Howl’s Moving Castle Review – 67/100



I decided to check out this anime, which aired in 2004, as it’s another one of Ghibli’s works. I have to say, it was pretty interesting and unique. Though, unfortunately, not memorable.

The movie is mostly a love story, between an ordinary young woman who makes hats as her profession and a strange, evil wizard. While this may sound cheesy, about ten minutes in the movie a twist happens you so wouldn’t expect. Starting from that point, the “woman” gets to live with the evil wizard, she gets to know him, she gets to know his dark secret and in the end, she attempts to save him.

This movie is a massive two hours long, and manages to fill this time perfectly. There are almost no chances to get bored, as there’s always something happening on the screen. Each of the characters also acts very naturally, nothing seems to feel rushed. The world in which the movie plays also looks amazing and full of imagination.

Still, despite its originality, the movie does remain cheesy in the end. The minor plot sequences are very imaginative, though the major plotline has a lot of bugs. A lot of things also don’t make any sense at all. The two main characters’ cases also don’t get explained at all. Especially the ending left me with a bad feeling.

The graphics also are an interesting issue. While they do look amazing, Spirited Away, which was produced three years earlier, looked much better for some reason. You would expect the opposite, as both movies come from the same studio. The music, while not memorable, remains very fitting and enjoyable.

Overall, I’ve always wanted to watch Howl’s Moving Castle, though I never knew what to expect. I’m pretty happy with the outcome, though it could have been done much better. If you want to see a good movie, I’d suggest to check out Nausicaa or Spirited Away first.

Mushishi – 23 – Voice



The series had normal episodes, and it had awesome episodes. It’s the same with the OVA. Episode 21 was perfect in every
single way. Episode 22 was amazing, despite its flaws. Episode 23 shows us a standard Mushishi-story again. It’s about a disease, which causes limbs and body-parts to become stiff and unmovable. It’s being spread through the voice of one girl. Ever since the girl found out that her voice spread the disease, she’s stopped talking. Though the disease remained. The girl has stopped talking for ten years now. It’s also one of the stories with a more happy end.

Still, that doesn’t mean that I didn’t love the episode. It’s still as calm as always, and the situation gets explained very quietly. It seems that the woman had been screaming at the top of her lungs inside a deserted cave, in order to ruin her voice. By the time this episode plays, she hasn’t quite lost it, though her voice does sound very creepy and sad. It’s probably one of the first times in anime that such a voice was added.

The great thing about this episode was the ending, though it does leave a few bugs. The girl had been isolated, as everyone thought of her as the culprit. There was one man, from another village who didn’t treat her that way. This man then fall off a cliff in the mountains, and she had no other choice than to cry for help, with her already distorted voice. That sounded too sad. It seems that to cure the disease, the woman had to scream towards the village, with the see straight behind her. She’ll probably have to scream for years in order to fully remove the disease, and her voice will most likely die before the disease does. It’s so awesome to see someone willing to give up her own voice in order to save others. Still, the way Ginko came to this conclusion bugs me. We get no clues to his plans until he reveals them. And the things that made him realize the solution don’t make any sense at all. And how come, in fourteen years, nobody has even bothered to go to the see and check what happens?!

Overall, another great Mushishi-episode. Not the best, but definitely enjoyable.

Simoun – 14 – Awesomeness



Okay. That was an AMAZING episode! It’s centered around Waporifu, with Morinasu as an important side-character with a healthy dose of Dominüra. The results are just incredibly awesome!

We start with Aaeru and Neviriru flying around a bit, in search of the enemy carrier. They can’t find it anywhere. The enemy either moved it in order to retreat, or in order to use it for a nasty little plan. In any case, we won’t be seeing a lot from them, as they keep flying around for the entire episode, which equals about a day. It’s very interesting to see that even though Neviriru’s scared about Aaeru, she still managed to fly for more than 24 hours with her, inside a Simoun.

We then switch to Dominüra and Wauf, who conclude that the enemy has been forming alliances. Dominüra wonders about what the “Center” might be doing. I think she means her employers by this. Wauf also tells her that the Messis has to be stationed at the ground for a small while, in order to conduct some small maintenance. Dominüra reckons that there’ll be lots of sad things happening. And how she’s right. Haha! But not in the way she thinks.

Meanwhile, we turn to Waporifu and Morinasu. Morinasu reveals that she’s planning to become a man. Morinasu also is still surprised about the fact that the Simoun Gems can read the Sybila’s heart. It also seems that Morinasu and Furoe had a relationship once. ^^ They broke up, though. Waporifu couldn’t bear the fact that he (she?) was defiling a holy image. What follows is a scene which might be the start of the first actual couple in this series, as it seems that Waporifu starts to get feelings for Morinasu. Morinasu also wonders if the Sybilla really are the big-wigs they’re rumoured to be.

