Happy New Year, everyone! As is tradition here at Star Crossed, our first post of the new year is a rundown of Wooper’s favorite shorts from… 2016? Yes, I’m breaking with tradition and going back a bit further than 365 days – back to the biggest year in the history of short-form anime, in fact. 2022 had a few bright spots in that department: an attractive Pokemon miniseries entitled Hisuian Snow, a new season of Pui Pui Molcar, and the always relaxing Cool Doji Danshi, the last of which will continue into 2023. But that’s peanuts compared to the number of noteworthy shorts that aired seven years ago, many of which were instrumental in raising the profile of this often overlooked anime format. They include a bite-sized Shounen Jump adaptation, an absurdist take on the male idol genre, and an ultra self-referential Trigger show, among many others. Let’s run them down in alphabetical order, starting with the most “literary” of the bunch.
Author: SuperWooper
Fall 2022 Impressions: Urusei Yatsura, Mairimashita! Iruma-kun S3, Cool Doji Danshi
Urusei Yatsura (2022)
Short Synopsis: A hopeless pervert finds himself with a jealous alien roommate after catching her in a fate-altering game of tag.
Wooper: I don’t know how much further removed this reboot could have been from the 1980s anime. Perhaps that’s for the best, since its loud colors and hyperactive tone may appeal to a new generation of fans, but personally, I watched this premiere with at least one eyebrow raised at all times. It was so committed to its vivid aesthetic that even its speedlines were rainbow colored, and some shots defied my understanding entirely. I mean, what the hell am I looking at here? To be clear, the presentation only dips into that sort of ultra-neon territory for isolated shots, but they demonstrate that the show has very loose boundaries when it comes to color design. The reboot animates with more proficiency than I expected (which is great!), though the way it zips from one scene to the next makes it feel like the director had Keanu Reeves’ mindset in the movie Speed: go too slow and your anime explodes. This stretches already-thin relationships like Ataru and Shinobu’s hot-cold attraction to a breaking point, removing the sympathetic aspect of her character so that she comes across as merely shrill. I’ve got more gripes that I could list, but it’s better that I end on a note of praise – Hiroshi Kamiya supplied a perfect performance as the lecherous, ill-omened Ataru. I’m sure it wasn’t a hard pick, since he’s played similar characters in the past, but hats off to the casting director nevertheless for making the right call.
Potential: Not for me
Mario: I was looking forward to this reboot as Urusei Yatsura was one of the more popular shows back in the 80s, and it’s pretty amusing to see how they’ve adapted it for modern audiences. The result is a mixed bag. I enjoy the visuals well enough; the character designs pop out, and I don’t mind that it goes bananas with the color palette. It certainly has the retro aesthetic that I seek. Unfortunately, it’s the story that feels dated and aimless. Is this love-triangle bickering going to be prominent for the rest of its run? It feels loud and one note after just one episode. The worst thing, however, is how broadly-drawn the main characters are – they don’t feel one bit believable or likeable. We don’t know them as individuals so we feel nothing for their relationships. This is the kind of show where you can only take it at face value and not think hard about the plot or characters afterward. As much as I enjoy the production, looks alone can only get you so far.
Potential: 30%
Mairimashita! Iruma-kun S3
Short Synopsis: After an exciting summer break, the Misfit Class gets an ultimatum to stay in their comfy classroom – with new lessons from eccentric tutors.
Amun: I previewed Marimashita before the season started, so I have a general idea of where this season is going (at least at first). Getting back to Babyls, Marimashita wastes no time diving into the new challenges: tutors and required ranks. How does it look? I personally really enjoyed what I read of this season’s material, and this episode didn’t do anything to dissuade me. If anything, I think they’re handling the pacing really well, since I could have seen them rushing through the groundwork. If I have any complaints, it’s going to be the lack of Ameri-san this season: why couldn’t she build on the incredible groundwork of last season’s date? One step forward, two steps back, I suppose. All in all, no surprises here – but for what started as an average comedy going into its third season, that’s an accomplishment in and of itself. I’m in it all the way.
Potential: 100%
Cool Doji Danshi
Short Synopsis: A handsome college student makes one faux pas after another, but at least he looks good doing it.
