Winter 2026 Check-In – Weeks 11-13

Wooper: We interrupt your just-begun spring 2026 impressions with some final thoughts on four just-wrapped winter anime, plus one that began an unceremonious pause after a double-length premiere. There are a handful of winter shows I didn’t cover that will require a fair shake before EOY (ShiboYugi chief among them), but this is all I’ve got for now. Alright, back to the First Impressions grind!

JoJo’s Bizarre Adventure:
Steel Ball Run – 1

I hadn’t tuned in to a JoJo anime since bailing on Diamond is Unbreakable nearly a decade ago, but Steel Ball Run presented an opportunity to give the franchise another spin, since it takes place in a separate universe. Its continuity is so fresh, in fact, that it places more emphasis on the titular cross-country race than any of its familiarly named characters – with the exception of Johnny Joestar, who receives a rather momentum-breaking flashback explaining his paraplegia. That scene’s blunt implementation didn’t inspire much confidence that future flashbacks will blend in well, and there will probably be many of them, since the race started so quickly that a lot of pre-race context will become necessary as the story evolves. This two-parter did keep a lot of other details close to its ridiculously costumed chest, such as the nature of Gyro Zeppeli’s Hamon-like ability and the way Sandman instantaneously developed his ultra-fast running style. I like the decision to preserve some mysteries for the future, though the lack of an airdate for subsequent episodes means that future may be far away.

P.S. Were JoJo’s fifth and sixth parts as scatological as Steel Ball Run? There were three references to poop in this premiere, which is a lot, even for a double length episode. Weird stuff!

Continue reading “Winter 2026 Check-In – Weeks 11-13”

Spring 2026 Impressions: Agents of the Four Seasons, Always a Catch, Ganbare Nakamura-kun

Agents of the Four Seasons:
Dance of Spring

Short Synopsis: A priestess of spring performs a ritual to restore her long-dormant season to a wintery region.

Wooper: Agents of the Four Seasons begins with a flashback to the main character’s bodyguard getting shot amidst a hail of automatic gunfire, which hardly reflects its seasonal theme, even if it’s snowing heavily while it happens. There are other flashes of modernity throughout the episode (the bureaucracy surrounding its lore, smart devices on display during the closing montage), which were distracting for me, but the show is quite pretty when it’s depicting snowy mountains and cherry trees reborn through protagonist Hinagiku’s ritual. She’s a human imbued by the Goddess of Spring with the power to restore plant life through song and dance, and there’s a whole government department set up to monitor her actions, as well as (presumably) those of the other Agents. Hinagiku’s halting speech pattern is certainly distinctive, but I haven’t got a real issue with it – her bodyguard’s seiyuu, on the other hand, gives an overperformance that I didn’t feel was properly supported by the flashback at the start. Agents of the Four Seasons clearly wants to tell a bigger story of conflict between man and nature (and perhaps between the seasons themselves), so you can’t judge the whole series by this one-off “restore spring to a local region” story. So far, though, the visuals are its only strong suit.
Potential: 40%

Always a Catch!

Short Synopsis: A tomboyish noble girl gets engaged to a neighboring country’s crown prince without knowing it.

Mario: We have yet another “villainess with a good heart” story set in an otome-inspired universe. Normally I’m fine with that increasingly over-saturated subgenre, but here, it fails to leave me with any lasting impact. The story hardly surprises me at all, as we have all the setups of your typical reverse-harem otome shows. The lead girl is a bit quirky and unconventional (check); despite going to school, we get to see all of her potential suitors (check); there’s a best friend girl (check) and a rival (also check) with classic blonde curls! Even though our heroine Maria is billed as “independent,” the show bends over backwards by having her join an academy to “find a husband” because she’s no longer the heir of her family. It’s kind of sexist don’t you think? With generic characters and even more generic designs, sadly this one is a pass for me.
Potential: 10%

Ganbare, Nakamura-kun!