We then switch to the other Sybilla, having fun catching fish in a local stream. Furoe, Limone and Kaimu really are enthusiastic about a fish-trap that Mamiina managed to set up. Paraietta also smiles for the first time since ever. Yun is reading a book as usual. ^^ Dominüra, meanwhile has a little conversation with Waporifu. Dominüra wants Waporifu to dismantle one of the Simoun. Something which has never been done before. After all, if the Simoun were God’s holy image, how come they were shot down? Waporifu also reckons that the Simoun are just machines. Dominüra wants to find out about the secrets the Simoun have been keeping for so long. Waporifu, however, refuses. Like she refused Furoe and tries not to get too close to Morinasu. (On a side-note: Kyuukoku seems to be Simulacrum. At least, I think it does).

We then switch to later, that evening. Waporifu gets some interesting thoughts. When Amuria disappeared, the Simoun was not distorted in a way which did not suggest that she was dragged out. If that was the case, then where did Amuria go? That’s thus far, the only evidence pointing towards the fact that the Simoun indeed are godly. Dominüra, meanwhile, tries to put even more pressure on Waporifu. Morinasu catches the two of them on this, and she finds out that Waporifu’s a terrible liar.

Paraietta and Yun then have an interesting conversation. Paraietta’s getting worried about Aaeru and Neviriru, and she asks Yun to be her pair in case they needed to save the two of them. Yun then holds a cryptic speech. I’ve no idea what she meant, though it seems that she wanted to subtly make something clear to Paraietta.

Things really get awesome when we switch back to Waporifu and Morinasu. Waporifu reveals that she got the request to dismantle a Simoun. Morinasu then comes with quite an interesting opinion. Getting in the Simoun has made her realize something: the Simoun are indeed God’s crafts. I wonder what made her think that way.

We then switch to the evening. The Sybilla all go to sleep, except for Dominüra, and of course Aaeru and Neviriru, who still haven’t returned. Dominüra meanwhile has a conversation with Wauf. He has discovered that she belonged to the Chor Dextra (wait a minute… wasn’t she in the Chor Kaputo?) In any case, the Chor Dextra was only formed in order to complete the Emerald’s Ri Maajon. She’s now member of a certain “Audid Organization”. Wauf then comes with the interesting revelation that somebody’s watching the thing she’s trying to do. This only gets her cornered more and more.

Waporifu, meanwhile, has been thinking. She then heads to Morinasu, in the dormitory. What follows is the first kiss which actually feels like a kiss, if we ignore Limone in the previous episode. That was a great scene. Waporifu exits with her own conclusion: the Simoun are just machines. She spends the rest of the night dismantling one of the Helical Motores of one of the Simoun. Dominüra then returns to her the next morning, for some amazing results.

The Helical Motores were just empty! They just had one big spiral in them, and that’s all. Waporifu is quite astonished when she finds out, though when Dominüra sees this, the breaks down. The other Sybilla are woken up by this, and they see a mentally destroyed Dominüra getting carried away by some staff of the Messis.

Overall, that was just amazing. It’s probably the best episode of Simoun yet. Dominüra, Morinasu and Waporifu were just awesome. I wonder if it’s got something to do with Aaeru and Neviriru being absent. In any case, that was a nice touch.

Memorable Moments: Dominüra seeing the dismantled Simoun. Waporifu and Morinasu at night. Everything was just perfectly built up.

Good Witch of the West – Astraea Testament – 10 – Quite Original “Dragon”-Design



Eusis heads to defeat the dragon. In the world of Good Witch of the West, there are two types of dragons: carnivorous and herbivorous. Eusis first heads for the herbivorous ones, only to stand face to face with a ferocious herbivorous dragon. Firiel is watching him from a safe distance as Eusis grabs all his courage and slays the dragon with great honor. But wait, another carnivorous dragon approaches Firiel. She now has to run for her life in order to stay away from the angry teeth of this ferocious beast. But then, Rouxbow runs off on his own and Firiel rushes in to save the little guy. Then, the dragon closes her in. Firiel prepares for the inevitable. She’s only seconds away from death…

Only to be saved by Roux, who just happened to be in the neighbourhood. I didn’t like that scene. Talk about Deus ex Machinae

In any case, this episode illustrated once more the major flaw of Good Witch of the West: it doesn’t build up. At all. That’s the pity of only having thirteen episodes. This show would SO have profited from thirteen extra episodes. After all, the story is just amazing. If the first thirteen episodes could have been spent at building up and introducing the characters, countries and concepts while the last thirteen episodes would focus at the story, this anime could have been totally incredible. Right now, there were just too many moments at which I kept wondering about certain names which were used (Hermes? Vildo? Cheviat?) The Mahiru-star also has been left without any explanations so far. Does it also function as the major light source in that world, or is it just a pretty statue, which floats around in the air?

And I’m also having a bit of trouble concerning the “big bird’s feather”. According to r3dking, it’s actually called the “firebird’s feather”. Why did Ureshii choose for “big bird’s feather”? I would also have loved for this series to explain a bit more about each of the cities and strongholds visited. I still don’t know the real meaning of Hyragurion. And why did Marie become a maid at the castle?

