Star Crossed Three Year Anniversary

Oh boy, time flies by fast. It’s hard to believe that I’ve been ding this for three years at this point. Last year I celebrated this by showing some statistics (props to Google Analytics), which is what I’m going to do this time as well.

General Statistics:
Up till now, I’ve made 2217 posts, regularly blogged 80 television series and 11 movies and OVAs.
The site has been received 1661636 unique visitors, which consist out of 1037409 first time visitors and 624227.
10025 comments have been posted (many thanks to everyone who posted one)

Top-10 Most Accessed Series:
(note that this list is from the past year only, otherwise it’d just look too much like the list I made a year ago)
10. Mobile Suit Gundam 00
9. Macross Frontier
8. Jigoku Shoujo
7. Baccano!
6. Dennou Coil
5. Shion no Ou
4. Ghost Hound
3. Les Miserables
2. Higurashi no Naku Koro ni
1. Saiunkoku Monogatari

Top-10 Most Accessed Posts: (Thankfully a lot less crazy than last year)
10. Darker than Black Review
9. School Days Review
8. Tengen Toppa Gurren Lagann Review
7. Shigurui Review
6. Sword of the Stranger Review
5. Autumn Season 2007 Preview
4. Himitsu ~The Revelation~ – 02 (why this one of all posts that I made got so many hits… I don’t know…)
3. Summer Season 2008 Preview
2. Spring Season 2008 Preview
1. Top 10 Anime
(An interesting observation is that none of my series reviews made the list when I made it a year ago, and now it’s full of them)

Top-10 Google Keywords: (aside from the obvious ones as “psgels”, “star crossed” and variations of “top 10 anime”)
10. himitsu the revelation
9. dennou coil
8. darker than black review
7. soul eater 12
6. shion no ou
5. takane no jitensha (surprising amount of people that are interested in this cute but unremarkable ova)
4. saiunkoku monogatari
3. porfy sucks (No, really. The counter is on freaking 1636 hits for that one. Why in god’s name 1636 people feel like finding out how much Porfy sucks is beyond me. )
2. baccano
1. shigurui

Amusing searh-terms (or downright weird ones)
“school days” anime very annoying – I agree!

anime ep spanking high girl ass – Really nice to see that those who visit my site for mature reasons…

battle programer psgels – That sounds kindof nice…

claymore pee – For god’s sake… why?

incest with my mother – You don’t need to tell that to the world…

psgels eats cake – mmm… cake…

it is not hard to know that the sprng season is coming – indeed, it isn’t!

why is the season called autumn & not something else – um, good question…

psgels is gay for porfy – I can’t believe that people are actually searching for this…

true tires anime – The next Initial D!

which girl is shinichiro in true tears – Oh, the fan-fiction….

“she turns evil” – How did you end up here?

psgels fails at life – I’d like to meet the bastard who typed this and have a long and thoughtful discussion with him. >:(

“skunk rising” – what the…?

“which question is this” – it isn’t this one…

‘by the big slippers of big slipperdom’ – This one’s my favourite ^^;

10001001010100

[qq[]q]qq]q]q][][][][][][] – Do not ask me what these guys were hoping to find with this, let alone how they ended up at this site…

3d too – 4D three!

; that explains a lot – it does!

a bishie in toshokan sensou i won’t have it! – unite and destroy the bisies in Toshokan Sensou!

anime girl gives kid money in bag made from magic illegal angry cars float – this is actually a pretty nice idea.

what does it mean when im getting pushed by a ghots – prolly that your spelling goes wonky

Shikabane Hime – 08



Short Synopsis: Um… yeah. To put it without spoilers: Ouri and Minai become friends.
Highlights: Not going to put that here for spoilers’ sake.
Overall Enjoyment Value: 7,5/10 (Good)
At times like this, I really feel out of touch with the rest of the anime blogging community. What really is so boring about this series? When I read posts like this one, I keep wondering why nearly everyone finds this series so boring. Annoying I can understand. Even though he’s got a bigger role and purpose than your average male lead, I can see Ouri getting on people’s nerves. But boring?

In any case, this episode was… unpredictable to say the least. Here I thought that the previous episode was busy introducing a new important couple for this series, and then this episode kills them off, for goodness’ sake. It also was a pretty pathetic and unorthodox death: the monk dies after he gets too carried away in a fight against a bunch of punks he upset a few episodes ago, which makes Minai turn into an ordinary Shikabane, needing to be killed.

