Winter 2021 First Impressions: Yuru Camp S2, 2.43: Seiin Koukou Danshi Volley-bu, I★CHU

Yuru Camp S2

Short Synopsis: Rin prepares for a solo camping trip to ring in the New Year, while her friends discuss their holiday plans.

Mario: It’s hot as hell here Down Under so I can’t say I’m in need of its warmth, but cozy and comfy Yuru Camp does indeed excel at creating that feeling. The premiere of this second season traces back to Rin’s very first solo camp and it’s just a joy to watch. She makes mistakes all the beginners make and it adds an extra level since we know how experienced she is now. This new episode wastes no time to display detailed backgrounds, chill soundtracks, and confident, slow pacing that threatens to envelop you and put you into a comfort zone. The second half goes back to the present day and while it’s not as enjoyable as the first half, the natural flow of characters’ dialogue and interactions are fun to watch. I’m still a bit ehh on our animated mascots because it just takes me right out of the flow, but all in all, this premiere is a winner.

Potential: 70%

Wooper: Even though it’s been three years since Yuru Camp first aired, its return to the small screen feels seamless. The new OP and ED are performed by the same artists as before, the earth tone backgrounds are still picturesque, and the pinecones still squeak their customary hellos when the camera captures them up close. That sense of familiarity is a perfect fit for this premiere, which eased us back into the show with a flashback to Rin’s first camping expedition. She’s the group’s most experienced camper, so the sequence where her younger self learned to set up a tent and took notes on starting a fire was very welcoming. “It’s okay if you’re new,” Yuru Camp seemed to be saying. “Everybody has to start somewhere!” Those opening minutes were the highlight for me, but the girls’ present-day conversations did give us some hints as to what we’ll be seeing in the next few weeks – meeting some extended family members sounds like a fun prospect. This is a series designed to be watched with a blanket on your lap and a mug of hot cocoa in your hand, so it’s come along at just the right time for those of us in the northern hemisphere.

Potential: 75%

2.43: Seiin Koukou Danshi Volley-bu

Short Synopsis: A star volleyball player moves to the boonies after his harassment of a former teammate ends in disaster.

Wooper: Just as Skate Leading Stars aims to escape the shadow of Yuri on Ice, this show (which I’m dubbing “Volleybros”) has its own Little Giant to slay. It’s not off to a bad start, either – the animation might not be a match for its older cousin, but it’s still pretty good, and the light-accented designs give it an entirely different look. The characters’ heights are more pronounced, as well, which comes into play during not just volleyball practice, but also the high number of dialogue-driven scenes. Volleybros is just as much a drama as it is a sports anime, and it wants you to know that right off the bat. Sulky and confrontational are two of its cast’s more common modes of operation, and two mentions of a transfer student’s dark past bookend the episode with as much subtlety as a spike to the face. Parts of this episode put me in mind of Hanebado, the schizophrenic badminton show from a couple years ago, but there was plenty of good conversation between the two leads, as well. They’re a poor match for each other, but they’d prefer not to be – that’s a tough dynamic to capture in a single week, and Volleybros did a decent job of it. I don’t know if I’ll watch another episode of this, but I hope somebody does – it’s not the knockoff that many will assume it to be.

Potential: 60%

Lenlo: I went into this expecting knockoff Haikyu, but surprisingly wound up with something completely different. Where Haikyu is a more fast-paced action type of sports show, “Volleybros” as Wooper puts it is much slower, but not in a bad way. I agree that it did a decent job with the lead’s dynamics though at times it does feel like it’s ripping off Haikyu a bit. My main hope here is that the “dark past”, which is a bit more extreme than Kageyama’s though the same in function, is properly used and integrated into the story. I want it to be more than just shock value for this initial episode and to see the event handled with the proper weight and respect the subject deserves.

Production wise Volleybros didn’t do too bad either. The animation definitely isn’t as dynamic or expressive as Haikyu but Director Yasuhiro Kimura of Golden Wind fame isn’t letting that hold him back. Instead of relying on sakuga magic he actually has some pretty clever and well timed cuts to add impact and a feeling of speed to the sport. If he can keep that up then I think Volleybros will hold up well, despite the occasional weightless block that the ball just bounces off of. All in all I am tentatively excited to see where this goes and will definitely be keeping up with it this season. I just hope it doesn’t go the yaoi route…

Potential: 75%

I★CHU Étoile Stage

Short Synopsis: A group of idols face expulsion from idol school unless they sell 3000 CDs in three months.