Okay, that’s enough ranting for now, on to the good stuff. As there were quite some juicy things revealed this episode, which made the story take another turn for the best. 🙂

First of all, the big firebird’s feather mentioned two ways to become queen. Either hunt dragons or protect the country Torubato from the country Brigeonte. This was incredibly direct, so there’s got to be some kind of catch to it. I have a hunch that Firiel will be the one to figure it out, but that’s not the point. At the beginning of the episode, Leandra figures out why Torubato has to be protected. It seems that Brigeonte’s been rather hostile lately, and it aims to attack Gulair. As Torubato lies between the two countries, it would be troublesome if it were to fall.

Another interesting fact which gets revealed is that Duke Riez is actually alive. The only ones who know this are probably the ones who were present at the night in which he was supposedly killed, so that means Roux, the mysterious guy with the hat and Riez himself. It also means that Riez used some kind of doppleganger, who killed him off, which would explain the body that Eusis found the day after. Or it could be that the real Riez died that night, but the blue guy from the OP managed to survive.

Roux also reveals a major part of the storyline: The Wall. It seems that the Ephemeris-research was really close related to this. It seems that the entire world is surrounded by an invisible wall. What’s behind this wall, nobody knows. It just seems that a lot of dragons come from there. In any case, the Mahiru Star and this Wall seem to be competing with each other, or something like that. Whenever the star gets close to the wall, the wall opens. That’s what the doctor has found out. The Ephemeris will help Roux to prove that the star and the wall are interfering with each other. But what this has got to do with the darkness isn’t clear yet.

The final interesting thing happens when Firiel touches The Wall. Roux promised her to take her to the wall, in order to disappear forever afterwards. Roux’ plans change when a great light appears which swallows Firiel up, leaving no trace at all. This probably has a lot to do with the big firebird’s feather, though we need to wait till the next episode to find out. Nevertheless, it’s a very interesting development indeed.

Overall, despite its flaws, I’m still enjoying Good Witch of the West. It’s got an awesome story, after all.

Simoun – 13 – Aaeru Can be so Incredibly Dense at Times



This was a fun episode. It centered around Aaeru and Neviriru. Aaeru’s thick-headedness and Neviriru’s hestitant nature were put in the spotlights, with some satisfying results. The other characters also provided some nice development.

We start the episode with the characters reflecting the previous episode. Dominüra seems to have put Kaimu and Aruti together as an experiment. To see whether they would go well together. Kaimu and Aruti then acknowledge that the two of them can’t pair anymore. It’s because Kaimu rejected Aruti as her pair. Rejecting your pair is the same as rejecting your Simoun, hence the distorted Simoun-gem from the previous episode.

We then switch to the dormitory, in which the lack of enemy movement is getting on Furoe’s nerves. She’s getting bored with the lack of activity, Yun scolds her about this. Furoe unleashes her anger upon Rödoreamon’s stuffed animal, who doesn’t quite survive this ordeal. This provides some funny material for later in the episode. ^^

Rödoreamon meanwhile has decided to help Mamiina with the households, and she keeps getting impressed by her. The bond between the two really has increased a lot.

Meanwhile, outside, the inevitable happens: Aaeru learns about the Emerald Ri Maajon (Doremi translated this as the Jade-Remergon, for some unknown reason. Emerald seems to be the right way to translate it, though). In any case, I was expecting her to do something stupid, though Aaeru really surprises everyone when she does the most stupid thing you can ever imagine.

She runs towards Neviriru, in the middle of the dining room, and promptly asks Neviriru to do the Emerald Ri Maajon with her. Aaeru speaks about Amuria like she was just ordinary dust. Aaeru doesn’t seem to realize that Amuria’s a sensitive subject. But that only makes that scene more fun. Aaeru really proves that she’s able to do things nobody would dare to.

The others have interesting reactions when this happens. Neviriru gets incredibly scared and walks away. Paraietta begins to yell at Aaeru, though she follows Neviriru in the end. Limone wants to help Aaeru, though Rödoreamon stops her. Mamiina rushes off immediately when a couple of plates fell on the floor (an interesting reaction. She, didn’t really care enough about Neviriru, so she noticed that she needed to take action). Yun and Kaimu both scold Aaeru after Neviriru left. Dominura observes everything which happened without involving herself and Furoe takes Aaeru towards a quiet place in order to teach her a few things.