Ouri was of course a bit annoying and gave me some Senkawa-flashbacks. But just like his counterpart, this all remains within acceptable boundaries. The two of them have enough other traits and purposes. The thing I hate about typical male leads is not their archetypes, but rather that most of them are simple, pointless and uninspired stereotypes. As long as they’re fleshed out sufficiently and the show around them provides enough interesting other material, they’re fine by me. Either that, or I’ve just gotten tired of complaining about them. ^^;

In any case, this episode was definitely meant to show that this is an Anyone Can Die-series. Combine that with the fact that this is Gainax, coupled with the foreshadowing of the previous episodes and yes, I think we should fear for Keisei’s life here. Could it be that Gainax choose such a show with a Kamina-like-character to adapt on purpose? It’d really be something I’d imagine them do.

Although do me one favour and introduce some more guys in this series. They’re really starting to run out this way, and this is the criticism I agree with: a lot of anime somehow feature way more girls then guys. But then again, as soon as more guys start getting introduced, people start screaming “YAOI! DO NOT WANT!”, et cetera, so that also isn’t the optimal solution.

Michiko e Hatchin – 06



Short Synopsis: Michiko tries to get Hatchin back.
Highlights: No, don’t ask me why two episodes aired on the same day.
Overall Enjoyment Value: 8,5/10 (Awesome)
While the strange broadcast schedule of this series is beyond me, I’m definitely not the one to complain at this point. This episode ranked among the best of the series so far, along with episode 4. It’s ironic: just when I labelled this series as a mostly serious one, it comes with such a fun yet exciting climax. I must say though, that this series knows exactly when it needs to be serious and funny, although it’s a bit unorthodox in this aspect. Most series that have a bit of comedy feature a fun build-up and a dark climax, but instead this series has a dark build-up and a fun climax. That’s something you really don’t see very often, but it works like a charm.

In this episode, we get confirmed that Atsuko and Michiko grew up at the same orphanage as where Michiko tried to dump Hatchin at in the previous episode. What I especially like is the relationship between the caretaker and Michiko right now. Michiko used to fight all the time, but right now they’ve got a strange sort of hate/friends relationship that’s interesting to watch. The caretaker was surprisingly well developed in such a short time. I really like her.

But yeah, the highlight of this episode was really the climax. The previous episode seemed to suggest that the fat guy was someone to take into consideration, but instead he’s just one big loser who happens to have a bit of power and eats too much. It was fun to see Michiko dress up as a matador and chasing him. It was awesome to see Hatchin escape from him, and trying to fight the bull with a ladle. The reunion also was really cute.

This series has proven to not only be well written, but also very diverse. Next week had better not be a hiatus, but either way: I’m sold.

Michiko e Hatchin – 05



Short Synopsis: Michiko tells Hatchin a few things about her past.
Highlights: It becomes more and more apparent how misleading that OP is…
Overall Enjoyment Value: 8/10 (Excellent)
That OP… it definitely belongs in the category of misleading. It’s a very colourful and cheerful piece of art, that makes you think that this series would have the same fun factor as Samurai Champloo…

Well… no. I feel that this is the episode where this series shows its true colours. As it turns out, Michiko was involved into a huge gang-fight and power-struggles before she got locked up. This episode seems to suggest that she ended up in prison because she once made a wrong move and provoked the wrong kinds of people. This episode really showed that there’s much, much more to her character than she originally showed.

I mean, she remains an irresponsible woman. In this episode however, we can see that she’s starting to regret what she did, as she suddenly realizes that the gang-fights are still out there. I’m still not exactly sure what she did to invoke the wrath of a gang for twelve years, but hopefully the future episodes will shed light on that. Anyway, because she finally starts realizing that Hatchin could get in trouble, she drops her off at a local orphanage for safety. Obviously, she didn’t take into account that it costs money to do that, so Hatchin ends up getting kidnapped at the end of the episode.

And the whole mystery around what happened with Hiroshi still isn’t much clearer. First I thought that he was the fat guy, but that turns out to be somebody else (who I guess was the one who made sure that Michiko ended up in jail). This episode still doesn’t explain why Hiroshi abandoned Hatchin, though, or who was Hatchin’s mother, but I do now understand why Michiko is so keen on Hatchin. She probably sees Hiroshi in her, and the good times they had together. And this episode also confirms: Hatchin has the tattoo on her belly.

