Okay, so this was a bit of an annoying cliff-hanger to close off the series with. Nothing was resolved at all. We’re just going into a 3-month hiatus, which will immediately start with the fight against Caster.
The rest of this episode was building up, and it’s clear that the creators are holding on to their trump cards for the second season. The dialogue in the Rider parts in particular were very good (by the way, I could have sworn that Rider was the Persian conqueror Iskander, but instead he turns out to be Alexander the Great).
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Overall this series had some flaws here and there, but despite that this was my favorite Type-Moon adaptation aside from about half of the Kara no Kyoukai Movies. I’m probably one of the few who actually liked the Tsukihime anime, but in the end that series is inferior to the setting and research of this series, and none of its characters come close to Rider’s. It’s just better in a lot of different ways.
For the next season, I do hope that Caster dies off quickly, because the caster duo has been the least interesting pair of the series so far. It’s all just too standard, the fights against him were boring, his hobbies of murdering children never really paid off due to the censorship, and this episode pretty much sealed the deal and the creators just gave up on him, turning him into a giant blob in order to at least make it a bit of a challenge to bring him down.
Rating: ** (Excellent)













Mercilessly killing innocent young boys is nice and all, but the Kayneth gore scene in this episode was by far the most effective gore scene in this episode so far. Gore isn’t just abut blood, but also about making it look very painful. Breaking a finger may not be as bad as stabbing someone in the heart, or hinting at a bloody corpse off-screen, but the way it was portrayed in this torture-like way definitely paid off.
In fact the entire part around Lancer, Kayneth and that wife of his was one of the best parts of this series so far, because of how much change there was compared to the previous episodes. Seeing a suddenly helpless Kayneth with his wife now taking over worked as a really good development. Lancer’s pas was also excellent. We didn’t really get to see exactly what happened to him, but the hints were plenty to give him some new depth, and add that to his strong convictions of not betraying Kayneth, and yes: these are three characters who improved a lot in this episode.
The development of Rider and Waver is more slow and gradual. These two have banter, and over the episodes they grow closer together. It’s the standard stuff, but it works. Rider in particular still has some great lines, and he’s really well acted.
Also, I keep praising series for picking settings that aren’t overused. So of course I really like how Lancer dates back from the Celtic legends. In fact, nearly all the servants come from interesting times in history. There is a lot of interesting stuff in history, so it’s great that there are series like this that aren’t just “let’s glorify our history”. While interesting, I want to see them glorify the history of other areas in the world as well.
Oh, and what I also liked was how this episode turned magic into a science.It was a clever little trick to set up a systematic map of the town’s river and its magic use. But are sewers in Japan really big enough to fit in Rider’s entire carriage?
Rating: ** (Excellent)]]>


And then there are these kinds of episodes, which are completely awesome, go against the childish nature of this series, are full of eye candy and are the full proof that Gonzo haven’t lost their touch. I mean like whoa, Gonzo. How much eye candy can you put into one episode anyway?
I know that I said at the beginning of this season that there would be no other series that would beat Guilty Crown in terms of graphics, but I’m going to have to retract that. The only thing at which Guilty crown is clearly superior is its character animation. Last Exile however just completely blew it out of the water in terms of background art and CG. Where Guilty Crown can’t get further than a bunch of sparkles here and there and futuristic backgrounds that all look like each other, the creators here stuffed a ton of different designs together. The vanship animation was just utterly gorgeous as well.
Also, Giselda. I’m not sure what it is about her, but she is wonderful in her role as supporting character, and this episode made her even better. She makes mistakes, but that’s the great thing about her: she’s not perfect, but the way in which she’s trying her best is just wonderful. With Fam being who she is, she needs someone grounded in reality. She actually realizes very much that Fam is very childish, but she accepts it and does the best she can to support her.
Rating: *** (Awesome)]]>