orange – 09

Unfortunately for us, this is not a good orange episode. Hell, I could say this is one of its worst episode. orange has always relied on the regrets of the main cast, and the foreshadowing suicide of Kakeru as their main emotional impacts. When they steer away from those, this episode just loose its punch. While the character’s interactions are still there and those moments are one of the only high points of this week’s viewing, there is an issue with it as well. You see, there is no damn fun when everything goes entirely according to plan, when all the moments are just too perfect. I have no problem if this was about making Kakeru talk honestly about his suicide thoughts couple of weeks ago, but creating every moment with Kakeru too flawlessly (like the umbrella incidents this week, the “good morning” exchanges) make the whole situation feels rather forced, and to make it worse I feel Kakeru was manipulated by the group here, even if the intention comes from a good place.

But my biggest problems with this episode lie in its pacing. Last week we dedicated half of its episode for joining up team for the upcoming relay events, and this week the episode strangely drops any of the preparation phase, instead focuses on the revelation that all the cast has their own letters, worries about Azusa’s birthday, cares so much about the weather, and concerns about whether or not Naho and Kakeru should hold hands. Then they jump STRAIGHT to the events. The inconsistency of plotline occurred before in one of the episode when Naho pushed Kakeru to talk about his mother for the first time. After that Kakeru and Naho had a rather uneasy tension until it was revealed that Suwa had received the letters himself, then suddenly Naho and Kakeru again talked to each other normally like nothing happened. Well, I understand that they have to jam in many plot details to both heighten the relationship and carry the emotional weight, but I am not quite fond of letting the story just moving on its own like that.

As I mentioned in my last episode, orange is a weird shoujo production, and I will say in more details this time. For a shoujo romance-drama anime such as orange, they have an unusually high quality director and an equally unusual below-the-standard budget. So what we have here is a show that stands out in its artistic merits, as many of the director’s choices shine through this week. For example, the sequence from Asuza’s point of view is nicely displayed, as the characters are more colorful, childlike and whimsical than Naho’s point of view. In another case, the director displays Kakeru’s feeling of detachment from the rest of the events by showing him standing awkwardly among a disappearing crowd, with the wash-out color background and a slightly disorientated sound designs. Those are great moments because we really know more about these characters just by experiencing the same thing they do. The art designs of other background characters though, are just too rough and inconsistent. As a result, what we have in the end is the episode that glorious at certain important scenes, but meh and below quality in general. The sport events haven’t concluded yet, as we still have that relay to look for. Here’s hoping for a rewarding relay (and episode) ahead.

Thunderbolt Fantasy – 08

This is yet another typical Thunderbolt Fantasy episode, in which our MC Shang Bu Shuan just had enough with these guys and headed to the evil tower alone, but somehow still find himself tricked by Gui Niao and then gets captured near the end of the episode. Maybe the main reason Gui Niao needs him to stay so desperately is just for the sake of bullying the poor guy. There’s one interesting bit about Shang Bu Shuan that other members of the group figure out and that is while he’s a skilled swordsman, he’s not really confident with his skills; in a way he’s more natural with defensive skills than attacking. Still, leaving our main character literally to fight those monsters alone just to test him out is way too hilariously cruel; and I can see his frustration towards the group that he just heads off by himself. But as fate would have it, Dan Fei and Gui Niao just won’t leave him alone, and the three immediate find a shortcut to get through the tower without passing the magical labyrinth, just to find themselves heading directly to a trap.

Gui Niao’s true identity has finally been revealed to be a master thief. It’s about a goddamn time if you ask me. Master thief is also a common character’s trope in wuxia, but as far as I see he’s no Saito Kid or Robin Hood. Gui Niao is sneaky as hell and he’s also a master of manipulation. In order to advance his plan, he tricked the emotional outburst Dan Fei into having a fight with Shang Bu Shuan (by using hallucination smoke or whatever it’s called) and thus single-handed assist the enemy to put them in cage. At first, I find myself hard to believe that Mie Tian Hai would be stupid enough to trust this guy, but upon a closer look, it’s apparent that Gui Niao already gets a hold of the legendary sword’s handle and it’s a matter of time for him to negotiate with Mie Tian Hai. But there is a plot hole regarding all this ‘masterplan’ though as I find it hard to believe Mie Tian Hai actually forgets about the other members and keeps his guard down like that.