Wooper: This show is unsubbed at the time of this writing, so I went in raw for my final first impression of 2022 – except I cheated by following along with the manga scanlations on my second monitor, so I was able to follow the episode just fine. Cool Doji Danshi is a relaxing half-length CGDKT (cute guys doing klutzy things) with appealingly simple character designs and frequent cutaways to patterned backgrounds. It’s sparsely animated, but I did enjoy the realism on display during Hayate’s slow morning routine, which made clear use of reference footage. Hayate is the sort of guy who would forget his head if it weren’t attached to his neck, which poses difficulties everywhere from work to drinking parties to convenience store trips. People note his absentmindedness wherever he goes, but they don’t say anything about it (save for his best friend and his nagging boss) because he’s got such a cool aura about him. It’s refreshing to watch an ikemen series that isn’t about an idol group – girls still swoon upon meeting Hayate, but that’s because of his clumsiness as much as it is his good looks, and he gets a nice monologue towards the end about accepting the parts of himself that he doesn’t like along with the parts that he does. I enjoyed my time with this episode, and if I understood Japanese I’d probably watch more, but for now I’ll have to hope that some generous soul will start subbing it in the coming weeks.
Potential: 潜在的な
Spring 2022 Check-In – Weeks 10-13
Wooper: I’m hitting publish on this check-in post at the eleventh hour, as today is the final day of the spring season. Today may also mark my final time doing one of these columns, as I’m in the process of weaning myself off seasonal anime. Summer premieres begin tomorrow, though, and I’ll still be wading through them along with the rest of the gang for the next couple weeks – thoughts and prayers appreciated.
Spriggan 1
First, a disclaimer: I haven’t read the Spriggan manga or seen the anime film by Studio 4°C, so my perspective may be useful only to those of you who are similarly ignorant of the series’ history. The only Spriggan-related material I’ve got under my belt is episode one of the new streaming series, all six episodes of which are around 40 minutes in length. The good news is that the first episode didn’t drag at all; the bad news is that it’s wall-to-wall action with little in the way of character writing. The CG characters (mostly protagonist Yuu and a couple dozen military dudes) integrate pretty well with the 2D ones, which greatly benefits the half dozen fight scenes in the premiere. Spriggan is a cut above TV anime like Dorohedoro on that front, but the same can’t be said for its script, which has been mangled by unimportant jargon. Characters spend precious minutes describing the functions of their biomechanical suits, the specific hardness levels of their swords, and the origins of relics belonging to ancient civilizations – meanwhile, we know next to nothing about Yuu or his professor friend, apart from the fact that they met as children. What sort of life does Yuu lead outside of being a Spriggan warrior? What sort of person is he, apart from being determined (as nearly all action heroes are) and talkative? The show hasn’t answered these questions so far. It’s possible that the premiere’s tidy resolution will give way to a slower, more personal second episode, but I won’t be sticking around to find out.
Spring 2022 Check-In – Weeks 7-9
Wooper: I’ve never felt that the phrase “weekly summary” accurately described this column, and now that I’m a rogue writer who shows up whenever he feels like it, I’m going with “check-in” and damn the consequences. This check-in post is too early to catch Hisuian Snow’s second episode (airing tomorrow) or the start of the Spriggan ONA (June 18th), but they’ll be in the next one, which ought to appear around the time that the Summer Preview gets pinned. See you then!
Pokemon: Hisuian Snow 1
There have been a bunch of worthwhile Pokemon shorts in the past few years, but the best of them is undoubtedly 2020’s Twilight Wings, the art direction of which far outstripped most TV anime from that year. With Hisuian Snow, Wit Studio aims to match that effort from Studio Colorido, and based on this short first episode they might just succeed. It’s set in the mountainous Hisui region, which I know nothing about, but you don’t need to be current with the franchise as a whole to appreciate how pretty this six minute short looks; the combination of the snowy peaks and the setting sun bathes the whole production in warm colors, from gentle yellows to harsh oranges. That contrast emphasizes what looks to be the story’s main idea – that Pokemon are beautiful but dangerous – alongside some “humans and Pokemon can never coexist” dialogue from the main character’s father. That’s not a sentiment you typically get from the franchise, and although it’s obviously set up to be disproven by the bond between a young boy and a wild Zorua, there’s room for Hisuian Snow to tiptoe into frightening territory before its feel-good finish. Still, the main reason to watch is the art, which I’ll stress again is excellent – you can see for yourself by watching the first installment [here].
