Guest Post: Unearthed Treasure with Firechick – UT: Stella of the End (84/100)

As of mid-2024, a good majority of the games Key/Visual Arts have put out are legally available in English, with the exceptions of Air, Kud Wafter, their Prima Doll kinetic novels, the Rewrite fan disc, and Summer Pockets: Reflection Blue. Before 2015, it was nigh impossible to procure their games outside of fan translations, but now almost their entire library is available. Hell, just a few months ago, their first visual novel, Kanon, FINALLY got an official English translation and release in the US, 25 years after its 1999 release. Now that I’ve played a good majority of their games—mainly their kinetic novels—and seen anime adaptations of the ones I haven’t played, I’ve gotten a bit familiar with their formula. I like the anime adaptations of Air, Kanon, and Clannad, but haven’t played the VNs for Air and Clannad yet. The game version of Air, while an important piece of Key’s legacy, has a lot of problematic aspects that really did not age well; Harmonia is fairly good but a big chunk of its lore doesn’t make sense, Loopers suffers from not doing enough with both its large cast of characters and premise, and while I enjoyed Lunaria: Virtualized Moonchild, it only started getting good in the second half, and the first half of the game is a bit of a climb. I have mixed feelings on the games of theirs that I have played, but that’s not to say I hated them. There are two that I genuinely enjoyed without any reservations: Planetarian, their first kinetic novel, and the subject of today’s review, Stella of the End.

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Winter 2025 Impressions: Bogus Skill “Fruitmaster”, Ameku M.D, Possibly the Greatest Alchemist of All Time

Bogus Skill “Fruitmaster”

Short Synopsis: A supernaturally skilled gardener discovers he can eat more than one Devil Fruit without perishing.

Wooper: 2025 kicks off with a benignly terrible fantasy premiere that cribs from One Piece, of all things. In the world of Fruitmaster, everyone is granted a free JRPG skill upon reaching the indeterminate age of an average anime protagonist. You acquire the skill by eating what is essentially a Devil Fruit, so you can’t eat a second one or else you die – unless you’re the main character, in which case you can have as many as you want. Since he has this ability, the role of “Appraisal Skill User” (for there must always be an appraisal skill user) is foisted onto his companion, who mutters that she must “make herself useful to him” by scouting everyone else’s solitary powers. Thus the stage is set for our hero to become the most powerful adventurer in the universe, prove his strength to his childhood friend, and participate in all manner of barely-animated battle scenes. Fruitmaster is dull on nearly every level, but its most baffling failure lies in the design of the protagonist’s sword; the second skill he acquires is titled “Sword God,” but it might as well have been “MS Paint God” based on the unadorned look of the thing. I hope the next fruit he eats will grant him the blacksmith skill, for the audience’s sake.
Potential: 0%

Lenlo: Why are we even bothering with this whole “Fruitmaster” thing? It didn’t take 5 minutes for the show to toss its entire premise out the window and gift the MC an OP skill like “Sword God”. Why? Just give him the ability from the start if you’re not even going to try and turn his “bad” ability into a great one. Fruitmaster feels lazy on basically every level, with even the designs and animation feeling phoned in while the studio pockets anything left over. Suffice to say, this is one of the easiest skips I’ve seen in a long time.
Potential: 0%

Ameku M.D: Doctor Detective

Short Synopsis: A doctor/detective and her henchman investigate a strange murder involving blue blood and dinosaurs.

Lenlo: Have you ever seen House? No? Well neither have I, but this is what I would imagine an anime version of it would look like. An eccentric loli doctor capable of diagnosing patients in an instant while simultaneously lambasting the patients for getting themselves in this state to begin with. As such, your enjoyment of this show is really going to come down to how much you like watching Sherlock Holmes-style hyper-intelligent characters solve convoluted problems from the most basic of observations. There’s some relationship drama as the doctors are split between their work and private lives, which has the potential to be interesting, as well as this “Blue blood” murder case thing. For the most part though, you’re looking at a pretty normal medical drama show that wouldn’t be out of place on regular live action television. Sadly for Ameku though, I’m not really into that. Maybe you’ll have better luck than me.
Potential: 20%