As Aaeru’s incredibly thick-headed, Furoe isn’t able to make clear to Aaeru that Neviriru loved Amuria. Aaeru hasn’t fallen in love yet, so it’s only natural. Still, Aaeru does seem incredibly oblivious to the phenomena called “Love”. Aaeru did, however, pick up one thing about the definition of love: if two people want to kiss outside of a Simoun-flight, then it’s love. Overall, Furoe was quite funny in this discussion. You can really see that she’s having trouble with Aaeru’s incredibly to-the-point personality. ^^;

Neviriru, meanwhile, locks herself inside an empty room, gets some freaky flashbacks about Aaeru and Amuria, she begins to scream and faints. In one way, Aaeru acted like an incredible idiot. But on the other hand, Neviriru has been locking herself in. She still has a trauma from when she lost Amuria, which keeps haunting her mentally. At the moment, Aaeru keeps bringing this trauma to the surface. It may be painful at first, but it does make Neviriru confront her fears. That, or she might totally lose it. Depending on her own strength.

Paraietta managed to find Neviriru, and put her on a solitary bed in a dusty room. Aaeru, meanwhile, tells her new discoveries about love to Limone. The results are quite amusing when Limone ends up kissing Dominüra, later that evening. (^^;) Dominüra was a bit agitated before, as permission to go after the enemy carrier from the previous episode kept getting delayed. She was also getting worried about a certain “Kyoukoku”. It was interesting to see Dominüra worrying about the decisions of the officials like that. It was even more interesting to see Limone’s actions towards Dominüra, and seeing her reaction to this. ^_^

Aaeru, meanwhile, keeps trying when she enters Neviriru’s room through the window. After this, another kissing scene follows. (I bet the yuri-lovers will be very enthusiastic with this episode ^^) Neviriru keeps ignoring Aaeru, though. Paraietta gets to be the one to break them apart. Neviriru then wants to be alone again.

Meanwhile, a very funny scene follows in the dormitory. Every main character except for Neviriru, Paraietta, Dominüra and Aaeru’s there, and they first reflect a bit about Amuria. It seems that she was a very strong person. Everyone was scared to mention this to Neviriru. Then the amusing things begin when Rödoreamon finds out about Furoe’s treatment to her stuffed animal. It seems that Furoe tried to sew it afterwards, while she can’t sew at all. The results are quite hilarious. It’s great that they people can still laugh, even with such a gloomy atmosphere. It was a nice touch. ^^

The next day, Dominüra decides to not wait for official orders to destroy the enemy carrier from the previous episode, and she sends Aaeru and Neviriru on a solo-mission. Aaeru’s very enthusiastic when she hears this, though Neviriru and Paraietta object. It’s the first time that Neviriru really objects, and Paraietta manages to send her out anyway. It’s probably because Neviriru believes that the Simoun-gem will probably get corrupted, just like in the previous episode. After all, after what happened, she believes that she’s got no other choice than to reject Aaeru as a pair.

The look on her face, when she saw the Simoun-gem shining to its full extend was amazing. What was even more amazing was the statement with which she ended the episode. She wonders how it could be possible for her to accept Aaeru, when she’s actually scared of her. This can promise to be incredibly interesting for future episodes.

Overall, this was a very fun episode. Especially Neviriru’s development was awesome. Dominüra also was quite interesting. It seems that she indeed has a personality. Furoe’s also quite funny, despite her bratty behaviour.

Memorable moment: Limone x Dominüra ^^

Popolocrois 2003 – 03 – “Seirei”, or Cute Wind-Spirits



The episode already began with removing one of the major annoyances in this anime: Papu who talked! Thank goodness he can do more than just “Papu Papu Papu”. In any case, this episode improved my overall opinion of the anime yet again. You can really see that it’s been building up perfectly.

We start out with Pietoro getting extremely worried about Pinon. Narcia tries to comfort him. Meanwhile, Papu explains that the three of Pinon, Luna and Papu have ended up in Phantonesia, or the world of the Seirei. Pinon’s quite startled when he hears Papu talking. What follows is both Papu and Luna trying to hide their secrets. It’s as obvious as a hammer near a pile of balloons, though Pinon decides not to question them. Or he’s just too busy with other things to notice. ^^

Papu also explains that the golden key, otherwise known as the key Narcia used to transform to Kai, has also the power to transfer to Phantonesia and back. It also seems that the Seirei of the wind has been captured. This causes wind in Phantonesia to stop, and the winds in Popolocrois to go out of control. Luna comes with the impulsive idea to save the Seirei. Pinon, of course, hesitates. He’s very different in this when you compare him to his father. Pietoro would’ve gone in, no matter what, and no matter how weak he was. Pinon keeps clinging to his father. It’s interesting, as he suggests for them to go back to the castle, in order to make Pietoro save the day. When you realize that Pietoro hates it when he’s compared with his father, you get some interesting results. Then again, he’s only just a child.

In any case, as there’s no alternative, Pietoro decides to go. Meanwhile, we switch to the bad guy, who appears to be the one who captured the wind-Seirei. He seems pretty confident in this, and his ultimate plan is to wrap the world in darkness. I hope that this part gets fleshed out soon, though he looks evil enough. Pietoro, meanwhile, is extremely worried about Pinon. Something his father would’ve done differently.

