Some Quick First Impressions: Nichijou, Dog Days and X-Men

Nichijou

Short Synopsis: Our lead character is a random schoolgirl.
There’s no shortage of creativity in Nichijou. Its entire premise is based around the fact that it’s about the every day lives of a group of random school girls who live in a world in which anything can happen. This episode shows random explosions, androids and goats and the characters don’t even seem to find them unusual. That’s what’s good about Nichijuo. Its problem is that that’s also pretty much the only praise I have for this series. Unlike K-On and Lucky Star, this show tries to be a comedy… and it’s just not funny. It does not know what punchlines are, nor how to build up a good joke. It’s full of randomness for the sake of randomness, and seems to believe that just by doing something completely random, it can get funny, though such a thing already got old in the OVA. In the same way, the characters aren’t much to write home about. Kyoani has this thing with characters who are cute for the sake of being cute, and this is no exception. Nichijou just tries way too hard to be mainstream and popular. It’s just too forced.
OP: Badly sung and not really special.
ED: Again a boring song with that just feels like a copy paste of just about every other ED out there.
Potential: 30%

Dog Days

Short Synopsis: Our lead character is the legendary savior for a country of dog people.
That was just insulting. This show had the privilege of being anime original, and yet the creators actually come with this kind of crap? The creators of Nanoha A’s have sunk to a completely new depth here. this was by far the worst I’ve ever seen from them. I can see the intentions of the creators: creating a fantasy setting where two countries have to participate in all kinds of fantastic games at fantastic setting hols potential to be an enjoyable and fun series. But this was just so ridiculously poorly executed. It committed just about every flaw imaginable. The characters are a joke, the setting of having dog people fight cat people, surrounded by teenagers with unexplained superpowers is equal to a slap in the face. The character designs are utterly terrible, the script is abysmal, and the worst thing is that it actually believes that it’s funny and witty. It refuses to make proper use of its silly setting, and it doesn’t even make jokes. It just expects tot get laughs from… nothing. This is… this is even worse than Rio Rainbow Gate. At least that series was aware that it was terrible.
OP: Boring visuals and boring song.
ED: Ridiculously generic.
Potential: 0%

X-Men

Short Synopsis: Our lead characters are a bunch of mutants who fight crime.
That was actually… pretty amazing here. Seriously, this episode hit a ton of right buttons, and sets the X-Men already one step higher above Wolverine. The graphics were utterly gorgeous, the atmosphere is just awesome, and already this show has put in a lot of characterization for its five main characters: Xavier, Cyclops, Storm, Wolverine and Beast. The atmosphere is heavy and the drama tends to get a bit sappy at times, but it all works surprisingly well with each other. Plus, this show also isn’t afraid to sometimes toy with its characters (the joke around Wolverine’s entrance especially was hilarious, in a “couldn’t resist”-way). As for Madhouse’s usual acting problem: the thing is that the character-designs of this series are utterly amazing. The creators not only gave a wonderful rendition of the X-Men in anime form, but they gave every single character, even the minor ones, a unique and individual look. That’s obviously harder to animate, but even then the animators do a pretty good job here. Instead, my qualm is that the voice actors should have tried to be a bit more varied, and they’re a tad too hammy at times. On the other hand though, the soundtrack is yet again amazing, and at this rate it could get even better than Wolverine’s. Seriously, ti’s been a while since the start of a season has been this impressive.
OP: Best one of the Marvel Anime so far!
ED: Again, no vocals, and a good way to close off each episode.
Potential: 85%

Star Driver – 24



An d so the creators used even less time for the climax than I imagined. Seriously, it only started at the end of this episode. It was really well done, don’t get me wrong here: the build-up was terrific. It’s just that I have no idea how the creators are planning to make everything come together in that final episode.

This episode was really quiet, but that was exactly what allowed it to push a lot of characters forward. A lot of the drama here was genuine, and even though none of the major questions were answered, it did add a lot of details to the cast and especially Wako and Keito got a lot out of this episode.

Star Driver has three main arcs, all corresponding to a Shrine Maiden. That just begs the question of why Wako wasn’t given an arc like that. I mean, this episode felt more like the climax of Keito’s arc than the climax of the entire series.

I smell a movie. Just think about the other series that premiered in the Sunday Afternoon timeslot: Gundam 00? Movie. Full Metal Alchemist? Movie. Sengoku Basara? Movie. Only Code Geass didn’t get a movie, but that has Bokuko no Akito. A movie would be the perfect explanation of what the heck is going on here.
Rating: ** (Excellent)

Wolverine Review – 80/100




Let me start this review with a message to everyone who didn’t give Wolverine a chance because of Iron Man: it’s really not bad!