For next week, we will have two main developments: on the one hand there will be a negotiation between Gui Niao and the big boss and until then we can find Gui Niao’s true motive and whatever relation between those two guys. The 200-year history is a good starting point to keep delving into and I believe the main development for its last arc will be around the sacred sword, the War of the Fading Dust, and that cursed wasteland that split the two countries. It will be no surprise for me if Shang Bu Shuan might be ‘the one’ who can control the legendary sword. On the other hand, our main character and the rest of the group will keep heading to the main tower to catch up with whatever results that caused by Gui Niao. It still remains a big question regarding Gui Niao’s true intention: Is he friend or foe? Or is he just a league of his own? Time will tell, my friends.

orange – 08

This week, Naho and Suwa face a dilemma of whether or not they should follow what written in the letters. The relay is coming and Kakeru is appointed to be an anchor. They have been followed the letters very closely, but the original reality becomes too different from this reality that the content is not really relevant anymore. Should they follow the letters because clearly the older-selves have all the answers, or should they rely on themselves to act according to Kakeru’s happiness? Naho and Suwa at first decided to ask him not to join the relay team, since the relay could affect badly to Kakeru. But Kakeru, being himself, feels insecure that he might let the team down so he’s agree to pull out, but he’s clearly not too happy about either decision. Kakeru has been afraid to make a choice. He doesn’t want to repeat the same problems and have more regrets, even to the point where he confesses his feeling towards Naho, but too afraid to date her. Naho and Suwa realize they have been way over-protective to Kakeru, because really without taking a step forward, how could Kakeru move on to his next stage? The rest of the group pick up on that as well, and they together make an awesome decision: let the group run for the relay, so that Kakeru can run and moreover they can run together. Now I understand the running part in the Opening Credit. Yes, it has its purpose and this is not some cliché opening credit where everyone runs for no reason from all over directions, right? RIGHT?

But as I mentioned in previous posts, some of the incidents can’t change and those lead directly to the sad outcomes. Because the group invited Kakeru on the first day, his mother commit suicide. Because Naho couldn’t bring herself to talk directly to Kakeru, he dated Ueda. This time they ignore the letters, but could it be the reason the letters don’t want Kakeru to join the relay is because of his health? Earlier in the episode he passes out and with the stress he’s currently building up, his physical gotten weaker and weaker. I’m not imply he’s in some kind of terminal disease and I really hope the show won’t go that way, but it’s possible that they might not be able to ‘save’ Kakeru the way they want to.

This is now confirmed that the rest of the cast also receive the letters from their 26-year-old selves. All they want is to support Naho and Suwa to save Kakeru, and all Naho and Suwa have to do is to share it with them. Now this lead to a fundamental issue of the show: all the developments emphasis on the same united purpose: saving Kakeru. For that I say they’re trying a bit too hard for the sake of Kakeru (really? 5 adult people sent letters to their younger selves so that they can do their best effort to save him?), and other aspects of friendship will be ignored. Now, every time Suwa and Naho talking to each other, it’ll be about Kakeru. They grow through their interaction with Kakeru, not wuth themselves. I kind of miss the interaction between the group in the first episode where I can see more angle about their friendships, see how they bound off each other in a natural way.

But really, the more I see orange the more I think this is a kind of weird production. The director Hiroshi Hamasaki is not well-verse in shoujo drama, the budget is tight and that hurts. The rough quality and still-frames are more prominent now than ever. It’s a shame because orange works best if the production values can express those emotions, but the level shown in orange simply couldn’t match it.

Thunderbolt Fantasy – 07

This week our band heads up to the evil mountain and needless to say they possess absolutely no teamwork spirit whatsoever. It’s as you would expect from a group of seven egocentric members. Our main character Shang Bu Shuan repeatedly gets teased by their comrades, as he finds himself fighting the enemies alone without the help of others. But I have to note that it all comes from his carelessness to begin with, and all the ignorant from others towards him play more as a comic relief than anything else. Still it’s hilarious to see Sha Wu Sheng the Screaming Phoenix Killer just sits down, relax in his conform zone without helping our main guy out, or that the band continues to praise Shou Yun Xiao the one-eyed archer like nothing happen after he misses the target deliberately and only manages to save Shang Bu Shuan when he fell off. But really to no surprise of no one, our MC passes the obstacles with flying colors. It’s all child’s play for the group it seems.

