Spring 2021 Summary – Week 6

Vivy: Fluorite Eye’s Song – 07

Helghast: After the mayhem of the Metal Float, this week honestly felt like a Carole and Tuesday episode with Vivy getting a hard reset back into Diva and getting back to the musical side of things with a special insert OP. I do like her personality change as it’s overall less stiff than her previous version. She feels a lot more human with her confidence and expressions of a veteren songstress looking to make it big beyond the main stage of Nialand. It even extends to her willingness to throw herself off the building in order to get more information when the AI cube of Matsumoto makes his return in an almost reluctant way. While the first half of Vivy had setpieces keep getting bigger and bigger with falling skyscrapers, falling space stations and an AI island gone crazy, the twist of Ophelia’s future sucide doesn’t seem to have that WOW factor but I’m sure the author has several surprises for the viewers to lose their minds over. I can think of why an AI might end their existence due to the fact that they have failed their mission. While this may or may not be the case with Ophelia, Diva has proven that such a thing is possible at the conclusion of the Metal Float mission. Having her come to terms with it when she regains her memories and seeing how that will play into preventing her AI younger sister’s sucide will be moving at say the least.

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Fumetsu no Anata e – 04 [A Large Vessel]

I don’t know the process by which episode counts are decided for TV anime, but Fumetsu’s 20 seems like a strange number given the industry’s general adherence to multiples of 12 and 13. Some may perceive the glass to be half full – seven extra episodes, oh boy! – but after watching “A Large Vessel,” I can only view it as half empty. Fushi’s attempted escape from prison and resulting torture were stuffed into a twelve second montage, undercutting the horror of his experience and muddling his subsequent search for an exit. Parona’s encounter with a would-be rapist was neutered by its placement late in the episode (though her previous wall-scaling scene was suitably tense). Characters are being robbed of the ability to process their experiences, and in a series like this one, which is about the experience of life across cultures and species, that’s a serious issue. “Just add more episodes” is a hated catch-all phrase of mine, but fuck it, I’ll join the chorus in this case: Fumetsu deserved 26.

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Spring 2021 Summary – Week 5

Mars Red – 04/05

Lenlo: God Mars Red is just so… aggressively mediocre. About once per episode it will have a good, focused moment of vampiric humanity. Of immortals interacting and living in a mortal society. And then the rest of the episode is just mediocre political subplots, vampires we don’t know or care about subplots and downright terrible action sequences. There’s only ever one scene of any value in these episodes. You could watch that one scene on youtube, skip the rest and lose absolutely nothing. And that’s a damn shame.

Back Arrow – 17

Wooper: Last week our heroes declared the Granedger to be its own sovereign nation, but that claim feels silly now that the show is handing out massive warships like Oprah. “You get a dreadnought, you get a dreadnought, everybody gets a dreadnought!” Not only are they being given to antagonists left and right, those antagonists are being defeated just moments after receiving them, making this whole arc feel even hastier than usual (a real feat for a series like Back Arrow). We’re just making all of this up as we go along, it seems, but at least that improvised feel leaves room for plenty of fights – the Rekkan Emperor kicked so much ass this week that he must have broken both ankles. Am I crazy, or did he manifest as both an arrow and the bow that fired it during his battle with Tae’s dreadnought? I had to rewind that scene a couple times to double check what I’d just watched, and I still don’t really understand it. Looked pretty cool, though! All the cult/prophecy nonsense about Arrow destroying the world is just background noise, as far as I’m concerned – give me more fights and less story, please.

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SSSS.Dynazenon – 05 [What’s Lover-Like Mean?]

Though SSSS.Dynazenon has lifted a number of elements from Gridman thus far, it wasn’t content to recreate that show’s fifth episode this week. Where its parent series put a spin on the stalwart ‘beach episode’ with a river rafting field trip, Dynazenon sent its characters to Tokyo Beach Land, a water park with an underground hot spring. With the power of both pool and onsen tropes at its disposal, you’d think this episode would be a massive hit, but it was my least favorite of the month. Let’s see if I can put into words why that was, exactly.

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Fumetsu no Anata e – 03 [A Small Evolution]

I’m still withholding my assessment of Fumetsu no Anata e’s forest makeover, as it feels like this chapter won’t reach its climax for a while yet. There was plenty of action this week, capped with the rescue of a young girl bound for death, but it all segued so smoothly into the next plot point that my emotional receptors never woke up. There’s no time for catharsis when everyone is immediately recaptured and carted off to Hayase’s village. (There’s also no need for it when March proves herself to be the mildest human sacrifice in the practice’s history.) Even the payoff to the previous episode’s “Arigatou” scene landed kind of sideways, since Fushi saved March due to instinct rather than gratitude. He’s an extraordinary character in what is quickly becoming an ordinary adventure series, and I feel a bit of a disconnect there. That said, it’s probably in my best interest to let go of the reins and just be a passenger in Fumetsu’s wagon, at least until its protagonist grows enough to start shaping the story (rather than be shaped by it).

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Spring 2021 Summary – Week 4

Super Cub – 03

Wooper: Is it just me, or did this episode feel like the conclusion to a three-part OVA? Koguma’s closing monologue neatly closed the book on her lonely Cub-less life without creating the need for a sequel. It was nicely-written, especially her reflection on how it felt to receive a classmate’s phone number versus a motorcycle license, but there wasn’t much of a “tsuzuku” vibe to it. And yet we know, thanks to the magic of the Internet, that there’s another main character who’ll be introduced at some point during the next two months. I’m looking forward to it, especially since she might be unfamiliar with motorbikes, giving Koguma a chance to pass on what she’s learned to a novice rider. That would be great for her self-esteem, which has grown bit by bit during Super Cub’s first “arc,” but is still miles behind where it could be. She doesn’t have the guts to claim use of the microwave at lunchtime, and she’s still hesitant to call Reiko a friend, even though they eat together every day at school. That timid personality continues to receive good visualization, since Koguma’s movements are slow and deliberate – I just wish the CG bike scenes would ride into the sunset and never return.