Seriously, here I thought that this series would be a fun-filled travel adventure, in the same veins as El Cazador. Boy, was I wrong, but this series makes optimal use of its setting this way. That’s why I’m so annoyed that 90% of all anime takes place in Japan. The samurai-period is nice and all, and it has produced some awesome series, but there are many more interesting settings with potential all over the world, in lots of different time settings. You just have to have the guts to find them and base a story around them. Gunslinger Girl is also a good example of this: it took the political power struggles of the country, added a bit of science fiction, and voilá: an excellent set-up for a story.

Bonen no Xamdou – 15



Short Synopsis: Nakiami meets a young Tessik Xam’d boy.
Highlights: Solid aftermath.
Overall Enjoyment Value: 7,5/10 (Good)
Okay, so it had it coming that this episode would just be a mere aftermath after the huge events of the previous episode, but it still was a very solid and good episode. Akiyuki seems to be taken in by slave traders, Haru gets locked up for her behavior in the previous episode, so that just leaves Nakiami for this episode, as she meets a Xam’d boy who managed to live on his own after being implanted by a Hiruko. He and Furuichi show that you don’t necessarily need someone qualified to survive as a Xam’d, although it definitely helps.

The most important part of this episode was the point where Nakiami used her Kajak to buy off the trouble that the boy (who is called Yango, by the way), and I was surprised at the ease at which she just gave it up. Although I guess that it’d indeed stand out too much in the Northern lands. I’m interested in what the young boy can offer for the rest of the story.

Apart from this, the episode also provided small developments on several subplots, most importantly the strange eye-ball that’s been hanging around Akiyuki for a reason that’ll probably become clear in a number of episodes. I couldn’t quite understand what the conversation between the white-haired people were talking about (I ended up watching this episode raw), but I guess that they’re able to feel whether their comrades have died or not, and they must have gotten pretty surprised to find out that the one who infected Akiyuki and Furuichi is still kept alive. It also seems that those strange mask-caped people are their comrades. Does that also mean that the ones who attacked the Zanbani a bunch of episodes ago are their comrades as well?

Casshern Sins – 08



Short Synopsis: Casshern meets a female singer.
Highlights: Beautiful climax.
Overall Enjoyment Value: 8,5/10 (Awesome)
Oh, this was such an sweet episode. It again classifies as “filler”, but I don’t care! Hah! Casshern this time meets a singer, whose songs have an interesting effect on robots: they annoy the hell out of the berserked ones (by lack of a better term for it), but they the ones who aren’t interested in fighting forget about their despair about the destruction. I believe that the berserked ones actually felt the same power of her songs, although they refuse to accept it, which is why they want to destroy her. The irony in this episode was of course that the symbol of hope and destruction end up travelling together for a short while.

And I must say that those songs were really well done: not just in terms of audio, but the visuals also matched the songs perfectly. The engrish was surprisingly well done, and especially the song at the climax of the episode was just wonderful. This episode also showed that Casshern is most definitely made out of metal, so there has to be something inside him that makes him able to shed tears and heal his “wounds”.

My guess is that this show is going to go for the “Bee-Train”-pattern, meaning a first half of mostly unrelated stories and a few hints at an overall story, with a second half where the story takes over the main focus. I must say that I’m a big fan of this approach, because it really allows the viewer to get accustomed to the different characters and the setting before the big stuff starts to happen. And of course, the fact that the creators have made every random episode an excellent showcase in terms of writing, visuals and audio only contributes to that.

Mouryou no Hako – 07



Short Synopsis: Sekiguchi, Toriguchi and Akihiko continue to talk about the various aspects of the boxed murders case.
Highlights: Just when I thought that the previous episode was filled with dialogue…
Overall Enjoyment Value: 8/10 (Excellent)
Holy crap; I can hardly believe my eyes. One episode that just takes place inside one room is one thing, but two consecutive episodes, featuring nothing more than a room with three guys in it, constantly talking. I think some record has been broken with this, because this even surpasses Seirei no Moribito. I can sort-of understand why no new subs have been released so far. This series is really something else to try and translate.