Wolverine and Iron Man are completely different series. They were written by different people, directed with different people and have completely different purposes. Iron Man was just crap in nearly every single way. Wolverine however was a simple but very effective action series that knew exactly what it was and what it wanted to be.

It’s a series that doesn’t have the biggest budget, but still manages to create consistently good action throughout its airtime. Nearly every episode delivers plenty of action to keep you busy, while avoiding the Dragonball Z syndrome of dragging out by changing set-ups and locations often enough to keep things dynamic. This certainly is no show that shows people just standing at the same place and talking to each other. Wolverine is a very simple character: don’t think; just do. This allows the series to be constantly moving, preventing it from getting stale.

In comparison to Iron Man, Wolverine actually has a continuous story instead of an incoherent mess that will turn off just about everyone. It’s a simple one: it basically revolves around saving a damsel in distress and all, but the creators throw in just enough extra spices to make it interesting and keep the action going. Some of the characters have a bigger story than others, but together they actually make a pretty enjoyable cast that is hot blooded, but perfect for a simple action series.

That simplicity is obviously also the biggest flaw of this series, because you really don’t want to watch this series for its depth. Wolverine is action and more action, and it only has its story and characters in order to support this action, and not the other way around. And don’t worry, it’s not like it has a cast of idiots like with Iron Man, but everyone remains pretty simple and doesn’t break many barriers. The characters in Wolverine are likable because they’re cool and charismatic, not because they’re particularly easy to identify with or anything. Like I said, the main plot of the show revolves around a damsel in distress.

Madhouse has a unique visual style, but lately I’ve noticed that they have trouble with making their characters act. The acting in Wolverine is quite stiff at times, which has a lot to do with the animators being unable to create dynamic facial expressions for the characters. The screenplay is excellent, though: it does exactly what a simple action series needs to do.

There is only one point where Wolverine was really better than any other series this season: its soundtrack and the use of it. Bold, versatile and excellent at making the action even better.

Storytelling: 8/10 – Lots of action, and does this well, knowing how to balance it out with its plot.
Characters: 8/10 – Simple, but effective and likable.
Production-Values: 8/10 – Awesome soundtrack. Animation has a lot of weaknesses, but still remains pretty solid for an action series.
Setting: 8/10 – The backstory actually does what it needs to do to make this series interesting for a full 12 episodes.

Suggestions:
Ultraviolet: Code 044
Bakumatsu Kikansetsu Irohanihoheto
High School of the Dead

Wolverine – 12



The only bad part of this episode was the point where Hideki set off the self destruct mechanism of the building he was in. I mean, hello? You’ll be the one to inherit that thing; why the heck are you destroying it? And heck: if you’re going to destroy a building, do it properly and burn it to the ground. You hardly accomplished anything here.

Apart from that though, in terms of screenplay this was an excellent example of how you should close off a simple action series. The deaths of both Shingen and Hideki were excellent. Especially Shingen’s fight did justice to his character, and the way in which Wolverine beat him was exceptionally well done: he really was caught by surprise here.

I also like how the creators knew very well who in this series had super hearling powers, and who didn’t: Yukio died after a fatal stab-wound, Mariko also got shot in her heart after doing something heroic but very reckless. The death of them really feel like part of the larger picture instead of the way in which Iron Man just killed off its characters for the heck of it.

Madhouse, you redeemed yourself here. This ending gave a great closure. Wolverine was nothing deep, but what it did it did well. As for the acting, it actually managed to make something out of the characters because it knew that the acting was stiff, and instead just tried to make this superhero worthy. Well, mission accomplished.

the X-men will be airing next week (in fact, it’ll be the first series to premiere of the Spring Season). Wolverine really showed that they’re all intending this to be different series that stand apart from each other. With the director of Afro Samurai, it can really go anywhere. The question is of course whether they can do justice to the X-Men themselves. Unlike Wolverine, they had a deep story about prejudice and discrimination.Let’s see whether or not that can return there.
Rating: ** (Excellent)

OVA Impressions: Black Lagoon – Roberta’s Blood Trail – 04




I expected this episode to be full of action. It wasn’t. The action scenes were small and instead this episode was full of dialogue and build-up. And strangely enough it was just as good as I hoped.

Roberta’s Blood Trail shows the strength of OVAs. I mean, it really feels like Black Lagoon has matured even more since the I last watched it. In any case the pacing of this OVA allowed the creators to really take their time: the slow pacing is used quite effectively to give just about everything extra detail. Seriously, this episode was full of people talking about themselves and each other. This really feels like one of those arcs that would not have worked at all as a TV-series, and therefore it fits the OVA format perfectly.