In terms of plot, there is nothing special in this episode as we know how it head several episodes before. Like I mentioned last week, the main boss Mie Tian Hai appears in front of the group truly for a little chit-chat (everyone sure loves to chit chat in Thunderbolt Fantasy), even feels so generous that he ‘allows’ the group to proceed. The person who has the most development this week is Dan Fei, after she was directly ridiculed by Mie Tian Hai. She fires up and practices too hard, but Juan Can Yu sees through it and even figures out the defect in her technique. Now, this is an interesting bit. Usually from your typical wuxia show, it’s either the swordsman is already skilled or he tries his best to master the skills. There’s never a situation where a swordsman was pointed out that his techniques are ineffective, moreover because the techniques are not suitable for girl. This is something you don’t see so often. It’s much more in the same vein of learning sports’ skills and I have to applause for Gen Urobuchi for actually gives it a thought and makes it interesting.

There is another refreshing nonsense little details in this episode that I find myself enjoy it tremendously. It is the condition of a lullaby to put the undead to sleep. Apparently you have to know which era the undead comes from, and “There’s a subtle pitch shift in the song that depends on when they died” as Xing Hai the necromancer puts it. Talking about perfection in art! I mean this bit of details come from nowhere, but makes totally sense the way they explain it. Even more ridiculously, Gui Niao steps up to be a lullaby conductor (or lullaby composer, depend on how you look at it). It feels like the creators must be on some sort of drugs when they think about the script.

So how things going to happen from now on? From the pacing of this episode, I’m guessing next week they’ll pass the third obstacle and then on their way to face off the main antagonist. This week we learn that the zombies were created 200 years ago, the same time of the War of Fading Dust, and the divide between the two countries. I know it’s absurd but the one who actually feels or those undead is none other than the heartless Sha Wu Sheng. This guy really cares much more about the dead than the living. I guess that the great event has something to do with the powerful sorcerer who used to own the Seven Sin Towers. My take is that mysterious sorcerer is someone we already know, but at the moment only Gui Niao seems like a good fit. Mie Tian Hai, on the other hand, doesn’t even acknowledge Gui Niao so I’m not really sure if he knows much about his true identity. We will, however, have a much better idea about his identity next week, as the title is “The Enigmatic Gale” – one of Gui Niao’s alias. Anyway, we still have 5 episodes to go and with that much refreshing in terms of ideas and its campy sense of humor, I am sure that this Thunderbolt Fantasy train won’t stray off its track anytime soon.

orange – 07

This episode is a winner. It hits all the right notes on what make orange so appealing. Upon knowing that Kakeru will attempt his first suicide after talking to his Tokyo friends over the weekend, Suwa and Naho confront him and tell him not to go. Kakeru is an insecure kid, he’s deeply troubled by the death of his mom, blames himself for what happened and is unable to talk about his problems to his friends. But as Suwa points out correctly, close friends are supposed to share pain together, and his mistake was not his fault. I once had a real friend who told me that she had thought about attempt suicide and it was nasty. The real ugliness of it is once you had it, the thought of suicide never leaves you away and there’s always an urge that push you to do it whenever you feel depressing. Kakeru can only get better if he can be able to talk about it and let his regrets all out. The last sequence is a very nice moment, and I tip my hat off to the direction of that sequence. When Suwa confronts Kakeru, there’s no music cue between those exchanges and it’s the silence that makes us feel the tension and weight behind each conversations. Talking about these things is never easy but at least all three can be able to speak out what they really want.

Suwa steps up to become a big bro for the group. I mentioned last week that I had my concern about feeling cheated if all Suwa did was just followed what were written in the letters. Well, he did follow the letters but thank god the show never sells him short. The thing is that Suwa is not a selfless kid who pull back his feeling to see Naho and Kakeru happy. He did it for the sake of them, yes, but he also did it for his sake as well. It’s a hard role for him but he can pull it off because he’s the most mature and most emotionally honest of the group. There’s still unclear if the rest of the cast also receives the letters like Suwa and Naho did, but they fulfill their supporting roles very well this week. Scenes when they asking Kakeru what he wants for his birthday, or when they stand up to protect Naho from Ueda (Ueda sadly remains the only sore thumb in this episode) are all genuine that showcase their great care towards the leads. And I love the way the two girls stand behind the door, overhearing the sincere conversations from the leads. That small moment speaks more than thousand words, and suddenly they become much more layered in that single moment than they were for the last 6 episodes. Yes, those friends might not be the ones who could change things significantly, but they will always be there whenever you need them.