Spring 2022 Summary – Weeks 4-6
Wooper: A midseason offering from Wit Studio is as good a reason as any to write a check-in post, so here I am. There are a couple other anime I’m saving for a rainy day (Paripi Koumei and Healer Girl), so no thoughts on those for now – just continuing my Kaguya-sama streak and revisiting my premature claim that Summertime Render would be tops this season. Hope everyone is enjoying their spring so far, both in real life and in the world of animation!
Vampire in the Garden 1
Turns out Wit’s new vampire show is a five part mini-series, so I’m only previewing the first part here. I was disappointed by the length at first, but even 12 episode shows can collapse under their own weight these days, so concentrating your ambitions into a smaller space seems logical. And Vampire in the Garden is an ambitious project, make no mistake – it’s set in an alternate universe and centers on a costly human/vampire war, resulting in societal stratification and technological advancements that slot neatly into its world. What it doesn’t offer is innovation, since it borrows heavily from other dystopian fiction, especially ‘humans vs. monsters’ series like Kabaneri of the Iron Fortress and Attack on Titan. There’s even a “wall of light” that keeps vampires out of humanity’s central stronghold – you probably don’t need three guesses as to where that concept came from. The story of a human and a non-human leaving their feuding tribes to search for a better life is similarly derivative, but Vampire in the Garden does a fine job selling the human side of things; Momo’s gentle temperament, love for outlawed art forms such as music, and fraught relationship with her mother leave her with few options but to flee her oppressive surroundings. We still need more details about vampiric society and Fine’s place within it, but now that they’ve escaped together, those ought to be forthcoming. I’ll watch this one until the end for sure, but based on the first episode, my expectations are set to “competence.”
Spring 2022 Summary – Weeks 2-3
Wooper: New season, new weekly recap column – except I doubt I’ll get around to writing one of these each week. As a matter of fact, this may be the only one I do all spring, but I figured I’d make a post since there were a couple shows that aired too late for our First Impressions. Plus, Lenlo wanted to express his approval of the new P.A. Works show, and who am I not to provide an outlet for anime appreciation? Read on to see what we’re watching this season!
Summertime Render 1-2
Wooper: It’s silly to pick a projected AOTS after two episodes (especially when the series in question is slated for 25), but my money is on Summertime Render nevertheless. Ayumu Watanabe has been stretched thin over the last few years, splitting his time between envelope-pushing features at Studio 4°C and TV projects at multiple studios, but he still found time to direct one of this spring’s best premieres – and followed it up with an equally strong second episode. The broad strokes story is engaging, of course: a murder mystery involving shadowy doppelgangers set in a small island town. The tone is eccentric, eerie and gruesome in equal measure, and protagonist Shinpei’s ability to return to July 22nd after death gives the show a big hook. Moreover, he makes smart choices about how to spend his limited time within each loop, which can’t be said for some other characters in similar situations. But the show gets a lot of little things right, as well, especially visual metaphors like water droplets on an air conditioner preceding a character’s tearful grief, or the town being framed within a spider web just before Shin finds himself in peril. (I also love the bespectacled Hizuru, whose peculiar demeanor and habit of recording voice memos put me in mind of Dale Cooper from Twin Peaks.) If Summertime Render weren’t so solidly put together, I might not have the patience for its central mystery, but it is, so I do. Bring on the next episode!
Paripi Koumei 1-4
Lenlo: Not checking out Kongming when it first aired was almost one of the greatest mistakes I’ve made this year. I thought it was just a stupid gag series, how can a show about throwing a general from the Three Kingdoms period into modern Shibuya be anything else? But there’s so much heart, both for music and history, character and legitimate history that it has quickly become one of my favorites for this season. You just don’t get scenes like episode 3’s “Soldiers and drink” without the creator being passionate about the subject, nor the references from the manager without the knowledge. My god, the manager. He might be my favorite character. Also it has a banger of an OP.
Spring 2022 Coverage & First Episode Awards
Lenlo: Welcome back everyone for another season of anime over here at Star Crossed! By now you’ve seen all of our impressions and have a good grasp of what’s good, what’s promising and what’s just a dumpster file. That leaves only one thing left to announce: Our weekly coverage! Or should I say my weekly coverage, since Aidan is the only one potentially joining me this season. Maybe if I poke at them enough here I can get one or two to join me beyond the weekly summaries, who knows. Without further ado though I present to you our Spring 2022 lineup as well as our First Episode Awards!
