Wind – A Breath of Heart Review – 77,5/100


I first became interested in Wind – A Breath of Heart after this guy gave it a surprisingly positive review. After watching it, I can understand why. Wind is a typical series that’s short (it’s only got 13 episodes of fifteen minutes), simple, but effective.

It doesn’t start out that way, though. Especially the first few episodes are an exercise in “spot the overdone cliché”. I spotted the annoying spunky sister, the childhood sweetheart, stupid and energetic best friend, girl who keeps abusing this best friend, classmates with a part-time job in a café, there’s a priestess, a girl with heart problems, parents gone, the terrible cook, school sports festival, shrine festival (complete with yukatas) and of course the beach episode. The only thing that seemed to be missing was a sakura tree.

And yet, this series works. The biggest reason is a great cast of scriptwriters that manages to keep the story going and the dialogues meaningful. The airtime is short, but every character gets at least a bit of depth and goes beyond the usual stereotype. The cast feels fresh, and the main storyline is also a pretty good one. Don’t expect anything amazing, but it’s well told and surprisingly dark. My only complaint is that its conclusion may have come a bit too easy, in the way of “why didn’t you do this in the beginning?”

This series is also interesting in terms of graphics. At first sight, the CG and sloppy animation may seem like a turnoff, but it’s got a sort of “I don’t care whether I’m ugly but I want movement”-feeling, which I appreciate a lot. It’s so much better than nearly ninety percent of all other bishoujo-series, which are way too obsessed with creating the perfect female body.

Overal, this isn’t the most complete series but what it does feel is a whole (if that makes any sense). The different storylines are carefully woven into each other and not a second is really wasted. The scriptwriters know exactly how to use their time, and pleasantly surprised me.

Storytelling: 9/10
Characters: 8/10
Production-Values: 8/10
Setting: 6/10

Himitsu ~The Revelation~ – 19



Short Synopsis: Whoa! The train-massacre-arc is going to take up three episodes!
Highlights: Talk about a change in plot-direction.
Overall Enjoyment Value: 8,5/10
Ah, so that’s what it was! The previous episode was supposed to be a huge question mark, only for this episode to shed light on what happened back there. The big twist: this arc is dealing with bio-terrorism: all the passengers in the train were somehow infected with a disease that first shows up on your fingernails. THAT’s why the killer looked at the fingernails of his victims, and THAT’s why the same symptoms showed up at Miyoshi: she’d been sleeping alongside these dead bodies (no, really) and carelessly caught the disease.

And I also knew something was fishy: Miyoshi and Suzuki used to date together, and Maki killed Miyoshi’s lover. There seems to be more than that, though. This episode did show a time where both of them were having a fight. And that Aoki: in this episode he actually tried to hit on (and kiss) her. That idiot caught the disease that way as well. I didn’t quite catch why he did such a thing, but we’ll probably learn that in the next episode.

I remember once noting that this series wasn’t good at characterizations. And yet I was shocked when Aoki revealed his fingernails. And at the same time, Aoki sure changed a lot in this episode, and became much more mature. I feel like this arc was really meant to show how his experiences with the MRI have influenced him, and he’s much more confident now than he was in the first half of this series. I think the first sign of this we saw was in the “don’t reach for that neck”-episode, where he just cut off the head of the dead guy.

I originally thought that it would be best for this series to keep to short arcs, and yet at the same time this is the longest arc of this series yet and it’s looking very promising. I’m really interested to how the creators plan to end this series, and this episode showed me that the best way to end was with a long arc, like this one. This is no Jigoku Shoujo, and for most of the time, it really needs its time to build up, it seems. The surprises worked great in the first half when the concept was still fresh (as shown by episode eight which STILL NEEDS TO GET SUBBED), but when talking about the second half, by far the best stories have been those that had two episodes.

Let’s see whether the next episode can surpass episode thirteen.

RD Sennou Chousashitsu – 19



Short Synopsis: Haru tries to take care of the source of the noise.
Highlights: If the metal wasn’t already deep enough, it just gained some more depth.
Overall Enjoyment Value: 8/10
Okay, what just happened back there? The metal has always been a mysterious existence, but it’s this episode where, just like Dennou Coil in a way, the link between the cyber world and the real world stat to get really fuzzy. I originally thought that this arc was meant to develop the characters some more, but as it turns out, it was all about the setting. Because of that, this episode wasn’t as touching as usual, but it raised a truckload full of questions.