Lenlo: I hate how much effort went into the opening shot of this series, I really do, because it actually looks kinda good. I have no idea if this is a one off, if it will all get replaced with CGI models, or if fans might actually get a well-animated bishounen idol series. But the fact remains that production wise I★CHU shocked me out of the gate. Beyond that though… I don’t really have much to talk about. It’s a bishounen idol show, what you see on the tin is what you are going to get. Wooper may be right, there may be some small arcs for the characters here and there, but with how large the cast is I don’t expect any of them to do anything meaningful. Meanwhile I have never liked the premise of idol schools to begin with and the Idol industry in japan itself is uh… very concerning.

So yeah, if you like Idol shows then you might have a winner here with some decent production and solid but flat characters. If you don’t, then this show isn’t for you. I know it’s not for me.

Potential: 1%

Wooper: We’re only three months removed from the premiere of Hypnosis Mic, which had the best opening shot of any bishounen idol series I’ve seen. With that in mind, I sat down to watch I★CHU, feeling it would be premature to dismiss the subgenre’s next offering sight unseen. It seems my optimism was rewarded, because even though this show is even less substantial than a pack of soggy tissues, it didn’t give me second-hand embarrassment the way bishie anime typically do. There are close to 20 idols in the cast here, and while this episode didn’t do much more than assign gimmicks to each one, I got the sense that decent arcs were in the cards for a few of them. That feeling comes mostly from the earnest teambuilding of the show’s primary trio, who managed to put on a crowd-pleasing performance after some initial dysfunction. It was a plot befitting a children’s show rather than a late night TV anime, but it also wasn’t terrible. Oh, and the principal of the idol school (for there must always be an idol school) wears a bear costume, so there’s that.

Potential: 10%

Winter 2021 First Impressions: Skate Leading Stars, Urasekai Picnic, Tatoeba Last Dungeon

Skate Leading Stars

Short Synopsis: A former athlete and an aspiring coach team up to dethrone a rising star in the Japanese ice skating world.

Wooper: This show has some pretty big skates to fill, given its most obvious point of comparison, but it did manage to carve out an identity of its own in this half hour. We’re dealing with teenagers instead of adults, and skate leading (essentially team figure skating) instead of solo routines. All we’ve seen thus far is one-man flashbacks and exhibitions, but the presence of a high school club promises plenty of cooperative performances. That’s what worries me most about this series’ future; though there was some slick athletic animation on display here (the smears during Reo’s routine were a highlight), depicting five skaters at once will be far more taxing than anything this premiere offered. In the likely scenario that the production buckles, it’ll be down to the characters to keep the show afloat, and I don’t know that they’ll be up to the task. The protagonist is one of those “shout until your dreams come true” types, so of course his rival has to be cold as ice, right down to his white-and-blue color scheme. I’m betting on the revenge-driven teenage coach as the breakout character, though I probably won’t give SLS enough episodes to see him or anyone else truly shine.

Potential: 50%

Mario: Skate Leading Stars starts off on the wrong foot and goes far too melodramatic and ridiculous for my taste (the 10-year-old kid will swear off the sport he loves just after losing his parents if he loses to the top kid in town. He loses, the story begins), but thankfully it picks up afterward and I have no problem recommending it. While I’m never too hot on hot boys’ shows, the show infuses just the right amount to make the characters likeable, especially that sneaky coach with Hachiman-scheming eyes. Story-wise it has been conventional so far, but the story beats didn’t lose me and this first episode wasn’t afraid to display some sharp skating routine sequences. While they are not as polished as say Yuri on Ice (the show to which we’ll hear a lot of comparison), they don’t rely on CG and they are solidly animated. Certainly worth a few more tries for this one.

Potential: 40%

Urasekai Picnic

Short Synopsis: Two young women form a tentative friendship while exploring a dangerous parallel dimension.

Mario: Such a strange beast Urasekai Picnic is. Part-yuri, part-surreal, part-horror show about hunting urban legends AKA monsters? Yes – although so far I’m not totally convinced with everything it does in this premiere. As for the positives, I like that the show starts in media res. Just like the characters themselves, we have to pick up bits and pieces of this mysterious Otherside along the way. The sense of eeriness and isolation are all there, and the Otherside’s grey palette certainly compliments that empty void vibe. The narration is a bit more hit-and-miss for me. While I enjoy a portion of Sorao’s inner thoughts – especially when it deals with her detachment from her real world – Sorao is still not an interesting lead to follow. That actually helps to make the dynamic between her and the new girl she meets much more vibrant, so it works out for now. The thing is, there’s still a lot of questions about the rules of the new universe, about the show’s endgame, about what this show really is about, that makes this premiere feel more like a side OVA to some established franchise than a proper introduction to the show. As a result, Urasekai Picnic still keeps me at arm’s length, but I do recognize its efforts.