What’s also very typical here is that the creators pretty much put Revy out of the picture for the climax here: with both of her arms shot she won’t be part of the big climax of this OVA. At first I really thought that Roberta’s Blood Trail would be much in the same alley as the first Roberta arc, which was very much hinted by the first episode. Instead the ending seems to be turning out much deeper than expected, with everything depending on whether or not Rock’s huge gamble turns out well. It goes without saying that if the creators play it right they can reach an amazing conclusion with that.
OVA Episode Rating: 8,5/10

Star Driver – 23



For the majority of this episode, I kept thinking whether this really was the right content when the series is going to end in two weeks. I mean, it was a good episode and that punch that Takuto gave to his father definitely was awesome, but right now a lot of pressure has been put on the finale: it’s all going to have to happen within two episodes. It’ll either be short but really, really sweet, or a rushed mess that leaves a bad taste.

I can see what this episode was trying to do: build up. They used the remaining Vanishing Age as quite an effective build-up for the finale, along with building Sugata up to e the king of the Crux brigade (continuing to build-up from where the first half left off, though that didn’t make his entrance any less weird). It was very focused, but perhaps a bit too focused at this stage. I’m not going to judge whether it was a wise move or not until I’ve seen that ending, though. Short finales can be just as awesome as long climaxes, if not even more, though they tend to be a very double-edged sword.

I do have another criticism, though: I’m not really interested in the fight scenes anymore. I tried to defend this early on, but in the end the big problem with the battles in this series is that they just all look like each other. They don’t stand apart, and the way that they always take place in the same setting with the same recycled frames, the creators really needed to make every battle stand out with some creative ideas, and in the end they didn’t. Utena faced the same problems, but there the creators managed to overcome this wonderfully.
Rating: * (Good)

Wolverine – 11



Yes, this is the underdog of the season. I’m really glad that I decided to blog it, especially after the disappointment that was Iron Man. It’s nowhere near the best of the season, of course and I know that it doesn’t match up to juggernaughts as Level E, Madoka Magica and Hourou Musuko thanks to the hammy acting. But in terms of series structure it did just about everything right here.

The thing with Wolverine is that unlike Iron Man, you can really see that the creators are having fun with it. They’re trying to make every episode into a spectacle, and they especially succeeded in that during the previous month. The series overall also avoided a lot of flaws that usually strike action series: the way in which they forget to spend time on characters, setting and build-up. The atmosphere in this episode was just excellent and it has been for episodes now. The only time in which this series took a break was in the middle of the series, and that was time it put to good use in order to lay out the background of that bizarre island they’re on, plus Yukio’s simple but surprisingly effective backstory (which again was used very nicely in this episode).

It’s also a matter of expectations, of course. I mean, my expectations for Wolverine couldn’t be worse, until I found out that it was being handled by the director of Himitsu and one of the scriptwriters of Kurozuka. After that, I pretty much had no disappointments from this series whatsoever aside from the hammy acting in the first episode. This probably would have gone completely different if Wolverine would have aired before Iron Man, but I still have to applaud the creators for delivering such a solid action series.

The key here is suspense of disbelief. The way in which there always is something interesting going on (the battles in the earliest episodes were long, but knew how to not drag on). I really noticed that during the fights with Shingen. The characters were acting pretty over the top, but I couldn’t help but love the voice actors during that scene. The voice actors delivered their lines with such passion that it just made it into a wonderful scene.

The series is still too simple and miles away to really stand amongst the best of the season; I mean, it’s not like the story has any depth or anything. There is one thing, however, at which this series IS the best out of the entire season right now: the use of its soundtrack. And yes, this is in a season that has two of my favourite composers in it, Yuki Kajiura and Hikaru Nanase. This episode in particular was a feast for the ears.
Rating: ** (Excellent)

Wolverine – 10



This episode kicked ass! It was just simple action, but that’s exactly what this show is best at. Wolverine isn’t anything deep, but the things that it’s supposed to do, it does really well here. Ten episodes in, and it’s still consistently entertaining action that has shown very few, if any, unexpected weak moments. It pretty much delivered exactly what it promised. Nothing more, but certainly nothing less.

Also, in these types of action and adventure series, how often do we really see the creators killing off the cute moe character? Unless we’re talking about a mostly female cast, it’s always the older ones, or some of the guys that die in the middle of a battle. here in Wolverine though, the creators just killed off just about the only moe character of the entire series. The only teenager actually DIES here, due to her inexperience and naivety. That’s rare!

