Ayakashi ~ Japanese Classic Horror – 08



As expected, Ten Shu Mono Gatari ends just as morbid as Yotsuya Kaidan. While the latter ended a bit too predictable, with the rats and all, the former delivers a much better and satisfying ending. The deaths actually make sense this time. We start with Zusho-no-Suke and Tomi Hime standing in the highest room of the castle, and watching the local army stand at the gates. Tomi Hime wants to defend the castle, and the old woman shows her civil side.

What then starts is a horrible bloodbath between the minor forgotten gods and the local army. The local army may have 1000 people at its command, the forgotten gods remain forgotten gods, who have the ability to take out ten men at a time. I guess I don’t have to say that they gladly make use of this. But then again, the forgotten gods have weakened. Not as in, they can only cast a few skills before their MP is up, but as in the fact that once they get hit, they’re dead, just like any other human. They still don’t know how to mask this weakness, so eventually every forgotten god except Tomi Hime ends up killed. It was great to see that the creators showed the scenes from both parties point of view. It gives so much more backgrounds than when just one side is put in the spotlights.

Tomi Hime and Zusho-no-Suke, meanwhile have problems of their own. First, the old woman tries to kill Zusho-no-Suke after all. He gets saved by his ‘wife’, feeling extremely jealous. Then, she finally realizes that Zusho loves Tomi Hime, and not her. She forces him to go with her, and we’re in for a pleasant surprise, as it appears that Zusho has turned into a forgotten god himself, as his face gets a total make-over. In a bad way. By seeing this, the wife runs away. Zusho and Tomi Hime then decide to defend the castle themselves.

When Tomi Hime, however, finds out about the fate of the other residents of the castle, she goes berserk, complete with a number of extra hands and a pair of wings. Every soldier outside gets killed by her, while Susho himself takes care of the soldiers inside the castle. The landlord is the last of the army to perish. It might be a bit morbid and predictable, but I liked the way it was carried out.

Afterwards, when we think that the ending couldn’t have been more obvious, we get to see a great final scene, as the two demons, without much success, try to search for valuable things in the castle, which got burned to the ground during the battle. Then they see three figures flying in the sky. They make some remarks, and leave. I loved this part. Overall, Ten Shu Mono Gatari was a very nice story to see. I still find Yotsuya Kaidan’s craziness better, though. Furthermore, where, exactly, was the ‘horror’ part?

Ergo Proxy – 06



I just love the way that Ergo Proxy takes its time to build up an episode, and then manages to finish it off with some of the most amazing scenes. This episode was certaily no exception.

We start off with Lil, who apparently got sick of the poisonous gasses which float around. All of the ‘villagers’ have had an antidote, and Vincent managed to recover on his own. With only one antidote left, in the possesion of Queen (who isn’t particulary on Lil’s good side), Vincent faces a dilemma.

Then Hude come with the idea of Vincent going back to Romdeau, in which Lil could be saved. Vincent plans to take the aircraft Lil used to get back to Romdeau, in order to accompany her. The other villagers, meanwhile, plan to move away from Romdeau as soon as possible, now that it has become clear that only death awaits them if they stay.

Both parties prepare, Pino says goodbye to Lil and Vincent, and both parties move to their destinations. We switch back to Romdeau, mostly in the long-haired guy’s point of view. He finds out Vincent came back, and he sets off as fast as he can. Only to find a pleasant surprise awaiting him. The death of a certain character afterwards also was amazing to see.

Queen and Pino, meanwhile, have a lot less luck. Along with them, about eight other guys are with them. They ride on some sort of weird boat, apparently named ‘Usagi’. Then they get attacked once more, by nine Romdeau-airplanes. After they get saved by the plan described above, only six people remain on the boat. A ‘certain’ person, Pino and four villagers who managed to not get killed by the gunfires from the Romdeau-airplanes. The deaths were a total surprise to me. I never expected it to go this way. It also shows lots of potential for the next couple of episodes.

Pino was once again, amazing. She now begins to understand the pain of losing someone dear to you. Just like a small child, who just realizes what happened.

