Asatte no Houkou – 04 – Yukata’s, Summer Festivals and Fireworks

Image Hosted by ImageShack.usImage Hosted by ImageShack.us
Image Hosted by ImageShack.usImage Hosted by ImageShack.us

Seriously, there were a lot of garbage-shows in the autumn season, though the anime that actually were good, really turned out extremely well. Asatte no Houkou is no exception to this rule, and this episode only strengthened this. It focuses on Karada this time, and her relationship with Hiro. It was in one word, beautiful.

Last episode, we left off with Shoko telling Hiro about the new Karada. It takes about half an episode for this message to sink down into his mind, much to the annoyance of Shoko and sadness of Karada. The second half of the episode takes place during the summer festival, at which Shoko attempts to bring Karada and Hiro back together. She lets the two of them be alone for a while, and Karada starts to cry in front of Hiro. So sad. Ah well, it did bring the two closer together, and it seems that they’ll be living together again.

Shoko, also definitely changed. You can definitely see this when she’s alone with Karada. In the first episode, all we see of her is her cold side, as she’s constantly reminded of the sad memories Hiro left her. But she’s so cute when she attempts to calm down and comfort Karada.

The question now remains: how will this anime continue? There will probably be some time dedicated to allow Karada’s classmate to accept what happened (dammit… what was his name again?), and the next episode will probably also focus on Karada and Shoko, picking up their lives again. But then what? There’s still lots of time that has to be filled. And remember that the “however…”-part from the description of this anime has yet to happen. =)

Also, notice Karada’s ribbon on her Yukata? That was so cute. ^_^

Bakumatsu Kikansetsu Irohanihoheto – 04 – Using your own history in plays

Image Hosted by ImageShack.usImage Hosted by ImageShack.us
Image Hosted by ImageShack.usImage Hosted by ImageShack.us

Seriously, that was such an awesome episode. Bakumatsu Kikansetsu Irohanihoheto makes a good chance of becoming this season’s best anime if this quality remains at the same level. This episode focused on Akizuki’s past a bit, but mostly on Saigo Magozou’s (not Takamori, apparently, the two of them have the same last name. Does that mean that they’re related?) attempts to assassinate Yuyama. I’m not sure why, tough. Apparently, Yuyama stands in Nakaiya Juubei’s way in some kind of manner.

But first, another name. Ever since the previous episode, the official site has been updated to include Katsu’s bodyguard. His name is Kanna Sakyou no Suke.

We start the episode where we left off the previous time. Magozou has been surrounded by both Akizuki and the troupe. Now, he uses some kind of explosive to create a smokescreen and escape. Benimaru and Kobako then arrive, and thank Akizuki for what he did in the previous episode. The latter, however, just walks away.

We then switch to the next day, in which the troupe is performing a play in front of an audience. And seriously… they’re good. Akizuki and Soutetsu have a little talk, which forces Akizuki to remember his old master, Sakamoto Ryouma again. At least, I think that’s him. Ryouma also mentions Katsu for a bit.

We then switch to Nakaiya Juubei and Magozou. It seems that the former has acquired the building plans for the theatre, which will prove to be a great advantage for Magozou. Back to Akizuki, he’s training for a bit until Kobako arrives with an invitation of some sort. I think that Katsu asked him to deliver this, which would suggest some connection between the two. It seems that Katsu also is getting worried about the fact that Akizuki’s still living on his memories of Ryouma. We see the flashback of his assassination again as well.

We then switch to the troupe again, performing a play about Hario Genba. It’s very interesting to see that Soutetsu actually wrote a play about the history of the members of the troupe. Ah well, it’s a good source of inspiration (^_^). Magozou, meanwhile, is wrapping some cloth around his gun, while eating a bit. I’m not sure for what purpose that is. To conceal his weapon? To add extra firepower? In any case, it seems that he’s already sneaked into the theatre, waiting for the right opportunity.

