Kuragehime – 01



Ah, first impressions for those really late airing Noitamina shows are pointless. Over the course of 2009 and 2010, there has been only one Noitamina series that I didn’t blog: Nodame Cantabile’s Final arc. Apart from that, it really evolved into a top-notch time-slot over the past two years, in which just about every premise was creative, well thought out and varied. The sea creatures are really top notch this season.

I was looking forward to this series less than usual, though, but that all laid in the premise, which was full of things that are usually horribly abused in anime. While it’s true that this is the first series about fujoshi, series that focus on otaku are a dime a dozen, and I’ve really found that those shows, instead of trying to portray otaku, they instead try to glorify being an otaku way too much. Considering myself not really an otaku, there really have been very few otaku shows that I ended up liking. The same goes for cross-dressing: a lot of anime cross dressers are turned into some kind of fetish, or are just completely pointless in the series they’re in.

Still, my fears were completely wrong. Kuragehime is a series that’s full of life, and the comedy isn’t just funny: it plays around with a lot of other emotions. Basically, what I wanted to see in this episode was more than just a bunch of random jokes, but also a lot of character. This episode had its bits of drama, which really convinced me that this series will be more than just a bunch of random laughs. It introduced the lead character well, showing that it won’t have paper thin characters, and due to its slice of life nature, it can just stop at any random moment, avoiding Noitamina’s biggest weakness: its short length.

The thing I liked the most about this episode was its energy, though. It’s also really well directed, which always is a big plus. On top of that, I also loved how nonchalantly the creators introduced the cross-dresser in this episode. Most cross-dressers try not to get found out or something, but this guy just didn’t seem to care. I love how he is completely unlike any other anime character I’ve seen: straight-forward as hell, grown up, nonchalant, and someone who actually looks like he has a normal sex life. Really, since it seems like only 1% of all major characters in anime aren’t virgins, this really is a very potentially interesting guy.
Rating: ** (Excellent)
OP: Hollywood classics? Awesome!
ED: Interesting kid theme. A pretty nice song as well.

Shinryaku! Ika-Musume – 02



As for the series I’m not going to blog:
– Hakuouki ultimately remains cheesy and boring.
– Yosuga no Sora has actually some decent drama, but at the same time it also tries way too hard to be a harem.
– I’ve also decided not to blog Otome Youkai Zakuro, despite seriously considering this. In the end, I really could not feel any potential from it. It did well in showing the pasts of the different characters at such an early stage, but the second episode was pretty shallow in terms of its message about peaceful coexistence, and too many of the characters are simple stereotypes. The first episode really was excellent, but I fail to see whether the creators can add anything more than what was shown in these first two episodes.

In any case, I’m not yet 100 percent sure whether or not I’m going to continue blogging Squid Girl: if Kuragehime turns out awesome it will probably be swapped out. But I really wanted to try my hands again on blogging a pure comedy. I really don’t blog these kinds of shows often, and there are two basic reasons for that:
1. With most comedies, it’s impossible to predict whether they will remain fresh and funny through their entire airtime.
2. Quite a few of the good comedies are impossible for me to write about on a weekly basis. To take an example, one of my favourite comedies of 2010 is Gag Manga Biyori +. It was awesome in its hyperactive delivery, but I would have gone absolutely crazy, trying to come up with something to write for every single week.

Squid Girl has been the first pure comedy that fell in neither of those points since GA Geijutsuka Art Design Class, and I really want to give it a whirl. I’m really confident that this is a series that will remain funny for at least thirteen episodes: all of the jokes so far have been fresh and diverse. This series never bothered to repeat itself so far, and that’s a great sign. Usually you see great comedies that dull in after a hilarious first episode (take Otome Youkai Zakuro, whose second episode was significantly less funny than its first, even though it’s not a full comedy), but Squid Girl’s second episode was just as fun to watch as the first.

On top of that, the characterization is also pretty good here. The characters here aren’t a bunch of walking stereotypes: instead they are a bunch of normal people with some weird personality traits here and there: they’re all colourful, but they also know how to act normally. The titular Squid Girl meanwhile is very dynamic and lovable with her innocent curiosity. The way the creators have animated her also really brings her to life. Compare that to Panty and Stocking, in which the characters try way too hard to follow their own stereotype so that nothing else remains.

