From the New World – 15

And with this episode, we come back to squealer. The Queerat with a surprising intelligence. This episode confirms it: he’s not exactly evil, but he is clearly trying to use the gods for his own gain here. I actually really like his character, and how he’s this guy who on one hand can’t be trusted, yet on the other hand is very useful.

But this episode came with another very interesting revelation here: the queerats are trying to copy human culture. Like, the culture the humans left behind when they started getting the cantus. This episode showed this even more, by showing exactly how much of these queerats there are in one colony (tens of thousands), and by throwing some traditional Japanese armour on them. It might very well be possible that Squealer also caught one of those snails, and if he did, the information he got out of it could prove to be very dangerous. Like, this episode was only the tip of the iceberg. Note that he talked about colonies he “merged with”. Something tells me that he just captured them by force.

Also, the queen story becomes more shocking again. It’s like this bizarre combination between an insect society and a human one. With ants for example the queen also never leaves the nest again, but this really takes it a step further when she’s forcefully kept alive, just to produce offspring. It’s a huge moral dilemma: she’s needed because she is the only one who produces children, but in the meantime she also attaks and kills everyone.
Rating: 5.5/8 (Excellent)

AKB0048 – 15

Now that we’ve got the obligatory string of first episodes out of the way, it’s time to focus on what really matters this season. I still say that the Winter of 2013 sucks, because in terms of original content there is very little that stands out, not to mention the lack of variety. In the end, for anime to move forward, this is the most important for a season overall, otherwise we’ll just get stuck in a string of endless sequels.

Nevertheless, there is a lot of great stuff in store the upcoming three months: the amount of sequels and continuing series that will all stand out on their own way is amazing here. It’s been a while since I’ve seen so many of them at the same time that managed to impress me like this. And this is series that all deserve their length they need to become even better, rather than being just some corporate sell-out. That’s the theme between the 10 series I’m blogging this season anyway: no pointless padding!

Anyway, AKB. This time we’re introduced to the the absolute horror. The thing that’s even worse than watching a bunch of idols: VARIETY TV! I really hate those kinds of shows. In the Netherlands they are already utter crap, but I can only imagine how boring they must be with Japan’s standards. So yeah, when this show started to poke fun at them inbetween the lines, it did make my day. First the characters being utter crap at it, and afterwards them succeeding by doing what? Having fun at dodgeball and losing their clothes? Speaking of which, Mimori has turned even more into a walking boob joke. Go fix that in the upcoming episodes.

Inbetween the promotional activities, there also was this plot going on. Most important twists here revolved around Chieri, and how she suddenly became incredibly popular after last week. And yeah, the reason behind this was pretty much her backstory: she made the news, on top of being a famous daugher. Because of that she caught the attention of a lot of people. Her speech did the rest. The question now is what her father is planning: he’s obviously trying to use her popularity now, but what for?
Rating: 5/8 (Great)

Jormungand Perfect Order Review – 84/100

I have been putting this one off for way too long, but that’s not because I was looking up to reviewing it. Rather there was so much coming out that I instead wanted to cover, but I guess that I’d just wrap up this sequel that really improved a lot over its original series. The key for that was its plot, for once.

The first Jormungand series really was a build-up series: it’s there to introduce the characters, get the viewers a bit used to the world and concepts of this series. It could have done this better though, because it was too monotone, both in terms of stories and characters. Perfect Order drops the random stories, and instead is much more coherent, not to mention varied in both terms of content and characters.

The improvements first become visible with the characters. The first season was flawed because it had too many characters who were trying too hard to be snarky. The second season then commences to both introduce characters with significantly different personalities, as well as develop the current cast to go beyond their snarky self. Suddenly, a cast that was once bland sparkles with personality, just as I hoped.

The plot takes a while longer to show its trumps, but in the end, it actually does pay off with a number of really good plot twists. Not going to say when they show up, but let’s just say that the characters were preparing for a certain events for a very long while. It really impressed me in any case.

This is not one of those cases in which all of the build-up comes together, though: the plot twists themselves are really good, but the first season’s random stories remain rather… random, and just could have been done better. It’s really the writing that improved so much, but Jormungand as a whole is not a series that is perfectly paced or told, not to mention that even though the setting for this series is very original (taking place over the whole world and not just Japan, America and Europe), it just doesn’t feel real or relatable. There remain a few too many one-dimensional characters in this series, despite the added variety. Nevertheless though: very solid show. Including an awesome soundtrack.

Storytelling: 8.5/10 – Big improvement: things feel much more solid and coherent and it finally starts building up to something, with a great payoff.
Characters: 8.5/10 – A varied cast, that really shines in comparison to the bland cast of the first season.
Production-Values: 8.5/10 – Solid animation, but what really stands out here is the soundtrack. Again a big improvement in how it’s used.
Setting: 8/10 – Nice choice of locations, but it doesn’t make enough of an impact for a higher rating.