So, as it turns out, something in the jungle was causing this noise. It’s that strange machine (which we actually don’t see in the entire episode, apart from one flashback). But the thing is that it somehow cyber-ified the huge tree it was linked too. We knew that humans and dogs could be cyber-ified, but this was probably the first time I’ve ever seen a cyber-tree. The intriguing thing is that through these cyber-technologies, the tree apparently prevented rain to fall through its leaves, and at the same time plants continue to grow at its bottom, like nothing happened.

The dialogue was very difficult in this episode (note to self: rewatch it once the subs arrive) so I didn’t understand everything, but I doubt that everything that happened in this episode can be explained with logical reasoning. I must say that RD has gone even further than Dennou Coil in this aspect. Dennou Coil was just about whether or not human bodies and souls could remain in cyber-space, and whether computers could break that link that was supposed to be unbreakable. Real Drive has already passed that point, and created a virtual world where human’s consciousnesses can flow freely, depending on their imaginations.

The result? Haru got his legs back in this episode. His freakin’ legs! The legs that were supposed to have been disabled by that very same metal got restored back to normal due to some water-recovery program inside the tree. We’ve yet to get confirmed whether or not they’re back for real, but the preview for the next episode seems to confirm this.

It’s strange to think that this series is already entering its final quarter. And with this show, you’ve got no idea what it’s got in store for its finale. The characters will probably get developed a lot, now that Haru’s legs are back. The cast is already fleshed out excellently, but I have absolutely no idea where the main storyline is going to go now.

I’m also wondering what’s so bad about the lack of overall storyline for this series. I mean, there have been plenty of other series who pulled off the “collection of random stories” properly (xxxHolic, Jigoku Shoujo, Mushishi, etc). And instead the random storylines serve to shape up the setting for this series. Of course, when a lazy writer attempts this, the result is just an incoherent and dull excuse of an anime, but why does everything need an overall storyline that involves saving the world or your loved one, or something? IMHO, both episodic series without much of an overall storyline and continuous series both have their strong and weak points.

Ultraviolet: Code 044 – 07



Short Synopsis: Mainly a building-up episode where Daxus II searches 044’s location and 426’s past gets revealed.
Highlights: Garcia.
Overall Enjoyment Value: 8/10
Ultraviolet is really one of those “anime as entertainment” series that does a wonderful job fulfilling its purpose. A lot of this is also thanks to Osamu Dezaki’s specific style of directing, and all the interesting camera-shots and angles and animation styles he throws at the viewer. This is exactly why I like anime that aren’t afraid to do something more with their graphics than just the necessary animation that matches their budget. I guess that that’s also one of my problems with 90% of all visual novel adaptations. It’s not just their premises that sound boring and formulaic, but nearly all of them (and their art/animation styles) just look the same, and hardly take any risks when it comes to animation, and instead they just go for the safest and laziest way (there are a number of notable exceptions, of course). I know that experimenting is much more financially risky than the tried and true formula (like this series showed), but a lot of my favourite series have experimental elements in them (the biggest of course being Mahou Shoujotai).

Okay, enough ranting for now, about the episode: 724’s little action of the previous episode indeed caught Daxus’s attention, and Garcia managed to accidentally get caught on camera when the incident was reported. Garcia, not knowing any of this and thinking that he’s safe, meanwhile goes to investigate on 724. I liked him in this episode, and how he seems to have himself devoted entirely to protect 044.

044 herself didn’t do much in this episode (Luka was also gone entirely; he doesn’t have a clue where 044 is, after all), but what was interesting is that she showed a more female side of her when her sickness that signals the end of her life popped up. I’m quite curious as to how the creators plan to end this series. There are five episodes left, and both Luka and Daxus II still need to do their thing, while at the same time 044 doesn’t have much time left anyway.