Potential: 40%

Wooper: I have so many questions. How did Sorao first access the Otherside? What prompted the main characters to dash into that abandoned building after the OP, and where was it in relation to their previous location? What was with that stuttering dialogue during Sorao’s confrontation with the Wiggle-Waggle? Don’t get me wrong, it’s a good thing that Urasekai Picnic is generating some intrigue, but I do wish it had been clearer regarding the barrier between its two dimensions. And as long as we’re making wishes, it would have been nice if the show hadn’t periodically replaced pieces of basic character animation with ancient CG models. There are other nitpicks I could make, as well, but they’re overshadowed by the show’s biggest strength: the strong impressions that Toriko and Sorao made on each other. Urasekai Picnic accomplished this simply by giving them plenty of opportunities to talk, allowing them to discover how their differing personalities could nevertheless be compatible. By the end of the episode, I felt as though their future trips to the Otherside would be much more successful if they paired up, and that I’d like to watch that pairing evolve over time.

Potential: 65%

Tatoeba Last Dungeon

Short Synopsis: Super strong country boy with imposter syndrome cooks a witch breakfast and starts building a harem.

Amun: Tatoeba Last Dungeon was one of the shows I’ve had my eye on since it was announced. The first episode was mostly as advertised, although I’m a little concerned about the quality of the animation – one particular faceplant was notably bad. If the first episode is having issues – that’s not a good sign. The other concerning aspects are pacing and humour. This episode actually went through a ton of material from the manga and felt quite rushed. The humour – shout until it’s funny – highlights the one dimensional aspect of the plot’s gimmick…another bad omen. Plus, I’m worried about the random service that showed up halfway for no reason – doesn’t bode well when we’re turning to those “plot” devices so early. No question, major red flags here – I’ll give it a few more episodes to turn around, though.

Potential: 33%

Lenlo: I swear to god these Light Novel titles and premises are just getting more and more ridiculous. What happened to just having a good story? What happened to compelling characters? When did it all get replaced with gimmicks and what do I have to do to get the Twelve Kingdoms style of fantasy back?

If that wasn’t telling as to my experience, I don’t know what will be. I found Tatoeba to be painfully dull. Generic fantasy, overpowered MC, fanservice, fantasy world. About the only danger flag of mine that didn’t tick was “Isekai”. My biggest issue by far though has to be the MC, who is apparently perfect at everything. It’s only been one episode and we already have 3 women fawning around him, 4 if we include the loli grandma, but I won’t for Tatoeba’s sake. I just don’t have anything to invest in at all here, with the only possible exception being the last 30 seconds. Maybe it goes to interesting places! Personally I don’t expect it to, and I won’t be watching long enough to find out.

Potential: 5%

In Praise of 2020’s Short Anime

Happy New Year, everyone! Hope your January is off to a good start. Mine is about to be filled with writing, both for our Winter First Impressions and the AOTY mega-post, but before hurling myself into either of those projects I’d like to shine a light on four of the year’s best short series. I wrote a similar piece last year and felt good about recommending those shows, so making it a yearly thing felt right. Although short anime typically attract low viewership figures and even lower appreciation levels, I love them for their simple stories and thrifty production techniques. As a bonus, their episodes end quickly enough that my age-addled brain has no chance to wander partway through! Whether you’re a dinosaur like me or you’re just in the mood to finish an entire series in a single afternoon, let’s kick things off with one of 2020’s more obscure anime: Super Shiro.

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Akudama Drive Review – 75/100

On the surface, Akudama Drive is far from my cup of tea. It’s a spectacle-first production that operates on the fringes of sanity, working with characters so thin that their names and occupations are one and the same. There was fun to be had in its early episodes (particularly the never-ending parade of carnage that was the premiere), but its adherence to heist and escort mission templates made it feel safer than such an otherwise-daring series should have felt.