Pinon, meanwhile, stays gloomy. Then the threesome reaches a point at which they have to advance on bouncing rocks (think 2-D platform games). I liked that scene. Pinon’s very scared to jump. After all, if he fell, he would’ve fallen a loooooong way. Still, Luna managed to give him courage, and the two of them jump together. Luna also reveals that she’s been longing to be Pinon’s friend for a long time. This means that she’s heard about him before. Still, her background remains a total mystery.

Then, Pinon, Papu and Luna reach a small tornado, which keeps staying on one place. The Wind-Seirei seems to be sealed in here. Pinon plans to jump into the eye of the tornado from above, in order to not get bothered by the huge winds. In order to do that, he is helped by Punpun and Kogoto. Pinon manages to trick the two of them into dropping him off above the tornado, parachute included. While this scene may have been interesting in order to flesh out Punpun and Kogoto, it also was annoyingly long. The two of them are far from as awesome as their father.

Anyway, inside the tornado, we finally get to see a Seirei out of its little sparkly form. It’s indeed been captured, inside a barrier, which is preventing everyone from entering or exiting it. Except Pinon, for some reason. The creators’d better have a good reason for this. In any case, Pinon saves the Seirei (who looks too cute, by the way) and the Seirei seems to know Pinon. The Seirei gets all giddy, though she soon loses energy when it seems that her powers are stored in the bottom of the tornado. Papu seems to know the little creature, as the Seirei seems quite scared when she sees him. Papu, however, quickly shuts him up.

When they head down towards the bottom of the tornado in a dark-looking cave, Pinon gives Luna and Papu the two herbs he bought in the previous episode. When they reach the bottom of the tornado, a wind-beast shows up. It was interesting to finally see a wind-monster use wind in its attacks, instead of the usual blades which form out of nowhere. An interesting touch. Luna and Papu offer to act as decoy, so that Pinon can get Punpun and Kotoro to help. Still, Pinon uses his dragon powers to save the two of them. While a bit cheesy, the animation looked awesome. It really made up for this flaw.

In any case, the monster seemed to guard the Seirei’s power. With it gone, everything seems to be fine and the Seirei shows up in a third form: a large version of the second form, minus the chibi-speech. The Seirei then sends Pinon, Luna, Papu, Punpun and Kotoro back to Popolocrois. Pietoro’s too glad when he finds that his son is safe, though the interesting part comes from Narcia when she sees Luna. She, of all people should be able to recognize the golden key, though she decides not to mention it near Pietoro. I wonder when she’ll confront Luna about it. We’ve already seen her personality, so she’ll definitely wait. But for how long?

In any case, it seems that Luna’s been travelling, and that she’s been sleeping under rocks, etc. Pinon therefore offers Luna to sleep in his bed. (*big grin* ^^;) Luna’s a bit startled at first, though she doesn’t mind in the end. Then the Wind-Seirei shows up in yet another form. It’s also the one we keep seeing in the OP and ED. The Seirei transforms to its fourth form after Pinon gives it a name. He first considers “Hyuu”, which just shows the similarities between Pinon and his father. In the end, the name gets to be Hirarin.

And just when you thought that the episode couldn’t get happier, more laid-back, more peaceful. The bad guy appears, attempting to kill of Pinon. Pietoro then rushes in and defeats the guy. Both parties end up heavily wounded. Seriously, I would never have expected such a heavy scene after what just happened! In one turn, the anime turns darker than ever. It also displays Pietoro’s concerns and love for his son more than ever.

I also have to say that the ED greatly helped to accompany this. It’s one of the better ones I’ve seen. We also have to remember that there are some characters who look major, but haven’t appeared at all. The little guy with the painted face, for example. His mother as well. Not to mention his and Luna’s Seirei. It seems that Luna’s got something to do with the water, while the former has affinity with fire.

The music also is a major plus in this series. 1998 already featured an amazing soundtrack, and this was only strengthened with 2003. I’ve also noticed that the ED is one of the few which actually tells a small story. We first see Luna create light with her own powers (say, doesn’t her wand look suspiciously much like Narcia’s?). The little guy with the painted face looks astonished when he sees this. In the next screen, he uses fire in order to impress the others (and cook some fish). The next screen features the three of them playing with their Seirei, while Papu, of all creatures, looks agitated, wanting them not to linger. In later screens, Pinon directs the way, while Luna’s happy to follow him, and the little guy with the painted face has a weird expression on his face, I wonder what he thinks at that moment… On the last screen, Luna is carrying the other two along with her water powers. It looks pretty awesome. I may be wrong, but I guess that the next episode will introduce the little guy with the painted face. That, or Luna will meet her Seirei.

Overall, my respect for this series continues to grow with each episode passing. The ending was just perfectly executed. (After all, most of the times when protagonists mess up the plans of antagonists, we switch to them, while they find out about it. The antagonist screams a bit, and swears to get back at the protagonist. This time, these scenes are just skipped and the antagonist comes to kill the protagonist immediately). On a side-note: why did the creators decide to dye Pietoro’s hair brown?

