Sword Art Online – 14

I must say, I had been spoiled by that thing with Asuna, but I did not expect this show to go so far already. For a midway climax, this felt more like it was the end of the actual series with all the things that happened here.

I actually like the twist of the creator also being a player of the game. It makes perfect sense, because if I made a game like this, I sure as heck wouldn’t want to sit around for two years doing nothing. His whole proposition of ending the game definitely lead to some interesting developments, giving Kirito the responsibility of 6000 people over just one fight.

After that followed a bit of an anti-climax. First with Asuna sacrificing herself, just like the build-up previously hinted at: every time there is a happy couple, someone will die to break it up. What? Is it that uninteresting to watch a healthy couple here? Well, this show apparently thought the same and pulled some deus ex machina so that Asuna didn’t die after all, and Kirito somehow was able to override game rules with his angst.

The whole talk he had with Asuna and the game creator at the end of the episode was very good again, and Kirito waking up was entirely awesome. That was the moment we’ve all been looking forward to, and it really paid off. The episode ended at right the exact moment: there was no cheesy runion, just Kirito limping through a hospital.

But really… how on earth are they going to follow this up? I mean after this, nobody is stupid enough to start playing these games again. Sword Art Online is dead now. What’s next?

Although, a killer idea would be to indeed drop the entire series, and instead focus on tracking down the creator of the game. I mean, it’s been two years and his servers still haven’t been found. His body still isn’t recovered. That really would be awesome. But knowing the nature of this game, it probably won’t go so far.
Rating: 5/8 (Great)

Some Quick First Impressions: Magi, Code: Breaker and Bakuman 3

Magi

Short Synopsis: Our lead character likes boobs.
So this is going to be the new series to occupy the prime time slot of anime: Sunday at 17:00. It’s a tricky time-slot: you can get access to a lot of viewers, but this also resulted in Ayakashi Ayashi being cancelled halfway through due to disappointing rates. For that, Magi has come up with a solution to make people talk about it: boobs. It’s a shame, because people will now remember this show as that show with the really bad boob jokes, rather than remember this for what it is: a Japanese take on Arabic folklore. The animation near the end also was pretty damn good and this episode had a pretty exciting conclusion, but the comic relief on the other hand was just BAD and felt really out of place. It still works somehow though and this episode had a lot of interesting stuff amidst the stuff that makes you facepalm, to the point where I’m willing to see where this one is going.
OP: Couldn’t you really have come up with a better song? I mean, you’re in Arabia for god’s sake. Make use of that opportunity to show some influences there!
ED: Same here: why go for J-pop if using classic Arabian instruments will make it stand out much more?
Potential: 75%

Code: Breaker

Short Synopsis: Our lead character meets a mysterious transfer student.
This opening episode was slightly different from usual. The standard for these kinds of episodes is to be all ove the top and throw in a lot of action. Not here: this episode was more dedicated to show that this series knows its build-up. Most of this episode was quiet, right until the end, where it delivered a number of very solid and intense scenes. That pay-off rocked. The rest though… needs work. The problem with this series is that it tries to be funny by using overused and forced romantic cliches. The entire school aside from the lead couple was very annoying to watch in the way they deitified that main couple, and how they just kept going with it. Still, this feels like a problem that with time will become less significant. This show at least had solid acting for the lead couple, and as long as the school setting will play a very minor role in the rest of the episode, it should be fine.
OP: A bit cheesy, but works as the opening for an action series like this.
ED: This one had a lot of overused j-rock cliches, plus the visuals were mostly just a boring slide-show.
Potential: 80%