That all changed in the series’ sixth week, which doubled as one of the year’s best action showcases and a statement on the futility of violence. From that point on, the show raised the stakes with each episode, quickly fraying the fabric of its dystopian setting and treating its characters’ decisions as major milestones. Akudama Drive was headed somewhere important – a belief that was justified by a finale that managed to be both catastrophic and hopeful. There were bumps in the road along the way, and we’ll talk about those, but overall the series gets a definite recommendation from me.

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Akudama Drive – 12 [Akudama Drive]

Before I get into my thoughts on this episode, I want to note that what we saw this week wasn’t its final form. There’s an additional five minutes of footage that was cut for the TV broadcast, which will be part of the director’s cut on the eventual Blu-ray release. Summaries of the missing content are floating around online, but I haven’t read them – given the excellence of this finale, I may rewatch Akudama Drive at some point, and I want to save a few surprises for myself. Even if you put aside the added footage, this show will benefit from a BD watch more than most, since the censorship will be toned down and its worst-looking moments are likely to be touched up. And who knows, maybe an enterprising sub group will save us from Funimation’s shit translation once the physical release drops. That’s not a likely prospect in the age of simulcasts, but a man can dream, right?

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Fall 2020 Summary – Week 12

Wooper: There are still a few final episodes left to air this season, but this is our final recap post of 2020. With the new season preview finished, our attention will soon turn to winter first impressions and the Anime of the Year post due in mid-January. Before that, however, Amun has a bone to pick with a handful of second stringers he’s been watching, and Lenlo and I give our final verdicts on the usual summary post suspects. (There’s no Blurb on Titan this time around – make your voice heard if you want Armitage to keep writing about it, even in this column’s absence.) Thanks for reading, and happy holidays!

Fire Force – Since I stopped blogging about it

Amun: I stopped my weekly review of Fire Force around episode 11, but I’m back with an update on how the rest of the season went. In two words: the same. There were instances of absolutely ridiculous animation quality (see the last couple of episodes)….and a whole lot of weird service and head scratching plot directions. At no point in the season did I feel that Fire Force found its groove or even understood the kind of show it wanted to be – comedy? action? horror? ecchi? Strange to say about an anime, but Fire Force never took itself quite seriously enough, which is a shame. The random edginess was unenjoyable – not sure about Uncle-Shinigami-who-was-really-into-little-boys. The Maki storyline was fine I guess, and Tamaki sort of got a redemption episode? Just overall, I can’t help but be disappointed in the unfulfilled potential – looks like instead of the meh ending (like Soul Eater – by the way, what was up with that moon?), we got it here in the middle. Rumour has it the next season is the last, so hopefully it finishes strong – but I would be surprised.

Taiso Samurai – 11

Wooper: Barring a couple of Big Bird’s loony appearances, this finale was wholly unenjoyable and unsatisfying. The Jotaro/Leo connection was unimportant in the end, as Leo’s last-minute spectatorship of his friend’s routine created a brief feel good moment and nothing else. Jotaro’s successful quadruple flip and ensuing victory over Tetsuo were a surprise to no one, I’m sure, and the last-ditch effort to make Tetsuo a human being was too little, too late. The whole sequence with Rei running through the airport to stop Leo from leaving made me wonder why their previous conversation in episode 10 was necessary. If he was going to be convinced by an extended reference to his favorite ninja movie, couldn’t the show have pulled off the same thing without the prelude from the previous week? I like the concept of Rei quoting her mom’s signature film both to motivate her friend and reaffirm her interest in acting, but the moment came across as pretty limp given Leo’s recent irrelevance. We only got to see two seconds of his ballet performance before cutting to a truncated credits roll, for crying out loud. But hey, at least it’s over – the greatest gift I’ll receive this holiday season is never having to write about Taiso Samurai again.

Continue reading “Fall 2020 Summary – Week 12”

Winter 2021 Anime Season Preview

Wooper: 2020 may be on its last legs, but the tradition of milking anime franchises to death is still going strong. That’s right ladies and gents, it’s Sequel Time. We’re getting second, third and fourth helpings of some of the most popular series in recent years – so many that we couldn’t cover them all in this preview. Attack on Titan’s ongoing conclusion and Re:Zero S2’s continuation are massive events, of course, but at least one other isekai sequel went unmentioned here, along with a handful of shounen offerings. In their place we’re covering a few original projects, of which there are a surprising number this winter (half of them involve idols, though, so we opted for the other half). As always, we haven’t commented on every new show, but all of them should be listed in the poll below, so let us know what you’re most excited for this winter. Enjoy the rest of your December, and we’ll see you on the other side!