You might have notice that in previous posts I didn’t discuss much about the romance between Naho and Kakeru, mostly because I found it the most ordinary aspect of orange. Although they share great chemistry together, there’s no denying that “boy gets girl” part is the most cliché part of them all. But even so, this week’s moments between them are goddamn effective. The reason why Naho and Kakeru in the original timeline couldn’t get together was because they were unable to express their feeling to each other. Kakeru always hides his feeling deep down, and Naho is too nervous to say what she really thinks. In this timeline, however, with the help of Suwa and all these friends, Kakeru has a chance to confess to her and she replies him back. Call me cheesy but I found the flowers scenes are heartfelt. They were used twice but each sequence conveys different feeling. When the adult Naho receives the flowers from Suwa, it feels deeply poignant, but when the young Naho accepts the flowers from Kakeru and his confession to her, it feels sweet and genuine. On other notes, there are many nice visual motifs in this episode: the flowers, butterfly (butterfly effect?) and the fluid-est scene transition that fit to the opening credit (go see it!). Based only from this episode, things are about to get better after Kakeru confesses his deepest regrets, but I’m not sold. The theme and the tone of orange always firmly head towards the melodrama territory, so things going to be sad. I’m for once keen to see how they pull this off but at least this episode is a solid example of what orange can do best.

Neon Genesis Evangelion – 03

Let me just start by apologizing for the delay of this post. I guess the only privilege of covering a retrospective show is you can cover it any time you want. I kid, I kid. The truth is I just binge-watched many series so I don’t have time to do this review. While I’m enjoy writing reviews, it’s no secret that it has eaten most of my free time and sometimes I miss a good old time when I still have time to watch everything and not to worry about review. Anyways, my ranting ends now and I hope I will review this piece more frequently. Now, moving on.

This episode shows us another facet of being a hero. It’s not all shine and glory, and Shinji proves to be as atypical a hero as you could imagine. Told through the point of view of new Shinji’s new classmates Toji and Kensuke, Shinji at first appears as a thorn to their eyes. His sudden spotlight for being the one who save the city strikes a wrong note to those guys, and to make it worse Toji’s sister was injured from that fight, something which he blames for the fault of the hero. To add salt to the wound, Shinji himself confesses that he did not choose to protect the city. Seriously if I were Toji, I would not stop with just one punch. Shinji’s submissive seriously gets on my nerve! But when the Angel attacks again, Toji and Kensuke has a real chance to witness what it really means to be a hero and save the world. It’s all messy. Eiji got suffered, both physically and mentally. It’s a life and death matter where you could end up death with just one wrong move. Shinji pushes himself to the limit that it borders on insanity. Kudos Gainax for creating a battle that gripping, on-the-edge and terrified, instead of going over the top like most mecha action sequences tend to do.

The original Japanese title really nails another theme of this episode. “The Phone that Never Rings” best described about Shinji’s character. The more I think about it the more I see him not really fitted for this type of job. He’s a loner, he’s submissive (look at the way he talks to himself “aim in the middle”) and worse he sees no point for himself to fight. Even in his normal school life, he has no friend. As I mentioned above the battle was gripping because we witness Shinji nearly breaks down, but the worst thing of them all is the whole mess is still working. As we learn in consequential theory, if one still produce a desired result then nothing is needed to worry about, right? In this case not in a long shot. If Shinji keeps pushing himself like that, eventually he’ll break. Everyone breaks, it’s biology; as they say in the (in)famous torture scene in Zero Dark Thirty. Seriously I think saving the world is too much a burden for our Shinji. Not that I blame him really since it’s already a very obscure idea to rely on 14-year-old kids to fight the alien. Well, we still have plenty to go but as far as 3 episodes, EVA has already established its strong grasp on the ruined and shattered theme. This time I will try to get the next episode review quicker so stay tune. Until then!

