Category: Finished Series: Action

Before discussing this week’s episode, I feel the need to mention the weekly voice drama (thanks a bunch for bringing it to my attention, Animosh) of GRIDMAN that provides more context and dare I say, more personality to the cast. As much as I like the current style of GRIDMAN, its strength is purely on the adept direction by Akira Amemiya and its solid visual craft where the dialogues are hardly relevant. As a result, by making these characters having an actual communication, it adds up a whole lot and helps explaining many of the loose threads in the anime. For example, listening to the audio drama, we learn that Rikka and Yuuta definitely had something going before the amnesia, that “ball game rally before summer” sounds like a perfect setting for a date if you ask me. These voice drama, along with the content of this week 4, also marks a shift in GRIDMAN’s perspective and now I come to suspect that Rikka is a crucial character that hold the emotional core in this anime. I mean, the voice drama of episode 4 (4.4) raises a red flag about Rikka’s life threat and based from what happened this week, I have very goods reason to believe that would be the case.

The main key to that plot thread lies in the relationship between Akane and Rikka. Granted, the main reason why Rikka approaches our girl in this episode is purely to confirm whether Yuuta is Gridman or not (and she fails miserably on that, but boy, did she try); but there’s hints about their already gone established friendship, and slowly Rikka comes to the realization that all the incidents happen around her. That might just be her hormone’s actin’ up (that everything revolves around her), but I come to suspect the core reason for Akane becoming a psychopath has something to do with her and Rikka. Talking about the Queen of Cruelty Akane (opps, lame references to another show I’m blogging), this week she decides to kills the V-bloggers boys because they keep pestering her (could it be a warming message for all the Youtubers out there?), and the way GRIDMAN displays her, by extreme dutch-angle shot, by her still acting nice but can’t hold back anymore when she’s alone, tells you pretty how unstable her feeling is. She isn’t merely killing people for fun, she kills them in the manner of farmers cropping up weeds.

As for our battle this week, things get even more crowded with the appearance of a new insectoid kaiju. This Kaiju succeeded on killing 3 of the boys, and on the verge of defeat our Gridman… until Anti interferes given he wanted to be the one who defeat Gridman. It’s interesting to note that Anti pretty much acts according to his principle, so he’s no longer an Akane’s puppet (the way Akane constantly throws her phone is amusing, too). On the other side of the battle, the Neon Genesis members, and Gridman himself, are freeze as soon as all of them entering the Junk (it’s overloaded – speaking about old machine, huh?). Their solution? Unplug the machine and load it up again (this sure brings back memories, but it’s also the fastest way to destroy your computer’s memory). Rikka’s quick decision sure brings a smile to my face. The Neon Genesis squad so far is a delight, they don’t harbor too much deep but they bounce off each other well, especially Samurai Calibur whose deadpan delivery goes well with the show’s emphasis on visual. I’m still down to see the other two members’ real power in the next few episodes.

Episode 4 also spends a healthy amount of time developing the high school romantic saga that involves a group date, a stalking and many more. Most prominent of all is the pair Yuuta and Rikka, as the last few episodes we see more of their chemistry from Rikka’s point of view, so it comes as a bit abrupt that in this episode we see Yuuta already fallen head over heels over Rikka (well, abrupt to me anyways). Yuuta still remains the most boring character out of this cast, but it’s fun and a bit cute to see how both him and Rikka are too dense to make any progress. Like how Max points out, it’s painful to see them trying to talk to each other. The offbeat tone still works wonder here. I very much enjoy the snarky comment from Yukka’s friends Namiko and Hass “who speaks like that these days?”, or Akane’s squid train pass card, which might or might not be relevant in the future. There’s still a lot to admire about GRIDMAN, even to the non-fan of its TOkusatsu homage and Gridman franchise like myself.

3 episodes in, GRIDMAN certainly surprises me in more ways than one. On one level, I really appreciate the show for its visual framing. There are many shots that are pure stunning, in a way it conveys the chemistry of certain characters that even without dialogues (the dialogues in this show aren’t very useful), we can have a real sense of the characters relationship and their roles in the whole narrative. This episode opens with such framing, with Akane standing in front of Anti – her human-form pet kaiju. The distance between them, the lack of emotional attachment tell you all about their relationship. Akane sure is fearsome, in a sense she can kill her friends for the lamest excuse and the way she treats her pets. There’s just something uncanny about a person with a gifted power who doesn’t take lives very seriously. But so far I like the way GRIDMAN downplays her stubbornness. She’d be unbearable if the show makes her over the top, which is most of the case for other shows. In any case, she brings Anti to kill Gridman, and because Gridman thinks that he’s a human (that remains to be seen), he can’t fight back and gets beaten down by Anti.