Bakuman 3

Short Synopsis: Our lead character writes manga.
Well, I can be very short about this: I’m not going to continue watching Bakuman. Of course it’s interesting to watch a bunch of manga authors work together, but with three seasons, it’s just way too long. This episode reaffirms that I’m just going to waste my time if I want to keep up with this, because it wasn’t about creating mangas, but again focused on these soap opera plot twists that have really gotten old at this point. I guess it was a nice idea for the lead couple to have such an idealistic view on becoming a manga artist and voice actress respectively, but I feel like I’m getting beaten ove the head by all this. That’s why I just couldn’t continue with this show, even though I managed to finish Phi Brain: at least that one knew where its strengths lied and delivered upon that. Bakuman really would have made an amazing anime if they went with a story that fits in 26 episodes. This just goes on for waaaay too long.
OP: Granted, this was the best OP for Bakuman so far.
ED: This is just cheesy J-pop
Potential: 60%

Some Quick First Impressions: Jojo’s Bizarre Adventure, K and Btooom!

Jojo’s Bizarre Adventure

Short Synopsis: Our lead character is a rich noble’s son.
Well, there you have it. The fourth awesome opening episode of the season. I mean heck: this was absolutely delightful. It just screamed retro cheese, but it was so incredibly over the top that it became stunning. I mean, Dio Brando is such a great villain that every time he appeared on the screen I just sat there with a giant grin, but just about everything in this episode was done with incredible passion. Normally I’d complain about overacting, but the way in which this episode just took it over 9000 made it so enjoyable to watch. The show also has this reallly interesting visual style: like expected the animators didn’t attempt to make everything look clean and the characters often look off-model (not to mention the inclusion of some manga-style sound effects – really!), but the direction was so good. It knew what to animate properly, and the use of colours and poses was just delightful to watch. Why did it take so long to make a proper anime of this thing?
ED: Great song there, with great vocals and a very good use of a guitar.
Potential: 90%

K

Short Synopsis: Our lead character has this evil side that murders people.
Whoa, now this is a feast for the senses! The graphical style really shows that this comes from the same people as Mardock Scranble, but even then I was surprised by what a visual orgasm this was. And they made it look so easy. Every frame of this episode looked utterly gorgeous, but what’s even more impressive is that at times they actually bothered to animate the background art. Keep a look-out for the skating scenes, because those were particularly gorgeous. On top of that, this show has a very creative soundtrack: it’s diverse, has very catchy songs and comes with a ton of different styles. The voice acting though… not so good: Lotsa Engrish! Beyond that though, this is a show that was clearly inspired by Durarara, and that’s a very good thing: there were lots of different characters, lots of stuff going on at the same time. It very much was an introduction episode, and this can still go anywhere, but I’m glad to see that this show tries so hard: so many characters are difficult to balance well, but they can get some very good stuff out of this when they manage to pull it off. Some minor complaints: this show has bad hacking going on, and for some reason they did manage to include a school in this series. There are a few cliches in this show that just seem to be there in order to look cool. I know that that’s exactly what this show is trying to do, but there is such a thing as taking things too far.
OP: Utterly gorgeous OP, plus a nice song from Angela.
Potential: 85%

Btooom!

Short Synopsis: Our lead character wakes up in a video game.
One of Madhouse’s specialties is adrenaline: creating those series that focus on building up this stuff. In that way, Btooom is the perfect series for them. It focuses on this teenager who ends up in a game world, but usually with these kinds of stories, the game is an RPG. This time, we’re talking about a full blown action game in which people kill each other with bombs. This is really what I’m looking for for a weekly dose of adrenaline: it got the emotions of the lead male right, combining bewilderment with this sense to survive. This episode already gave a bit of a taste of what the battles will be like, and they’re tense, but also completely unrealistic. It’s a missed opportunity that this series should have put some thought into its explosions, but right now they’re mostly plot devices. The soundtrack and animation are pretty solid though. I mean this isn’t going to win any awards, but if it can keep up this atmosphere then it’ll be pretty damn entertaining. Just handle the lead female with a bit of tact, okay?
OP: Quite stylish, but degenerates into a bit too much of a copy of other OPs as it goes along.
ED: Is that Chiaki Ishikawa? One of my favorite singers for these OPs and EDs. Not her best work, but still a great voice.
Potential: 75%

Uchuu Kyoudai – 26

And the final exam has begun. And it is awesome. It’s a lot shorter than the second exam, but I love how it ended up: it’s just an interview by real astronauts, to see whether they would trust their lives with the new candidates. It’s so simple, yet it brings out the best of the characters.