A conversation between Nakaiya Juubei and TB Glover later, we switch to the next day, where it seems that the troupe will be performing for a huge play. It is here where Magozou will be attempting to try his luck, as everyone will probably be too busy with making the show run in order to pay any attention to other things. Akizuki, however, also seems to be present. An interesting note: either the troupe has hired extra actors, or it consists out of more than just the characters, important to the story. I’m guessing the former, as at one point, the stage is filled with lots of people at the same time.

Both Akizuki and Soutetsu are keeping an eye out, while Magozou waits for the right moment, at a spot right above the stage. Unfortunately, he waits too long, so Akizuki finds him first. And this is where things really turn awesome. Especially because the play below is just continuing like nothing happened. Magozou attempts to escape, but then runs into Soutetsu and shoots Kakashi no Keishin’s shoulder in the process. He eventually ends up right next to the stage with no sign of his pursuers and a clear shot of Kakunojou, when suddenly the stage gets filled with numerous extras, playing for government officials and other people, who all obstruct his view of Kakunojou.

He then turns desperate, and he runs on the stage himself, putting on an act of his own. Akizuki then rushes in and kills the guy, and the audience loves this, thinking it’s all part of the act. Magozou, however, has one trick left up his sleeve: a number of bombs, hanging from the ceiling. He attempts to shoot them, though Kanna no Sakyou Suke prevents this.

Kkunojou attempts to thank Akizuki, though he walks away again. Once more, he wasn’t able to protect the ones who hired him. I think his problem is that he doesn’t know the meaning of teamwork. For as far as I know, he’s been doing everything on his own, and he never considered the help of others. The fact that they actually did try to help him didn’t appear in his mind.

Another thing: the supernatural elements. For the past two episodes, there has been absolutely nothing supernatural appearing, even though this forms a large part of the story (the red star, the unsealed demon). I’m suspecting that this will turn into an important focus later in the story. I actually like how the creators did this.

Red Garden – 03 – Seeing your friend get killed isn’t ‘fun’

Image Hosted by ImageShack.usImage Hosted by ImageShack.us
Image Hosted by ImageShack.usImage Hosted by ImageShack.us

Great episode, this series stays at the high level of quality it’s been displaying for the past few episode. The mood also was very gloomy, and I loved it. (^^)

The episode starts with Lisa’s funeral. The blonde woman also gives the foursome a red gem, which will make everything about the strange night in which they were supposedly killed clear when it is buried in the soil. Now, the question remains whether to bury it, and a small fight starts. And that’s when I realized another one of the great points of Red Garden: at times, it featured people just talking right through each other. Dialogues like these move extremely fast, but due to the heavy attention to detail, they take quite a while. Quite an interesting and most definitely enjoyable effect.

Okay, in the end, they bury it. It seems that each of the four girls knew Lisa in some way, and there’s a good reason for this. Lisa seemed to have had a new boyfriend, and she invited the girls to show him to them. In there, however, they found Lisa killed in a bathtub, and some strange guys came and stabbed each of the four girls. The blonde woman then came, and revived all five of them, using borrowed life’s. Lisa, however, was kidnapped, it was the same scene we saw in the first episode. This means that she was the only one who didn’t revive. Still, I think that this is only the tip of the iceberg regarding the mysteries of this show.

Another thing I love about this series is that it shows how everybody’s everyday life changed because of the things that happened. Not before long, other people will start to involve themselves with the girls, as each and every one of them has been acting strange and down.

Sasami Mahou Shoujo Club – 17 – A Very Strong Emphasis on Friendship

Image Hosted by ImageShack.usImage Hosted by ImageShack.us
Image Hosted by ImageShack.usImage Hosted by ImageShack.us

That was such a cute episode. I can’t believe how great Sasami Mahou Shoujo Club turned out. ^^ I just loved the overall atmosphere in this episode!