Mario: There are a few aspects of the first episode that I really enjoyed. First, I appreciate that the show doesn’t shy away from the medical technobabble, even though the focus shifts toward case-solving as the episode progresses. It helps ground the story in a sense of realism. The case itself is intriguing—strange, yet I get the feeling it leans more toward the logical than the supernatural, which remains interesting to see how it unfolds. However, this comes with a trade-off: the main characters, particularly the “genius” girl, display a strong curiosity but a limited emotional range. For instance, after a patient is declared deceased, her first reaction is to grin and remark, “How curious.” I suspect that, like many shows of this nature, the appeal will lie less in character development and more in the ongoing mystery—though whether that will be enough to sustain interest in the long run remains to be seen.
Potential: 20%

Possibly the Greatest Alchemist
of All Time

Short Synopsis: A former salaryman is granted an amazing alchemical skill by a goddess after being accidentally summoned to another world.

Lenlo: Maybe I’m being too generous with this score, but literally anything would look good after Fruitmaster. It’s not that Alchemist is terrible, while it doesn’t do anything particularly noteworthy I would call it competent in most things. The focus on crafting and day to day living in a fantasy world is done better in shows like Log Horizon, while the fantasy community is handled better in Reincarnated as a Slime, sure. I also wish it would go into more detail on the fantasy aspect of the crafting and such, as the combat is pretty weak. Still, Alchemist does all of those well enough that they don’t drag it down. The MC isn’t annoying, being a mild-mannered salaryman, and while it doesn’t look great, the designs aren’t terrible and it moves well enough. All in all, Alchemist feels like a standard run of the mill Isekai that is inoffensive and does everything just well enough that you might be able to get some fun from it. Saying that though, maybe that is enough to stand out in the modern isekai landscape.
Potential: 10%

Winter 2025 Season Preview

Wooper: Thanks for clicking on what may be Star Crossed Anime’s shortest season preview ever! We’ve got just one author handling things this time, and he is looking forward to shockingly few shows this winter. Of the dozen sequels that will begin airing in January, none of them are of interest to me; only one two of the eight nine upcoming isekai series look remotely watchable; and all the school-based rom-coms seem bound for the dustbin of anime history. These opinions stem in part from my time-weathered perspective as a fan, so maybe you readers can salvage my early 2025 by voting for some gems in our quarterly poll, which you’ll find at the end of this post. And hey, if the season turns out to be truly irredeemable, there’s always our backlogs to work on!

Middling Expectations

Akuyaku Reijou Tensei Ojisan

Studio: Ajia-do
Director: Tetsuya Takeuchi
Series composition: Shingo Irie
Source: Manga

The Premise: A middle-aged civil servant is reborn as the villainess of an otome game his daughter used to play.

As mentioned above, there are nine isekai anime airing this season, but “From Bureaucrat to Villainess” is one of only two that interest me. Rather than some high school loser, the subject of its reincarnation plot is a 52 year old man, and what’s more, he’s trapped in the body of a teenage girl, whose previously arrogant reputation he works to reverse upon his rebirth. I haven’t sampled the manga, but it seems clear from the PV that all the usual otome trappings will appear here: a student council full of beautiful boys (all of whom will fall in love with the newly possessed villainess), a kindly but not particularly charismatic heroine, the aforementioned villainess sporting massive blonde ringlets, etc. Whether or not the comedy of the protagonist’s body/mind mismatch amuses me, I’ll still be interested due to the involvement of director Tetsuya Takeuchi, who’s played critical roles on recent series like Hinamatsuri and Tengoku Daimakyou. This is his first time heading up a TV anime, but he previously occupied the director’s chair on the Yuri Seijin Naoko-san OVAs from the early 2010s, which are still revered in Japan for their ambitious animation. My guess is that Takeuchi’s name has enough pull to attract a solid team for Akuyaku Reijou’s production, so I look forward to some visual flourishes here and there in the opening episodes.

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Mid-Season Check-In #3 — Fall 2024

Wooper: It’s just me on Mid-Season Check-In duty this month, I’m sorry to say. Lenlo has continued to watch all the shows he covered in the first of our fall posts, and I’m sure Amun is still over the moon about the new seasons of Natsume Yuujinchou and DanMachi, but you’ll just have to wait and see whether they can shoehorn those series into the AOTY conversation next year. My December round-up here won’t be our last post of 2024 – that’ll be the Winter Preview, which ought to pop up in about a week – but I hope you savor it all the same. Stay warm out there (or cool, as your hemispheric situation dictates)!