Thunderbolt Fantasy – 06

I imagine those of you who expect Thunderbolt Fantasy a full-blown action series, the first half of this week would prove to be a disappointment. There’s too much talking and the plot just floats upon a river, slowly crawls into its destination. But really Thunderbolt Fantasy never intend to be a true-ish action show, the staffs go for it knowing full well it’s a campy B-genre show. They really understand that the band of misfits is a real stars of the show (as oppose to the attention-catching premise which is a puppetry wuxia show written by Gen Urobuchi) and as a result the show spends a considerable amount of time just for the characters interacting with each other. I’m fairly content with it because if the show just relies on its gimmick, it will wear off very quickly. Thankfully again, when the actions indeed kick in, it’s a feast to the eyes. There’s way too much explosions and gores actions (in a puppetry form to boost) that you would never see in anything else, anime-wise.

Our main character Shang Bu Huan, having the same state of mind as myself, has doubt about Gui Niao’s true intention in this whole affair (frankly, offer his head to secure the magic flute shows how desperate he is) and literally spends a good first half talking to everyone in the group. By the end of those talks he never gets the answer he wants to know, but instead learns two most valuable lessons: that his comrades have different sets of personality and they surely don’t look eye-to-eye in almost everything, and that everyone never trust each other, especially against our main character. The only things those people have in common are they’re going to retrieve the sacred sword, and Gui Niao. He’s a tape that stick everyone together and making them perform their roles. Whatever his intention will be, I’m really amazed the way he pulls all the strings behind the scene. Now, I have a theory about the intention of Gui Niao, and that has something to do with the information we gathered this week. It’s about the divided countries of Xi You and Dong Li. From the information we gained there was a sorcery of the demons that formed the Wasteland of Spirits, that split the two countries for almost 200 years. I come to believe that gaining the sacred sword, plus the fact that Shang Bu Huan come from Xi You, there is a fair chance of them to undo the effect of black magic, get rid of that Wasteland, and unite the two nations.

But to give more attention to our group also means that the enemy side gets undeveloped. We hardly see any of them long enough to have any impression, nor do we care much about them. For now, they are just too bland. It’s interesting to note about the character designs of the villains. Besides their black clothes, they don’t look as “evil” as some members of our groups. And I didn’t expect the main boss Mie Tian Hai appears to soon to fight off the group, so his appearance either will limit to talk to our allied group in the next episode (get right to the show’s comfort zone), or he is not the boss at all. From the way the show keeps delving on the nature of all the “archetype” characters (like the demon lady is not quite evil, but actually a bit elegant; or the “sheltered young lady” is the one who sees positive things most characters tend to overlook), I expect a bit of deconstruction on the main boss. Hopefully we will know more about him next week. Overall, Thunderbolt Fantasy’s still going strong. I really enjoy all the gestures and mannerisms each of the possess and hilarious lines like “let’s put aside a cultural difference for now” (when the characters talking about demon and human) are always welcome in any show.

The Versus Show: Mahou Shoujo Madoka Magica vs. Steins;Gate

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Time for something completely new for a change. In my opinion, one of the most unique feature here in psgels is always the scoring system, which goes all the way up to 100. This allows much more range in rating a series, compared to the usual 5-star or 10 rating scale. However, the truth is that rating’s highly subjective. We score some shows higher because we think that they are “better” than other shows, and we score them evenly because we believe they have the same quality. But we know that you will always have different opinions than us. Which brings me to this very poll.

Now it’s your turn. The premise of this Versus Show is simple: Take any 2 shows that have the same rating here in psgels, and YOU vote for the one that you think is better. Sounds like fun? Let’s begin.

Here come the first pair, arguably two of the best shows out of 2011, which shared the same score of 87.5. Let’s run them down:

Mahou Shoujo Madoka Magica

(AKA: Girls have to save themselves)


Studio: Shaft

Season: Winter 2011

Episodes: 12

MAL Rating: 8.52

Madoka Kaname and Sayaka Miki are regular middle school girls with regular lives, but all that changes when they encounter Kyuubey, a cat-like magical familiar, and Homura Akemi, the new transfer student. Kyuubey offers them a proposition: he will grant one of their wishes and in exchange, they will each become a magical girl, gaining enough power to fulfill their dreams. (from MAL)

Here’s an excerpt from an original review by our truly psgels:

“Mahou Shoujo Madoka Magica finally shows us another deconstruction of the Mahou shoujo genre, and it is glorious… The thing that’s especially amazing about this series is how well everything fits together. It’s twelve episodes long, but it makes excellent use of its time, the characters all fit the story perfectly and everyone serves his own purpose to the points that this series is trying to make. The show really makes sure that it doesn’t waste its time and just about every episode adds something to the overall story and characters. This creates quite a bit of nice development for such a short series.”

