Last Exile – Ginyoku no Fam – 16

So, imagine that you’re a general of an army. There is one particularly nasty country who keeps attacking others and killing your own people. At this point you’ve finally managed to find the opportunity to form an alliance with other parties who were in the same situation as you. You’re in a meeting between all kinds of leaders in order to complete this alliance, and suddenly some random girl starts yelling things about love and peace and how you should not attack each other.

This episode showed that the final third of this show will very likely be its worst part. This is simply because the story of this show is pretty much its weakest aspect. Last Exile is about world building. Show us more of that! The big problem with this episode was that Fam wanted to bring peace to the world by bringing the grand race back. That’s nice and all, but that’s not exactly the right way to stop an evil psycho with a misguided cause of trying to get revenge for some leader who was killed. Fam just fails to see the core problem of what’s going on here.

The core problem here is that we have some guy exploiting the fact that there is a country that’s being run by a six-year-old. And the annoying part is that a lot of other characters DID figure this out. Focus on them! The part where they have to guide this young of an empress into getting control of her subordinates: that’s an interesting storyline. This show was actually well on its way to do that, until Fam stepped in and started to distract her with that Grand Race.

Children being stuffed into an adult setting. It’s not like that can’t work. However, they need to know their place and what they can do. The big problem is that Fam can’t do anything aside from piloting a vanship really well, and skill has been completely pointless for the past months. Heck, my favorite series, Mahou Shoujotai, is about something very similar: a girl of Fam’s age with very big pacifist ideals. The thing is, that Arusu actually tried her hardest to stop the conflicts, and she actually did stuff that mattered, not to mention that she was in a position and a world where she actually could.

The more I think about it… what has Fam actually done in this series? Um… she stole a bunch of ships, I guess. She saved this princess. In terms of politics however, she has been completely useless, and yet the creators keep shoving her in that role. And I think that that’s the thing with the production of this series: Koichi Chigira is a very good director, and you can really see how he breathes life to this setting and scenario despite the limitations. Kiyoko Yoshimura however just isn’t cut out to write original stories. You can really see that she just isn’t a good writer. The producers at Gonzo were most likely responsible for putting Fam into the position of the main character. It was her job of fitting a good conflict for her and making her a likable character. Instead, this feels like a story where she was just pasted into, without really considering whether or not she really fit. And it just feels like a very sloppy job at that.
Rating: (Enjoyable)

Mouretsu Pirates – 04

So, I was ready to sit back and relax while watching the next installment of the quietly paced Mouretsu Pirates. And then they come with this.

This was a very pleasant surprise: the entire episode was just nothing but a long string of dialogue, full of technical terms and concepts that explained what was going on, and what could be done against it. A ghost ship suddenly appeared, and what in particular caught my attention was how thorough the lead character was in trying to find something against it.

I like how you really need to pay attention to follow everything in this episode. This episode actually showed, against all my expectations, that the creators don’t consider their viewers to be idiots. And while at first this episode may seem to have a lot of techno-babble, it does all fit together with the rest of the theories that it has presented so far. I did not expect to get so much hard sci-fi in this series, but it’s a very pleasant surprise nonetheless. And on top of that this episode also delivered some really good characterization on the captain and vice-captain of the yacht club.
Rating: ** (Excellent)

Last Exile – Ginyoku no Fam – 15

Oh, this episode. It really had me torn about Fam. I’m not certain of this yet, but this episode pushed me much more into believing that this series has the “bad main character”-syndrome.

There was one particular line of hers that really stood out. It was at the beginning of the episode, in which she was crying about the fate of her hometown. I think the line was something like “why? We just want to fly.”

Um, why? Because you’ve been stealing the federation’s ships, obviously. This line really told me that Fam… doesn’t really understand the situation she’s in. She also immediately got cheery after that, acting like everything will be alright, even though a lot of people died here. The rest of the episode thankfully did show that she’s bothered with a lot of things, but she never could accurately describe them, nor find a good solution for this until the salvation came at the end of this episode. That’s the kind of mentality that is good for a side-character, but not a main one who is supposed to drive the storyline forward.She;s still an enjoyable character, but she so doesn’t fit this series. Compare that to Kuniko of Shangri-la: she knew that she was a leader, and she actually kept trying to take responsibility for it.

And the thing with this episode: the rest of the characters were really good here. Milia developed, we know why her sister betrayed her (neat idea to change the federation from the inside) and the dialogue between the different side characters continued to build upon the setting and story here. That all was really well done.