This poll is no longer accepting votes

What will you be watching this winter?
  • Beastars S28.16% (28 votes)
  • The Promised Neverland S28.16% (28 votes)
  • Re:Zero S2 Part 28.16% (28 votes)
  • Attack on Titan: The Final Season7.87% (27 votes)
  • Dr. Stone: Stone Wars4.96% (17 votes)
  • Log Horizon S34.96% (17 votes)
  • Cells at Work! Code Black4.66% (16 votes)
  • Horimiya4.66% (16 votes)
  • Cells at Work! S24.37% (15 votes)
  • Yuru Camp S24.08% (14 votes)
  • Mushoku Tensei: Isekai Ittara Honki Dasu3.79% (13 votes)
  • Slime Isekai S23.79% (13 votes)
  • Kemono Jihen3.50% (12 votes)
  • Kumo desu ga, Nani ka?2.92% (10 votes)
  • Wonder Egg Priority2.92% (10 votes)
  • Non Non Biyori: Nonstop2.62% (9 votes)
  • SK8 the Infinity2.62% (9 votes)
  • Ura Sekai Picnic2.62% (9 votes)
  • 5-Toubun no Hanayome S22.04% (7 votes)
  • Back Arrow2.04% (7 votes)
  • Bungou Stray Dogs Wan!1.46% (5 votes)
  • Tenchi Souzou Design-bu1.46% (5 votes)
  • World Trigger 21.46% (5 votes)
  • 2.43: Seiin Koukou Danshi Volley-bu0.87% (3 votes)
  • Alice in Deadly School0.87% (3 votes)
  • Jaku-Chara Tomozaki-kun0.87% (3 votes)
  • Skate-Leading Stars0.87% (3 votes)
  • Kai Byoui Ramune0.58% (2 votes)
  • Show By Rock!! S40.58% (2 votes)
  • Tatoeba Last Dungeon0.58% (2 votes)
  • Hortensia Saga0.29% (1 vote)
  • Kaifuku Jutsushi no Yarinaoshi0.29% (1 vote)
  • Ore dake Haireru Kakushi Dungeon0.29% (1 vote)
  • Project Scard: Praeter no Kizu0.29% (1 vote)
  • Shin Chuuka Ichiban! 20.29% (1 vote)
  • Ex-Arm0% (0 votes)
  • Gekidol0% (0 votes)
  • Idolls!0% (0 votes)
  • Idoly Pride0% (0 votes)
  • Majutsushi Orphen Hagure Tabi S20% (0 votes)
  • Nanatsu no Taizai 40% (0 votes)
  • Soukou Musume Senki0% (0 votes)

Middling Expectations

Tenkuu Shinpan

Studio: Zero-G
Director: Masahiro Takata
Series composition: Touko Machida
Source: Manga

Mario: As the first output from Netflix’s batch of original anime in 2021, Tenkuu Shinpan looks middling at best. It’s the kind of title that has an intriguing hook but once it wears off there isn’t much beyond it. It’s based on a manga by Tsuina Miura, the creator of Ajin. While I like some aspects of Ajin, here’s the interesting part: Miura actually left the project after the first volume and some fans sarcastically say that his departure is the reason why the manga stays good. The PV looks unintentionally hilarious from what I saw, with a shirtless masked murderer with an axe chasing a girl in broad daylight. Director is a newbie, and the gal handling Series Composition was behind some oddly-paced shows such as 7 Seeds, Runway de Waratte, and Caligula. I won’t hold my breath over this.

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Akudama Drive – 10-11 [Babel/War Games]

These two episodes were absolutely stuffed with plot developments, character deaths, and big reveals. There’s no way I can comment on everything they had to offer in a regular-sized post, and I’m not so enamored with Akudama Drive that I’d give it a Great Pretender-length review. So I’m going to do what every pop culture journalist in 2020 does when they’ve fallen behind schedule: churn out a low-effort list article. Here are the major events of “Babel” and “War Games” ranked from worst to best (with their associated episode in parentheses). If you’re keen on playing with the newest and the best hacks and cheat codes, you can check out  new world hack here and find out for yourself.