 

Versus

 
 

Steins;Gate

(AKA: Boy saves girl, by letting another girl die)


Studio: White Fox

Season: Spring 2011

Episodes: 24

MAL Rating: 9.17

The self-proclaimed mad scientist Rintarou Okabe rents out a room in a rickety old building in Akihabara, where he indulges himself in his hobby of inventing prospective “future gadgets” with fellow lab members: Mayuri Shiina, his air-headed childhood friend, and Hashida Itaru, a perverted hacker nicknamed “Daru.” The three pass the time by tinkering with their most promising contraption yet, a machine dubbed the “Phone Microwave,” which the phenomenon doesn’t provide anything concrete in Okabe’s search for a scientific breakthrough; that is, until the lab members are spurred into action by a string of mysterious happenings before stumbling upon an unexpected success—the Phone Microwave can send emails to the past, altering the flow of history. (from MAL)

psgels said:

“There is one thing at which Steins;Gate is unrivaled at compared to anything else that aired this year: its plot. If it’s originality, creative twists and multi layers that you want, then this is a must-watch. This has a bit of a slow start, but as the series goes on its intricately woven plot about time travel shines like no other and this show is masterful at combining seemingly insignificant hooks into gripping plot twist… The lead characters’ monologues in particular are well written, but on top of that this is a series that really did its research into time travel. It may not present the most logical way that time travel might be possible (I mean, there are still parts where you’re going to have to suspend your disbelief), but it’s very well researched.”


 

This poll is no longer accepting votes

What will you be watching this fall?

 


There are some rules, though

RULE #1:  NO MIDDLE GROUND. You can’t vote for both. It has to be either Madoka or Steins;Gate. After all this is an objective of the poll.

RULE #2: NO MULTIPLE VOTE. One vote per person only.

RULE #3: NO INSULTS. It’s perfectly fine that people have different opinions and we respect that. Don’t ruin the fun by berating, harassing or taking it too personally.

Apart from those rules, anything goes. As this is just purely an experiment to see if you viewers find it interesting, there is no time limit for this first boxing match. Please vote and if you like, tell us more about your choice in the comment below. Also, any recommendation how you would prefer us to do, content-wise and format-wise (even if you want to tell us to stop this) would be very welcome as well. If you think of any interesting pairs for the next show-down, drop us a line as well. For now, HAPPY VOTING!

orange – 06

What a development! It turns out that Sowa’s also receiving letters from the future as well, presumably his future self (there’s no way the future Naho would send him letters, right?). From the look of it I think the entire cast receives letters from their future self too, the way they act very supportive lately. Does this development work? I don’t know, it all depends on the direction it goes from now. Personally I would prefer that Naho asks for their help, and then tell them herself about the letters. That twist makes me questions every actions from the group back then, and if those actions are ‘genuine’ genuine (like Suwa’s selfless actions last week). If it turns out those kids behave the way they did just because of someone telling them already what would happen, then I feel a bit manipulated. But there must be some good reasons to make that twist, right? For now, I will reserve my comment to see how all this play out. I guess after all we just finished the first phase (Naho and Kokeru dating together) and proceed to the second phase now (the group try to help Kokeru out of his attempt suicide). Naho also points out in this episode that there are two things that she couldn’t follow the advice from the letters, and those lead to unchanged consequences. The first being the group asked Kokeru out on the ceremony day, which directly lead to the suicide of the mother. The second time she couldn’t talk to him how she felt face-to-face, and Kokeru decided to date Ueda. Although the letters become less and less relevant, it seems that the outcome of those important events doesn’t always change, which makes me wonder if they can really save Kokeru from committing suicide. But I have a feeling they gain too much information from the letters which give them somewhat unfair advantage, like how Naho already know the time and place of his dead. Whatever you do orange, just remember that relying too much on those letters to progress a story is a dead wrong decision. Those letters can’t solve everything; it needs to be from the characters themselves.