This episode consisted out of five parts. The episode starts back in the human world. Misao still is down because Washuu took her away from people who treated her kindly (aka the witches). Washuu symbolically seals the gate to the magic world (and with symbolic, I really mean symbolic. How else can she expect that two wooden bars would be able to stop anyone? (^^)). Misao, however, runs away, and doesn’t return to the Mahou Shoujo Club afterwards. Later, we see the Mahou Shoujo Club do their usual things, including baking some cookies and having fun. Still, at the same time, it was rather sad that Misao was missing out on everything. Still, I loved it when Ryouki almost got turned into a dessert again. ^^

The second part of the episode focused on the fact that the school holidays are over again. As Sasami had been on a trip to the Magical World, she obviously didn’t have time to do her homework, and now she’s attempting to do it all in one night. Monta went even worse when it seems that he’s trying to do his homework on the next morning, just before the teacher arrives. (^^) We also see a little talk between Washuu, Daimon and Ginji. During their first talk, he was rather serious, though now it seems that Ginji placed his trust in Washuu. Misao did come to school, though she’s back to the way she was in episode 1, and she tries to avoid all kinds of social contact. Sasami also gets down because of that.

The next part: Monta sees that Sasami’s down because of Misao, so he gives her some fireworks. Sasami shows it to the Mahou Shoujo Club, and they plan to ignite them that evening. The only problem is getting Misao to come. Washuu offers to do it. I really like the way Washuu tried to hide her worries from Misao. When school finishes that day, she shows Misao a badly drawn invitation for that night. She made it look like Sasami and the others drew it, while in fact she drew the whole thing. It’s really obvious, though I guess that she didn’t want people to judge her artwork. Well, that plan failed. I especially loved how she drew herself as some kind of huge monster. (^^;)

Next part: the actual fireworks. I really loved this part, as it featured Misao and the rest of the Mahou Shoujo club getting back together. Of course, it was incredibly fun seeing everyone have fun and laughing with each other. Especially seeing Monta getting abused. (^^) The question remains, will Misao remember this, or will she turn back to the witches’ side? The broken ring might be a key symbol in this. And don’t forget that Misao has yet to cut her hair and change her appearance. And the fact that there still is a fairly large amount of episodes left.

The last part also showed this when Itoki comes back, and this time actually gets serious. She isn’t the playful person she was in the first season, and she actually declares war on both Washuu and Daimon. She uses some kind of water-magic to create a huge dragon, trap Daimon and surround Sasami, Monta and the others. When Tsukasa starts to blame a witch for the strange water which showed up, Misao moves further away from the others again. She still sees the witches as her dear friends.

I’m also loving the quirks of Sasami with her almost limitless amount of enthusiasm and Anri with her silly fangirling over Tsukasa more and more. ^^ Great series, great episode.

Death Note – 04 – Meaningless Symbols and Dying Messages

Image Hosted by ImageShack.usImage Hosted by ImageShack.us
Image Hosted by ImageShack.usImage Hosted by ImageShack.us

Haha! He actually didn’t accept the deal. He’s more human than I thought he was. Still, the deal can be made any time. Could it be that at some point in the anime, the deal will be made after all? Anyway, this episode had some extremely creative ideas. I loved them. ^^

First of all, the police are notified of another six deaths, though three of them contain something weird. One cut off his finger, wrote a pentagram and then died of a heart attack, one wrote a dying message before dying and one escaped to the toilet, only to get a heart attack afterwards. What really happened was Light, who carried out a few tests about the details of death on six person, from which three of these failed. One was written to die in front of the Eiffel Tower in France, for one, he wrote “draws a perfect likeness of L’s face on prison wall” and for the last, he was supposed to write on the wall that the know that L is doubting the Japanese police. Am I sadistic if I actually found that funny? (^^;) In any case, these results showed that you can make people harm themselves and draw symbols, but you can’t draw things you’ve never seen before, you can make people go to places they can reach, but you can’t make them go to places they can’t reach, you can make people write things they know or think, but you can’t make them write things they don’t know or think. I loved how each of these tests come in pairs.

The purpose of these tests was to unmask the guy who’s been following Light. Now that the results are in, it’s time for stage two: Light goes on a date, and boards a bus along with the woman who’s going out with him. A while later, a criminal enters the bus, and hijacks it. Light then drops a piece of the death note and makes the criminal touch it. Ryuk appears and makes the guy get out of the bus, only to get hit by a car afterwards. But not before Light discovers the name of Ray Penbar when he starts suspecting him of being an accomplice of the guy who hijacked the bus. I’m beginning to see Light’s strategy. For the normal cases, he just uses heart attacks, so that he can kill the ones who would raise suspicion by death in a more subtle way. A nice way to keep yourself hidden.