#7: Wonderful Christmastime (10)
I’m already cheating with the structure of this post, and right off the bat I’m cheating a bit more. This wasn’t a major event, but rather a small scene that played right before the midpoint of the episode; still, it was saccharine enough to earn the last place slot with ease. Not long after the mass murder of hundreds of civilians by the Execution Department, Akudama Drive thought it would be a nice idea to play an uplifting musical sting as Sister experienced her first snowfall. The main issue here was that the scene functioned as a montage, so the wintery orchestral piece also accompanied images of cops suppressing crowds with beam swords and, most jarringly, Doctor lounging next to the corpse of a recent victim. Tone-deaf doesn’t begin to describe it.

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Fall 2020 Summary – Week 11

Wooper: Just two more weeks until 2020 can finally be put to rest. Here at Star Crossed, the Winter Preview is a key step in bidding farewell to each calendar year, so we’re hard at work on that project as you read this. But that busyness couldn’t stop us from offering our thoughts on these penultimate seasonal episodes – we had to lay the foundation for our final verdicts, after all, which ought to arrive next week-ish. See you then!

Golden Kamuy S3 – 11

Lenlo: Jesus, Golden Kamuy, that was easily the tensest episode of the season and possibly of the year. I really don’t know how to describe this without spoilers, so let’s just say everything came to a head this week. Sugimoto and Asirpa finally meet again, which means so does Ogata and Sugimoto, and Tanigaki and Kiroranke, and basically every character combination you can think of. Combine that with a treasure hunt that only one person knows the answer to and a whole bunch of guns and you have something going on. All in all, I loved this episode and I don’t know how to talk about it without spoiling everyone.

Maou-jou de Oyasumi – 11

Wooper: After cameos in episodes 8 and 9, Cubey finally revealed herself as a succubus who admires Princess Syalis for her popularity, not her evil counterpart from a parallel universe. I suppose it’s better that the show kept it simple, since it allowed the quest formula to be maintained after a few leaps in logic. Syalis’ ruthless training of her new body double ironically ended in her own death, which wasn’t tough to predict, but it’s the way she died that really sold the segment: drifting off to sleep while plummeting toward a fiery lake, satisfied with a job well done. Of course, the castle’s cleric revived her in time for the next chapter, where the other characters got a peek into her dreams. This was the spot where her relationship to the Hero was revealed to all parties involved, giving him a bit more to do than usual. As a matter of fact, the Demon Lord confronted the Hero face to face in this episode, though it was just a small gag about the man’s willingness to trust an obvious enemy. I haven’t mentioned the Hero in these miniature blurbs much, which is due to a lack of column space and his distance from the main characters, but also because I don’t find him especially funny. I’ll be interested to see whether his character “works” in next week’s finale.

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Fall 2020 Summary – Week 10

Wooper: In case you’ve been living under a boulder, you ought to know that Attack on Titan returned to the airwaves three days ago, and Armitage has thoughts about the new episode. So do Lenlo and Amun, I assume, but you’ll find them talking about different series after the jump, plus a few contributions from yours truly. It’s our biggest recap post in quite some time – hopefully we can keep this momentum going as the blog’s busiest season looms ever larger!

Attack on Titan S4 – 01

Armitage: I can safely say that I have not waited for an anime with this much anticipation. Ever. I wasn’t nervous this much-awaited return would be underwhelming, I was downright afraid. In entertainment media, Attack on Titan is one of the few shows that’s bigger than the medium they inhabit. One that most people who are even remotely interested in ‘Japanese cartoons’ have at least heard about. So, you can imagine how skeptical its fans were with the studio change announcements and a new director and staff at the helm. MAPPA had pulled the shortest of sticks by volunteering to follow the massively successful Studio Wit in producing the final season of Attack on Titan. So how did they do in their first at bat? Well, to my and almost every other viewer’s pleasant surprise, they knocked it well and truly out of the park.

This was easily the best season premiere this series has given us since its very first episode more than 7 years ago. Instead of wasting precious minutes with exposition and recaps, we are thrown headfirst into the action, a whole new cast of characters is introduced within seconds and the show expects us to be well-caught up on previous events to follow character motivations. While none of our original main cast shows up we do get to see Reiner and Zeke kicking some ass. And what glorious ass-kicking at that. We had actual good CG, fluid character movement carrying through the weight of every Titan’s attacks and set-pieces as bombastic as they have ever been, all accompanied by a thunderous background score. The barrage from the sky even reminded me of the Chimera Ant arc from Hunter x Hunter 2011. My only fear at this point is that in the process of hitting an opening Home Run, MAPPA may have broken their bat altogether. But as an anime-only who has somehow managed to avoid all spoilers about what’s to come, I am honestly more excited and way more optimistic than I ever was.

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