Short Synopsis: Nakamura-kun falls in love at first sight, but with a twist.

Mario: Ganbare Nakamura-kun reminds you of an old, feel-good era that you yourself never experienced. Its retro style, both in character designs and color scheme, strongly resembles those 80s anime romcom hits like Maison Ikkoku and Kimagure Orange Road, which seems highly intentional. It’s a queer love story as well, which makes it both funny and endearing. But having said that, it still pretty much uses the same cloth with all the romcom tropes we have seen before: our boy is too shy to approach his crush, and when he does he wrecks his chance instead. The only moment that he truly acts like himself has something to do with his weird obsession with octopuses (really!). To add to that, his love interest Hirose is not that deep of a character so far, as we only see him through Nakamura’s filtered point of view. For now, I like the show’s style, but I’m not totally invested in any of the characters, let alone the central romance.
Potential: 25%

Spring 2026 Season Preview

Wooper: Having been pummeled with multiple snowstorms this past winter, I’ve been ready for spring’s arrival for a while now – and not only as a reprieve from the weather, as series after exciting series have converged to make this one of my most anticipated seasons since I began writing for Star Crossed. The headliners include a two cour adaptation of Hiromu Arakawa’s new series, a pair of fourth seasons for two isekai stalwarts (not covered here, though they hardly need the help), and the long-awaited final entrant in modern fantasy manga’s Big Three. What’s most interesting about this spring, though, is its wide range of second tier shows, which pull from classic comics about wine tasting and financial mind games, as well as next gen works about rakugo and graffiti. Both veteran directors and young hopefuls are represented in the preview below, which has me feeling uncommonly optimistic about the state of anime. Will enough of our picks pan out to justify that enthusiasm? First Impressions are just over a week away, so we’ll find out soon enough!

Middling Expectations

Agents of the Four Seasons:
Dance of Spring

Studio: Wit
Director: Ken Yamamoto
Series composition: Ayumu Hisao
Source: Light novel

The Premise: The Agent of Spring and her trusted guardian embark on a journey to usher in Yamato’s first spring in ten years.

I typically avoid using series’ in-universe terminology when summarizing their premises, but there’s no way to do that for Agents of the Four Seasons, a modern fantasy with a plot entirely defined by its worldbuilding. There’s a creation myth setup, with a personified Winter creating Spring, Summer and Autumn, each of whom grant their power to humans called Agents (hence the title), who usher in their respective seasons through song and dance. This sounded pretty good to me until I honed in on the “modern” in modern fantasy – the technology here is so contemporary that the PV features a fight scene set at an airfield. I can’t really envision a story this folkloric taking place in a world with central heating, but I’ll still give Agents a shot, as it’s directed by Ken Yamamoto, who demonstrated a mastery of winter scenery in his Pokemon short series “Hisuian Snow.” The major selling point for most people here will be the author of the source material: Kana Akatsuki, who also wrote Violet Evergarden. I wasn’t a big fan of that show, but this is a separate work by a different creative team, so it may offer some surprises.

Continue reading “Spring 2026 Season Preview”

Winter 2026 Check-In – Weeks 7-10

Wooper: I don’t know why I said I’d write a first impression for Rooster Fighter in the intro to the last check-in post. Maybe I was on drugs – though certainly not as big a dose as I’d need to enjoy the show itself (as befitting an Adult Swim series). It’s just the three regulars plus Ganglion, then, with thoughts on a bunch of episodes crammed into only a handful of paragraphs. The Spring Preview takes priority, I’m afraid – it ought to go up in four days or so, so be on the lookout for that as the winter season begins to wind down.