So in the end the problem is a bit with the marketing of this series. Shangri-La unfortunately bombed, so the producers didn’t want to go with an as colourful and strong main cast this time, and instead went for the safe option of having a bunch of cute girls at the center in order to boost the sales. And really: Giselda and Milia are just fine. It’s just Fam whose character just feels out of place here.
Rating: * (Good)

Mouretsu Pirates – 03

So, interestingly enough Tatsuo Sato decided for both this series and Rinne no Lagrange to just completely cut the romance. I like that. I believe that adaptations nowadays are too scared to make concessions, and instead either do them half-heartedly, or try to adapt a story, only to run into huge pacing problems at the end. Mouretsu Pirates in particular is different: it’s both faithful to the spirit of the original source, and yet it also tries to be itself. By cutting out the romance, it can focus on the other parts of the story. And I must say, it takes balls to drop the romance of all things. In most stories it just gets inserted for the hell of it and because it sells better.

In any case, after three episodes Mouretsu Pirates turned out to be a completely different series than what I imagined it would be. The big reason for that is that the main character isn’t even a pirate yet. Heck, if you didn’t know the title of this thing you could be fooled into thinking that this is going to be a show about a yacht club. Instead,, this show is carefully building its world and concepts.

The big danger of this is it becoming boring before the build up can pay off. Unlike Rinne no Lagrange, which immediately started off exciting, this show is really taking its time… and therefore isn’t the most exciting. The key for this series will be to remain interesting while it builds up. Right now it still is because of the details on the yacht club, but that can’t take forever.
Rating: * (Good)

Last Exile – Ginyoku no Fam – 14

And then.. this show suddenly comes with one of its best episodes so far. Talk about a pleasant surprise here.

The battle against Gracies turned out to be really well portrayed here. Heck, at this point it’s pretty clear than when Gonzo was forced to let go most of its staff, the one department that was not compromised was the 3D department. In terms of CG, these guys still are amongst the best of the industry. This episode didn’t just look absolutely gorgeous. The 3D animation was just stunning. It’s bizarre how rushed the 2D animation looks in comparison. And yet, at the same time I’m also really glad that they didn’t turn this into a full 3D series, and this series really knows what parts should be CG, and what parts should be normally drawn.

That giant wall that appeared in front of Gracies also was a neat idea. Oh, and this episode also explained why all pilots of Gracies are females: it has to do with their religion and culture. That’s also why people looked up to that girl last episode: she wasn’t only popular, but it was more like her position of being able to fly in the sky is a core part of the theology for these people.

I also liked how Fam&co were kept out of the picture here. Last episode seemed to suggest that again Fam held the key to getting out of this mess, but instead she just gave them a temporary advantage. Afterwards, the contrast between the huge battles, and Fam trying to get back to the Space Pirates’ home worked really well in this show’s favor. Next episode we should go back to that flying brick of an Exile, which could prove to be even more interesting.
Rating: ** (Excellent)

Mouretsu Pirates – 02

As for the series I’m not going to blog:
– Kill Me Baby just is too dull for a comedy.
– High School DxD is just another shallow fanservice fighting show.
– Symphogear’s second episode thankfully wasn’t as mind-numbingly stupid as the first episode, but it still forgets to build its characters, setting, and just about everything else and just degrades to boring exposition.
– I really bet that I wouldn’t mind Nisemonogatari nearly as much as I do now if the topics that the characters talked about were actually interesting. So why do these characters keep returning to talk about pointless fanservice?
– Amagami SS: hell no.
– The Knight in the Area just doesn’t live up to the standards of the sports series genre.

I’ve already pretty much figured out which series I want to blog this season. I only have one dilemma: I’ve got room for 7 new series this season. There are 7 shows that have so far aired that I want to blog. The problem is that Smile Precure and Black Rock Shooter haven’t aired yet. So if either of those turns out awesome, I may have to drop one of the other shos I’m blogging to make place for it. I doubt that it’ll be Mouretsu Pirates though, because it’s been quite a solid show so far.

I like that despite the silly looks, this show takes itself seriously. The characters here are well acted. They’re nothing amazing yet, but for a first episode they are solid and believable. From here on, the creators can start to play with them. This definitely is a series that keeps its trumps hidden for a while, because after two episodes the lead character hasn’t even decided yet whether or not she wants to be a pirate. This show has 26 episodes, so it can take its time for that.

