervene, with hilarious results. Oh, and Shinza falls in love with Genzo in the middle of his acting, and Seikichi blows up the entire stage near the end of the play. ^^; There also were quite a few subtle jokes in this episode. It again took another jab at modern technology with a new version of the ambulance, and even though people could communicate via earphones, I spotted a tin can, attached to a string at one point. ^^; There’s also a strange cameo from Gurren Lagann, who showed up at random times. I’m not really sure what that one was about. ^^;]]>

Aha! After Toward the Terra and Claymore Ooedo Rocket will also start its final arc with the next episode. That’s when Seikichi really is going to have to prove himself to take Sora to the moon. His problems with the police will be over now, people don’t have any more secrets for each other, the characters have been fleshed out, and pretty much all roles are set. It’s there where this anime is going to have to prove itself. I’m afraid to say it, but this and the past episode felt a bit weird, and the introduction of an arc-based plot wasn’t as interesting as the individual episodes of the first half, and the time they spent on building up. The next arc is going to have to prove whether this series succeeds or fails, as it can still go anywhere. It all depends on the character-development. The characters now have their bases built up nicely, now it’s time for the creators to use them. By far the most interesting scenes of the past few episodes were the ones that developed the characters, and not the plot. It’ll basically be Sora and Keiichi vs Akai, now that the blue monsters from the sky are dead. At least, I think they are. The first one definitely is gone, but the death of the third one doesn’t follow the golden rule of anime: unless you see a character die, he’ll live. Blue monster from the sky definitely is gone now; she had her arm ripped off and was in the middle of an explosion. Though the third one, the one who was more dangerous at that time, could have escaped. There’s got to be a meaning to that scene where he attacked the hunter who betrayed the others. Ghost Hunt showed that it’s possible: its final arc was definitely one of the best. It’s all going to have to depend on one thing: are the creators intending to end this series the standard way, or will they try to be original. Ghost Hunt’s final arc was great because it eliminated a main character for most of its time. Night Head Genesis had a great ending because the biggest threat was basically gone, which looks a lot like Ooedo Rocket right now. Ah well, there are either four or six episodes left. That’s got to be enough for this situation, but for now I’m sceptical. I’ll have to see this one succeed before getting too optimistic.]]>

Ah, a bullet-proof vest. That explains. In any case, the plot has been skyrocketing forward in the past few episodes. Already in the first five minutes of this one, Akai’s cover is blown, and he’s unmasked as a traitor. Hiraga Gennai gives the explanation as to how he managed to survive for more than a hundred years (some kind of immortality-potion?). His meddling also manages to make sure that everyone managed to escape from Torii, who also showed up afterwards. The only casualty is one eye, which gets ripped out by Blue Monster from the Sky. The rest of the episode focuses on Tetsuju. I’m not sure exactly how it happened, though one of his smaller bear-companions brainwashed him and made him think that the Third Blue Monster from the sky was his Kaguya-hime. Later, we see it dig up a humongous spaceship. I’m not sure where that one came from, actually. Was it the one used by Blue Monster from the Sky to get to earth? Then why was she so interested in Seikichi’s gunpowder? My favourite character in this episode was yet again Akai. Not only does his secret go out, he’s also accused of cosplaying. And despite the rather cold relationship the two of them have been having for the past episodes, it was really cute to see both Akai and Blue Monster from the Sky together, when they’re both in trouble. Later in the episode, we also see another fight between Akai and Ginjiro, and it was as great as always. ^_^ The thing is that there are still 7 episodes left, while the story could be resolved in two of them. What are the creators planning for a finale? So far, Ooedo Rocket has been definitely entertaining, but nothing extraordinary has happened yet. Could this have been saved for the final episodes? I do hope so!]]>

While the previous episode was all about the characters, this episode is all about the story, and its beauty lied in the different plot twists that we saw in it. While the episode was less touching than the previous ones, the plot twists were both wacky and shocking enough to make this episode worthwhile. In chronological order. Kinjiro can’t do anything in the open, due to his position, but he leaves a message on an on-line forum, telling about a secret doorway inside the prison (yes, an on-line forum). Kagaya and the others help him to get there. We learn that O-Ise wields a strange Yo-yo, Tenhou carries throwing knifes and Tenten uses a construction of strange pens as weapon. If I recall correctly, it was around that time that only Samurai were allowed to wield swords, and I must say that they’ve found creative ways to avoid this rule. In any case, they use this to save Ginjiro from Torii, after he officially abandoned them in favour of Sora. This is a strange one. The third blue monster of the sky runs into Tetsuju, and the two make friends due to his strange personality and affinity with gunpowder. I seriously have no idea what’s going to happen with the two of them, but I’m really glad to see that Tetsuju will be appearing more frequently. ^_^ Hiraga can walk! He appears to be ore eccentric than I already thought, by letting himself get carried around by his “concubines”. He sure gave both me and Ginjiro quite a scare when he revealed this. He also seems to be an acquaintance of Mizuno. Why this is useful, we’ll learn in the next episode. Tenhou, Tenten and O-Ise spy around in Akai’s house, and find out that he’s affiliated with the blue monster of the sky, and they recieve clues that he might be the one after the serial killings. While he’s been on fire for the past few episodes, this twist should make it more difficult for him in the next episode. The episode ends with quite a nasty cliff-hanger. Sora seems to have accepted that she doesn’t belong with Seikichi, but she eventually agrees to escape from prison along with him. Akai then shows up, and then pretends to help the two of them escape, only to aim a freakin’ gun at Seikichi when he doesn’t look! The question is obviously not whether Seikichi will survive or not, due to one of the golden rules of anime, which says that main characters don’t die, unless it’s the final episode, but how he’ll survive. That gun had enough time to be properly aimed at Seikichi, Sora wasn’t near enough to protect him. What I suspect what happened was that Akai probably didn’t aim well enough, and only managed to hit Seikichi’s arm, leg, or any other body-part that isn’t fatal. I also loved the small parodies with Tenhou and Tenten, sitting in the internet-cafe. It’s nice to see that Madhouse actually put more of a meaning behind its Death Note reference than Lucky Star is currently doing. That line “Shinigami only eat apples” was meant to confuse L, which is exactly what it does in the context in which Ooedo Rocket uses it. ^^; On a side-note: gg has suddenly released episodes 1 to 4 on Tokyo Toshokan. If you’re not following the raws, then go and check them out, and I’m glad that this series is being handled by such a quality-fansub group.]]>