The Law of Ueki – 49



Ugh… I guess I had my hopes up too high. I was expecting the side-characters to at least do some damage to Anon. Well, I was wrong. Anon’s still uberpowerful and nothing in this episode changed that. I also hate the cliffhanger in this episode. It was exactly like the OP had been hinting at. Mori falls, Ueki comes just in time to rescue her, accompanied with wings.

This episode also had some awesome moments, though. The first one is when Mori encounters Kilnorton, of all people left behind in the last episode, Kilnorton is the first one to reappear. One down, two to go. Then it appears that he has an actual background, which the creators managed to slip in right at this point in the series. Just as with the other characters, I really enjoyed this. Another thing I really liked is a bit of cheating on the creator’s bit. Both Sano as the two other members from the Ballow-team still have one final attack. We hear their names, but what they look like will forever remain a mystery. Some people may find this dull, I found it brilliant.

We get to see another lazy-creator moment when Kilnorton arrives at the battlefield. Everything is ready for the ultimate-Ballow-attack, with the three members combining their power into one giant attack. Again, we never know what this might be, as Anon knocks Kilnorton out before he has the chance to use his powers. This brings up some interesting issues. Anon KNEW that that attack would be dangerous. Otherwise, he wouldn’t have to stop it in such an extreme way. I hope this gets used in the next episodes.

The thing I really liked about this episode, was right before the ‘climax’, when Anon finishes everyone except Mori off. The look she gets on her face was just brilliantly done. Of course, afterwards, everything just gets predictable as hell. Sigh. Anyway, I hope that the last two episodes will be worthwile. There are just three things left that need to be solved: Why did Anon finish Kilnorton off so quickly? Where’s Ballow? And where’s Hideyoshi?!!

Higurashi no Naku Koro ni – 02



Holy god… when I though Haruhi was strange… This episode made clear that Rena’s ten times stranger and scarier. At least. I might be mistaken, but this could very well be the best anime to come by this season. It depends on Good Witch of the West.

As you may already know, this anime is based on an amateur-created game. It appeared to be the second-most popular among the amateur-created goods, with Tsukihime as number one. Anyway, I can really see why this became so popular. Rena’s scary! Who cares about Haruhi!

That’s the advantage of amateur-created games. They’re able to put in things professionals find too risky. It’s also not true that only professionals can have great ideas. Everyone has great ideas, the professionals just have a bit of structure in them. This structure is good for making the anime a success. It makes sure that everything happens when it should happen, but at the same time, it limits. I’m also an active member of a amateur game-development-community, and I’ve seen some of the greatest ideas arise, which professionals would never try to attempt.

Another powerful aspect of this anime is the cliffhanger. When I believed that last episode’s cliffhanger was awesome, I never could have imagined the cliffhanger the creators put into this episode. It’s also something you SO NOT see coming, until the main character becomes aware of it as well.

The Law of Ueki – 48



I kept fearing for the last couple of episodes do be horribly bland and dull. I just saw no way in which Anon could make for a good ending. Still, the creators keeps surprising me. They made Anon crazy enough to host an all-on-one battle against him. Add that to the fact that the side-characters played a big role this episode, and you have enough to make me see how wrong I was. But then again, we still have the ending. I’ll keep fearing for that bit.

The element I liked most about this episode was that there were SO MANY different parties playing a big role. We have Ueki and Mori together, Hideyoshi is alone, Sano and Rinko, Anon himself, Rihou, Margaret, the Ballow-team split up in three and not to forget, Kami-Sama’s assistant. Each of these parties gets sufficient airtime, everything somehow gets balanced into near-perfection. I loved it, even though the main premisse of the show is kindof cheesy.

Well then, Ueki and Mori were quite a distance away from Anon when he revealed his evil schemes, so it takes them a while before they can get to him. Before they get the chance, however, Margaret runs into them. He then reveals something very interesting about the protector-clan, which will probably give Ueki the advantages he needs to beat Anon for good. I have to say, apart from the convenient timing, that I like this. It really gives some background about the members of the protector-clan, and doesn’t just make them dull-characters.