This kind of pacing reminds me a lot of Tatsuo Sato, especially Stellvia of the Universe and Shingu: Secret of the Stellar Wars. In fact, this show feels like a bit of a combination between the two, as both placed a lot of emphasis on letting scenes play out between the different characters. I’m especially intrigued what will happen once the huge cast of this show turns up. Do I think that this show will become a classic, like what happened last season with Hourou Musuko, Madoka Magica and Levele E, though? That, however, I doubt.

This episode had some good stuff in it. While I’m not sure how a mere high school club got their holds on an actual space ship, the way it was operated had something whimsical to it compared to the usual older crews of these things, seeing as this is mostly done as a hobby. I also really like the relationship between the lead character and her mother, ad how the lead character is given ample time to make up her decision. The hacking… was done decently. At least they went further in detail than just “oh look! we’re being attacked! let’s try to type as fast as possible to make it go away somehow!”. The way that they explained how it exactly worked really helped here.

Right now I’m going to hijack this post a bit to compare my first impressions of the season to that of other Winter Seasons, because that’s the best way to show the strenghts and weaknesses of this season. I mean, last year, Winter was awesome in the way that it delivered three amazing series: the abovementioned Hourou Musuko, Madoka Magica and Level E. Winter 2010 had only one such series: Heartcatch Precure (let’s say now that for me to consider a series to be awesome, I’d rate it 85/100). Then look at 2009, which had a whopping seven of those series (Rideback, Erin, Birdy, Shikabane Hime, Genji Monogatari and Hajime no Ippo). 2008? Also seven (Gunslinger Girl, Hakaba Kitarou, Spice and Wolf, Porfy, Shigofumi, True Tears, Aria), 2007 had three again, but two of those were classics (Nodame Cantabile and Les Miserables), while 2006 had the awesome Ergo Proxy, Rescue Wings and Ayakashi.

Based on this, the minimum of awesome series for a winter season is around three series, ignoring 2010, which was by far the worst season I ever blogged. In fact, apart from that year every winter Season had me rank three series of 87,5/100 or above (which pretty much stands for exceptionally good to me). Do I believe that this season will do the same? Well, things can still grow of course, but at the moment I do not think that this season has the caliber for that. Only Natsume Yuujinchou seems to be heading into that direction, and that’s a sequel.

However, let’s then look at a tier below that. The kinds of series that may not be anything amazing, but still well executed, fun and interesting in their own ways. The tier that Mouretsu Pirates belongs to. Setting aside the best seasons for a minute (2008 and 2009, which really can’t be beaten), and look at 2011, 2007 and 2006: then they don’t really have much else to offer. 2011 had shows as Wolverine, Gosick and Yumekui Merry. Apart from that there was mostly bland stuff. 2007 had even less: apart from Msater of Epic, Nodame Cantabile and Les Miserables, ultimately only Rocket Girls and Deltora Quest were interesting, and even then only just. 2006? Um, Hantsuki and that animated musical Nerima Daikon Brothers.

That is the tier in which this season really delivers: we’ve got Rinne, Mouretsu Pirates, Aquarion, Milky Holmes, Another, Knight in the Area, Inu X Boku, Ano Natsu de Matteru, Dansei Nichijou and if you like Shaft there’s also Nisemonogatari. Not to mention the upcoming interesting arthouse project of Black Rock Shooter, which might very well also make this list. All of them are just a lot of fun to watch and interesting to keep up with, and that’s where the real strength of this season lies. And if I turn out to be wrong and one of those does end up awesome, then that only is a very pleasant surprise.

After all, if you look at the list of awesome shows I gave for each winter season: in more than 50% of the cases I did not realize that I would end up liking these series as much as I ended up doing. After only two episodes.

Rating: ** (Excellent)

Last Exile – Ginyoku no Fam – 13

Now this was a pleasant surprise, to see such a solid build-up episode from this show. These kinds of episodes are often in danger of just becoming boring for the sake of build-up, but they solved it really neatly with a great atmosphere, a small look into Gracies’ culture, and some good characterization. Plus I also really like how consistently the Russian was used here. The creators really put a lot of detail in this episode.

The characterization also really worked well here. The characters in this show are simple, but the acting for these guys is still quite genuine. Milia in particular stood out. It’s a nice touch that she can speak the language of Gracies (being a princess and all), and I think that this episode also showed off that she grew nicely.