You and I Are Polar Opposites – 7-9

I’m beginning to get fatigued of all these socially anxious anime characters who find a friend group and learn to express themselves. Polar Opposites’ representative in that field is Nishi, Tani’s co-worker in the library after school – she’s twice as quiet as he is, so the show’s primary strength (conversation) hardly applies to her. Of these three episodes, Nishi only appeared in number 7, and it was a warranted appearance, resolving her encounter with Yamada during the previous episode’s culture festival. Still, she’s my least favorite of the show’s otherwise fun cast – thankfully, the other two weeks in this batch were primarily concerned with our main couple, especially when Tani’s birthday rolled around. Teenage staples like falling asleep on a phone call and celebrating with store-bought cakes brought a smile to my face, but the funniest moment of all came at the very end of episode 9, when Suzuki terastallized in excitement after kissing her boyfriend goodnight. As for the show’s secondary couple, their non-relationship underwent a bit of a stress test the week beforehand, as Taira insisted that Azuma discard her nonchalant persona and “get angry” over her middle school friends’ poor treatment of her. I’m still not sure how I feel about his phrasing, but it made for a sharp change of pace.

Continue reading “Winter 2026 Check-In – Weeks 7-10”

Winter 2026 Check-In – Weeks 4-6

Wooper: I know this column is about currently airing anime, but have you all seen the surplus of cool shows set to debut next month? Our spring season preview is going to be packed (by my standards), and that’s without counting mid-March premieres like Steel Ball Run and Rooster Fighter (which should show up in a future post this March). Ikoku Nikki is holding me down this winter, and I can easily envision a future where it retroactively outclasses every new spring series, but I’ve got to say, I haven’t been this optimistic about an upcoming crop of anime in a long time. That’s not what you’re here for, though – read on for my thoughts on the usual suspects, plus one new show before the jump.

Oneechan Gokko – 1

I’m not exactly tapped in to the world of indie anime, but the YouTube series Oneechan Gokko (produced at the fledgling Studio Gohan) still found its way onto my desk somehow, and I’m glad it did, as its first episode was much more polished than expected. It doesn’t move at the same speed as a mainstream seasonal anime, but scenes of the main character Akane jogging home from school or riding a bike are still plenty immersive thanks to detailed lighting and autumnal background art. Given the season, red, yellow and brown are the dominant colors here, with Akane’s green-haired sister Sui serving as an exception to the series’ visual palette. That nonconformity makes sense on several levels, because she may be more (or less) than she seems – at several points during this episode, Akane receives phone calls from someone claiming to be the real Sui, who claims that the girl in her house is an impostor. Oneechan Gokko is set in the future, with service robots having been partially integrated into society, so we may be headed toward a “machine supplanting man” theme – one with spooky overtones, as Gokko’s presentation takes that tack at several points (especially in its closing minutes). You can watch the first episode [here] to see whether it sucks you in – just know that the follow-up won’t be out for several months.

Continue reading “Winter 2026 Check-In – Weeks 4-6”

2025 Anime Awards and Top 10 List

Mario: It’s amazing to think that we are more than halfway through this decade, and even though each of us writers is swamped with our current busy lives, here we are with another year of anime under our belts. As if to reflect the current anxiety of the real world, 2025 produced several shows with “Apocalypse” or “End of the World” in their titles or premises. We also received many sequels from heavy-hitting franchises, some of which we’ll be giving our thoughts on below. Anime that debuted this year didn’t fare too badly either, and surprise, surprise, isekai was still as popular as ever (though there’s not much of that after the jump). Come sit at our table where we voted, discussed, broke some ties, and delivered to you our thoughts on the state of anime in 2025.

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Winter 2026 Check-In – Weeks 2-3

Wooper: It’s a little late to be reviewing just two episodes of a handful of new series, but that’s what I’ve got for you here. Between AOTY writing that’s progressing in the background, my growing interest in non-animated films, and some personal stuff happening in my life, I’ve been slow to keep up with anime this winter. Shibou Yuugi, whose double length premiere greatly intrigued me, was going to be part of this post, but I decided to just publish what I had and not wait around. It probably won’t show up next time either, but there’s a YouTube series that might make the column in a couple weeks if I end up liking it. We’ll see!