Mission-E – 06



Short Synopsis: Chinami “tries” to rescue the kidnapped Maori.
Highlights: The plot thickened yet again.
Overall Enjoyment Value: 8/10
I’m still not sure whether the red-haired lady in this episode was Mils Brimberg or not. On one hand, she could have easily died her hair and adapted a kansai-ben accent, but on the other hand, she met Adol in this episode, and their meeting was nothing like the brotherly reunion that you’d expect, and when Adol talked to Chinami later in this episode, he talked as if Mils was still in coma. The entire existence of this woman is filled with mysteries right now: first she captures Maori… only to help her escape again… what point was she trying to prove anyway?

I also loved Chinami in this episode, and how absolutely hopeless she was when Maori disappeared. I’m beginning to see more and more of how her character changed so much: because she spent so much time together with her friends, trying to set up their organization in the time between Code-E and Mission-E, she became very outgoing towards her friends and people she trusts, but she’s still really bad in unknown environments, and when she feels intimidated.

This episode also revealed that… Yuma also has her own power suit. It does make sense, she’s a Type-E as well, but I’m still wondering what her exact role in their little organization was. My guess is that she was Chinami’s partner before Maori arrived, and then moved up to do more behind the scenes work when Maori got hired.

Natsume Yuujin-Chou – 06



Short Synopsis: Natsume meets a female Youkai, who longs to see a person from her past again.
Highlights: The female youkai and her character-development in just one episode.
Overall Enjoyment Value: 8,5/10
Natsume Yuujin-chou isn’t exactly my favourite show to blog. Don’t get me wrong, it’s without a doubt my favourite series this season, and I love it to bits, but because it’s so incredibly relaxing, it almost puts me to sleep, especially late at night (and for once, that’s a good thing). I don’t have much inspiration to write about after its episodes let go of me.

This episode, Natsume meets a youkai who was originally a small bird. Out of her siblings, she was the only one to survive, and after seeing her brothers and sisters die, she changed to a demon. She got changed back into a youkai by the attention of one guy, who kept bringing her food. Why he kept doing it I don’t know. He couldn’t see her in this episode anymore either, but the Youkai is still incredibly grateful for what he did.

This series is still so refreshing, that it focuses on the nice side of the youkai. Series as xxxHolic and Mokke also had occasional episodes where the youkai and spirits were moved by the niceness of people, but most of them were either evil or minding their own business. Natsume Yuujin-chou shows a different side of the spectrum: there’s your occasional evil youkai, there are also a bunch that are minding their own business, but the big focus in this series is how a bit of effort can mean a whole lot to another person. Especially youkai, who have the tendency to get much more emotionally attached to the major events in their life than most humans do.

Solty Rei Review – 82,5/100


Gems often pop up at strange places, and Solty Rei is a great example of this. I’m not sure why exactly I dropped it when it first aired, but it probably was something along the lines of “too dull” and “gonzo”. As it turns out, Solty Rei is a very capable anime and just as underrated.

Solty Rei does start out rather underwhelming, though. The cute characters and the dark-ish setting don’t mesh well together, nothing much really happens and the main character Solty is overly moralistic, with a typical storyline of “save the oppressed”. There’s also not much eye-candy for the viewer (none of the character-designs are really appealing and the animation has a lot of bugs). There’s honestly nothing much to get excited about, but thankfully a lot changes once this series hits its second half.

It’s rather hard to properly talk about this, since the entire second half is basically one big spoiler, but let’s just say that the first half knew exactly what it was doing, and merely was building up and fleshing characters out properly for a much, much darker second half. What shines the most is the character-development, where themes as family and loss play a central role central. The entire cast develops into something worthwhile, and not a character seems wasted.

But also the setting turns out to be much deeper than you’d originally expect. It starts out as your typical uninspired dystopia, but the series slowly develops this setting into something much more complex. The ending, at first sight may seem like another one of those overly ambitious endings, but it somehow works out and gives a great closure to the series.

Solty Rei is obviously a cheap-looking series, where Gonzo’s CG and the 2D animation just don’t mesh well together. The soundtrack is nothing special (apart from a small amount of excellent tracks that pop up once or twice), but what lies behind it is a charming series. It’s well-told (although it lies a bit too much on coincidences at times), it’s got a great setting and great character-development. It just needs to take a while to get fired up.