Overall, after 13 episodes I do believe that this show is the worst out of the Range Murata Trilogy (Last Exile, Shangri-La, Ginyoku no Fam). It’s not so simple that one is just better than the others in every way, though. Last Exile had by far the best and most mature characterization. Shangri-La on the other hand had a really great plot that dwarfs the other two. At the same time I believe that Ginyoku no Fam is the best at describing its setting. This episode again showed that (also look at the detail that went into the various Gracien dishes, or how the people live there). The other two though, also had very good settings and to be honest, it does have the least interesting plot and characters of the bunch. Adding these together and it ends up as the worst, but even then I still quite like what this show has turned into. It’s just a series of franchises with a very high standard.

Just one thing… where are the men in Gracies…?
Rating: ** (Excellent)

Some Quick First Impressions: Brave10, Nisemonogatari and Mouretsu Pirates

Brave10

Short Synopsis: Our lead character meets a bunch of famous figures from the Sengoku Era.
Well, the good news: the lead female is better than her counterparts from Sengoku Otome and Hakuouki because she actually tries to act. The bad news is that she is far from out of the danger zone because she still remains a female who gets thrust in the midst of these famous Sengoku Era figures through really shallow reasons (this time it’s because she possesses some sort of really powerful thingy of doom). The good news about the males is that they are better than the other bishie show this season (Prince of Tennis), because they too actually remember to act. Again though they’re still pretty one-sided. This is really one of those shows that needs time to show whether it’s really going to be worth it. It’s got potential to grow and the characters were at least fun to watch, but this show will have to put a lot of time developing these characters, and not just rely on their famous names. Also, the lead female. She kept hopping back and forth from interesting to Mary Sue to trying to use her female charms a bit too forcedly.
OP: A bit of a bland j-rock tune.
ED: Was it really necessary to put auto tune on these vocalists?
Potential: 65%

Nisemonogatari

Short Synopsis: Our lead character talks a lot.
I want to like Shaft. I really want to like the way they use their storyboards, the way in which they try to show a lot with limited efforts. I really want to like how they use their creativity. But dammit they make it so hard! Nisemonogatari is exactly like Bakemonogatari; most of the things I disliked about it are still there! Or at least the flaws that can be apparent after only 1 episode: this episode did not have any budget issues yet, so thankfully I didn’t have to watch an incomplete episode. Still, my other issues with Bakemonogatari still stand. First of all, watching this episode didn’t feel like watching characters, but it felt like watching a slide-show over which a bunch of voice actors read a script. The first half didn’t have this problem, but unfortunately it returned in all its glory in the second half. The camera panned way too often to random scenery, random images, or the characters making weird poses that had no relation to what they were saying or doing. Second of all: what really happened in this episode? I mean, all it consisted of was Araragi talking to various members of his harem, and his sister. One of the other sisters, who this show apparently is supposed to be about, didn’t even make an appearance. Heck, this arc is supposed to be about this girl named “Karen”, but even she was completely absent here. All this episode did was restore the status quo and reiterate that Araragi is some weird pedophile (seriously, what the hell did he do to Hachikuji?). As for the dialogue: yeah, it had its witty moments and there was some nice wordplay, but it also had its moments where it just blatantly wasted time for the sake of wasting time or deliver bad 4th wall jokes. Now, Shaft does have this habit of airing troll first episodes, so at this point I can only hope that I’ve been reverse trolled and that the next episodes will have something genuinely interesting and new to offer.
OP: More staples. How are these still relevant?
Potential: 50%

Mouretsu Pirates

Short Synopsis: Our lead character is a space pirate.
Haha, it’s just as I hoped. This series may look silly, but the acting is very good here: it actually treats its characters like actual characters. The result is a mostly mellow episode that’s full of subtle quips that the characters make towards each other, followed by a random action scene. This is what I’ve been looking for: a show that gets the balance of both silliness and subtlety. That made this a fun episode, even though it was just an introduction episode in which the characters haven’t even entered space yet. There are a lot of parallels with Rinne no Lagrange: they have the same length, same director, they both air outside of the season you’d expect them to air in, and they both advertise themselves as fun teenaged mecha series with a serious undertone. The big difference is that Rinne no Lagrange’s direction is better, while Mouretsu Pirates has better characters. They both can become quite fun, though.
OP: “Hey, let’s try to stuff as much audio ideas into just one song and see how it works!”
ED: Very uninspired visuals and all, but the song could be worse.
Potential: 80%

Last Exile – Ginyoku no Fam – 12

Now here is a surprise: Last Exile returns with a flashback episode. This episode is actually entirely dedicated to showing one moment in the past of the main cast: the point the fathers of Fam and Giselda participated in a vanship race, which seemed to be a national holiday, and the point at which they died. I did not expect that, but it definitely was a welcome addition.