Anyway, about this episode: it was about half an introduction of two new characters (a life guard and one of Eiko’s classmates). Especially that life guard turned out to be a very good straight man for Squid Girl; he treats his job seriously, but not too seriously, like what many characters in his place end up doing, preventing his job from turning into some boring caricature.

The best jokes came from Squid Girl, though. My favourite parts in this episode were the point in which she tried to blow out the candles on her birthday cake, and the scene in which she realized that she forgot how to swim. I like how this series did well in showing her get accustomed to human culture, on top of portraying her like a little kid who’s trying to heckle people whenever she gets bored.

Diomedea is far from my favourite production company; heck, the best thing they made before this season was Kodomo no Jikan and that was about the only decent series I’ve ever seen from them. But you know what, in a season in which a studio like Madhouse has put out its worst performance in all of the five years that I’ve been blogging, I’m really wondering how they’ll pull this one off. So far at least, they’ve really succeeded in breathing life into Squid Girl, making it a very good adaptation (from the perspective of someone who has not read the original, of course).

Oh, and I also love how that hole that Squid Girl blew into the wall during the last episode is still there. Points for continuity.
Rating: ** (Excellent)

Some Quick First Impressions: Shinryaku! Ika-Musume, Otome Youkai Zakuro and Yosuga no Sora

Shinryaku! Ika-Musume

Short Synopsis: Our lead character wants to take over the world.
It’s awesome to see what a good comedy this turned into. It did just about everything right here with its first episode: it introduced the characters, played around with their characteristics, made sure that they’re not just based around one gimmick but have multiple sides, and it comes with a lot of different and clever little jokes. From watching this episode, I’ve gotten very positive about this series having enough inspiration for at least thirteen episodes: none of the jokes here felt really repetitive, and instead they were all building further upon each other, rather than this series bombarding us with as many random jokes as possible. The characters all have this thing that sets them apart, but they’re at the same time down to earth: essentially this is just a story about a squid girl who starts working with a bunch of siblings who run a bar at the seaside, and they actually have some pretty normal conversations in between the jokes, who both serve as building up the jokes and building their characters. I’m very positive about this, and this could very well be the best comedy of the season.
OP: Mostly foreshadowing a bunch of the jokes of the series, but again: it looks very diverse here.
ED: A decent ballad.
Potential: 80%

Otome Youkai Zakuro

Short Synopsis: Our lead character fights evil youkai.
With these first impressions: I don’t just look at the first episodes themselves, but also their potential, and that’s where my biggest issue with Otome Youkai Zakuro lies. I mean, this episode really was excellent, it had a great chemistry between the characters and gave an interesting spin to the youkai genre by just throwing all pretense out and just giving everyone the ability to see them, rather than trying to make one or two main characters feel special. Suddenly, we have a clash of different cultures that was definitely interesting to watch. However, I feel no potential from this one: the chemistry was based on a bunch of gimmicks that will become boring if they get abused too much. This episode gave no indication whether or not this series will use these characters optimally, or just dabble on with them. See, with series like Shinrei Tantei Yakumo, you could really see that the creators make use of every moment of their limited time to add more details to the story and characters. Otome Youkai Zakuro meanwhile dabbles often in useless comedy that, while funny, also can become a problem as soon as it starts getting boring. Still, my biggest fear for this was Chiaki Kon, but she really pulled off a great first episode here. This show can be a hit if it manages to use its episodes right.
OP: A decent OP with quite some solid visuals.
ED: Uninspired, both in the music and the visuals, which seem to be just copied from the manga.
Potential: 70%