Fall 2021 Lineup
Lenlo
– Dance Dance Danseur
– Spy X Family
– Now and Then, Here and There (Throwback Thursday)
Amun
– Occasional Weekly Summary (DanMachi waiting room)
Aidan
– Potentially returning for summer’s “Lucifer and the Biscuit Hammer”
Continue reading “Spring 2022 Coverage & First Episode Awards”
2021 Anime Awards and Top 10 List
Mario: Here we are, having made it through the new normal in 2021, and things don’t look much better than they did this time last year. But at least we had anime to distract us, and I’m happy to report it was a pretty solid year on that front. There were a handful of original shows (Sonny Boy, Wonder Egg Priority, Odd Taxi) that caused a stir, some of which divided the audience but nevertheless delivered their fresh perspectives to the medium. Adaptations of world famous franchises had their highs (Fruits Basket, Attack on Titan) and their very lows (Promised Neverland, To Your Eternity). Even not-so-famous manga got a bit of shine, one of which is likely to appear on next year’s version of this post, as well (Ousama Ranking, Heaven’s Design Team). Once again, the staff at Star Crossed Anime share with you our favorites – and least favorites – that the past year in anime had to offer. Read on to see whether you agree with our picks!
Worst of the Worst
Worst Show: 2.43 Seiin Koukou Danshi Volley-bu
Wooper: Given that 2021 played host to such turds as Tesla Note and Shinka no Mi, it’s not entirely accurate to call Seiin Koukou Danshi Volley-bu the worst show of the year. But it was the worst show that at least two of us watched from start to finish, and the rapid descent from the relative promise of its premiere to the ambivalent fart of its finale was enough to earn it this honor. Incredibly, Volley-bu managed to throw a monkey wrench into nearly every one of its character arcs. Got a player who freezes up during official matches? Give him some extra motivation by ignoring him during practice – problem solved! Two teammates had a fight so massive that one of them decides to take a train out of town? Just have the other guy accompany him on his impulsive journey – friendship restored! Your star athlete was such a demanding team captain in middle school that one of his teammates attempted suicide? Just kidding – the “suicide attempt” was an elaborate plot to get back at him for being such a hardass! And that was just the first half of the show. After that it was lukewarm injury-related drama and inconsistently paced games week after week, leading to an ending that satisfied virtually no one. Which set of six episodes was worse, the first or the last? That impossible question will be Volley-bu’s only legacy.
Runner-up: VLAD LOVE, a mess of an anime with no clear direction, no overarching plot and cringe-worthy humor.
Biggest Disappointment:
To Your Eternity
Lenlo: There was a lot of hype around To Your Eternity when it first started airing, and rightfully so. Brain’s Base is a good studio with a decent pedigree and Yoshitoki Ooima’s first work, A Silent Voice, took the world by storm. Everything was in place for at least a decent show. And it started good! The early episodes promised us an exploration of what it means to be human. Showing us, through Fushi’s inexperienced third party perception, what our lives and societies are really like. Slowly learning and forming his own thoughts along the way. But as the episodes went on and the story progressed To Your Eternity shifted away from that. We left the very human conflicts and focused more on the supernatural. It introduced shape shifting monsters that only our special MC could fight, a grand conflict between cosmic forces that God himself put Fushi here to help solve. It abandoned everything that made it interesting and became a sub-par version of what we see in every single mediocre battle shounen ever. And it is for that, for raising our hopes and expectations for something different and then dashing them against the rocks, that To Your Eternity earns our award for Biggest Disappointment.
Runner-up: SONNY BOY, for promising an exciting, never-seen-before take on our human condition, youth, society, individuality – but instead producing a production more pretentious than potent.
Winter 2022 Impressions: Vanitas no Carte S2, Futsal Boys, Fantasy Bishoujo Juniku Ojisan to
Vanitas no Carte S2
Short Synopsis: A bunch of vampires, vampire hunters, a vampire doctor, and some spooky clowns go to fight an ancient monster, only to get time warped and fight each other.