Ikoku Nikki – 2-3

Why was there a hybrid Japanese-English grammar lesson in the first act of episode 3, and why did it make me tear up? I guess that’s the strength of Ikoku Nikki, a grief-themed josei drama composed almost entirely of natural conversations between two or three characters. That third episode has received a lot of praise online, likely because it marked the first major emotional moment for its orphan protagonist Asa, and while it surely deserves the acclaim, I found the second to be exceptional as well. In that sophomore episode, Asa’s aunt and legal guardian Makio invites her friend Daigo over to their apartment, and maybe it’s just because I’m in awards season mode, but Daigo is already my frontrunner for Best Supporting Character of 2026. Her hiccupy laugh, warm yet patient personality, and teasing relationship with Makio made her an object of fascination for Asa, whose unfamiliarity with adult friendships hints at a past frigidity between her deceased parents. In episode 3, Asa was more active and less observant, but Makio still got some nice scenes, including one where she mistakenly addressed the specter of her sister while retrieving Asa’s belongings from her previous apartment. The show’s psychological breadcrumb trail is longer for Makio than it is for her new ward, but I’m enjoying the pace at which it’s following both paths.

Continue reading “Winter 2026 Check-In – Weeks 2-3”

Winter 2026 First Episode Awards

Wooper: Pardon me for starting out on a tangent, but I just had a look at the upcoming spring anime chart and discovered nearly 15 shows that I’m looking forward to, which makes this newly initiated season less appealing by comparison. I’ve got high hopes for three or four new series, though, one of which was our pick for Best First Episode and Season Sleeper, and it truly does qualify for both in my opinion. It’s not just my assessment that matters, though – Lenlo and Mario also voted for these categories, and I hope to convince them to pop in for a biweekly column or two this winter, as well. Either way, we’ll all be collaborating on 2025’s Anime of the Year post next month. Until then!

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Winter 2026 Impressions: Jigokuraku S2, Oshi no Ko S3, Sousou no Frieren S2

Jigokuraku S2

Short Synopsis: Season 2 of Jigokuraku, where we hunt down a bunch of Taoist immortal monsters for the elixir of immortality.

Lenlo: So like many sequels, I feel pretty comfortable saying that if you didn’t like the first season, the second won’t change your mind. Yes, this is where I feel Jigokuraku’s narrative starts to pick up a bit, with the Tensen taking center stage and many of the mysteries around Tao and the Island beginning to be answered. So if your main issue was that nothing was happening, then you might enjoy this more. But at its core, Jigokuraku remains a shounen battle series fueled by Taoism where our unlikely heroes team up and defeat a bunch of immortal monsters. In my eyes, so long as the animation is solid (it is) and the story doesn’t interfere with it (it doesn’t), then that’s all I need.
Potential: 40%

Oshi no Ko S3

Short Synopsis: Oshi no Ko establishes its new status quo now that Aqua is busy with his variety show and B-Komachi is gaining popularity.

Mario: Here we have the new, hopefully final, season of Oshi no Ko. I’d say that this episode is more of the same, as it still has insights into the Japanese entertainment industry (Aqua has to shoot 4 episodes of his TV show in a day), with some twisted drama and heightened romance, sometimes not in a good way. I’m still not sure why Aqua, for example, avoids Kana for fear that her reputation would be affected if they were dating (or worse, that a stalker might attack her like they did Ai), but is still dating Akane anyways? Doesn’t he hold the same concern for her? The aspect of this episode I do like is how it is told from Mem-cho’s perspective, as she has been overshadowed by her teammates in previous seasons. What’s the deal with the man Ruby seeks out at the end? I guess we will find out in the next episode.
Potential: 40%

Sousou no Frieren S2

Short Synopsis: Season 2 of Frieren, where a pair of children babysit a 1000 year old elf as they travel the world.