Vivy: Fluorite Eye’s Song – 05

Helghast: Is Vivy going to have a different animated OP every week now? That transition from her concert to the opening just hits in such a smooth and delightful way. What is more pressing is the fact that their successful exploits within this timeline have only accelerated the evolution of AI to the point where the coming conflict of the future may be not too far off. The existence of the Metal Float that draws parallels from the Nation of Zero One in the Animatrix is proof of that. It does a good job in presenting itself as a pretty benign and well-intentioned place in serving humanity as shown by the cute little WALL-E robots. The little time that the show spends on them is enough to make me feel bad for what happens in the final minutes. Seeing M’s dream of tending to children being shattered by Vivy was heartbreaking to say the least. I think that seeing Vivy slowly realizing that she must destroy the dreams of other AIs in order to realize her dream of bringing happiness to everyone through her song is such an interesting theme going forth. Just how will the rest of the world react to the island of AIs actually preemptively wiping out the human attackers and what the hell did that virus do? There are so many ways that this can all end and that’s the fun thing about original shows. I just don’t know what’s going to happen next.

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SSSS.Dynazenon – 04 [What Is This Thumping Heart?]

Whenever an anime protagonist gets taken out by a Japanese cold, the resulting episode tends to be lower-key than normal, and that’s exactly what happened in “What Is This Thumping Heart?” Yomogi wasn’t taken out of commission entirely, but he spent the bulk of his screen time either zoned out in public, recuperating in bed, or coughing during his last-minute contribution to the fight against Majima. That didn’t stop his preoccupation with Yume from being a central point this week, though, nor did it prevent several other characters from stepping into the space he had vacated. The most notable riser was Chise, who took advantage of his illness to claim the position of Dyna Rex pilot, though she needed to be bailed out during her fight kaiju battle. If she’s indeed more sinister than she lets on, as I (and surely others) am predicting, then she’s adept at playing the long game – the question is, what is she waiting for?

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Fumetsu no Anata e – 02 [A Rambunctious Girl]

I’m mixed on nearly every aspect of To Your Eternity’s new direction. The story? An indigenous ‘virgin sacrifice’ drama, time-tested but lacking in flavor. The human characters? Dutiful vessels for their roles, but they don’t leave much of an impression. The art? Serviceable, but lacking any potential to inspire (a single scene notwithstanding). The music? Worth a round of golf claps for its avoidance of J-rock, I suppose, but you’ve certainly heard its ‘brass-less orchestra’ approach elsewhere. I have no intention of judging the whole 20 episode series by its second installment, but it feels like a manga of Fumetsu’s magnitude ought to be receiving a stronger adaptation.

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Spring 2021 Summary – Weeks 2-3

Wooper: With the Spring 2021 season now in full swing, we’re watching quite a few shows that aren’t receiving regular coverage, so here’s a column to run them down. High school club shows, sci-fi originals, Taiwanese puppetry – this post has it all, including a blurb from Helghast. If that sounds like your kind of thing, let the blitz of second (and third) impressions commence!

Bakuten – 02

Lenlo: Bakuten had a solid 2nd episode this week. Not only was the production crisp and clean with some great gymnastics shots but the actual character and narrative work was nice too. It’s nothing you haven’t seen before of course but after last season’s 2.43 I’m willing to accept something solid and uncomplicated. The relationship between the main duo is quite nice so far and I look forward to learning whatever family troubles are keeping him from staying after practice. Meanwhile the group dynamic is fun, I like the shared experiences that keep them all together even if they have only known each other for a few days. Hopefully it can stay solid until the end, I would love for one of these seasonal sports shows to not shit the bed.

Bishounen Tanteidan – 02

Mario: Guess I underestimated NisiOisin’s ability to go wild as a writer. When I heard about this case I was preparing for the solution to be something like “the star is within your eyes” – that would make sense since the show makes no secret of admiring the girl’s “beautiful eyes like the stars.” Never in my wildest dreams did I expect the plot to involve military satellites burning up in the sky and all that jazz. NisiOisin is more than capable of twisting the audience’s expectations, at least, but now I am looking more for human drama. One of the main reasons why shows like Monogatari had such a massive impact on me is because they’re first and foremost about their characters’ growth, and so far I see very little of it here. I guess the true test to see whether this show is worth following will be next week when it wraps up this introduction arc.

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Wonder Egg Priority – 9-12

Wooper: When it comes to original works, Wonder Egg Priority was the most inventive and audacious anime that the winter season had to offer. Whether it be girl-driven social commentary, grotesque monster designs, or a veritable puzzle box of a story, this show had a lot going for it coming into its final stretch of episodes. Even during those last few weeks, as production issues and narrative twists threatened to swallow the series whole, Wonder Egg maintained its must-watch status – and still maintains it now, with the finale having been delayed until late June. We weren’t about to wait over two months before mentioning the show again, though – this is a series that practically demands discussion, so Lenlo and I have teamed up to do just that. Read on for our thoughts on the triumphs, failures, and oddities of Wonder Egg Priority’s final month on the air.

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