Yosuga no Sora

Short Synopsis: Our lead character moves back into the town he grew up in with his twin sister.
God, not even more incest? As if we didn’t have enough of that already. Still, I have to grant this series this: they really seem to want to be doing something with the brother-sister love, instead of either parading around with how it’s supposed to be “daring”, or just inserting stuff for the heck of it: the incest is far from the biggest problem with this series, and works well enough because the brother and sister in question are well portrayed. the main problem with this series is that just about every other character isn’t. They’re all random harem stereotypes, all of them try way too hard and therefore are very badly acted, which only makes them more annoying. This series tries to force an entire harem around the lead male that has no business doing there, and it uses just about every cliche and superfluous plot twist to get girls to fall in love with him: there are a bunch of childhood friends, plus more “loves at first sight” than you can shake a stick at. Overall, this could have been a decent incest story, but it loses a lot of points for trying way too hard.
OP: A decent ballad to start the series with.
ED: I like EDs that show a bit of the past of the characters.
Potential: 35%

Some Quick First Impressions: Hetalia World Series, Senkou no Night Raid and Metal Fight Beyblade – Explosion

Hetalia World Series

Short Synopsis: Our lead character is the personification of a certain mediterranean country.
Healia, please. Start putting labels on your characters. This episode introduced a bunch of new characters of which I had no idea who they were. It’s of course nice to see more characters like these, but it’s a bit pointless if you don’t know what coumtry they represent. It’s not good to assume that everyone read the manga, studio Deen. As for this episode, it was funny as usual. I do hope that the episodes will get released a bit faster now. This isn’t really like a series as Marie & Gali, in which I’m really willing to wait multiple weeks for the next episode.
ED: Same as usual.
Potential: 40%

Senkou no Night Raid

Short Synopsis: Our lead character is an international spy.
Well, there you have it, A-1 surely is on fire this season. This episode was really well made: it had a lot of spy action, but it cleverly kept everything from going over the top, and instead kept everything down and true to the abilities of the characters involved. The dialogue itself was also excellent: well written and it actually kept the language barrier: the Chinese people speak Chinese here. That was also a bit annoying though, because I had no idea what they were saying. But still, when you compare this to Canaan it looks very promising. The characters have a few quirks and traits, but despite that they don’t feel out of place. This should prove to be a pretty nice spy thriller during the upcoming season.
ED: Interesting visuals, but a dull ballad.
Potential: 80%

Metal Fight Beyblade – Explosion

Short Synopsis: Our lead character wants to have the legendary spinning top of the galaxy unicorn.
It’s hilarious how poorly produced this series actually is. Cutting corners is of course one thing, but this episode was just so ridiculously cheap. Take the first half for example: it shows an arena full of fans as they watch a bunch of people battle with their spinning tops (yeah…). At one point, the creators simply forget that there’s supposed to be an audience and instead turn the entire audience in some sort of fancy wallpaper as the matches stop and the characters start rambling on about some kind of kid who disturbed their match from out of nowhere. The second half has the lead character of this series search for some sort of legendary beyblade. When he finds it (yeah, this all happens in the span of one episode; no build-up whatsoever) it’s followed by a huge amount of cheap-ass tricks to try and make the moment of a boy grabbing a spinning top from a wall look as epic as possible. I got a good laugh out of it, that’s for sure. But the thing that I’ve been wondering about these kids’ shows is the following: if they’re going to be cheap, why don’t they just recap some sort of kids’ show from the nineties? That’s going to be even cheaper, and it’s not like these kids are gonna notice.
ED: I could swear that the vocalists were on drugs when they sung this in.
Potential: -20%

GA Geijutsuka Art Design Class – OVA



Amongst the surprisingly good start of the Spring Season of 2010, GA also comes along to remind why I consider this to be the single best 4-Koma adaptation out there. This episode was everything that made the series so much fun to watch, and I’m really glad that the creators managed to release one more episode of it.

On top of being such a damn good comedy (the characters in this episode were just downright adorable in their quirks, and yet these quirks aren’t overplayed and don’t take control over their entire stereotypes), this episode also breathed so much life into the high school that the story is set in! The second half of this episode in which we see Kisaragi look around for people were really inspired. With high schools being so incredibly overused in anime, this was one of the very few ones that made me a bit nostalgic to my days in high school.