POKETOON S2

The first season of the Poketoon anthology premiered as a series of monthly YouTube uploads in 2021, and it had a couple of standout episodes, which I briefly wrote about for my “In Praise of Short Anime” column that year. Fall 2024 saw the return of the series, only this time it alternated between one minute shorts (which were cross-posted to other social media sites) and longer installments. It’s two of those nearly full-length episodes that I want to shout out here: “Childhood Friend Charcadet” and “Chansey Safari Tag,” the first and third videos in [this playlist]. The former is a tale of two wild Charcadet whose paths diverge after one of them leaves to accompany a trainer; it boasts stylish battle scenes and an effective, if predictable, tale of separation and reunion. The latter is probably the best of the lot, centering on an untameable Chansey whose attempts to help maintain its home Safari Zone are misunderstood by the park’s warden. Scenes of the Chansey fleeing trainers’ Poke Balls and emerging from tiny hiding spaces after using Minimize (a move whose aftereffects I’d never seen animated before) are tons of fun, and there’s a feel-good resolution to the story’s human-Pokemon conflict. This franchise has gotten a sharp-looking side project every year of the 2020s so far, a trend which these two episodes (plus the Primeape-themed one, if you’re feeling generous) managed to keep alive.

Continue reading “Mid-Season Check-In #3 — Fall 2024”

Mid-Season Check-In #2 — Fall 2024

Wooper: Late November tends to be the time when I start thinking in terms of Anime of the Year, rather than the Season. But even though I’ve pledged that our 2024 AOTY post won’t take as long to release as the previous one, we’re still making time to talk about some fall anime here – “we” being myself and Amun this time, as our resident DanMachi fan was owed a space to proclaim his love for his favorite currently airing fantasy series. That can be found after the jump, along with some short thoughts on some other seasonal shows and even One Piece Fan Letter, which released a while ago but I just got around to seeing last weekend. Happy reading, and we hope your upcoming holiday season is a fruitful one!

Ranma ½ (2024) – 5-8

Wooper: Now that Ranmake ½ has progressed past the point I reached in the original series, I realize that it’s entered a “sports plus martial arts component” holding pattern. Episodes 6 and 7 were both dedicated to a martial arts rhythm gymnastics contest between Akane and new ojousama character Kodachi, while the most recent one was the first of another likely two-parter, this time about martial arts ice skating. The way this concept allows the show to wink at the audience while maintaining its martial arts focus is neat, but I can’t say I’m any more wrapped up in the show after observing its new trick than I was before having seen it. A lot of the interplay between Ranma and Akane in the downtime surrounding these competitions involves accusations of non-cuteness, minor jealousy flare-ups, and almost-kisses, with episode 8 containing all three in quick succession. All of those things are to be expected, of course, since the show is based on an 80s manga, but none of them are up my alley. Still, I’m impressed by the economical nature of the show’s animation, keeping things simple yet solid at all times, then going all in on just a handful of cuts. There was a scene in episode 7’s gymnastics battle where Ranma defied gravity by swimming through a high-arcing midair blast from a hose, and the water animation was just to die for. I’ll keep watching through the end of 2024 just for the possibility of more shots like that one.

Continue reading “Mid-Season Check-In #2 — Fall 2024”

Fall 2024 First Episode Awards

Now that the final October premiere has aired (a subpar beginning to Blue Miburo), we’ve reached the end of our First Impressions period. Our plans for the next couple months are looking light: Lenlo will continue his Horus Heresy book club series and publish some mini anime reviews as they’re completed, Amun plans to periodically write up his thoughts on DanMachi season 5, and I’ll be finishing my delayed Dead Dead Demon episode reviews. Between the three of us, we ought to compile a few check-in posts, as well, since there are some decent seasonal shows airing this autumn. We don’t all agree on which ones are the best, but we did vote for our now-traditional First Episode Awards, so hit the jump to see what we’re most (or least) anticipating as a collective. Hope everyone has a happy and healthy fall!

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Fall 2024 Impressions: Demon Lord 2099, The Healer Who Was Banished From His Party, Shangri-La Frontier S2

Demon Lord 2099

Short Synopsis: The Demon Lord is banished by the Hero, only for him to reawaken 500 years later into a whole new, much more technologically advanced world.