Another thing I like about this show is that both Light and L lack information, and therefore at times, they pull the wrong conclusions. L, for example, starts to think that there’s actually a message behind the random symbols and poems Light has been drawing, and he actually falls for Light’s trick. Light, on the other hand, starts suspecting the cop, who’s just doing a routine research which is carried out on every acquaintance of every member of the NPA.

Also, there’s that matter of Ryuk’s second Death Note. He does have another one. What does this mean? And what happens to Shinigami who lost their original Death Note. Do they get another one? And where did the Death Notes come from in the first place? And I’m also going to be anal again. Don’t you think it’s a bit suspicious that Light chose the date which would be the last day for the Ray Penbar to follow him?

Night Head Genesis – 13 – Sonezaki’s Background

Image Hosted by ImageShack.usImage Hosted by ImageShack.us
Image Hosted by ImageShack.usImage Hosted by ImageShack.us

Oh, my. That was an interestingly great episode. It’s another one of those in which nearly all things people do is talk, and episodes like these prove to be very enjoyable most of the time. This was no exception.

It seems that Sonezaki was behind the last episode after all. It seems that he’s acting on his own at the moment. For now, it seems that the reason for this is that he couldn’t bear to see Naoto and Naoya spending their efforts to the good, though I think there’s more behind this. I’m also wondering what Asano-kun’s role is in all this. Did he just come to observe things, or does his power work well with Sonezaki’s? In any case, he looked happy when Naoto unleashed his powers.

Also, the way Sonezaki’s background was shown really was creative. It really shows that Naoya’s power can become great at times. All the time, Sonezaki was manipulating Naoto and Naoya, he was entering their memories and confronting them with them. Because of this, he was the leader of the conversation. He strengthened this by bringing a number of random people along, who each proved the fact that being good has too many restrictions. For example, he manipulated a girl into hitting her boyfriend who’s been cheating on her for a long time. In any case, then when he really was in his element, Naoya read his mind as well, completely turning the table. A nice element of surprise. It seems that Sonezaki once was lockedin the research institute as well, before Naoto and Naoya arrived, it seems. That means that he’s quite old. You’d say he’s just in his thirties, but if this is true, he’s got to be at least forty. The question also remains how he managed to escape. Could it be that someone helped him escape, or he was let go?

Also, some more information is revealed on Naoto and Naoya’s power. They were the ones who made the woman from the previous episode commit suicide. Asano just made it look like the little boy was behind it. Naoto also unleashes a lot of his power at the end of the episode, this suggests that if this will get even bigger, things may get problematic. Also, you’d wonder whether the fire at the research institute, mentioned at the end of the episode also was Naoto and Naoya’s doing. After all, the circumstances were perfectly right: Naoto exploded and afterwards, Naoya got the vision of the burning research institute.

Then, at one point, the episode also takes a strange turn when Sonezaki actually starts singing a strange rap-song. I’m not sure what the exact meaning of this is, but it seems that it’s his style of acting that way. In any case, that song really reflected his ideals and ideas about this world. It was quite creepy, though a nice touch at the same time.

Tsubasa Chronicle – 47 – Awesomeness

Image Hosted by ImageShack.usImage Hosted by ImageShack.us
Image Hosted by ImageShack.usImage Hosted by ImageShack.us

I can’t believe how awesome Sakura was during this episode! Even though this was another filler, it does an amazingly well job of fleshing out Sakura’s character. Seriously, this was an excellent episode. ^_^

The case is like this: Syaoran and the others land in a large, gloomy city. The feather is being sold in a shop, for a rather high price. The only solution for our protagonists is to work to get enough money to buy the feather. The only problem: the city has a huge rate of jobless people, and there are almost no jobs to be found in the city. That’s what Syaoran, Fay and Kurogane find out when they try to find a job at the Employment Center. They spend more than half a day in a fruitless search for a job.