Suggestions:
– Black Lagoon
Irresponsible Captain Tylor
Seikai no Senki

Psycho Pass – 12

Interestingly, Psycho Pass had the same idea for episode 12 as Robotics;Notes: develop a side-character. Overall, this always is the episode for side stories: right after the big halfway climax. Psycho Pass’ case is interesting, because of how little the character in question showed of herself before that episode. She was just there, but with this episode, Yayoi got a character.

Dead people are often glorified in these kinds of series, but here is one who actually turned out to be quite an asshole when you learn who he actually was. Or at the very least he is incredibly rash. Beyond being about Yayoi, the rest of the older cast also got some interesting details added to them.

I found it quite strange that all of the latent criminals were just lumped together like that. Yayoi for example still could think quite clearly, but she was put together with people who had very obviously lost it. Or was that meant to show how she was special? That she was one of the few people who did not go crazy from being locked up for so long, being denied her artistic expressions?

Artistic expression is one of the surprising themes of Psycho Pass, by the way. It’s almost as if there is no normal art to be found and instead it seems like this show hates artists. Or more precisely: the Sybil system hates artists. In this series, you’ve got the psychopaths, like with the murdered schoolgirls, but the other artists are labelled as liberalists and freedom fighters. I can’t believe I’m spotting similar themes as AKB0048 here…

Also, the new OP: I liked the old one better. Mostly because of the dull vocals that you hear everywhere else in rock-songs. The ED is similar: quite generic, in my opinion. Although it does have some nice visual ideas.
Rating: 5.5/8 (Excellent)

Zetsuen no Tempest – 13

Recap. And it’s the kind of annoying recap that you can’t fully skip because it contains some new material at the beginning and at the end. I did fully watch it this time, though. The reason for that is how important flashbacks are for this series (heck, one of the main characters has been dead throughout the entire series’ airtime thanks to that). Still, it is just copy-pasted, so in that aspect, this individual episode doesn’t win many points….

Having said that though, there was a significant amount of content at the end of the end of the episode, much more than usual. It’s meant to be an aftermath to the previous episodes. And holy crap, two billion people died!? The series then proceeds to tell how the world has been “saved” by the tree of genesis (killing people whenever a fight breaks out between them), and they pick this episode of all things to show what happened when Mahiro found Aika’s dead body.

What I liked best was the intrigue that popped up at the end of the episode, though. Apparently Yoshino has been running off on his own, dowing all sorts of things with probably Hakaze (although this was not mentioned), and the next number of episodes will focus on Mahiro running after Yoshino for this. I know that the first half of this provided hints that this would happen (how he had ties with the army and all). The delivery of this twist was also really good: the entire recap was told through Mahiro’s perspective, even though the first half was told in Yoshino’s perspective. That made me glad that I watched the recap in order to prepare for this change. Watching the same thing you’ve already seen before remains annoying, though.

EDIT: I just realized this after I nearly went to post this, but damn you Bones and your after-ED content. You keep pulling these scenes after your EDs and it’s damn misleading. Not to mention that it was a huge scene that it revealed there….
Rating: 4/8 (Good)

Robotics;Notes – 12

Robotics;Notes has returned, and with a pretty interesting episode to boot. Instead of continuing the main storyline, it makes a little detour to a couple of side characters: Jun and her grandfather. This is where the character-development really begins, starting with some of side characters.

I nearly forgot that that old guy was the grandfather of Jun, but his illness really reminded me again. And thi showed some interesting dynamics between the two of them, along with the past they shared. It revealed the guy feeling guilty over whta he did to her in the past, and how he let one of his robots go out of control.

It had a bit of cheese, but it worked. The end effect of this episode was that it was quite heart-warming to watch. Most interesting was Jun overcoming her own fears though. I liked her doubts about the robot club and how she was forced to choose between two things that she’snot entirely confident of, but she has fond memories with.

Also, new OP and ED. I think they’re improvements over the previous ones. They are more slick and interesting looking. Nothing amazing yet, but definitely better. The ED is a slide-show, but it does show a lot more about the character. It slightly flehses the cast out a bit, which is a nice touch.
Rating: 5/8 (Great)

Sakurasou no Pet na Kanojo – 13

Hell yeah! Three Mari Okada series in one season again! And not only that, they’re all in their second halves. This will be awesome! Even though two of them are adaptations, she really is able to get the best out of the source material.

And this episode reminded me why I originally liked Sakurasou so much: the chemistry just amazing. This episode again made me laugh so much at the banter between the different cast members, but in particular Sorata and Shiina were wonderful in this episode. Sorata is also picking up on Shiina’s sharpness here. And I love how the creators tried to make up for the sister debacle: completely ignoring her and turning it into a hilarious joke for this episode. It’s a good start.