The Ballow-team gets split apart. The punk-guy and the martial-arts-guy want to fight against Anon. The glasses-guy refuses to, and leaves with the intention of retiring. Ballow is just too stunned by Anon’s revelations that he’s become unable to move and react to the outside world. This is quite an interesting turn of developments. If they aren’t returning in the next couple of episodes, I’m going to eat my hat and like it. They still must have some role. In Ballow’s case, it’s a bit predictable, but in the glasses-guy’s case, this might turn out to be quite interesting. If this is done right, it can become really quite interesting indeed.

Sano and Rinko were quite close to Anon when he made his revelasion, so they try to hide themselves before Ueki arrives, trying not to be noticed. Rihou gets to be the first one to fight Anon. That’s not what I expected of him. The most often calm Rihou suddenly turned impulsive. Anyway, Rihou gets pretty beaten up by Anon, but it also appears that the sacred treasures don’t work on Rihou. Therefore, we get to see a long fist-fight. Of course, the creators turned into something reasonably interesting, but I do miss the strategy-element. Anyway, after a long while, Rihou gets smashed to unconciousness, and Sano and Rinko finally decide that they’ve waited enough. The way this was excecuted was pretty nice and original. Mostly, you see characters consider the options between going and not going. This time, you don’t. It’s a nice touch. Anyway, the next episode should be awesome: Sano, Rinko and the two guys from the Ballow-team versus Anon. They’ve got to do something to make him flinch in some way, and considering Sano’s tactics, it’ll probe to be incredible.

That may be fine and all, but the person I enjoyed most was Hideyoshi. Okay, he also ran away. But that’s the good part. He KNOWS he’s useless. He KNOWS he can’t do anything. He’s struggling with this fact. He’s been struggling with it all along. However, I’m going to eat my other hat if this was to be the last time he got some screentime. He still didn’t have his time to shine. Rinko, Mori and Sano all had this. Hideyoshi didn’t. Combine this with the power he has, and I can’t wait for the next episode to come by. Four episodes left to go!

Some quick first impressions: Gintama, Tokko and The Third

And more and more series get subbed, and the number of unsubbed series gets smaller and smaller. When not counting these three, Finalist, Fushigiboshi no Futagohime Gyu, Good Witch of the West, Hime-sama Goyoujin, Inukami, Janggeum`s Dream, Ju Oh Sei, Kirarin Revolution, Kishin Houkou Demon Bane, Love GeCHU, Saiunkoku Monogatari, Sasami -Mahou Shoujo Club-, Shibawanko no Wa no Kokoro, Shoujo Jang Geum no Yume, Tsubasa Chronicle, Witchblade, Yoshinaga-san’chi no Gargoyle and Yume Tsukai. On second thought… there still are a LOT of anime left unsubbed… Anyway, here are the three anime which feature katanas in unconventional settings. Combining tactical self defense with awareness and preparedness creates the best approach to protect oneself in various situations, whether it’s in everyday life or unconventional settings such as those portrayed in anime featuring katanas amidst fantastical or futuristic backdrops.

Gintama

The problem with this show is this: it works for 25% of the time. The rest of the airtime is just stupid. The comedy, for example really works in some situations, as the parodies on samurai-shows become truly brilliant. On the other hand, the creators tried to give the main characters interesting personalities, and failed. They look a bit too fake and directed. The story itself is also most of the time entirely ridiculous, though at the end of the second episode, I have to confess that I was pleasantly amused by the climax. The characters, as described above, don’t work in some cases. In other cases, however, they’re brilliant. This brilliance mostly comes from the side-characters, though.

TOKKO

Okay, never let people who believe Elfen Lied’s brilliance lied in the blood and fanservice make an anime. The result is TOKKO. The character design is rather ugly, the plot seems to revolve around fanservice, which seems along with the gore included for no apparent reason. I can see a small spark of potential, though. But I doubt that this’ll become a great series.