A large part of this episode was also about costume design, and again it was very inspiring and informative, as we followed Kisaragi find her inspiration. That was also one of the great things about this series: the characters already know how to draw. Instead, this series is all about how to apply this art: making it as interesting as possible.
Rating: ** (Excellent)

Hanamaru Youchien Review – 80/100




Here’s a slice of life series that’s slightly different from what you usually see. The lead character is really a typical lead character, but he’s an actual adult. The series takes place not at a high school, but a kindergarten. Add a whole dose of role-play to that, and you pretty much get the formula of Hanamaru Youchien. A fun and relaxing series. And as an added bonus, the characters are well written as well.

Hanamaru Youchien basically spends its time either role playing, or fleshing out the characters. The former is just fun: we get to see inside the imagination of a bunch of five-year olds and their crazy ideas, and all of the adventures that they go on are consistently enjoyable, carrying an air of homage and parody that the creators (both Gainax and its director Seiji Mizushima) are famous for. The latter actually succeeds in making all of the adults into actual characters rather than stereotypes and paper bags.

Especially Tsuchida, the lead character, is one of those rare examples of a typical male lead done right. While he can be a loser at times, he also has enough things that he’s good at, his character is dynamic enough to allow him to evolve, rather than staying in the same one-sided stereotypes. The side-cat is also excellent in their support to the main cast. We get to know the backgrounds and motivations of everyone, and why they become involved as kindergarten teachers. In the end, the adults in this series get fleshed out so well that they actually manage to trump the adventures of the different kids in the series.

The biggest problem with this series however is that it doesn’t know whether it wants to also have romance or not. The ingredients are there: the lead character has someone he’s in love with. she’s just ridiculously clueless and at the end they’re still not together. I mean, if you’re going to set up some romance, at least have the decency to not build a brick wall between the lead characters.

There’s also a bit of an annoying sister, but she only appears in two episodes or so. The rest of this series is light-hearted and down to earth, but still has this sense of maturity that contrasts really well with the younger kids. The drama that’s there is short and focused, and doesn’t come across forced or too dramatic at all, so this series both ended up delivering in its serious and funny parts. On top of that, you also have to love what this series has done with its EDs: every episode has a completely different one, with a completely different style, genre and soundtrack.

Storytelling: 8/10 – Varied, fun and adorable.
Characters: 8/10 – This show confirms why I keep advocating adults in anime.
Production-Values: 8/10 – Solid animation and cute graphics.
Setting: 8/10 – Not the most creative series out there, but creative enough to fill 12 episodes, and the kindergarten itself and the world around it is also well portrayed.

Similar Series:
Ristorante Paradiso
Yume de Aetara
– Bottle Fairy

Hanamaru Youchien – 12



So… for the ones who were hoping for a conclusion: there is none. As it turns out, the creators just decided to animate a bunch of chapters and just stopped when the episodes ran out. Seriously, it’s a bit of a bummer to see Tsuchida and Yamamoto still not together. In the end, Yamamoto’s cluelessness was really one of my two major annoyances about this series. The other was Tsuchida’s sister.

Nevertheless, when you view this as a random episode, rather than an ending, it was pretty good and well written. Anzu’s dream was a bit weird (especially since it contained the ONLY KISS in this series…), but the random character cameos were definitely interesting. The second half, while not wrapping anything up, did show a lot of new things about the characters (including on how Anzu’s parents ended up married), and Anzu also gave up on Tsuchida as well. But yeah, it’s a bit pointless to do all this build-up for an ending that’s never going to be there.

Still, I’ve been very much surprised by this series. I really started blogging it on a whim. The only reason for it was because the rest of the season was so incredibly dry. But it’s been fun. It’s certainly not the most enjoyable series out there, and the director has done a far better job at Ooedo Rocket in terms of light-heartedness. But for what it was, it was a very nice and enjoyable series.
Rating: * (Good)

Hanamaru Youchien – 11



Another episode that was not so much about the kindergarten, but more about Tsuchida himself and his attempts at hitting on Yamamoto, who still remains incredibly dense. Still, I have to admit that this episode impressed me with an actual reason for it: how she wants to devote all of her time to her work, so that she believes that she wouldn’t have enough time to properly invest in a relationship. That just put her one step above all other generic clueless leads.