Lenlo: Demon Lord 2099 was… shockingly good. I was expecting a meme, but not, it’s legitimately good. From the world and characters it’s created to the story they are caught up in, 2099 genuinely feels like something new. The combination of magic and technology to create a future-fantasy dystopia ala Shadowrun, is fully realized here with beautiful backgrounds and an interesting mix of visual staples from the two genres. And the way power scaling is handled is great as well, working similar to Frieren where it’s not that the Demon Lord got weaker but that magic technology and technique advanced while he was banished. This idea that even common street thugs are able to kick a Demon Lords ass now, and that he can’t get the same implant they have, works well. Most of all, I like the villain! The dude’s just a corporate overlord ass-hate with an inferiority complex who spent the last 500 years prepping to replace his boss. I’ll admit, the show isn’t incredibly animated or anything, there’s no big fights. But I’m bought into this world, these characters, and this conflict way more than I expected to. I really hope 2099 manages to keep this up for the whole 12 episode run, because right now this is my big surprise of the season. Plus, it has Vtubers! Towa-Sama!
Potential: 70%

Amun: I’m a bit less enthusiastic here than Lenlo. I have to admit that I’ve seen quite a few of these “Post-Demon Lord” shows recently (the best of which is obviously, without question, Frieren). I’d say Demon Lord 2099 is a lot closer to Level 1 Demon Lord and One Room Hero with the character dynamics – maybe mixed in a bit with Our Last Crusade/Rise of a New World for the magic/tech mixture; neither of those shows is exactly making history. The villain and even our lead felt a bit flat – both leaning into the super evil persona’s a bit too hard there. Sure, I’m certain they’ll develop over the series, but I was just a bit turned off by how one-dimensional the confrontation was. I like the world well enough, and I think the “problem” to solve is plenty interesting (rebuilding a lost kingdom). I guess I’m a little hesitant in the lack of comedy or chemistry felt…anywhere. Still, I’m here for at least a few more on the strength of the premise alone.
Potential: 50%

The Healer Who Was Banished From His Party

Short Synopsis: A healer only capable of using basic heals is banished from his party. Little did they know, he was capable of more than anyone could expect.

Lenlo: This is a pretty classic “Misunderstood MC is actually OP” story. We don’t get any explanations just yet, more setting up our Female MC, why she’s here, her connection to the lead, and a small mystery about how dangerous he actually is. I’ll admit, the idea that he’s actively hiding his true class and skills is better than him just being OP despite only having basic spells. But unlike say… I Parry Everything which had much the same setup, this one is lacking a lot of the personality and character that made Parry so fun. The MC isn’t an asshole, which is nice, but he also doesn’t have much personality beyond just… not being an asshole. I could see this being fun if you just want a popcorn sort of show, but personally I’m not going to be keeping up with it.
Potential: 10%

Shangri-La Frontier S2

Short Synopsis: Season 2 of Shangri La Frontier.

Lenlo: Shangri-La Frontier picks up so close to where it left off, so nonchalantly, that it almost doesn’t even feel like we’re starting a new season. In some ways that’s nice, there’s no overly long recap, it doesn’t waste our time trying to bring us up to speed, we just jump right into things. As someone who knows where we are, that’s nice! I’m glad we’re not wasting any time here. That said, I could see it being a bit of a shock for those who don’t remember anything from the previous season. One nice surprise with the episode though had to be the production. It looked great, a number of well animated, dynamic, stylistic fights that I really wasn’t expecting. Season 1 started strong as well, sure, but with how uneventful the last few episodes of the previous season/this current arc is, I didn’t think it would get that much attention. Hopefully the series will keep this up as it moves into the more interesting arcs that it should, hopefully, reach with 25 episodes. All in all, while I’m not expecting the show to be too great this early, aside from shockingly good animation, I do have hope for two arcs that should be roughly as good, if not better, than Wezaemon we got in the first season. If it can do those arcs justice, with the same care Wezaemon got, then Season 2 should be just as good as the first.
Potential: 50%

Fall 2024 Impressions: Tsuma Shougakusei ni Naru, Yakuza Fiancé, Natsume’s Book of Friends S7

Tsuma, Shougakusei ni Naru

Short Synopsis: A normal family’s matriarch is reincarnated as a grade schooler.