Memorable Moment: Pietoro at the ending. Definitely a scene to remember.

Higurashi no Naku Koro ni – 14 – No Keiichi



Whoa… I knew that this arc was going to be unique, with no Keiichi as main character, but I never thought it would be this unique. I absolutely loved it. You see, this arc plays four years before the other three arcs. Keiichi’s gone, Rena’s gone and Rika’s even cuter than she was before. With a bit of luck, we’ll also see a flash of Satoko and Satoshi in the next episode. This arc will probably explain the first of all the murders. I wish I could be able to remember who the victim was, though I’m ashamed to say that I forgot. And the great thing is that nobody seems to have written it down. -_-

In any case, this probably is the first time since episode one that this murder gets mentioned. All of the other arcs kept silent about it, for some strange reason. The mysterious victim was cut in six pieces by a pickaxe (ouch), with one of the murderers still roaming free. It’s only now that I realize that Rika was the murderer. She was the one who murdered for the first time. It’s also very interesting that she didn’t commit this murder alone, though she was the only one who managed to not get caught. I wonder who the other murderers might’ve been…

In any case, the previous arcs showed us a very bloody or gory scene right before they started. This arc just shows about the same guys we saw in the third episode, trying to run Keiichi over with their mini-van, kidnapping a little boy. Meanwhile, the radio tells about three people who were arrested because of violent acts against the Hinamizawa Dam Project. Things were a bit bloody, judging by the newsreader. The boy who gets kidnapped is the son of Cabinet Minister Inukai, by the way. The dam was probably his father’s idea.

The OP rolls, and the real episode begins. We then see our main character for this arc: Akasaka Mamoru. He really looks like an old version of Keiichi with black hair, though thankfully, his personality is different. He’s been sent out to investigate whether Hinamizawa’s got something to do with the son of the Cabinet Minister who’s been kidnapped. It isn’t very likely, so he’s sent out alone, as every possibility needs to be investigated.

Akasaka also has a wife, who’s highly pregnant. She’ll probably have her baby when he’s in Hinamizawa. Once inside Hinamizawa, he heads for the local police station. There he hears the first rumours about the dangers of the Onigafuchi Last Defence Alliance, or the group who opposes the dam construction. Then Oishi shows up, and he gives him a bit of a tour around Hinamizawa. He also tells Akasaka about the three main families, and the Sonozaki-family.

Oishi then shows a bit of interest in the investigations Akasaka is conducting. I guess that he’s of course interested in what he can find out, so he can use it in his own research. Oishi’s willing to introduce Akasaka to a Mole in the Sonozaki-family as well. After Oishi left, Akasaka decided to go undercover, and have a local villager guide him around. He’s planning to pretend to be a leisure photographer, who wants to see a bit of the neighbourhood.

When he reaches the meeting point with the guy, he runs into a four-year younger version of Rika. (So cute ^^;) Then the guy arrives, and Rika decides to tag along with the two of them. When she hears that Akasaka’s planning to take photos, she compares him to Tomitake. It’s very interesting to see that Tomitake’s been visiting Hinamizawa for over 4 years now. I guess that that gives him enough time to meet up with Takano. Still, Rika did give him a good nickname. After all, we all know what happens to Tomitake in the end (*wink wink, nudge nudge*).

Then, while Akasaka keeps taking photos and Rika asks a few questions, Akasaka says the most stupid thing you can ever imagine. He tells about his wife, who’s having a baby right at that moment. What idiot abandons his wife for a leisure-trip at a time like that!? Rika also noticed this (you can see that in her expression. Smart girl, especially considering that she’s so incredibly young. And cute. ^^;)

The guide then offers to take Akasaka to the place with the best scenery around: the Furude Shrine, Rika’s home. Only then it becomes clear that Rika also is a member of one of the three big families in Hinamizawa. When the threesome arrives at the Furude Shrine, a very touching scene follows. The Furude Shrine also appears to be the centre of the anti-dam movement. The guide automatically thinks that Akasaka’s an activist as well, though the latter corrects the former. Akasaka then comes with an incredibly politically correct speech, in which he thinks that it’s better to get yourself involved in politics if you want something, instead of just fighting back. Rika then totally smashes this statement in the ground, when she asks him how he would solve an issue like that. She indeed managed to see the flaw in modern-day politics. ^^

Rika then takes him to the place with the beautiful scenery, after which we also get signs that Rika’s infected with the disease as well. She then warns Akasaka to go away. She’s also certain that the dam project will soon be gone, no matter what. It’s already been decided.

That evening, Akasaka meets up with the mole, right after a meeting of the three big families. Mion and Rika also were present. Mion was paying attention, though she never said anything, while Rika was busy drawing a picture of her along with Akasaka. ^^ We also got to see Mion’s mother. She’s also one of the characters whose hair has unnatural colours. (That’s one of the major flaws in anime. The main characters seem to be the only ones with obscene hair colours). We also get to see Mion’s grandmother, the current ruler over Hinamizawa. (Was she still alive in the previous arcs?)