On second level, the way GRIDMAN explores its characters is unconventional, but fascinating. It’s not much about the depth of the characters, but more about their own space towards the world around them. That loss, and a potential death of both Yuuta and Gridman, shake Rikka and Shou to their core. In another brilliant visual shot (above in the screencaps), these two are framed through the reflection of different mirrors facing outward. Each of them feels guilty in different ways and succumbs into their own space. Shou feels guilty for telling Rikka about the possibility of kaiju being human, Rikka does for not picking up his phone. Notes that it’s a matter of them picking the phone and call him, but Rikka is to afraid to face the result. Even the way these two sits in Rikka’s base, waiting for Yuuta all night gives the same effect. GRIDMAN has a strong grasp of using their visual direction to transfer across what it lacks in narrative.

On yet another level, there’s a strong admiration for its inspirations: the tokusatsu shows, Gridman or Transformers franchise that at times I feel that I’m the target audience and a stranger at the same time. Granted we don’t need to know about any of those to enjoy the show. I have no clue about any of those and often the times I feel like I’d embrace it more if I know better about the original sources. Such details like the arrival of the Shinseiki Junior High Squad take a wink at the original but it’s fascinating nonetheless. These guys serve as a boost-up items for Gridman, which in turns balance out the fighting field between Gridman and Akane’s kaijus. While the second episode was a revelation with the true role of Akane, the third one keeps expanding from that universe and now it seems all the pieces of the board are in place now. Surprisingly, this one turns out to be the one I’m looking forward the most this season.

Me blogging a Trigger show? Well, I’ll be damned myself but life does take some strange turn. Not that I’m a Trigger naysayer but if I’ll be honest, Trigger shows tend to rub me in a wrong way. The studio is seen as the successor of Gainax for one thing, and the overhyped reactions from anime fandom regarding their shows certainly don’t help. I always find their outputs full of cliche with one-note characters, along with expressive animation. So my point is that after being extremely down with Darling in the FranXX, another original anime that takes inspiration from Power Ranger-style Tokusatsu show didn’t interest me at all. But GRIDMAN caught me completely off guard. The most prominent thing about it so far, and that’s what makes it different from the rest of the pack, is that it’s very offbeat – to the point it’s risk sacrificing the audience’s involvement. For me though, it works in the service of the story and it makes the ride wholly unexpected and rewarding.

It starts with Yuta waking up with an amnesia. It’s a well-worn trope to the bone but here, amusingly every single character treats it like no big deal. This sense of a lucid dream where you can’t tell apart what is dream and true is further added up by many strange events that function almost like a dream: its kaiju monsters standing in the middle of the city, but no one but Yuta sees it or the school is back to normal after the big destruction the day before. What I’m impressed the most so far in GRIDMAN is the commanding direction. Many beats sometimes stay for almost too long, but until much later should we know how these scenes are integral to the narrative. Take the scene happened early in episode 1 where Akane (the blue hair girl) offers Yuta a bread roll that is immediately swept away by the random ball for example. GRIDMAN literally pauses on the scene for few seconds, creating a deadpan affect. Until episode 2 should we learn that the single moment IS the reason for the kaiju outbreak and the disappearance of the girls in second episode. That also explains some weird shot placements to those girls earlier.

Similarly, the dialogues are offbeat as hell, but they all complement to the tone of GRIDMAN. at one point, Yuta’s friend Utsumi says, “the situation hasn’t sunk in yet”, everything happened so far function with the same sentiment. This works in both good and bad ways. On the positive side, the air of mystery is still there and we get a clear sense that everything is more than what it seems. Moreover, GRIDMAN nails it at the deadpan tones that occasionally gives me a chuckle or tow. The appearance of Samurai Calibur for example, or how we eventually learn that he’s the grand soce sword for Gridman is hilarious. On the other hand, I could see why the audience can’t feel personally resonate to it. It’s decided so. But what it lacks in term of realistic dialogue or plot, it makes uo by the strong visual presentation. They communicate more by glances rather than words. By Rikka’s look we can clearly see her affection to Yuta, although the show smartly doesn’t play it up so far. A single image of Akane’s room with piles of trash and glass cupboard of kaiju monsters inform you more than enough about her character. In a sense, the first 2 episodes of GRIDMAN can be seen as an anti-Trigger, it’s understated in tone and storytelling and instead relies on visual to enrich its world and characters. If GRIDMAN can maintains its tone it could very well be the surprise hit of the season.

And did I mention the general plot of GRIDMAN? In an essence, it’s a battle between a mecha Gridman piloted by Yuta and Kaiju monsters created by Akane. As simple as that. The trick here is the unconventional way it tells the story.