We also got to see reaffirmed once more that Mutta is an idiot, but the creators did it in such a hilarious way that it’s impossible not to love. I mean, first of all the muscle ache hits home so much: after training really hard you only start to feel it after two days, rather than one. Furthermore, this was the first time in which I saw an anime deal with muscle ache for as far as I can remember, let alone with such detail.

And then there was this stupid part of his that started drinking, right at the wrong moment. Oh god. I was expecting him to say all sorts of embarrassing stuff, but Mutta actually turned out to be quite an interesting character when drunk. It’s his very observant side that really pops up when tipsy. And his incredibly stubborn side. That ending wsa glorious, in which he just stood right in front of Azuma. It also was another one of this series’ very annoying cliff-hangers. Waiting another week for that is going to be really hard!!
Rating: 6/8 (Awesome)

Sword Art Online – 13

Now I also understand why Asuna is so incredibly popular: she’s literally the only female in the army. Seriously: this episode had the largest party gathered that the army could muster, and she was the only female that I could spot. Is this normal, in MMORPGs? That there is like one girl for every 50 guys? That makes it even weirder for so relatively many of them to fall for Kirito by the way. With so many others they can choose from, I mean.

But I digress: this was a very good episode for Sword Art Online. Due to the fast-paced nature of this series the first half was completely different from the second. The first half was about fishing, the second about encountering a really, really strong boss. Not as strong as the one we saw last episode, but still one who decimated the army with no sweat at all. I’m not going to deny that: that was an awesome fight scene.

A strange side-effect of this was that the rather silly part about fishing also had quite some interesting animation. It really was something that I’ve been waiting for a long time now, because it just showed some people living their lives without all of the drama: they consented to the fact that they won’t be able to beat the game. There also finally was someone who talked about his life outside of the game.

Just one thing. Don’t you dare to pull the “Asuna dies”-card next episode. I mean seriously, this episode contained a lot of those cliched hints right before such a thing happens…
Rating: 5/8 (Great)

Hunter X Hunter – 49

Oh hell yeah. We’re nearly at the best part of Hunter X Hunter, and they look like they can actually pull it off. I’m going to pick this one up again. Whether I’ll keep blogging it for the remainder of the series entirely depends on how they end up handling the Greed Island arc, but the yorkshin arc is so awesome that it deserves to be blogged here.

With this I also want to wrap up the previous arcs a bit. The thing is, that we’re right now one year in. The animation for Hunter X Hunter has improved in the meantime: the animators are taking more and more risks beyond just shading Hisoka a lot, the soundtrack has gotten better as well, and the lesser voice acting is just something that has to be accepted. It’s not that the voice acting in this series was bad, in the 1999 series it was just that good.

However, I still believe that the 2011 series left a lot to be desired in the Hunter Exam arc. Unfortunately, back when I blogged it I kept dancing around the core issue with it. The core issue is something that bothers me with a lot of other shounen series: being boring in your first arc. You see, in the 1999 series, the creators actually added all those fillers, but those fillers were great in adding details to the characters, fleshing them out and making them fun to watch. because of that it was a really enjoyable standalone arc, even if the Yorkshin would not have been made.

The 2011 series on the other hand skipped all of these details, it saved its best tracks of the soundtrack for later, it waited with its really good animation until after the arc was finished, it didn’t bother looking much into the side characters at all. It was all bland, and instead what stood out about it apparently was the hints it provided for the future arcs. Those hints indeed were nice and all, but they don’t add anything to the Hunter Exam arc itself. And that’s for an arc that lasted 30 episodes. I mean, Full Metal Alchemist took half that time, and that just barely worked out. This lack of detail really made me worried for the future arcs of Hunter X Hunter, but thankfully these were ungrounded: they really managed to get the Yorkshin arc right!