Sakura, meanwhile, was told to stay in the hotel room, as the city is rumoured to be rather dangerous. Still, she goes out on her own, and she actually manages to find a number of jobs. I loved the little dose of realism tossed into this episode, as a lot of things go wrong for Sakura. During her first job, she works at a mobile distro, though then vehicle breaks down, forcing the owners to close their shop for the day. The second job involves driving a few logistics equipment, though that doesn’t seem to be right job for Sakura. Still, I just loved how she went and tried anyway. ^_^

Then with the third job, Sakura found herself a nice little cafe, in which she has to act as waitress. The reason the job was vacant was probably because the customers looked rather scary (which they absolutely are not, by the way), and the fact that the owner is being bothered by a couple of familiar punk guys. Still, Syaoran, Fay and Kurogane haven’t been standing around either, and they found a job at the same cafe, hired to scare away these punk guys. I also loved how the chair Kurogane broke actually had after-effects, as in that Sakura had to work longer in order to pay the cafe owner back for that particular chair. You don’t see that many times, do you? Most of the times, whenever a random object is broken, it disappears from existence. In the really lazy stories, you can just blow up a building and notice nothing of it in the aftermaths.

Sakura also absorbs two feathers this episode, and they contribute greatly to Sakura’s struggles in order to get money. When she was young, her brother used to take her to the market one time. Even then it seemed that Sakura liked to do challenging things on her own, as it seems that she asked a local market saleswoman whether she could work for her for a while. The way this also was presented in the anime was done brilliantly.

And a rather nice detail, I loved Kurogane when he referred to the woman they sold their small items to as someone from the information bureau, which indeed refers back to the Outo-world, where she also appeared. A rather nice use of coincidence.

The first half of the episode also was one huge chunk of atmosphere. The piano-music and insert songs worked perfectly, combined with the overall mood of the country they had landed in, and the extra touch of realism. Really, this was such a great episode. ^_^

Ayatsuri Sakon – 15 – Gum

Image Hosted by ImageShack.usImage Hosted by ImageShack.us
Image Hosted by ImageShack.usImage Hosted by ImageShack.us

Hmm, this appears to be a case with just one murder. A bloodbath as heavy as in the first arc has yet to appear. This episode as more like an intermezzo between the first and third episode of this arc. It didn’t provide any clues, just a lot of background info and a few theories. Furthermore, we see Isshiki Seiji along with Takahashi and Hamada. If I had to guess, one of these three was the murderer. I don’t think Isshiki did it, though he did play a huge role in the murder.

I liked the use of background music this episode. Isshiki seems to have some kind of love for classical music, especially one specific track. When he’s listening to that track, and the scene changes to another person, it has a nice effect. I also like the way that Kisaragi has a lot of different sides.

Some quick first impressions: Rakugo Tennyo Oyui, Oban Star Racers and Koi Suru Suru Tenchi Angelique

A rather strange batch this time, with anime that many people probably don’t even know or remember.

Rakugou Tennyo Oyui
Image Hosted by ImageShack.usImage Hosted by ImageShack.us
Ugh… can’t believe I missed this one. It aired during the winter-season, and got its first episode subbed around May, I think. It’s a fairly standard mahou shoujo, with characters who actually attempt to differ a bit from the clichés. Okay, there is a samurai-girl and the main character is rather hyperactive, but the others all have some kind of element which makes them interesting. For example, we’ve got a class rep with an obsession over our main character and we finally have a young genius who actually behaves like a normal person. I also liked that our main character isn’t the first one to discover her powers. I also like the contrast between the normal world and the medieval world.

Oban Star Racers

Can anyone imagine my surprise when I saw this one float by on DUTCH television? Dutch television, of all things. (For the ones who don’t know, Holland has an absolutely crappy anime industry. The TV-stations used to air some good series (Flint The Time Detective, Medabots and Digimon, both first series) but right now there’s barely any anime on, and the ones that do get featured contain the biggest garbage ever) This anime seems to be an international project, and I can imagine that it’s also being featured on German, French, English and American television. Well then, I’m not going to even bother to try and follow this series on the Dutch television, as the network it’s being aired on is notorious for its eccentric broadcasting policy (as of right now, every day features two episodes, and most of the time I’m at the university when these episodes air), and like every other show, it has been dubbed in Dutch, and it sounds horrible as usual. Still, the show itself actually showed promise. If there really went six years into developing this anime, it can become really interesting. Basically, it features races between aliens on strange terrains, and there don’t seem to be any rules present, so contenders can just try to blast each other out of the competition. I’m hoping that a Japanese version will pop up somewhere once, though there’s one major problem with this anime. During the races, it sometimes has the nasty tendency to use deus ex machina at the climaxes.