But something other happened: not just the chemistry was really sharp, the drama as well. Rita and Ryuunosuke keep developing, even though Rita is gone now. Shiina is now in love, and you can really notice it: she really wants to be with Sorata as much as possible, and keeps hanging around him. Sorata meanwhile said something really interesting here: he prefers the old Shiina more. I actually really like that way in which that subplot is going: Sorata wondering whether or not Shiina is heading into the right direction. Shiina’s development is really great, and yet it’s one of the characters who is fighting it. Aoyama meanwhile still has a dodgy part in this: I had hoped that she would move on, but instead we seem to be heading for a love triangle. Not sure whether I like that.

And then there is Misaki. Forceful is a word to use for her here, but unfortunately I do have to say that I can learn a thing or two from how she was acting in this episode. Here is one girl who really made up her mind on something.

One word on the new OP and ED by the way: they’re both pretty good. I just have one criticism for the ED: it doesn’t really work when the characters aren’t really synched to the music.
Rating: 5.5/8 (Excellent)

Some Quick First Impressions: Chihayafuru Season 2 and Mondaijitachi ga Isekai Kara Kuru Sou Desu yo

Chihayafuru Season 2

Short Synopsis: Our lead character plays a children’s card game.
Like expected, Chihayafuru’s second season has blown away all competition this season. But there was no way in which it wouldn’t be able to do so: it has a smashing build-up with its first season with an incredibly lovable cast, on top of the work that Uta Koi did to give a background to all of the poems that are featured in this series. But even then: the jokes were spot-on again, and the series hasn’t started, or the creators just keep pushing the characters further even more by focusing on the difference of their goals. They then manage to create a new character who within one episode already manages to be really interesting in her search for love. It’s only 20 minutes, and it already feels like this series has never left. That’s not something I often get with sequels.
OP: I like this better than the first. Good song.
ED: Good ballad. I’d with it was more than a slideshow, though.
Potential: 100%

Mondaijitachi ga Isekai Kara Kuru Sou Desu yo

Short Synopsis: Our lead character gets called to a different dimension.
The three-minute episode series are of course annoying, but what I dislike the most about this season in general is the writing: quite a few series have writers who seriously need to follow some basic screenplay classes, because I keep seeing series that make beginner’s mistakes. For Monday blahblah, it’s the way in which it doesn’t establish anything. It just shows a bunch of teenagers, next thing they fall from out of the sky and they don’t even seem surprised about it. I don’t care whether this gets explained later on in the series, it’s just way out of nowhere. Another problem with this series is that it thinks it’s smart, yet actually is completely stupid. I know that physics are usually ignored with these kinds of series, but when characters start explaining it, and get it completely wrong, it’s a different matter. The only reason why this series is able to look smart is because it makes some of its characters complete idiots. It also really does not help that the main character is one of the most blatant Garu Stu’s I’ve seen in a long while. He’s supposed to be this dark and edgy alternative to the weak lead character you usually see, but the creators again completely lost the balance by making him ridiculously powerful in everything that he does that he can even punch dragons and just instantly kill them.
ED: Not bad, does some interesting visual stuff. Better than most EDs this season.
Potential: 10%

Some Quick First Impressions: Sasami@Ganbaranai, gdgd Fairies 2 and Vividred Operation

Sasami@Ganbaranai

Short Synopsis: Our lead character is a shut-in.
I thought that I was over my bias of Shaft after Soredemo Machi wa Mawatteiru and Madoka Magica. But no. This season really reminds me why I dislike these guys so much: wasted potential. So much of it! The animation in this episode was gorgeous. There were a few scenes that were incredibly fluid. Now if only they’d adapt some actually good series! For starters, this show loses a lot of points by its pointless incest. But the problems are beyond that: this series does not understand how to use randomness well. Over the course of the episode everything suddenly turns to chocolate, but it’s completely unconsequential: it doesn’t lead to anything, it has no point beyond being random and leading to some really cool animation sequences. It’s completely boring and filled with allsorts of fetishes once again! And what gets to me the most is that there seems to be no improvement in this whatsoever, and yet the solution is so simple: GET SOMEONE COMPETENT TO DO YOuR SERIES COMPOSITION. Balance out the characters. Manage your pacing. Give your scenes consequences. Drop the freaking stereotypes. It’s such a simple thing, yet Shaft is currently way too busy with looking cool and edgy.
OP: Artsy, but a bit of a dull song.
ED: At least an interesting parody, but the characters involved are incredibly annoying and it’s filled with incest.
Potential: 50%