This also is a major episode in the way that Gon and Killua finally have stopped being boring. Finally they also are done with all of that build-up (which is quite boring to watch if you already watched that before), but in this episode they really got to put their skills to the test, and it was an incredibly tense test at that. Here, it really shows how dangerous the spider troupe is, and how the two leads are only just children. They were completely hopeless and captured way too early, but I loved how well they avoided not getting killed instantly.

Right now, the spider troupe is also getting fleshed out really well. Seriously, these guys are pretty much my favorite evil organization in any shounen ever, and this is because of how well they combine with each other. There is no clear structure, like “you must beat my subordinate’s subordinate’s subordinate before you can fight me!”, but instead it’s a chaotic group that works really well in unison. Everyone has his or her own role, and even the ones with barely any airtime like Pakunoda and that guy in bandages have this prescence, like they matter. They really showed that at the end of this episode.

Also, that animation! Take those walking scenes and look at how smooth that animation was. That’s quite rare to do, and the sign that effort is being put in where to put the emphasis right.
Rating: 5.5/8 (Excellent)

Sword Art Online – 12

Oh come on, Sword Art Online. Are you really serious with this episode?

This isn’t Phi Brain, which has built itself up as being completely crazy.The setting you’re trying to build is a fairly believable one, so you really don’t get away with pulling such ridiculously stupid episodes like this.

So let’s see what all happened in this episode:
– The soldiers with no will to live of a few episodes ago came from the first floor and were sent there by this maniacal tyrant. Ok, makes sense.

– A woman who saw last episode’s display of swordsmanship requests Kirito and Asuna to help and save one of her comrades who is stuck in a cave without any weapons. This also is fair enough for a power struggle.

– When they arrive they find that he is trapped by some incredibly strong level 90 monster. First of all: why is that one guy still alive? Did the guy who took him there serve as a shield and did he find some sort of place to hide out in? I mean, that monster could have easily killed him in one swipe so I find that hard to believe. Also, what was that monster doing there, contradicting just about every rule established so far. There had better be some very good reasons for this. Also, why on earth did he take so long to warn Kirito&co. He started with that incredibly long greeting. Instead he could have yelled “watch out! Trap!”. And for that woman to not listen or even react to that was quite cringe-worthy.

– But the worst came when Yui suddenly pulled out god-mode powers and instantly deleted that thing. Let alone having her regain her memories at a very convenient time, the story of her being an AI monitoring program for player health just makes no bloody sense. Why on earth would you want to give her emotions like that? What on earth was the idea behind this? If people go crazy just show a cute young girl to her? What on earth?

– The biggest insult however was this: the story that Kirito and Asuna changed her because they shared some happy moments together. And apparently were the only ones in the ENTIRE GAME to do so. Are you really serious here? Are you really serious that they are the only successful couple in the bloody game? Did nobody else hook up? I mean heck. I knew that this show looked down upon the players that aren’t Kirito or cute girls, but I didn’t think that it was this bad.

– And Kirito, what on earth were you doing hacking into the server? How did you get a GM account, why didn’t you use this before and why are you powerful enough to override admin actions? Why did he know exactly what to do and why didn’t Asuna question this? And come on. The heart of an AI? Really?

For christ’s sake, if you’re going to have these twists, build them up or something. Hint that it’s possible. Don’t just randomly introduce them from out of bloody nowhere.
Rating: 2.5/8 (Disappointing)

Uchuu Kyoudai – 24 & 25

Pardon me for just including two episodes in one entry in my attempt to catch up to the backlog I created on holiday, but at least these two episodes fit with each other as the intermezzo between the third and final exam. And seriously, even in an intermezzo this series is just amazing. It’s like the creators looked at the cast and went “You know, we don’t have enough awesome characters yet. Let’s create another one!”. Azuma is a wonderful addition to this series.