The Third

I was incredibly enthusiastic by this anime when I first saw the promos. After watching the first episode, I have to say that this certainly potential. Judging from what I saw, I’d say that this anime will attempt to delve deep into the main character’s mind. If it turns out to be that, I’ll already be satisfied. The battles also look to be more than just “slash-your-sword-and-win”, as a strategic element has been included. Combine that with the amazing battle choreography, and I’m hooked.

Makai Senki Disgaea – 02



The OP SO does not fit this anime. Right now, it seems like we’re dealing with some kind of high-school/mahou shoujo, instead of an RPG-based adventure. Apart from that, this was a very enjoyable episode. I like the way that this show takes its time to tell the story, instead of trying to rush everything into the first episode, like most of the new anime this season. The newly introduced characters also are a very nice addition to the cast. I never played the game, so I didn’t know what to think of them. They turned out to be quite interesting indeed.

Before I saw this episode, I kept wondering how a character could possibly name himself ‘Mid-Boss’. After this episode, everything became clear. I like him. His attempts to parody the bishie-rivals commonly seen in anime works extremely well. I hope we get to see more of them. Etna also was just amazing, including her penguin-squad. Her personality also was something different from what I expected. I expected a horribly evil character. Nothing more, nothing less. But it appears that she also got a good dose of slyness. I so hope that she will use this gift to its full extend.

The character interaction is where Makai Senki Disgaea shines. Every dialogue is just pleasant to see, nothing gets rushed, everything flowed pretty naturally and the atmosphere was just awesome. So far, this show turned into something different than I expected it to be. I was more like, expecting faster pacing. I still like this, though. We hardly see any adventure anime with a pacing like this show. I think I’m really going to enjoy this.

Tales of Phantasia Review – 90/100

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Tales of Phantasia is a small OVA, consisting of four episode and based on the RPG with the same name which came out about ten years ago. I truly recommend this to everyone who’s looking for something interesting to watch.

People might claim that this anime is only worth it if you played the game as well. That is absolutely not true. I didn’t play the game either and I totally loved this. Okay, in the beginning, you’ll see a lot of inexplainable thing happen. But don’t see that as a reason to quit this anime, see it as a reason to use your own head for a bit. Try to figure out what happened before. This way, you’ll be able to enjoy this OVA even more.

The graphics in this anime are totally amazing. Perhaps they even stand above the extreme quality of Tsubasa Chronicle Torikago no Kuni no Himegimi. In any case, they belong in the category of top-5 best graphics ever. The CG is just brilliant to see. There’s just so many attention put into the details, and don’t forget the incredible way the creators integrated these with the rest of the graphics. The character designs are also one of the very few today that really are unique. Each and every one of them stick to your mind like superglue. It doesn’t really plan to come off too soon. They look just too awesome, my favourites are Arche and Klarth. The music also is a masterpiece. Ranging from the OP to the ED, from the quiet moments to the dramatic moments to the battles, everything just perfectly fitted.

The characters themselves are also greatly developed. Especially if you consider that this OVA just takes a mere two hours to tell its story. I know some anime which couldn’t even come close to achieving this much character development in four times the same amount of time. I also liked the fact that every personality has something unique, which at the same time really characterizes that particular character. The way each character interacts with the other is also just amazing.

The story itself isn’t too complex. This, however, is greatly made up in the way it’s told. The creators somehow manage to make each second of this anime count. As the tale to be told is huge, and there are only hours available, the pace of storytelling is high. There are some rushed parts, but these take in no way at all away the power of these scenes.

There’s just one thing I don’t like about this anime. It’s just too damn short! I would have loved to see each of the characters fleshed out even more. I would have loved to see even more character developments, backgrounds, stories, et cetera. Maybe four episodes was a bit too little for such an awesome series. Still, I’m glad I was able to see this.

Final Rating: 95/100

Tales of Phantasia – 04 (ending)




Oh my… god. This episode was just utterly, utterly incredible. A worthy ending of an awesome anime.