Storytelling: 8/10
Characters: 9/10
Production-Values: 7/10
Setting: 9/10

Blade of the Immortal – 03



Short Synopsis: Manji faces off against the masked guy.
Highlights: Those writers are… messed up…
Overall Enjoyment Value: 8,5/10
I’m curious here: is there any fan of the manga who did enjoy the animated version? I don’t think I’ve seen anyone who liked both the manga and the anime. 😛 I’ve never understood why people would want to watch the same story twice anyway. I mean, take the big plot twist in this episode for example: one of the reasons why this episode was so awesome was because that plot twist where the masked guy had the heads of his loved ones sewed on his shoulders. That’s just bloody sick, but just like Death Note, it’s not going to make the same impact if you’ve already watched this plot twist.

In any case, this episode confirmed that Bee-Train’s slow pacing is perfect for Japanese styled horror. The entire episode had me on the edge of my seat. What caught my attention is that the background music is either vivid and wild, or totally gone during the quiet parts, which does make for a great contrast. The animation was simple as usual, but then again, you don’t want to watch this series just for the fight scenes (are people still watching this series for the action? Hah!).

I really liked how this episode focused both at horror and characterizations, and it did a great job of establishing Asano’s character. She didn’t do much in this episode (but after all, she stood before a screwed up old guy who put her mother’s head on one of his shoulders, of course she’d be incredibly intimidated), but I can see that she’s going to grow a lot in this series. She really wants to have her revenge, she just can’t. The other bad guys also got their share of attention (including a flashback of when the old guy replaced his first shoulder), and with Bee-Train, we can be sure of some great character-growth.

FREEDOM Review – 85/100



With the guy behind Kakurenbou as director and the director of Akira behind the screenplay and character-designs comes the ambitious project called FREEDOM, one of the few anime to be totally rendered in 3D cell-shaded CG. It’s obviously a technique that has its pros and cons, and most people will probably need to get used to the style, but once you can look beyond this, you’ll be rewarded by a charming little science-fiction series.

The big strength of this series is its cast of characters. Even though they’re a bunch of hot-headed 14-year-old guys, this series somehow makes them worthwhile. The stereotypes are there, and yet the antics of the main protagonists turn out very charming. The flaws in this series mostly pop up in the final episode, where the creators try to be a bit too epic for their own good.

Ah crap, this review is rubbish. Apologies, I’m having a blackout right now. A tip for all you reviewers out there: do not write a review if it’s been half a year or more since you saw the majority of it… If you want to get a better idea of this series, then read the rest of the posts I’ve written about it. It’s a very nice OVA to watch with great characters and it’s got a soundtrack that’s among Ike Yoshihiro’s best work. Period.

Storytelling: 8/10
Characters: 9/10
Production-Values: 9/10
Setting: 8/10

FREEDOM – 07



Short Synopsis: The big finale of Freedom, where Takeru tries to reunite Earth with Eden.
Highlights: Straightforward but fun finale.
Overall Enjoyment Value: 8/10
Well, the final episode was bound to lack in terms of realism. It’s impossible to change the entire political structure of a country with just the words of one guy. Why else do you think that China is currently still happily continuing its violations of human rights? The main leader of Eden also just didn’t get enough proper time to be fleshed out, so his rather stupid decisions were the worst thing of this final episode of Freedom.

I mean, making Kazuma, the one who helped Takeru escape, into one of the highest ranking-officers in just two and a half years. Who in his right mind would do such an unsafe thing? Kazuma was bound to use this power to rebel. There was also this strange fight scene between Kazuma and Takeru, which left both with scratches and bruises… only for these to magically disappear in the next scene…

Still, apart from that, the finale was done very nicely. The ones who were left behind on Eden changed very interestingly, especially Taira turned from Takeru’s rival to the one who organized the rebellion. For a bit, I feared that Ao would turn into a damsel in distress when she got caught, but at least she didn’t sit still and do nothing, but instead tried to convey her ideals to the people from Eden.

It was obvious that despite the doubled length, this wouldn’t be the best instalment of Freedom, but thankfully it could have gone a lot worse. I liked the romance: it was there, but it was really subtle and never really interfered with what was really important.