The strange thing about this episode is that it also flew by: I really got the feeling that it was less than 20 minutes of total airtime, that’s how it caught me up in its pacing. It’s again something that we’ve come to expect from this series: the battles are long, but not too long, and most importantly: they’re not drawn out but actually play out without characters just standing there and looking at each other for what feels like ages. Wolverine’s motto is “don’t talk, just act” and the anime so far has made great use of that.

Oh, and Yukio: she’s a great co-lead. For once she actually isn’t the romantic love interest for the main guy, but the way in which this episode had her both busy fighting the bad guys and fighting alongside her grandfather that she had many problems with, seeing the girl who replaced her die… that definitely was a nice touch for her character.
Rating: ** (Excellent)

Star Driver – 22



YES! YES! YES! What a way to start off the finale of this series!

To put the play here of all places, I love the idea. It was foreshadowing, it showed a completely different side, it was very different from the previous episodes, it was based on a solid idea, it had already gotten a lot of build-up, and at the same time it stays true to the series’ core: school life.

I’m not sure whether I’m the only one in this, but I personally love the series with short climaxes. It doesn’t always need to have months of build-up, but with the motto of “say more with less”, I’ve found that some of my most memorable climaxes are actually the ones who put their finales in a relatively short amount of time. After this episode, this means that there are just three episodes reserved for the climax of Star Driver. And this episode really pointed towards the fact that the creators are planning something really interesting for the final episodes here. Finally this series makes use of the fact that it’s an original story!

What really would have made this series a force to be reckoned with would have been more of these kinds of episodes. The ones that are based on a strong idea, and what would have allowed each episode to stand on its own, rather than just being a collection of episodes all about school life and robot battles. I mean, that’s why I’m currently such a big fan of Level E: all of its stories are different and based on great ideas rather than cliches. That’s the one thing that Star Driver lacked and what really could turned this into an amazing series.

What also was short but sweet in this episode: that aftermath. I mean, dear lord, how many new things did we learn about the characters in like, what? A minute? I mean, the stuffed animal talks, the president of the drama club is an alien, the cybodies come from space and Tauburn was specifically created for a human? Talk about creating intrigue for next week.

Overall, there is only one bloody show that aired during the past half year and that isn’t going to end within a month: Gosick. At the moment, the endings that are looking the most promising are the ones of Level E, Madoka Magica and Star Driver here. Let’s see which one can deliver the most interesting end here.
Rating: *** (Awesome)

Wolverine – 09



Okay. That was a lot of action.

Seriously, these bad guys don’t know the meaning of overkill. This episode was worth watching, if only to see the ridiculous amount and size of all the things they threw at Wolverine, to just prevent him from ascending that freakishly long Hell Road. It was a complete carnage what happened there. i mean, this show takes fighting goons to a different level.

It’s a shame that this episode was clearly partly outsourced, because the direction of all of this chaos was really good. The bad guys just kept coming with new and different ways to try and kill Wolverine and this flowed very neatly from one action scene to the other, with interesting camera angles and and animation. Especially the fight with the thousand deadly spears looked wonderful, but as the episode went on there were just too many “one frame action scenes”. You know, the one in which the creators just show one single frame with a bunch of a sounds over it. It works for some series, but the previous episodes of Wolverine set themselves apart by exactly NOT doing that. The biggest hint to the outsourcing however was how the creators couldn’t decide how large the army of Yukio’s grandfather was. That shot of them, walking up Hell Road was probably the worst of this entire episode.

At this point, Wolverine has pretty much surpassed Iron Man in every conceivable way, aside from perhaps the background catchiness (seriously, near the end I was just watching Iron Man to hear that kickass background tune of theirs). The setting is a lot more solid, the plot is simple, yet effective, the action takes itself seriously and is well paced (and most importantly: really not formulaic aside from the fact that Wolverine keeps winning), the characters also aren’t going to win any awards, but they still do their job by being interesting to watch and everyone having their own motivations that isn’t a complete cornball. I wouldn’t call this series a complete success yet, because I’ve seen tons of action series that built up to a grand finale that never came (Sengoku Basara, High School of the Dead), but so far I’m enjoying this show much more than I thought I would after Iron Man.

Oh, and yeah, for those who didn’t know yet: the director of Basilisk and Afro Samurai is going to direct the X-Men. Oh boy. This really depends on what kind of scriptwriter they got here, but if that guy is good (meaning that he manages to come up with a good backstory, rather than what happened to Afro Samurai), then we’re really in for something interesting here.
Rating: ** (Excellent)