There was so much going on in these two episodes, but the big focus of this was Hibito’s preparation to take off into space, while Mutta waited for the exams to start. Azuma was this really famous astronaut who Hibito passed in order to be able to participate in the upcoming shuttle launch. These episodes were very vague on how he feels about the ordeal, and this episode clearly stated that a few times, but it also gave a wonderful explanation of who he was and what he accomplished. The personal bond between him and Hibito was really subtle, but a great addition.

And the comedy was as awesome as usual. The creators especially used Apo great, and this dog really breaks a lot of habits for animal mascots. For one he doesn’t force himself into every episode (he was gone in the episodes in which Hibito did not matter), plus he knows when to be cute and when to take things down. The waking up masks were hilarious, but at the same time he also was great when just watching Mutta train.

And the ending of episode 25 was just wonderful. I didn’t suspect that that would be the point where Mutta’s parents would meet Serika, and the way in which they dropped all sorts of hints on her was hilarious, only made better by that director breaking the fourth wall announcing the ED. An which I still consider to be among the best EDs of the year by the way.
Rating: 6/8 (Awesome)

Sword Art Online – 11

This episode made me realize something: there is this unwritten rule in Sword Art Online going on that everyone abides by: never talk about the life you had before you ended up trapped in the game. It’s like, everybody is too scared to remember those days and instead their lives turned to be just their lives in the world of Sword Art Online and nothing else. In .Hack//Sign in contrast, I actually loved how they dealt with this issue: most of the time the characters were characters in an mmorpg, and yet once in a while it would drop hints to their real identities. Now, I do wonder why Sword Art Online went with the route it took: to completely remove any life that the characters had before being trapped. I mean, nobody is reminiscing about those times. They only talk about getting out.

In any case, the new girl thankfully is different from the other girls in this series, in that she doesn’t immediately fall for Kirito. She definitely is the big mystery in this show and will likely be very important in solving everything. She’s got like “I AM MYSTERIOUS” written all over her, but with the right development she can bring a lot of good stuff to this series.

But come on, Sword Art Online. Stop using these overused cliches over and over. The scene in this episode that pissed me off was the one with the thugs. It’s something you see in a ton of different series, and I nearly always dislike how it’s done, and this episode was no different. It’s the standard type of scene that creators go for whenever they need some extra tension, but here it was completely pointless. The kids and the nun are likely never going to matter again after this and there would have been better points to show Asuna’s magic sword. I also always really dislike how stereotypically these thugs are portrayed. I mean, these guys are full grown men. I’d like to see a bit more detail on how they became that way, and who they are. Stop using them as excuses to make the main characters look cool.
Rating: 4.5/8 (Good)

Uchuu Kyoudai – 23

You know what? I think that Space Brothers just got better.

I mean really: this episode was just brilliant and I was incredibly moved at the end of it. Seriously, this is how you write your characters. Every single character was enjoyable to watch, and Mutta’s acting was even better than usual. We now know him for 23 episodes already, and he’s still changing. Most notably his confidence in this episode was completely different compared when he went to Hibito for his first trip. Putting him in weird yet realistic situations only made this better, like when he dressed up for Santa Clause for a part-time job, or when he forgot to charge his train fare. Or take the rest of the cast: I loved how Serika randomly danced around at the end of the episode, or the little tantrum that Kenji’s daughter gave when Mutta visited (hiding behind the curtain was just way too adorable!). Despite the slow pacing, this episode had so many memorable scenes here.

But the real star of this episode was Yuri. I already suspected that now that he would be part of the main team, he’d get some more attention and all, but this episode completely went against my expectations. It without a doubt was one of the best executions of the “This character is put on a bus… oh wait, he is not!”-twist I have seen. With just ten minutes, this guy got a ton of depth, and I never imagined that the past episodes were all building up to that moment. I really got his fascination with aliens, and what he feels he should be doing with his life, but especially the talk he had with his father was beautifully and wonderfully down to earth.
Rating: 7/8 (Fantastic)