Lenlo: And so we come to the final show of the season. I have to say, I’m really mixed on this first ep. A lot of the highs are still there (Himmel was once again the best part of the episode), it’s animated beautifully, and something about Atsumi’s performance as Frieren just pulls me in. But… Man has it never hit the same highs as those first four episodes. I’ve already gone on a rant about the stupid crystals in Discord, how they found a palm-sized one on the side of the road but somehow no one has found or noticed the cave with literal billions-of-dollars’ worth of crystal like, 50 feet under the main road? Hey Wirbel, those demons? Walk 20 minutes down the road, you might find something to help! It’s stuff like this, or the exam arc, that don’t live up to the carefully crafted world and story that I initially fell in love with, which makes it difficult for me to really recommend Frieren. I think, overall, there’s still a lot to love and enjoy about the show, and it’s most likely going to be one of the prettiest shows of the season, but I can’t confidently say it’s going to be one of the best.
Potential: 60%

Winter 2026 Impressions: Trigun Stargaze, Prism Rondo, The Holy Grail of Eris

Trigun Stargaze

Short Synopsis: Trigun, but it’s not really Trigun, it’s a weird new Trigun, but man does it look really pretty.

Lenlo: Hey, Milly is finally back! I’ll admit, I don’t remember much about Trigun Stampede, as it was kind of all over the place. So a decent bit of this first episode made absolutely no sense to me, especially after how season 1 ended. Even with that hurdle though, I had fun. Studio Orange continues to make CGI work, with beautiful animation and incredible facial and full body expressions, Trigun really does look great. But outside that… I’m torn. I’m really not sure how much fans of the original show will enjoy this remake. If you’re able to separate it from the 90s anime, think of it as its own unique thing (which I suspect anyone still interested after the first season will be able to), then it should be a good, if confusing, time. If you’re not though, if you’re somehow still stuck on this being Trigun and not Trigun Stargaze, I think you’ll be put off by how different everything is. Personally though, Studio Orange go brr, I wanna see what their take on the series is and watch some pretty lights as they do.
Potential: 40%

Prism Rondo

Short Synopsis: The young adult heiress to a kimono boutique enrolls at a prestigious art school in early 20th century London.

Wooper: Prism Rondo (Love Through a Prism) may be the most Netflix anime ever to Netflix. I don’t typically bring up streaming services when doing these impressions, as they’re really just delivery systems for the shows themselves, but this one falls so neatly into one of its home site’s subgenres (young woman navigates life in a trendy European city) that I was taken aback. Not every anime set at an art college needs to match Honey & Clover’s level of oddity, but Prism Rondo falls on the opposite end of the spectrum, opting for total straightforwardness, and I wasn’t convinced by that choice. The school where protagonist Lili enrolls is quite traditional, so some amount of presentational simplicity is appropriate, but the “become the top student in six months” mandate from her parents offers too clear a path forward in my mind. On the plus side, the visuals are very nice, especially the background art, which is the biggest draw of this premiere. Yasuko Takahashi’s character designs, too, give everyone a striking appearance – even passersby on bustling London streets and within the halls of St. Thomas Art Academy. I’ll keep watching this one for its setting and female focus, but something tells me I won’t make it through all 20 episodes.
Potential: 30%

The Holy Grail of Eris

Short Synopsis: A young girl is possessed by the spirit of a disgraced dead noblewoman who helps the girl navigate the noble court.

Lenlo: So I guess we’re haunted by the spirit of a dead noblewoman because we witnessed her last moments, and she occasionally decides to help us out as we navigate noble society? If I’m being perfectly honest, I zoned out roughly halfway through Eris. Neither Scarlet nor Constance were particularly interesting to me, and the opening scenes of the execution and the ballroom that were meant to set the series up both fell flat. I guess if you’re looking for some kind of girl-boss rising through the ranks of the nobility with the help of Casper Scarlet the friendly ghost, this could be fun, but for me it was a whole lot of nothing. Still, there was nothing offensively bad about it or anything. It was just dull.
Potential: 5%