An excellent aftermath to the already excellent previous episode. Not only does Sora get captured and put in jail, Ginjiro’s identity also gets revealed. Nearly every scene in this episode was memorable somehow, and I’m looking forward to seeing this anime go towards its finish. It seems like Seikichi and the Townsfolk do see Sora as a monster, even after they saw her transform. It’s only after she’s captured that their minds get back on earth again, because they direct all their energy at getting angry at Ginjiro for working for Torii. Ginjiro himself also wasn’t too happy with this, as his entire plan to keep secrets to everyone failed miserably. Thanks to Akai, Seikichi has now officially become a fugitive. He managed to escape after all this in quite an amusing way, but Akai is now actively looking for the guy. I loved how later, Ginjiro managed to bring him back to earth. Another interesting thing is that he’s beginning to get friendly with Blue-monster-from-the-sky (she still hasn’t chosen herself a name?!). This episode also showed that the third blue monster from the sky does indeed have a mind of its own, and it’s actually searching for Seikichi’s rockets as well. Whether or not it also has a human form isn’t certain yet. Oh, and Anui confirms that she is, in fact, a dog, when she manages to find Seikichi, based on his scent alone.]]>

Haha! This episode is not to be missed, as it’s excellent in both the comedy as the drama-department. It has been a long time since I laughed this long and hard when Kinshiro ruined Akai’s attempt to arrest Seikichi., using modern photo-cameras and a strange version of a computer. The rest of the episode, though, was rather serious, and the first drop of blood has been spilled. I was quite surprised when it happened, but apparently, this show does have the guts to show blood. I wonder how much more of this we’ll get to see. On the graphical side, things looked great, by the way. It’s clear that this would be an important episode for the creators. There was one development that stood central in this episode: Seikichi finding out about Sora’s identity. To make things even better, he attacks Sora in beast-form, while protecting blue-monster-from-the-sky in human form. The next episode is promising to become a great aftermath, since he’s got to do some explaining to her. ^^ Another rather interesting thing happened: another blue monster from the sky sprouted from the blue monster from the sky. Not only that, but her physical abilities seem to be way higher than those of the ones we’ve seen before, judging on how she (at least, I assume it’s a she) easily took care of Ginjiro’s henchmen. This raises some interesting questions: is this monster the same as the one we saw before, or does she also have a human form? I’m also still not sure whether to classify the blue monster from the sky as “evil”. After the previous episode, I started to feel a bit compassion for her, despite the huge number of women she killed, but in this episode she showed that she showed to be quite merciless when she tried to take out Sora by making Akai reveal her secret in front of Seikichi. What she didn’t realize, though, was that this incident will only bring our couple closer together.]]>

Today’s focus was rather difficult to really pinpoint, as there isn’t really a character who asks up most of the attention. Central in the episode, though, was a new experiment by Seikichi and Shunpei: what happens when the rocket is launched from a great height? Shunpei also tweaked the rocket-designs a bit, so that the exhausts would move when unbalanced, to keep the rocket in a straight line. Of course, things go wrong when Akai shows up. ^^; Also, I finally noticed something. Notice the jackets that people wear in the Op, among other places? The ones with the random characters on it? These are actually the first hiragana-characters of the individual names of the characters! Okay, it’s an unimportant detail, but it’s nice to see that the creators spent so much time on this. One thing I loved is how Santa, Shinza and Rokubei used a steam powered engine that Gennai invented to make Leonardo Davinchi’s flying machine take off into the air. Take that, brothers Wright! ^^; Don’t you also love that Seikichi’s reaction when the finds out that there is no air in space merely comes down to “I don’t care”? Still, the major appeal of Ooedo Rocket remains the support that everyone’s giving to Seikichi and Shunpei. They definitely are not alone, and everyone around them helps them as much as possible, which all makes for a very fun series. In this episode, Santa, Shinza and Rokubei also try to prove themselves with that flying machine of theirs. We also see Ginjiro and his friends help to the best of their ability, in order to get a kite with Seikichi, Shunpei and Akai on it back to the ground, after it went out of control. There wasn’t much of the blue monster of the sky in this episode. She spends most of her time in bed (ripping it apart in the process). I do wonder how she’s going to be for the rest of the anime, especially now that matters have become personal for Akai with the inclusion of Seikichi. Ooedo rocket is just one of these anime that is fun to watch, when it comes with a great combination of characters, music, story, detail and creativity. Okay, it’s not the best series of the spring-season, but definitely one of the better ones. :)]]>