Author: psgels

The reason why there aren’t many reviews of pure slice-of-life series on this site isn’t because I dislike the genre, or anything. Instead, when I need to drop series to prevent myself from watching too much at once, these shows also seem to be the ones to go down first. This season I felt in a bit of an experimental mood, though, and I decided to stick with the third season of Minami-Ke, even though I never watched more than one or two episodes from the first two seasons. What I got was a pretty enjoyable series about the lives of a bunch of sisters, living together and their classmates.

While I could go all anal and be like “zomg, it’s nothing but fillers so it sux0rz”, but even though there’s hardly any continuity, and all of the different stories are just random strings of five minutes packed together, it’s in this case perfectly enjoyable to watch the antics of all of the different characters in this series. While it’s not as gut-achingly funny as other comedies, I found that Minami-Ke Okaeri was often able to put a smile on my face.

This is a typical show that never really hits any highs or lows, and instead is just enjoyable to watch and perfect if you’re feeling lazy and have half an hours or so to burn. The Minami-sisters are quite likable, and they’re funny while not trying to be. This review is short because there’s not much else to say about it, but I’m definitely going to check out the first season, which is rumoured to be even better.

When it started, Ride Back was a strange beast. With its concept of uniting strange motorbikes with arms with military totalitarianism, I was on one hand charmed by the characters, on the other hand it just kept testing my suspense of disbelief with overly coincidental plot twists that were only introduced for the sake of the story. Nevertheless, now that I’ve finished this series, I don’t feel like whining anymore. Ride Back rocks, despite some of the sacrifices it had to make.

In the end, Ride Back is a character-study of the female lead: Rin Ogata. It’s about many small things: criticism against military entering politics, simple motorbike racing, and terrorism; it’s about how a seemingly innocent action can have disastrous consequences and trying to find one’s true potential. and the beauty of Ride Back is that somehow, it all makes these widely diverse themes into a whole in only 12 episodes. The show very subtly evolves from light college adventures to a dark story about terrorism, but the whole thread of Rin’s development keeps it on one track and it prevents the series from dragging on, and while it may seem like a bit questionable as it goes on, the series comes together wonderfully in the end.

I also really must praise Madhouse’s visuals yet again. They went with another different art style this time, and especially the character-designs look really good and down to earth. There’s a slight issue that the CG doesn’t mesh in with the rest of the visuals, but even that could have been done much, much worse. And the series’ soundtrack also is a very powerful one.

So overall, I ended up liking this series much more than I thought. It’s got a questionable start, and does tend to pull some random coincidences simply for the sake of its story, but Rin’s development is rock-solid, which is especially rare for such a small 12-episode series. It’s no instant classic, but it’s yet again a worthy addition to Madhouse’s excellent repertoire.

The thing I like about the Tales of-games adaptations is that they’re all done by different animation companies with different ideas. This way, the shows remain fresh, and are prevented from getting milked out, since all of them have their own styles now. Tales of the Abyss, while it suffers from some of the major pitfalls of RPG-adaptations, also manages to avoid quite a few of them, and is worth the watch if you’re into fantasy series.

The biggest pitfall it failed to avoid is of course the very questionable power management: teenagers have enough magical powers to save the world compared to adults with much more experience, little girls can control monsters as if it’s nothing, and trained royal guards die as easy as flies. It’s something that’s very hard to avoid in this genre, but it’s still pretty grating.

Thankfully though, the show has enough to make up for this. It really stands out in its character-development, which is pretty much a trademark of the Tales of-games by now. A lot of emphasis is put on internal trust: a lot of the main characters in this series are pretty flawed, and because they all have their own mistakes and secrets, a memorable bond grows between them. Especially the lead character, Luke is notable for this, as even though he may look like it, he’s far away from your typical male lead in such fantasy series. To explain why would be too much of a spoiler, though.

The storyline is also very well done, and impressive for an RPG adaptation. For once the king of an empire can be something different from either a fascistic pig or an incompetent flower-child. The show has plenty of villains, but all of them have at least decent motivations for their actions. The storyline is pretty complex, and no episode is really wasted, and I especially liked how th emagic system in this show has turned into a sort of science. Especially how it affects the world that the characters live in is very detailed and full of imagination.

Near the end of the series, the show does get a bit rushed, though: it wants a bit too much in too little time, and especially the ending of the series just feels too lazy, but apart from that we have ourselves a very good series here. While it never really hit any heights, it’s been a solid and enjoyable series.