The end of the meeting, it became clear that Akasaka’s mission had been discovered and the Sonozaki Family indeed was the one to kidnap the Cabinet Minister’s son. Akasaka doesn’t really like the things he hears. The next morning, Oishi gives him a call. It seems that the Minister’s wallet has been found at a certain place called Takatsudo, a fairly deserted area, not mentioned in the previous arcs. Oishi’s willing to bring Akasaka there, though he does put on a knife-proof vest as precaution. The episode ends with Oishi offering one to Akasaka as well.

This arc will probably end with the first murder. Still, that does leave one murder and one disappearance without any attention: Rika’s parents. Before I saw this arc, I was expecting that it would cover the death of Rika’s parents, how her mother committed suicide and her father died of the mysterious illness, but as this arc plays long before the two of them die, we’ll probably get left in the dark about this. One of the answer-arcs will probably solve it.

I still have no clue about the nature of the disease. This arc clearly shows that the disease can go to sleep after it’s been active. It indeed seems that heavy emotions are the trigger for the disease to get active, but in that case, why didn’t Rika kill herself when her parents died? Or did Satoko manage to save her just in time before she freaked out? In any case, Rika getting under the control of the disease really happened. It was not in Keiichi’s mind, as he was totally somewhere else at that moment. I also don’t see Akasaka for being caught with the disease as well.

We also finally get to see the same mini-van as in the third episode. At that time, it tried to hit Keiichi, when the driver saw he failed, he ran off. I think it appeared again during the end of the fourth episode, though I’m not sure. In any case, it does suggest some sort of link between the Sonozaki-family and Irie (as the minivan seems to be under the control of the Sonozaki-family). What kind of connection might that be? Before I can really speculate about this, I need to know whether Mion’s grandmother was still alive, and the leader of Hinamizawa and if she was, Mion’s influence on this.

Differences with previous arcs:
– The previous arcs Keiichi as main character, one of the girls as opposing character (Rena, Mion and Satoko), and one of the side-characters who played a major role (Oishi, Shion and Irie). This arc had Akasaka as main character, Rika as opposing character, and Oishi again as the side-character with the important role.
– This arc plays during the dam-opposition (does that mean that everything that happens here, happened with the previous arcs as well?)
– Rika’s gotten even cuter.
– This is the first arc in which we see nothing about Keiichi and Rena, possibly Satoko as well.
– In the first arc, Oishi was concerned. In the second arc, Oishi was cheerful and more business-like. In the third arc, Oishi was evil. In the fourth arc, I’d describe him as helpful. Eager to learn valuable information from Akasaka.

Overall, I loved this different episode. Rika was omega-kawaii, and it really is great to see an episode without Keiichi. I can’t wait to see the next episode. ^_^

Memorable Moment: Rika calling Akasaka Tomitake #2 (You think she was trying to give him a subtle message? ^^)

Nasu Summer in Andalusia Review – 70/100



Nasu – Summer in Andalusia was a fine example to demonstrate the flaws of the .mp4-format. At random times, it likes to cause the screen to freeze because of the lag. In my case, it was right before the climax. I didn’t really like that.

In any case, this 40-minute movie is a sports-movie about pro-cycling. It’s not about the giants who battle against each other, no. It’s about a nobody who tries to win an etappe. This nobody (or Pepe) works for a group who hasn’t been doing too well. They haven’t won anything for the entire season, and now they face a breach of contract with their sponsor. Pepe is seen as the major problem in this, as he’s got a small temper, which doesn’t work too well with their main cyclist: Gilmore. This etappe basically is the last chance for the group in order to stay alive, and it’s up to Gilmore to win it. Pepe’s role is to help him do this.

Pepe also has some extra motivation to perform, as the finish lies in his home-town. During this movie, we get some nice background commentary from the people he grew up with. His brother, who also got married on the same day, his new sister-in-law, his uncle and a couple of other friends. Especially these friends were very interesting to watch. They never knew what’s going on inside Pepe’s group, so they were just celebrating his performances.

What follows is a set of unique opportunities which drive Pepe to the finish. Overall, I had to say that the tension which was created worked pretty well. Still, there’s one major disadvantage with this movie. Everything just feels too much directed. Most of the story elements worked pretty natural, though at the times in which the creators got stuck, they used Deus ex Machina in order to keep Pepe in the right tracks. The climax also could never happen in real life. Still, despite these flaws, I have to admit that I had a good time watching this. A sports fan will probably like it.

Bleach – 88 – Behold, The Wisdom of Vice-Captains



This episode can basically be summarized in one word: boring. What happens is that the four shinigami have found the Bounto-base, so the four of them head in to infiltrate. And of course, all of them have had an extensive Shinigami-education, so they do exactly know what to do in a situation like this: Just storm the damned thing, split up and wander around aimlessly. Of course. So, what was the school for shinigami’s purpose again? Ah, yes. It’s like a school for body-builders. That explains everything.