This episode further highlights the insecurity of Kokeru. Several times in this episode, he asks Sowa if it’s really okay for him to date Naho, not because he fears that would hurt Sowa (maybe a little), but because he fears that dating Naho would turn out to be a disaster and he will bounce for more regret. Moreover, he always feels guilty about his mother’s death. But really, he should understand that moving forward is way better than don’t do anything at all, and he shouldn’t blame himself on the death of his mother. It is really a good call from Naho to ask him about the mother, because this guy needs to share it to his friends. Keeping it to yourself and the pain will never go away. The two lead’s chemistry is engaging and intimate so far, kudos to the fireworks scene, which for me is a bit cheesy but overall effective.

This episode is also a return-to-form quality in terms of production values. As mention above, the firework sequence is animated very well, and I love the shot’s choices of many scenes. Many of the shots focus on the pair with their backs on us, either when them watching the fireworks, or later when they sitting in a park, it creates their very own atmosphere: just the two of them witnessing things together, but perhaps never really see things eye-to-eye. I also like the shot when Kokeru needs sometimes alone and sits in a different chair. The shot (included in the screenshot above) really establish the distance between them and moreover the isolation of Kokeru. To conclude, this episode marks the end of the first half and wheels forward to the latter stage in which the group attempt to save Kakeru from committing suicide. I’m overall happy with the first half and hope it continues to be a rewarding ride. But seriously Naho, get rid of that hairpin. It brings you no luck at all.

~SuperMario~

Thunderbolt Fantasy – 05

This week’s Thunderbolt Fantasy runs a much slower pace compared to last week, which has only one main development: Sha Wu Sheng the Screaming Phoenix Killer agrees to join the band, as we can probably figure out last week. That’s my only complaint though, because the episode still provides a lot of gold moments. I can’t help but laugh at the ridiculous “it is already a sitting fight before the sword fight” situation or campy lines like: “I thought as much. I knew you’d be the one who come”, because when you really think about it, our main character is the LEAST likely person who would’ve come. It will be more reasonable if Gui Niao pays a visit to the guy, or the three who fought him in last episode. Even Dan Fei would make more sense if she’d come. Prior to this episode, we see the story through Shang Bu Huan point of view- a somewhat ‘normal’ guy, compared to an eccentric cast around him, and I come to really love his stunning reaction whenever something absurd happens. The world around him is too crazy for him to comprehend, apparently. But it’s nice to see that he has a lot of room to develop this episode, and he actually turns out to be a very sincere guy at heart who decides to turn up because he doesn’t want to see his new friend getting killed the next morning. At first I thought he and the Screaming Phoenix Killer knew about each other, judging by the way they already anticipated the moves of the opponent, but it was not the case. Shang Bu Huan hints that he come from Xi You (the other side of Wasteland of Spirits), which apparently is impossible to cross over. Well, at least we know now that he is not an ordinary guy, his skills are even on the same level as Sha Wu Sheng. The fighting scene, although brief and anti-climax, is still very impressive.

You see, the band heading to the Seven Sin Towers with very different goals in minds; Dan Fei has to achieve the legendary sword; Xing Hai the demon necromancer concerns about that sword that might affect her world; Juan Can Yun the spear wielder wants fame. Sha Wu Sheng wants revenge and Shou Yun Xiao the archer follows the gang because he just wants to help out Gui Niao (I know it’s a lame reason but in the world of wuxia, where you are skilled and you have nothing to do beside screwing around, make yourself useful by helping your friends out surprisingly makes a lot of sense). It’s the more dangerous that we don’t really know the motive of Gui Niao. Seriously, he’s the worst allied friend you could ever wish to have in your team. He really needs to keep Shang Bu Huan on the team to the point of offering his head to the Screaming Phoenix Killer, despite that our main guy doesn’t have much role on the plan. But in fact, everyone here pretty much has pretty solid purpose in this journey: The demon girl for The Village of the Dead, the archer for The Valley of the Doll, the Screaming Phoenix Killer for Labyrinth of Darkness; Dan Fei retains a part of the sword and Juan Can Yun for killing the enemy guards. What role would it be for our main character then? My guess would be Gui Niao needs him to be the one who control and wield the legendary sword when the parts are finally in place; so that he could kill the main antagonist and everyone on the way, including Sha Wu Shang and save his head at the end of the day. Sounds sinister, right? But it might not be as far-fetch. Next episode is called “Seven Comrades”, which will be about our seven characters head towards the Seven Sins Tower, and we will have seven days to wait for that journey; and now I’m head off to drink Seven-Up.

~SuperMario~