What I especially liked was how the creators found a way to show everyone’s past at the same time. By making this a national event they tied a lot of those backstories together, because everyone had his or her own reason to be there, plus it would also make sense for, if you’re planning to assassinate a queen, the best point is where she’s out in the open (this actually also happened once in the Netherlands, although the attempt failed there).

It’s a shame that the animators were clearly forced to rush though this episode, because there was a lot of heart put into it. And heck, we already had seen Fam’s younger versions, but there were so many characters here who also showed off who they were when they were younger, ranging from Milia, to all of the villains, to even the Gracies girls. It’s a huge amount of character development here, and even though it’s a bit dramatic, it did give quite a few hints to how they would grow up, and why they made the decisions they made. Plus, the small Fam, Milia and Giselda were really adorable together.

And yeah, the animation. What’s interesting though, is the way in which Gonzo decided to compromise. This episode forcefully borrowed some animation from the OP directly, even though it didn’t fit at all, there were a ton of distorted faces. There also wasn’t much fluidity in the animation. And yet the one thing that wasn’t compromsied on is the attention to detail. There still were a ton of character designs in all sorts of different shapes, colours and styles. There still were a ton of screens with a ton of different people on it at the same time. The backgrounds still are gorgeous. And yeah, that’s gorgeous: they’re really bad at one thing, and yet really good at the other.
Rating: ** (Excellent)

Fate/Zero Review – 85/100



First of all, for those who are wondering: Fate/Zero is a prequel of Fate/Stay Night. You don’t need to have seen Fate/Stay Night in order to enjoy this, although it would be wise to first read up on a bit of the terminology, because that is pretty much the only thing that this series assumes its audience to be familiar with.

Now that that’s out of the way: this definitely was a unique and interesting series to watch. It has a few flaws here and there, but on the other side of the coin we have a very original and well researched setting here. This series grabs many classic references and figures from all over history, ranging from Alexander the Great to King Arthur, and puts them all together. Chivalry is a huge theme in this series that gets looked upon from all sorts of different angles.

What’s also great here is that it’s really hard to pinpoint the actual main character in this series. Of course, in theory this should be Saber and all, but you’d be surprised at how little airtime and attention she gets in this series. The character development of some of the other characters is far more interesting, and she’s very often outclassed by the rest of the cast here. In particular Rider is just one of a kind. He’s without a doubt the best character of the bunch and his monologues are incredibly well written. But really: nearly all of the characters here are interesting and colourful, perhaps with the only exception of the rather one-sided Caster-duo.

The main flaw of this series is the pacing. Very often this show just doesn’t flow well. The first episode for example is 50 minutes of random people talking without giving the viewer any reason to care for them, and the battles in this series are often a bit understated because the characters keep interrupting them to talk to each other about their strategies and powers. Fate/Zero spends a lot of its time on building up for the second season. At times this goes at the sacrifice of its pacing.

Still, this is a show that definitely gets better over time, as you get to know more and more of its characters. The characters slowly reveal more about themselves and their backgrounds and motivations. It’s here where the dialogues in this series really shine, to the point where they become the thing to recommend this series for. Make no mistake, the script in this show is very well written here and when this script combines itself with the character development, it’s when this show is at its best.

So yeah, the pacing has issues but really: in a time when anime diverts more and more into teenagers, it’s great to see a series that fully focuses on adults, and actually delivers a really solid storyline here. Seriously, this was one of the most solid series of the past three months.

Storytelling: 8/10 – A few pacing issues, but excellent dialogue.
Characters: 8/10 – A rich and diverse cast that will take a bit of time to fully blossom. Also a lot of the development seems to be saved for the second season.
Production-Values: 9/10 – Yuki Kajiura perhaps doesn’t bring in her A-game for this series, but still pretty solid all around. The animation is very good too, with especially the combination between 2d and CG being very good..
Setting: 9/10 – Well researched, imaginative and quite unconventional.

Suggestions:
Le Chevalier d’Eon
Rose of Versailles
Amatsuki