Koi Suru Suru Tenchi Angelique
Image Hosted by ImageShack.usImage Hosted by ImageShack.us
Yeah, I got a bit impatient and decided to check out the raws. Well, I can understand why it hasn’t been subbed yet. It’s cheesy as hell. A goddess of some sort needs to have one chosen girl, so from all over the country, all beautiful girls are invited into a castle, in order to determine who the chosen one is. Well, she appears to be different from the other girls who were invited, as she somehow likes to hide her beauty behind a cap of some sort and some geek glasses. In the end, she gets discovered and she now gets surrounded by no less than nine pretty bishounen. Still, why did I like this? This show has some kind of atmosphere which has been really appealing. It may be my love for fairy-tale-like shows, but I found myself enjoying the first episode. And the character design was surprisingly good, although a bit creepy at times.

Jigoku Shoujo – 27 – Finally, Jigoku Shoujo is Back. ^_^

Image Hosted by ImageShack.usImage Hosted by ImageShack.us
Image Hosted by ImageShack.usImage Hosted by ImageShack.us

Finally, I’ve been waiting for the second season of Jigoku Shoujo. And I’m glad to say that the first episode didn’t disappoint at all. The show immediately starts with an incredibly touching, though shocking first episode. If this series keeps up with the same quality, we’ll be in for something amazing. ^_^

The case: a girl is getting bullied, but she doesn’t know by who. The bully goes pretty far, caterpillars are put inside her pencil box, knits have been put through one of the sleeves of her jacket, her books are trashed and hateful things have been scribbled on her shoes. One of the teachers tries to help her, though in the end, the teacher appears to be the actual culprit.

The things I liked about this episode were the dramatic moment. Jigoku Shoujo features beautiful and very detailed character art, and knows how to use it. Especially during the climax, when the teacher grabbed the girl’s hair and tried to restrain her looked gorgeous. Also at the beginning of the episode when the case is introduced, we see the girl come in with ruined shoes and books, and in the background, there’s laughing. The property destruction and abuse is just one part of this girl’s sadness. I think the way her classmates reacted also is a huge factor in this story.

This also was the first time Hone Onna turned into the doll. Up till now, Wanyuudo played that role. I also noticed that Ai was more impatient than usual. It probably has to do with the fact that she changed a bit after she met up with Hajime and his daughter. The dolls realize this, and investigate for themselves. I like the fact that they actually discovered what really went on, though we don’t get to see the moment they realize this. I also liked the doll’s sarcasm when they were punishing the teacher. I think they somehow enjoy extracting revenge at times. ^^

As the fact remains that this episode actually had an open ending. There’s one girl who attempts to help the girl who’s being bullied, by giving her a hint that her teacher was the one behind the bullying. But at the end of the episode, we see the two of them together, and then the latter girl appears to use the same kind of knits as the ones who were used to edit the girl’s sweater. It may just have been that the teacher stole the knitting machine from the classmate, but why would she bother? I actually think that the classmate also did some of the bullying, but at one point, she got scared and backed off. Probably because she found the teacher was going way too far.

Also, this episode introduced another important character. She looks a bit like the younger version of Ai, but all we got was a small shot of her, smiling. I’m also glad to hear that the musical score for the second season has become even better since the first season.

Well then, there were a few flaws in this episode, though. The reason for the teacher is never really stated, but that’s normal in Jigoku Shoujo. It clearly chose to focus on the victims and not on the bad guy. And I also like this degree of mystery to the ones sent to hell. Also, things may have been a bit too dramatic to be normal. I mean, there is no way a person would go so far in real life. But that doesn’t matter. I love this show. ^^