Okay, so here are my attempts to try and grasp what went on. We start the episode as usual with an example from one of the books of one of the characters of this series, I suspect that this is from Sekiguchi. It starts with a little girl who’s reading a children’s book at a local shop. We then switch to or the past of the main character of the story, and we learn that he used to be a very neat guy, sometimes taking it to extremes so that he ended up skipping his lunch. After his father(?) died, he ended up living in a large house on his own, where the loneliness drove him to insanity. I think that that scene was meant to clarify why we saw him ending up cutting up the limbs in the story blurb that we saw a few episodes back.

The rest of the episode is divided into two halves again. The first half, which takes up the longest part of the episode, is spent on our threesome as they explore the concepts of “Mouryou”. It becomes clear here that Akihiko is a real fan of calligraphy, and likes to search behind the meaning of different related words and Kanji.

What I picked up was that Mouryou aren’t just a bunch of monsters. Those are called the mountain Mouryou, but the whole term encompasses a bit more. According to the dictionary, “Mouryou” isn’t just the name of one particular monster, but the term encompasses all sorts of spirits and goblins. The “Mou”, or 魍 of the word means a monster, spectre or apparition, while “Ryou”, or 魎 means a sprite or hobgoblin. I guess that if you take the two terms combined, you get quite a broad collection of things.

For some reason, he also shows a bunch of alternative ways to write “Mouryou” in Kanji that didn’t make any sense when I looked them up. My guess is that after that, Akihiko shows them a few different creatures that can be considered as Mouryou, like a water sprite, or even a shikabane (zombie), and tells them stories in which they appeared. After that follows some weird symbolism about those Torii-shrines of the previous episode, but I really didn’t get what that was about.

Then the second half of the episode starts, end the focus gets back to the boxed-murder cases. My big trouble here is that I can’t seem to find the right translation for the word “onbaku”, which seems to be the central focus of this mystery. It seems to refer back to the concepts of faith and Buddhism, relating back to the first episode. I suspect that this “onbaku” is the guy they suspect to be the culprit of the boxed-murder case. Could he be the box-maker of the previous episode? That would explain the religious references to his cult and all.

Toriguchi then shares a theory he’s been having about the culprit of the crime, as he comes with a police report on the case. It turns out that the “onbaku” has a dead daughter. He comes up with the crazy theory that he started murdering because he believed that that will save his daughter or something, but Akihiko reckons that more information is needed to get to that conclusion. He asks Sekiguchi to show the relevant parts of the registry file that Toriguchi got from the box maker and distribute it to the police. One of the names in the document catches Sekiguchi’s attention, as it seems to be the name of another rising novelist. It seems that they met once.

The episode ends as Akihiko tells them not to go near the research institute, suggesting that he either is a very good at telling the future, or knows more than what he showed in this episode.

I must say that I’m really impressed by this series. Although it’s a lot of work to try and understand it, it’s exactly series like this one that are the reason why I watch anime: those rare unique series that simply go beyond genres and have a style of storytelling of their own.

I believe that this series is a typical alpha-series, and here’s what I mean by that: for my studies, I’ve had to read a number of papers, both written by alpha- and beta-scientists. A common trait among the beta-papers was that everything is defined up to the finest detail, and you can see the same in series as Higurashi: every action has a well-defined cause and a reaction, and it’s a great example of a beta-series. Papers that were written by alpha scientists on the other hand weren’t as straightforward, and instead just tried to look at their subject in lots of different ways and from various angles. And that‘s exactly Mouryou no Hako. It’s not trying to solve this mystery by providing clues on a silver platter, but instead it’s telling the story and background from a lot of different angles and views, explaining the background that might have something to do with it or might not. This really is the first series where this effect is so apparent.

Right now, I’m beginning to understand where Kanako’s Buddhist influences came from, and I believe that she was an influential member of the box maker’s cult. If this is true, then it does explain why she forms such a central role in this story.

