Short Synopsis: This episode shows how Arashi and Hajime met each other.
Episode Rating: 7,5/10 (Enjoyable)
I had trouble choosing between this series and Saki to blog. In the end, I chose not to blog Saki, for two reasons:
– It’s being directed by the director of freakin’ Dragonaut.
– With a concept like that, it’s always going to remain in the shadows of the incredible Shion no Ou.
Natsu no Arashi has wit. It’s cast is a nice mix of children and adults and it’s really something different this time. It’s the first time I’m going to blog one of Shinbo’s series, and I’m glad to see that the guy is finally trying out something new and interesting again, since his past works just failed to impress me. Especially Sayonara Zetsubou-Sensei was just Pani Poni Dash II, no matter how much I liked how it started.
I’m also surprised at how underrated this show has become. I’m finding it pretty enjoyable: it has characters with an identity, albeit some of them can become a bit annoying, I admit. But what I like about this series is how it combines slice of life and comedy with mystery. That’s not a combination you see often, and it works pretty well: on one hand this can create very interesting situations, like how in this episode Sayaka’s talents as a con artist got rid of the muscular guy who kept bugging them. And on the other way, I’m getting really curious right now what’s up with Arashi: why is she a ghost? why are people after her? who is she anyway? Who is this Sogoru-guy? Characterization is usually one of Shinbo’s weakest points, and yet here he proves the complete opposite.
I think that the reason for that is the addition of the director of ef and the guy behind ef’s series composition, who manage to balance out Shinbo’s crazy style. It’s an interesting combination without a doubt. There are no signs that this is going to turn into something overambitious like a tale of melodies, so I’m pretty interested in this series.
And of course, the art direction really rocks.
Ooedo Rocket (also known as Oh! Edo Rocket, it seems) is one of the more neglected series of the past spring-season. I have no idea why, as it’s been directed by the director of Full Metal Alchemist. You’d think the fans would want to see his next work. I’m glad I checked this series out though, as it’s without a doubt the best comedy-series of the season. And not only does it make you laugh for nearly every single episode, it also has something that/s very rare in other comedies: a compelling plot.
Ooedo’s power lies in its characters. Every single one of them is fun to watch and they literally come in all kinds of different sizes. Each one has his or her own quirk and they can actually be funny without making a joke at all. They’re all far from stereotypes, they feel like real characters, they develop a bit, and they’re a delight to watch when they start interacting with each other in just a daily manner.
This is enough to make a good comedy. What makes Ooedo a great comedy is how it adds so many details to strengthen the series. An example is its setting: the series explores fireworks in the Tenpou-era (between 1830 and 1844), and yet people have televisions, toasters and even internet and nobody seems to find it strange, even though these references only appear occasionally. And let me specifically mention the music. It’s not your standard soundtrack with all kinds of jazzy tunes, but it works perfectly. For me, each time it started playing I got pumped and exciting for the new scenes.
And then there’s the plot and the drama. The drama is for me the weakest point of the series, basically because the characters are so much fun to watch when they’re quirky that they become a bit disappointing when they’re serious. The plot, however, makes this series shine. The main character, Tamaya Seikichi (the son of THE legendary fireworks-maker) is basically asked by a cute girl to build a rocket to fly her to the moon. A large part of the series actually sees him, testing out different designs for a rocket to try and figure out how to do it, which is quite interesting. In addition to that, there are numerous side-plots that are explored, and the characters actually have the talent to be both funny and develop the plot at the same time. Most other anime only go to comedy when there’s some kind of aftermath or intermezzo where the plot doesn’t really matter that much.
Then there’s also the interesting point that the dramatic climax of this series is at episode 20, instead of twenty-six. At that point, I was beginning to fear that the final parts of the episode would focus way too much on the drama, but to my surprise, they didn’t. The final episodes are basically the characters having fun while the plot develops, combining both perfectly, with a sort-of satisfying ending.
I’ll admit, Ooedo Rocket isn’t consistently funny. Some episodes are utterly hilarious, while others are a bit less, and there have been comedies where I laughed harder. But because of all the extra things it added, it turned into one of the more successful comedies out there. A definite recommendation if you’re looking for a fun series.]]> 
I first wrote an entire entry about this episode and about how I loved it, but as I finished it, I decided that this episode doesn’t need an impression. This really is one of those episode you need to see for yourself and don’t want to get spoiled about.
TAMAYA!!!]]> 
Torii definitely redeemed himself in this episode! I often saw him as the most boring member of the cast, but the scene with him and Ginjiro, wrecking up the missile we saw in the previous episode was hilarious, especially when combined with the huge production-values of their fight!
And I must say, the past few episodes have built a very good base for the ending, showing that the creators knew exactly what they’re doing. Even though the storyline isn’t simple, they managed to make it feel as unforced and focused as possible, something only few other anime managed to do. That still leaves the question whether the ending will actually be enjoyable or not, but for now, I’m positive.
Basically, the worst thing you can do as a comedy-anime is completely abandon your comedy in favour of drama. That works rather disappointing, doesn’t it? For the final episode, there seem to be three threads in the storyline left: Akai’s revenge, Kagiya’s worries, and getting Sora in the air.
Especially the first one surprised me. I realy thought that Akai would hate Seikichi by now, but instead he went after the Blue Monster from the Sky, who has cleverly disguised her(him?)self as the member of the warriors whom she(he?) ate/absorbed. Kagiya also should prove to be interesting, and I wonder what role she’ll be playing in the next episode. But yeah, the real highlight is going to be launching that rocket. This series has build up for this rocket for twenty-five episodes now, it’d better end with a bang, one way or another.]]>