Amun: I signed up for this one simply because the premise is…unusual to say the least. Going in, I wondered if it would try to be a lighthearted comedy, making tons of jokes about the age gap or if it would be a really tearful, heartfelt “value the time you have” message beaten over our heads. Turns out, Tsuma, Shougakusei, plays it pretty straight. There isn’t a glossing over of how weird things are, or how unusual the dynamics appear to society (the family’s wife now being substantially younger than her own daughter). Moreso, the scenarios of the juggling of the two families (how do you explain your second family as a grade schooler?) and the different romantic dynamics of the more appropriate ages are explored in a pretty clear-eyed manner. In fact, the premise is pretty much the only weird thing about this show – everything else so far has been by the book. And I like that. I really don’t know how Tsuma Shougakusei will manage all of the storylines and complications, but I appreciate the uniqueness of how it’s trying so far. It’s definitely an odd one, but I’m willing to give it a chance.
Potential: 65%

Yakuza Fiancé

Short Synopsis: The granddaughter and grandson of rival yakuza families enter into an uneasy relationship.

Wooper: I knew this show was going to be twisted, but I didn’t expect its male lead to suggest that his prospective fiance become an escort, then list some of the sexual acts she’d be expected to perform in the role. Unless Yakuza Fiance led with its most scandalous material and is planning to turn it down going forward, it seems this show will be a far cry from your typical romance anime. Another thing that sets it apart is its female protagonist’s mission: to make this unhinged dude fall hopelessly in love with her, then dump him after a year, ostensibly so that her yakuza group can take revenge or gain leverage over her target’s family. I’m hopeful that the show will dive into the specifics of how these two groups have antagonized each other in the past, since the heads of both families were the most prominent supporting characters in this premiere. As a matter of fact, it was mostly just the two teenagers and the two grandpas delivering lines this time – the show is tightly focused on a core group of people at this point, eschewing visual diversity in favor of repeated close-ups to highlight the cast’s attractiveness. This results in a rather uninvolving episode, at least from a storyboarding perspective, but the characters’ spirited personalities do keep the half hour afloat. I’ll give this one another couple episodes to develop its personal and familial conflicts, then decide whether I want to continue with it.
Potential: 40%

Natsume’s Book of Friends S7

Short Synopsis: A highschooler seeks to return spirit’s names that his grandma beat out of them.

Amun: I can’t tell you how many times I refreshed Anichart, just to make sure it wasn’t all a dream – that Natsume’s Book of Friends was returning this season. Almost exactly seven years, we’ve been waiting for the supernatural hijinks to return. And this was honestly a good, standard, Natsume episode. We were reintroduced to some of our old friends (plus Natsume’s more recent human additions), but we still got a standard, self-contained story, like we get in so many of the previous six seasons. It doesn’t look like the overall production quality has diminished, and the story still felt complete with plenty of youkai feels – I’m happy as a clam. I would say that Natsume really shines when the story advances (with glacial speed), so I’m hoping for some small advancements of the overall story and maybe some deeper looks into Reiko’s past. Overall, it’s just so great to be back.
Potential: As long as they’re making it, I’m watching it.

Fall 2024 Impressions: Ranma ½, How I Attended an All-Guys Mixer, Puniru wa Kawaii Slime

Ranma ½

Short Synopsis: A teenage martial artist with the ability to change sexes moves into a dojo with three beautiful sisters.

Lenlo: I feel the need to preface this saying that I’ve never seen Ranma before. This is my first experience with the series. And I have to say, my initial reaction is… mixed? So much about it feels dated or played out, and that’s because it is, Ranma is an old show! But things like the marriage plot, the comedy, the designs, the way it handles fanservice, they aren’t very appealing in the modern day. At least not to me. Some of it works, the animation is fluid, leading to some great action, and the designs are expressive, leading to some great reactions. It’s just… The animation is really all it has going for it for me? I think if you enjoy these kinds of jokes, and want a throwback to the past, this could be a good time. But personally, I’d rather watch Orb, or Dandadan.
Potential: 25%

Mario: I did watch the early portion of the original 1989 version, and I certainly understand why it was popular back in the day. That being said, I’m not sure how well it appeals to the modern audience. The story beats, at least in this first episode, remain the same as the original. That means it also includes endless random slapstick, a “see a girl naked in the bath” situation, and many “dated” elements such as arranged marriage. On the other hand, the visuals get a big upgrade. It looks super nice with its colorful backgrounds, and I love the smooth sound effect text appearing on screen. The animation is slick as well, and so far the situations Ranma puts himself in are snappy enough to warrant more watches from me.
Potential: 30%

How I Attended an All-Guys Mixer

Short Synopsis: Three befuddled college guys hit the town with a trio of drag kings.