Kurozuka – 07



Short Synopsis: Kuro is brought to a cave where Kuromitsu is kept.
Highlights: Nice little bit of depth for Kuromitsu.
Overall Enjoyment Value: 7,5/10 (Good)
If I had to pick one show out of the series that I’m blogging this season, where the decision to cover it on a weekly basis may not have been such a good idea, then it’d be this one. I’m happy that out of the shows I’m watching this season, none of them is mediocre or disappoints. The previous Spring- and Summer season really showed me that I’m not someone who enjoys blogging a bad or a dull show, and I think that if I didn’t decide on blogging stuff as Macross Frontier, Soul Eater, Allison to Lillia and Nijuu Mensou no Musume (God, I really picked the wrong series to blog back at the past spring-season), I’d think back to them with a lot less annoyance.

But anyway, I’m getting off-topic a bit with that. The thing with Kurozuka is that it exactly knows what it is and does: action, horror and eye-candy, and it does do that so well. The story isn’t anything special, but it knows exactly that it’s only second fodder in this series: it’s there to support the action, to prevent it from getting boring, to add a bit of intrigue and to provide enough settings where the animators can show off their talents. It’s nice and all, and I really like the end result, but really… there’s not much you can write about it on a weekly basis. ^^;

So yeah, this episode again was exactly what this series was about, and I like the little twist that it added, where Kuromitsu once cut off Kuro’s head. There’s this whole mystery around that woman that really keeps the story of this series flowing smoothly. Sanniwa (at least, that’s what I assume her name is) really is screwed by now, with nearly all of her subordinates killed off (at least, with so many dead bodies, I don’t think there are much more people left apart from Kuro&co). I liked that part that showed her, because it really adds to the characterization of this series, something that it had ignored a bit so far. ^^;

Porfy no Nagai Tabi – 46





Short Synopsis: Mina runs into a certain somebody
Highlights: Some of the best art of the entire series can be found inside this episode.
Overall Enjoyment Value: 8/10 (Excellent)
Whoa, those are some very interesting developments. I must say that I really like it that the creators aren’t just going to let Porfy and Mina meet up without a big finale. The idea is absolutely wonderful and despite the sacrifices that had to be made it will form the cream of the crop for the character-development of the two. But first a summary:

The episode starts the next day after the previous episode. Porfy wakes up and Rose is just done with her job, and taking a shower. After she’s done, Porfy tells her that he’s going to work and search for Mina for the rest of the day. He finds it a bit hard to imagine that she works during the night, and sleeps in the afternoon. He feeds the cat and then goes out to search for Mina. At the bread store of the previous episode, he tries to find out what exactly Paris looks like. Obviously, he’s pretty startled when he finds out how big the city really is.

Later in the restaurant, the waiter is having the time of his life abusing Porfy, criticizing every possible thing that he does wrong, like leaving the water on for too long, pouring too little beer into one glass, and when Porfy receives a tip from a guest who is also French, he immediately confiscates the tip. It’s his shop, so Porfy should be glad that he can at least get somewhere to work. That evening, Porfy finally has the time to write a letter to Porfy, about how he reached Paris. Rose then leaves for work again.

The next morning, we switch to Mina and Isabella, who’ve reached Paris. Interestingly, Carlos and Isabella’s father aren’t together, and the latter foreshadows a bit by reminding Mina to never forget her dream. In any case, Mina starts singing while Isabella is dealing with a customer, and that happens to attract the attention of a certain person who happened to be driving by: Tiffany Auber, the actress Mina admired so much. She sends her manager to try and talk to her, but Isabella has obviously never heard of such actresses. Even when Tiffany herself appears and asks Mina to sing the song she just sang again, she still refuses.

Tiffany isn’t the type to give up so easily, though. She tries again, but a bit more subtle: she asks Isabella to tell her fortune instead. Isabella does send Mina back to their hotel. Isabella still wants to know what Tiffany wants to do with Mina, and Tiffany starts to explain, although we don’t get to see that exact scene because something much more important is happening over at Mina’s side: Carlos is ticked off because Mina isn’t working for her food, and he starts scolding her and throws all sorts of insults at her. Mina finally insults him back, since she’s got her memories back and all. Hearing that, Carlos takes Mina to her room and starts abusing her in ways that can only be left to our imagination. Mina then grabs a potato knife and stabs Carlos and escapes. Isabella arrives at that point, and sees Mina running away crying. Carlos tries to seek sympathy with her, but she slaps him.

Isabella then tries to confort Mina by asking whether she’d like to perform in a movie. Isabella turns out to have been wrong, and understands that Tiffany is a famous actress. They decide to go see her, though Mina is very nervous, even though Isabella tries to talk some courage into her. Isabella then goes to talk with Tiffany’s manager about the details, while Mina waits at a different room full of awards and posters.