There also were a ton of Anzu-jokes in this episode, but it’s interesting that they weren’t so much random, but instead just an attempt of her to cheer up Tsuchida after the last episode. On top of that, we learned more about Sakura and her job. Consider that this was the penultimate episode. My expectations really were that this series would fall apart with cheesy drama for its finale, but surprisingly this show has never been better than the past number of episodes.

Still, in the end I do want to see more anime about a subject that most romance series try to avoid: ACTUAL RELATIONSHIPS. Romance series seem to be all about the tease: trying to get the two lead characters to be together. What I’d like to see is a couple actually getting together early. You know? The main character already being in a relationship at the start of a series.
Rating: * (Good)

Hanamaru Youchien – 10



I keep advocating series, even slice of life series, to focus on adults. This episode showed one of the reasons why: alcohol. The drinking party has got to be my favourite arc of of Hanamaru Youchien yet. It’s episodes like these that aren’t just hilarious. They also show interesting new stuff about the characters.

Overall, this is something that I never expected at this series’ halfway point: ever since then, this series has just been getting better and better. Especially the past two episodes made up for the lackluster middle part. The great part is that Tsuchida is evolving. This guy really is your average loser done right, and it’s amazing to see what a little characterization can do. Despite the predictability of everything, I’m noticing that I’m actually feeling sorry for this guy, and like his colleagues would support these two getting together. That’s something I never really expected after finding out how incredibly dense Yamamoto was.

As for the brother: my first reaction when I saw him was: “god, not another one…”. And yet even the first half of this episode was great to watch. It’s a very interesting idea: a homage of such an overused thing as a school festival. That little part of drama was also surprisingly good: it’s just like a real kid for her to break down with so much pressure on her. That story ended up being a very nice story about family.

And then the ED, which also was among the best that this series has shown so far. I loved how the visuals and the music had completely different themes. I know that I often criticized this series when blogging it, but at this point, I’m glad that I picked it up. It’s nice and refreshing to blog something like this. It’s a great example of a series that actually redeems itself after a number of weak episodes.
Rating: *** (Awesome)

Hetalia: Axis Powers Second Season Review – 77,5/100



Okay, so it might be a bit pointless to write a review about a show whose next season is going to air in a week or two, but who cares? Comedy sequels very often suffer from a lack of quality, whether it’s from a lack of inspiration, a burn out of the best jokes, or simply from trying too hard, it’s rare to run into a comedy that’s as good as its original. Hetalia however, is one such series. It’s not the best comedy out there by far, but it knows what it is: bite-size chunks of international humour.

The series still is far from the funniest show out there; in this season alone, I can name eight series that made me laugh harder than what Hetalia had to offer. However, in its second season it’s become much more consistent when compared to the first season: every episode was guaranteed to get a chuckle out of me, and it didn’t waste its time anymore on the pointless sketches as the garage cleaning, and the most annoying character of the first season (Liechtenstein) Only made one very small appearance. The historical and cultural references throughout the series are still spot-on, despite the at first seemingly stereotypical portrayal of all of the different countries.

The weak point of this season lies in the gay jokes. There are way too many of them, and they’re just not funny. Well, to me at least, but I found that the awkward moments in which whichever two countries made these embarrassed facial expressions whenever something even remotely ‘cute’ happened get old soon. I don’t have anything fundamentally against gay jokes, I enjoyed them for what they were in Junjo Romantica, but here they just won’t work.

Reviewing comedy series of course is something very personal, since everyone has a different kind of sense of humour, but I do want to praise Hetalia for this: its subject matter. Remember how last year, a bunch of Koreans got offended because this series parodied it? It just shows how easily ticked off some people are, by simple and innocent jokes. This series opened up a lot of discussions on that matter, and I hope that it helped along to build a bridge, so that we can in the future simply make innocent fun of other cultures without having hordes of angry people condemn you to death.

Storytelling: 7/10 – Consistent, quite funny, though too many gay jokes.
Characters: 8/10 – A colourful cast of different personified countries, though don’t expect anything deep here.
Production-Values: 7/10 – Nothing special.
Setting: 9/10 – Spot-on historical and cultural references.