Lenlo: This seems… fine? The weirdest part is how it seems to be trying for both the fujoshi bait audience and the straight romance audience. It’s like the show is trying to frame these as gay relationships without having the wherewithal to actually commit to them. I’m sure many can overlook that, it’s just not an issue for most, but it was definitely noticeable. That aside though, it was kind of cute. Three pairings, rather than one boy with three options, meant each relationship had time to breathe as they traded focus between them. If you can get past the fujoshi-bait aspects of the show, I think you could have a decent time. Assuming it actually commits to the romances and such, that is.
Potential: 15%

Wooper: Despite being a comedy anime, All-Guys Mixer has only two jokes in its arsenal: “That woman is dressed as a man!” and “How could I, a heterosexual man, be attracted to a masculine-presenting woman?” (That’s really only one joke, but I’m feeling generous today.) Its three male protagonists show up to a group date and discover that their three female partners work at a drag bar, which causes some understandable confusion, but that confusion never dissipates, and probably never will for as long as the show drags on. That’s Japan’s strategy with this type of series, after all – viewers get to enjoy the aesthetic appeal of gay flirtation without the icky reality of same-sex attraction. All-Guys Mixer is already gutless for that reason, but its presentation is soulless on top of that. During the karaoke scene, the show cuts straight from characters preparing to sing to shots of them just having finished, with the screen behind them judging their voices to be incredible, despite us not hearing a single note. There’s a crane game scene where a prize slides out of the machine’s chute with no regard for geometry or perspective, which would be hilarious if it weren’t such a perfect encapsulation of Japan’s animator training crisis. The only positive I could find here were the seiyuu – their performances weren’t great by any means, but the actors seemed to be having fun, so the show earns a few points for that.
Potential: 5%

Puniru wa Kawaii Slime

Short Synopsis: A magical slime girl constantly annoys the teenager who created her when he was a little boy.

Wooper: Full disclosure: I only got halfway through this premiere before turning it off, so if you’re a Puniru stan, feel free to dismiss my opinion as that of an uninformed philistine. Why did I bail so early, others may ask? For starters, there’s the hallway scene at protagonist Kotaro’s middle school, where the titular slime girl harasses him for several minutes without another soul showing their face (this school must be incredible if its doors are soundproofed against that level of squeaky-voiced commotion). Puniru’s boisterous personality is strongly reminiscent of the younger sister from Himouto! Umaru-chan, which is already a red flag, but her ability to transform into a big-breasted teenager (which she does twice in the episode’s first 12 minutes) makes her even harder to tolerate, if that’s possible. Tropes like a kawaii character making duck lips and touching their index fingers together, or the male protagonist’s classmates getting pissed at their “friend” for having a close female acquaintance, are exhausting when laid on top of the show’s already manic tone. The soundtrack does a good job of matching that atmosphere, with its high-pitched synths, record scratches and bubble-popping effects, but since it’s part of a show with nothing to say, there’s no way I’d ever finish this episode (much less the whole series) just to experience more of it.
Potential: 0%

Fall 2024 Impressions: SAO Alternative: Gun Gale Online II, The Stories of Girls Who Couldn’t Be Magicians, Kimi wa Meido-sama

SAO Alternative: Gun Gale Online II

Short Synopsis: Season 2 of Gun Gale Online, where a little girl plays a gun-based VR MMO and kicks butt.