Armitage: It’s kind of strange to see vampire anime making such a return to the mainstream all of a sudden. I have been known to bemoan the lack of representation for bloodsucking white people in this medium but lately I have been feeling spoiled for choice. Sure, most of them are still your standard fare and barely better than mediocre. Your Vlad Love and your Kyuuketsuki (Mars Red is good tho, fight me) and it’s easy to see Vanitas no Karte belonging to the same crop. But it really does do enough to stand well and above the rest of its clan. Its light-hearted colorful exterior is an affront for a philosophical, dark core and it isn’t afraid to tear its own chest apart to give us a glimpse of its beating heart. It’s good stuff, to put it shortly. And while this season 2 premiere doesn’t necessarily kick things off in blistering fashion, it has earned enough goodwill from me in its previous season to be fully onboard with what comes next. I see this following in the footsteps of Golden Kamuy and building up on a first cour that laid the groundwork to turn into something truly special as it goes along.
Potential: 80%
Amun: Well that was pretty weird. No secret that Vanitas’ first half didn’t have the strongest ending – but the second half has certainly started off strangely. Our merry band of frenemies (and legitimate enemies) goes out to find this “Beast”, only to get time warped. Alright then. I’m getting tremendous Re:Zero S2 vibes from the timeskip, the snow, and the mysterious new goth girl. Which isn’t really a bad thing, but a bit unexpected from our buddy French vampire show. The fights and animation still look great, so I’m along for the ride – but I’m concerned that the story is starting to wander.
Potential: 75%
Futsal Boys!!!!!
Short Synopsis: Two high school boys put some mean ol’ bullies in their place with mad futsal skills.
Mario: I admit that I had reasonably high hopes for this original sports show, and as a result I was let down by the first episode. But while the premiere isn’t a standout by any means, It’s still a functional one. In the span of 20 minutes it establishes the basics of futsal, introduces the team and the personalities of our main characters. The only issue with that is that by doing so it forcefully creates a mock-match and pushes the drama in all directions. The production is subpar for a sports show, unfortunately, hence we get a fair share of still screens even in this first episode. I’m still intrigued to see how the team will shape up so I will be checking in for the next few episodes, but as with any sports show my concern is whether or not they could end this conclusively in a cour.
Potential: 30%
Fantasy Bishoujo Juniku Ojisan to
Short Synopsis: Two guys are whisked away from their mundane lives to live in a fantasy world, but one of them loses an important package in the process.
Wooper: Congratulations to the makers of this show for waiting until the 20 minute mark to display a midair menu detailing the main characters’ stats. I know it’s hard not to replicate every trope of reincarnation anime immediately upon summoning your protagonists to their new world, so the fact that Fantasy Bishoujo was able to delay such a well-loved staple for so long is proof of its rookie director’s patience. I hope to cultivate the same sort of patience within myself as I wait for this isekai romcom, which has already hooked me after a single episode, to air each week. It will take a determined heart and a diligent mind not to read ahead in the manga and find out whether these thirty-something men, one of whom was cursed with the body of a teenage girl, will confess their feelings for each other. But damn it, if a first time director can master her impulses and put the focus on her characters before feeding us those oh-so-sweet video game menu screens, I can surely restrain myself for seven days at a time. Those week-long waits will make each new episode that much better, I just know it!
Potential: 0%
Winter 2022 Impressions: Sabikui Bisco, Koroshi Ai, Kenja no Deshi wo Nanoru Kenja
Sabikui Bisco
Short Synopsis: A bow-wielding terrorist crosses a lifeless desert in order to meet a doctor specializing in illegal mushrooms.
Wooper: Sabikui Bisco may be the most ambitious anime of the winter season. It’s set in a future where rust is spreading across both planet Earth and the bodies of its inhabitants; its far-out costume design has half the characters dressed in masks and/or cloaks; and its fixation on mushrooms dips into the realms of both medicine and combat. More than its setting or visual themes, though, the main thing I noted about this premiere was its habit of jumping between locations and conversations. From a man trying to hide his identity from a pair of border guards to a black market mushroom dealer haggling with a food stall owner to a teenage doctor operating out of a brothel, Sabikui Bisco did a more than decent job of keeping things connected despite its plethora of characters and ideas. It ended on a strong note as well, with two people who we’d seen on opposite ends of a desert finally meeting in the episode’s last scene. I’m less enthused about the show’s production, unfortunately, as the eye-catching scenery isn’t sufficient to distract from the stiff character animation or the shortcuts taken when depicting Bisco’s mushroom barrages (rather than sprouting, the toadstools simply appear in frame with a cluster of airborne rubble hiding their point of origin). I’ll be sticking with this show for a while, but it’s got a lot more to prove if it wants to be truly memorable.