When Tiffany enters the room, she asks whether Mina has any experience in acting or singing, but this obviously isn’t the case. Tiffany doesn’t find it a problem, though. Isabella then leaves, as she’s got her own job to do, and she talks some last words of confidence to Mina, about letting flowers bloom. I think that Isabella was really happy that Mina is going to be able to grow up properly. A huge parallel to the time when that rich boy tried to take Mina away.

Tiffany then shows Mina some absolutely gorgeous shots of Paris, saying how she believes that Mina will definitely be able to break through. The episode ends with so many beautiful shots of the city that it becomes almost scary. Yeah, I think I went a bit overboard with the screenshots. ^^;

In any case, ever since Apollo’s death, this isn’t a series about realism any more. There was more than enough realism and nostalgia in the first quarter of the series, the majority of the series, the middle part, was a focused on travelling, and now the final ten episodes really are the place when the plot takes over into what promises to be a very powerful finale. The great thing about this also is that this is the WMT: you know that things are going to happen, but you never know when that’ll happen. After all, Les Miserables had an aftermath of about seven episodes, so who knows how many the creators of Porfy have scheduled?

In any case, about the whole events, of Apollo dying, Porfy running into Alecia, meeting Rose and Mina just getting picked up by Tiffany: there’s no way that that would happen in real life, but this isn’t about making sense anymore, every single one of these events was meant in order to bring out the best out of the characters. Much like Tokyo Godfathers in a way: it was an awesome movie, and every single one of its coincidences was perhaps a bit strange, but meant to bring out the best in the characters. Mostly, I dislike these sorts of things, but there can always be exceptions. ^^;

I doubted for a bit after Apollo’s death, but there really is no doubt possible at this point: Porfy and Mina will meet some day. Even if Porfy doesn’t somehow get the chance to ask Rose about Tiffany, eventually Posters will be put up and people will start to recognize Mina. If Porfy stays in Paris for long enough, he has to notice at one point, but it’s the most probable that Rose and Tiffany will reunite the two. Speaking of which, I’m getting pretty interested into exactly what kind of job Rose has. It’s probably some sort of showgirl or something similar.

And Carlos! I must say that I like what Mina did to him, to actually stab him with a knife. I also like the decision of showing the abuse behind a closed door. It can hardly be called budget-saving, with this episode featuring some of the best graphics in the entire series, and I feel that if they animated what actually happened in that room, it would have looked faker than what we got instead. But really, the guy has to be really pissed by now, especially after learning that Mina might just become famous. Here too: you just know that the guy’s going to explode, but the question is: when?

One final remark: the soundtrack. I was really impressed by the tune that started playing when Tiffany first appeared in front of Mina. The synthesizers are so un-typical of France and this series, but it’s such a haunting tune and fits the scene perfectly. Talk about saving the best for last!

Blade of the Immortal – 10



Short Synopsis: At a local festival, Rin finally finds her next target.
Highlights: Obviously an episode meant to save a bit of budget, but nonetheless an excellent prelude.
Overall Enjoyment Value: 7,5/10 (Good)
Despite this episode being a step down from the last arc, I’m beginning to love this series more and more. Even during the quiet parts that are meant to save some budget for future fight scenes, this series still has enough interesting stuff going on.

This episode really showed how much Rin has grown. The development that she went through this series is something that takes most other series twice the amount of time, and it has felt really natural so far. She has learned to swallow her pride, and I really like how she didn’t blindly chaerg at first sight, but instead tried to find out his side of the story.

I like how in this series, nobody is really portrayed as a bad guy apart from a few grunts here and there, in the same way that nobody is really on the good side. The guy in this episode for example surely did some horrible things in the past, but at the same time he’s doing a really good job of raising a son and keeping said son away from his past. He’s really portrayed as a human being. The masked guy of the third episode was more delusional than pure evil. He cared about those dear to him, but took those feelings way too far in his mind.

My only complaint was tat the music in this episode felt a bit forced at the end, with an entire episode of subtle sounds, after which the series’ main tune suddenly starts playing from out of nowhere. It’s an amazing song, and it really adds to the atmosphere, but the way it starts could have been more subtle