In any case, it’s not surprising that the shinigami go down immediately. Strawberry and the others meanwhile also head for the bounto-base. Everyone’s recovered, except for the unknown brat that Renji rescued. It seems that his soul has already weakened too much, and he needs to rely on his will to live in order to be able to survive. I’m interested to see whether such an unknown brat can make it or not. Apart from that, we had a touching scene in which Ririn broke down in front of Strawberry. But apart from that, this episode was just boring.

Still, in the preview for the next episode, Kon gave some very fitting descriptions for each of the bounto. I think I’ll be using them from now on: Gorilla Dude, Scary Old Lady, Freaky Guy, Fishin’ Gramps, Mister Four-Eyes and Mr Smarty Pants. All that’s left is the Shinigami. Any suggestions?

Saiunkoku Monogatari – 14 – Ryuuki Looks Interesting in Armour



This episode basically was meant to show the harsh treatment Shiurei and Eigetsu had to endure on their first month of work. Ryuuki may have passed the bill which allows women to take the exam, the fact remains that half of the palace hates the two of them now. You can’t change the beliefs of people that easily, and Shiurei, as a woman, really has to show people how awesome she can be. Not an easy task, though she’ll definately be able to manage in the end.

To sum things up:
– When Shiurei and Eigetsu get a letter about their first day at work, the dates are changed.
– People keep talking behind Shiurei’s back, without caring whether she hears it.
– Shiurei gets assigned to clean the lavatory (in the minds of the palace officials, the only useful thing a woman is able to do).
– Eigetsu gets to polish shoes.
– Officials are get too enthusiastic when they see a chance to bump over a bucket of water near Shiurei.
– Eigetsu gets kicked in the face numerous of times.
– Did I already mention the talkings behind Shiurei’s back?
– People treat Shiurei like she’s a patch of dirt.

Though this does show Shiurei’s strength. She’ll live through this, and within no time at all, she will be the one to order around everyone who talked bad about her. Talk about revenge! Those officials will really regret the day they mocked with Shiurei. ^_^

Eigetsu also manages to survive his harsh treatments. We don’t know exactly what’s going on inside his head, though he does try to not pay attention to the officials, and just tries to remain his usual fake-cheery self. Still, there’s one thing about Eigetsu that bugs me. He’s a genius, though I’ve yet to see any genious actions from him. Okay, he’s a thirteen year-old, though he didn’t really strike me as a very smart thirteen year-old. (After all, who sends an enormous amount of money through the postal order?).

In any case, Shiurei will be tested like this for two entire months. The first one and a half months, she’ll have to continue assignments as cleaning the lavatory and cleaning up paperworks, after which she gets half a month the time to write a report about this. Once this is over, the real officials get picked, out of the ones who survived the national exams, based on the things they accomplished over these two months. This arc will probably follow Shiurei as she makes her way towards the end of the two months.

We also got introduced to another minor character this episode: a yellow-haired boy, Haku. He’s the one who came in fourth, after Shiurei, and he didn’t quite take a liking in her. After all, she beat him fair and square, and now she’s busy cleaning lavatories. He doesn’t want to imagine his status when the truth remains that Shiurei’s above him. After all, this would make him below the level of lavatory-cleaning. We should expect some great things from this guy in the near future.

Rijin also played a big role as observer during this episode. He didn’t quite grow, though he made sure of some interesting background commentary about Shiurei. When Shiurei speaks to him for the first time, he gives subtle hints to her that Shuu and Shiurei were different persons. He also advices Shiurei to act more like Shuu, which is in one way a compliment, he approves of her and the things she did the previous summer. I have to admit, when I first saw him, I thought him as a bad guy, though he really has good intentions. He also asks his assistant to subtly show Shiurei a small pile of papers. The assistant gets shocked when he sees these, though I never really found out what these papers meant. So, what were they about?

Ryuuki also was adorible once more. He saw it as his duty to protect Shiurei on her first day, so he dressed up as a soldier. I have to say, he looks surprisingly good in an armour, though his hair looked a bit whacky. (^^;) An interesting fact is that he doesn’t appear in the rest of the episode, and he’s nowhere near Shiurei when she gets to endure these harships. I wonder what his reason was not to interfere. Of course, there are countless of reasons, but I also see him crazy enough to do something about it as well.

The beginning of the episode also shows that a certain ring of the “Sa”-family has been found. Still, it was gone as fast as it appeared. The leader of the group who found the ring was not exactly happy with this. More background about this ring, and what it’s got to do with this arc, is missing, though.

Overall, the more I think about it, the more awesome this episode becomes. This is one of the few shows that doesn’t need to create tension in order to be good. Something that’s very rarely accomplished. Each of the main characters are just so likeable. Oh, and Kouyuu’s sense of direction was too cute once more. ^_^

Memorable Moment: Seeing Kouyuu trying to handle the tasks of the emperor for one day. ^_^