Potential: 60%
Armitage: I love this world. I mean, not our own, obviously, but the world that Sabikui Bisco paints across the densely packed 24 minutes of its runtime. Desert dunes and retro-futuristic cities. Traders of skin and automaton lizards for car rides. It’s all just dripping with cool while never feeling overly moreish. It almost feels like Xam’d lost Memories went on a cyberpunk bender and was found on the side of the road the night after. The character writing here isn’t going to win any awards and like Woop mentioned the actual character animation is not all that great. But these are all issues I am willing to overlook if we can get a deep dive into the underbelly of a world that for now appears to be a living breathing thing of its own. Hopefully, this will FINALLY be an LN adaptation that doesn’t crash and burn after a promising start.
Potential: 70%
Koroshi Ai
Short Synopsis: An assassin cons a bounty hunter into going on a date with him by doing her job for her.
Lenlo: I’ll be honest, there’s nothing in Koroshi Ai I haven’t seen done better elsewhere. Visually it’s pretty weak, but in a season as bad as this it’s still probably in the upper half. The storyboards are uninspired and everything looks like it’s lit from a singular source from directly above at all times. It’s just not that good looking. Meanwhile narratively the premise of competing assassins/spies/whatever falling for each other is fine but I can’t help but think of works that have done it far better. Stuff like the currently releasing (and soon to get an anime) Spy x Family. Koroshi Ai is trying for something darker than that, true. But I don’t think it has the chops to pull it off if this episode is anything to go by. It couldn’t sell me on the assassins, it couldn’t sell me on the romance, and it couldn’t sell me on it being a visually interesting watch. And if you can’t sell me on any of those… Why bother watching?
Potential: 0%
Mario: In a rather weak season – the weakest in recent memory actually – Koroshi Ai remains one of the most promising shows, but I still have heaps of issues with it. I feel like I’m in the minority who buys into this “creepy” advance of Ryong-ha Son, an assassin who has the hots for our lead girl. He’s unpredictable for one thing, and he can be over-the-top and still fit into the premise. But my interest in the chemistry between them doesn’t hide the fact that the show looks pretty bad at times. Furthermore, for the pulpy mystery elements I’m feeling a bit mixed. The show doesn’t tone down the violence on any of its killing scenes, but why is that exactly? Wouldn’t it need to go much darker later on? Despite some issues, I’m in for a few more episodes to see where the lead relationship goes from here.
Potential: 40%
Kenja no Deshi wo Nanoru Kenja
Short Synopsis: In a riveting turn of events, an MMO player decides to change his character’s appearance from male to female.
Wooper: Full disclosure: I bailed on Kenja no Deshi’s premiere halfway through the episode. Once you get a look at its first two images you’ll understand why – this is an anime for people so addicted to MMOs that they feel uncomfortable watching any other sort of story unfold. It opens with a bunch of narration explaining the lore of the game, and follows that up with scenes of characters praising it as though they were part of an in-game advertisement. The OP sounds like the sort of karaoke song that would only be selected if somebody got really drunk and picked it by mistake. The mid-episode battle scene is so poorly laid out and relies on such unattractive CG that it’s a wonder nobody pulled the plug on the entire show after seeing it. (Then again, the people who greenlit this show probably don’t care.) Usually I can get some satisfaction out of dunking on these greasy light novel adaptations, but this one was so hideously unimaginative that I couldn’t make it through. Do not watch this anime.
Potential: 0%
Lenlo: You know, I thought Wooper was exaggerating. I thought that I could come in here, make an MMO joke, something about “Just go play FF14” since that’s been my addiction lately. But when I watched the episode it was… it was one of the most aggressively mediocre things I have ever seen. Even people who like the Isekai MMO genre will find nothing here. Everything Wooper said above is true and more. Just go watch Leadale. Or Log Horizon. Or hell SAO, at least that one looks pretty decent most of the time. Just don’t watch this.
Potential: Why does this exist %