Lenlo: GGO continues to be the most fun I’ve had with SAO. Screw the high fantasy shit, gimme all the same MMO trappings but with guns. While the production isn’t great, lots of stills, panning shots, zooms etc, it looks good enough for what it is and I expect it to pick up as the season goes on and we get into the action. And sure, this episode was largely setup/recap, reminding us what happened, reintroducing characters, and establishing the conflict. But the characters in general are also just… more fun than SAOs? To them this is a game, it isn’t life or death, so even in defeat it’s allowed to be fun, and that shows in how they interact with each other. The fact there’s no death game, no serious end of the world scenario, also means that our leads can feasibly lose. They still probably won’t, because that’s how these stories go, but it’s more tension than you’d normally get in an SAO story. All in all, I’d say if you’re looking for an Isekai-Adjacent show, especially one that plays the MMO stuff straight with some actual fun behind it similar to Shangri-La Frontier, then GGO is going to be right up your alley. It’s definitely up mine.
Potential: 60%

The Stories of Girls Who Couldn’t Be Magicians

Short Synopsis: After flunking the placement test for her school’s magic program, an aspiring magician begins to study alongside a host of strange classmates.

Wooper: I’ll say this for Girls Who Couldn’t Be Magicians, it’s highly dedicated to its storybook background art style. The show’s use of digital textures to mimic canvas, construction paper, and other materials isn’t convincing to my critical eyes, but given that the story seems to be aimed at 8-12 year olds, it ought to get the job done. What doesn’t match its apparent demographic, however, is the sheer number of characters introduced in this first episode. I couldn’t keep all of the students straight in my head, but honestly, I didn’t really need to – they can just be labeled based on their personalities, which ought to be instantly familiar to anyone who’s watched a decent amount of anime. That includes the crybaby protagonist (why Japan is so attached to that trope I’ll never understand), the class ojou-sama and her two yes-women, the mysterious male twins, etc. They’re all part of a class that isn’t supposed to have much magical talent, but many of them actually do, plus their instructor ends up being a highly skilled witch, so there’s not much cause and effect to the episode’s outer workings. I’m sure it’s helpful for children to hear that they have innate potential, especially if they’re branded as underachievers, but I’d rather they receive that message from a trusted adult in their lives rather than this very plain anime.
Potential: 5%

Lenlo: You know what, I can’t deny that Mahoutsukai looks nice. The thick line work, watercolor style and pastel colors, the world. It really is a pretty show, with a memorable and unique art style! Easily one of the most memorable of the season so far. It’s too bad the show abandons so much of it for a more traditional anime style once the opening scene ends. It keeps some of the texturing, but that’s it, otherwise dropping everything that made it stand out in favor of the normal anime look. It’s a damn shame, because that was really all I could praise. Wooper hits the rest on the head. The cast is bloated, the plot is dull and the whole thing felt like it took me an hour to finish despite being only 20 minutes long. I suppose if you like childrens witch/magical girl shows, this could be up your alley. But for me, I’d once again say to just go watch Precure. Apparently that’s pretty good this season, better than this at least.
Potential: 5%

Kimi wa Meido-sama

Short Synopsis: A former assassin becomes a live-in maid for a pair of siblings.

Lenlo: This whole show is just… There’s not even an attempt to justify or explain it? The lead isn’t the son of someone the maid/assassin killed, she’s not trying to hide her prior highly illegal job or anything, there’s no real prior connection here. It’s just the loosest, most ridiculous justification to have an adult woman in a maid outfit clean up after an absolute slob. I’ll admit, there’s some decent animation whenever she shows off her weapons against the tree, but… I’m really not feeling this Violet Evergarden knockoff. The maid is just generically trying to learn what a normal life is, rather than anything specific or compelling. And once it reveals its hand as a cheap romance where a Nobody has a hot girl in a maid outfit hand delivered to him, it becomes clear I never will. Maybe I’m just not seeing it and Mario will catch something, but the heart-felt connection needed to make this work is missing completely for me.
Potential: 1%

Mario: This time I’m not seeing it either, Lenlo. What we have in this first episode of Maid-sama is lazy writing full of wish-fulfillment factors, where both characters have zero personality to speak of. Hapless boy suddenly has a hot girl asking him to be his servant? She happens to be an assassin with no emotion? It’s trite, it brings nothing new to the table. Indeed, the maid girl makes both Yor Forger and Violet Evergarden much more complex in comparison, which is saying a lot given the fact that both are the weakest links in their respective shows. And she expresses her feelings over… tonkatsu sauce?! Get me out of here. On the positive side, I now know which show I will put as the worst premiere for my vote.
Potential: Tonkatsu sauce can’t save this episode