gdgd Fairies 2

Short Synopsis: Our lead characters are fairies.
Gasp! Shock! This show’s episodes are not three minutes long. Instead, they’ve got fourteen minutes to work with. That is much better, although that did lead me to having to sit through this thing even longer. gdgd fairies looks so awful that I didn’t even give its first season a chance. As the episode started playing, my fears were indeed confirmed: terrible CG animation, really awkward voice acting, and really forced characters. For the first half of this episode the characters just kept going on with a bunch of slow and badly delivered jokes. And then… something happened and this series took a turn for the bizarre in which a bunch of oiled up men in tutus ended up dancing around in a field of flowers. Afterwards the characters poked fun at sound effects, which… I actually found a bit funny. I didn’t expect that. Don’t expect too much of it though: it wasn’t drop dead hilarious: this episode was enough to make me want to check out the second episode, but it was not funny enough to completely sell me.
OP: Lucky Star parody? More like you just copied Lucky Star’s intro…
ED: Ugly CG dancing ED alert!
Potential: 45%

Vividred Operation

Short Synopsis: Our lead character is a magical girl.
Uh, Vividred: the gutter called. They want your mind out of there as soon as possible. Seriously. The first two characters in this show are introduced by their ass shots. Thankfully the rest of this episode was not as bad as Strike Witches, but nevertheless, pretty shameless. Vividred is a populist series: it does things very calculatedly, not for the sake of storytelling, but because of what it thinks is popular. The show is focused on cute girls piloting mecha near a beach, there are ass shots, and they’ve got a stuffed animal shoehorned in. Throughout this episode I could recognize various scenes that seemed to have been directly lifted from other popular scenes, and this was a bit too much for comfort. The biggest sign of this was the stuffed animal, though. The grandfather was actually an interesting, albeit archetypical character. But then this show found one of the most contrived ways to turn that guy into a stuffed animal. Not because it would fit the story (having him as grandfather would mean so much more for the female lead who lost her parents), but for the sake of marketability. Alone, this would not have been a big deal, but this show is chock full of tricks like this, to the point where it lacks its own identity.
ED: Clouds, and a boring song.
Potential: 20%

Some Quick First Impressions: Kotoura-San, Tamako Market and GJ Bu

Kotoura-San

Short Synopsis: Our lead character can read people’s minds.
What they did for this series is that they handed what was actually a pretty cool premise to a bunch of soap opera writers. What I mean by that is that I actually quite like the concept of this series, of a girl who can read minds and how this affects her as a child. What I dislike is that the creators lack any sort of subtlety. Throughout the first half of this episode they do whatever possible to make the life of the female lead a complete hell. Of course, there are children who grow up in horrible environments, but this show, it starts off happily, only to throw one depressing plot twist after the other, to the point at wich it becomes laughable and adults completely overreacting. Nobody in this series has any common sense whatsoever… except for the male lead of course. So yeah: this series can go into two directions: wish fulfillment by showing a cute girl warm up to a typical lazy guy with dirty thoughts (ie, a target demographic often used for anime), or a charming coming of age story for a group of scarred teenagers. Which one will it be?
OP: It’s the way in which this contrasts with the really dark first half that makes it stand out.
ED: Good piano song
Potential: 70%

Tamako Market

Short Synopsis: Our lead character works at a Mochi bakery.
Someone shoot me. Tamako Market had the best first episode of the new season. I did not expect this from what was advertised as the next K-On. But really: to see this as the next K-On would be a grave disservice. You do not watch this series for the cute girls: cute girls are just a part of it. No, you really watch this series for the parrot. I love that animal. Beyond that though, this series also sets itself apart from a lot of other Kyoani series in a very interesting way: its cast is varied. It’s not just about a bunch of teenagers at school having a club. It’s got some teenagers, it’s also about a bakery, it’s got shop owners of all kinds of ages. There was so much going on, and not just random chatter. The characters as well: for once they’re not stereotypes. The lead female is ditzy, but it’s not her only character trait. The chemistry between the characters is also really good: no character is trying too hard to be annoying, which is a thing that really got on my nerves with K-On and Lucky Star.
OP: Mostly stands out through its animation.
ED: This is quite good: great visuals and nice song.
Potential: 85%

GJ Bu

Short Synopsis: Our lead character is a random high school student.
So, GJ Bu is a show of the genre “bunch of teenagers hang out at school and do random stuff”. It’s a genre that I know is not for me by far. I can only enjoy these kinds of series when there is something else going on beyond just the random sketches… but GJ Bu doesn’t have that. It tries to be funny… but isn’t. It’s just various situations with sterotypical characters who try to be cute/charming/quirky. It also doesn’t help that most of the jokes are focused on stereotypes: the rich girl is rich, so she doesn’t know what instand noodles are. The catgirl eats a lot, so she eats a lot. The calm girl is calm so she isn’t afraid of anything. That kind of dull stuff. It all feels so forced, dull and uninspired, and this just isn’t my type of series.
OP: Some idols got their first singing job or someting…
ED: Generic J-Pop, cheesy visuals.
Potential: 10%