We start of with the prologue of the great battle against Dhaos. We first see the representatives of a couple of races gather in the middle of the rain and place their trust into our heroes. Still, the soldiers are gloomy about the upcoming battle. Then, we switch back to our main party, who appears to have split up into three groups. It starts snowing, meanwhile (some of the best snow ever to be seen in anime, by the way. Muchas creditos to the animators). Cless and Mint come out of a café, and start acting nostalgic. Arche and Chester meanwhile get closer and closer to each other (figuratively, that is). Klarth meanwhile tries in the middle of the snow to talk some sense into Origin. It appears that Origin is not much of a talker, but Klarth still manages to find out that Dhaos did the things he did because he wanted to protect Iggdrasil (if I’m not mistaken, that was the giant tree from episode two). If you combine these three with each other, then the results get amazing. Even though they’re incredibly simple, they’re done in such incredible atmospheres, you can’t help but like it.

Then, the creators try to be smart and make good use of the time which was originally meant for the OP to roll in, because during the OP-tunes, the usual video-material has been replaced with our heroes combining the ring, Origin and the two swords in order to make Dhaos’ castle show up and enter it. This really shows that they make use of every single second available to them and use it as optimal as possible in order to provide as much storytelling as possible. I think that there should be more series who should attempt this.

Anyway, once in the castle, the group gets assaulted by Dhaos’ minions. A great thing to see about these fights were the actual strategy-elements which were inserted. They were especially focused on the importance of teamwork, with some terrific results. We then switch to outside the castle, where Suzu appears. Right next to her, several other ninja’s appear, apparently hostile. Suzu won’t let them pass, but before we get to see their fight, we switch back to Cless&co again. This time, the assaulting monsters get a ‘bit’ bigger and meaner, resulting in Cless getting separated from the others. He then ends up in a large mass of water, in which Dhaos tries for a final time to try and stop him with words. That doesn’t really work, even though Dhaos is partially right.

We then switch back to Suzu, who managed to finish off every enemy ninja, except for the leader (the one who appeared at the previous episode as well). That just shows how awesome Suzu can be. Anyway, it then appears that this ninja-leader is nobody else but her own father. To make it even more awesome. Despite this fact, it really does become clear that she’s even prepared to fight her own father if she had to, which was just too sad to see. At the same time, though, it only added up to the awesomeness of the episode.

Cless and the others, still separated, make their way through the castle. They’re getting pretty heavily beaten up, especially Cless, as he doesn’t have Mint with him. He then finally manages to make his way through to Dhaos’ chamber. In there, probably one of the best anime-end-boss-fights begins. Not only because it isn’t just a duel between the main protagonist and antagonist, as the rest of the team joins Cless soon, but also the way he is eventually defeated. It makes sense, sort of. In most cases in other anime, both parties try to attack with all of their powers, and finally one side ends up losing, mostly the antagonist. Variations include the antagonist winning, or both parties losing and dying at the same time. Still, it mostly ends up with a bunch of characters throwing a bunch of flashes to each other. This time, however, only one party charges to its full power, while the other clearly has trouble trying to survive. This ends in a very enjoyable climax. It’s predictable, of course, but I somehow feel the creators knew this and tried to make the best out of it. In my opinion, they succeeded.

The ending itself might be debatable, but I loved it. After all, the goal of this anime was defeating Dhaos, with the side-goal of Suzu defeating her own father. These are exactly the two scenes we get to see before the credits roll, including with two sentences explaining why Dhaos did what he did, a bit more in-depth than at the beginning of the episode. Afterwards, the episode ends. Most anime try to involve risking the life of some main character at this point, this anime doesn’t. I just loved it.

The Law of Ueki – 47



Too bad the title of the episode revealed what was to be happening at almost the end of it. It took away a bit of the power of that moment. Still, I never would have thought for it to be carried out this far and this horrible. Anon really is one heck of a bad guy.

But still, after this, he’ll probably have the entire world, including heaven, against him. Ueki’ll probably defeat him in the end anyway, though. That’s the only thing that an be said. We also still have to see the moment in which he gets his wings (the thing the OP and ED have been subtly hinting at since the beginning of the second season). I so hope that the side-characters will play a big role in these events.