Valkyria Chronicles – 04



Short Synopsis: It’s time for some cleaning duties for Squad 7 as another commander gets his ass kicked in battle.
Episode Rating: 7/10 (Enjoyable)
Okay, so obviously this episode was meant to build up. It wasn’t anything special at all, but it did flesh out the characters pretty nicely. It’s good to see that a show really takes its time before it really starts up, but of course the bad thing with such an approach is that it’s virtually impossible to tell early on in the series whether it’ll succeed or fall apart in the end.

My biggest problem with this episode was the newly introduced arrogant fat guy. He was obviously meant to show that there are no other competent commanders in Gallia aside from Welkim (and Faldio perhaps, but I first have to see him in action before I’ll believe that). It’s an often used trope in which an arrogant bastard with a bit of power for himself gets his ass kicked really badly, and it just fails to make any impact whatsoever. And on a side-note, the levels of Engrish in this show are also… ‘inaccurate’, to say the least…

On a more positive note, I liked that old commander of the Empire. In this episode you could see why this guy made it big, and the next episode is going to be interesting when Welkim has to take him on, so I hope that the creators can pull it off right. It’s also amusing that Maximilian (the guy who is leading the Empire’s troops into Gallia) dresses himself like Julius Caesar. In a way it’s quite typical. ^^;

So yeah, Fanservice + Alicia = Annoying, but this shouldn’t become that big of a problem. The thing with Alicia is that she definitely gets on your nerves when nothing is happening, but she becomes an interesting character once the action and strategy start and she’s too busy with her own duties to whine about having seen Faldio naked.

Eden of the East – 03



Short Synopsis: Akira and Saki arrive at Akira’s… “home”.
Episode Rating: 8/10 (Excellent)
For me, the great thing of Eden of the East is that it only gets awesome after an episode finishes. At least, I had that with this episode: most of the episode was just a collection of strange events with very pretty production values, but as I started putting all of the pieces of the puzzle together and things started to make more sense, the setting only became more and more intriguing.

So, we now know that all of the Selecao get a starting budget of 10 billion yen, or 77,7 million Euros. Akira used 13,9 million Euros of that in order to buy his own shopping mall and gather 20.000 NEET and had them killed. Since having 3 people killed costs around 11653 euros (as shown in the previous episode), the murder of the 20.000 NEET would have cost him nearly exactly 77,7 million Euros. Now that’s a nice coincidence there that I didn’t expect.

Now, my guess would be that Akira killed those NEET in person, instead of using Juiz, since otherwise he’d be broke right now. The question now remains what he did to all the bodies of those people, since it doesn’t seem like Juiz cleaned up for him.

My image of the pre-mind-wipe Akira at the moment is one of a deranged madman: somehow he got the complete wrong idea of carrying out his mission of improving the world, thought that it’d be a good idea to simply get rid of all of the NEET in Tokyo, rather than all of the bank-robbers, rapists or terrorists. He threw around with money for a while, bought his own shopping mall, killed 20000 people by hand and was happy about it. Then he started to probably regret his choice; he went crazy, did nothing but watch every possible movie in existence, made some fake passports, fled around the world and in the end he simply erased his own memory to end himself from constantly being haunted.

It’s interesting how for once, we have a show that doesn’t criticize bad society, but those naive minds who think that with the right amount of money and power this world can simply be turned into a better place. I do want to see more of the other Selecao though. Akira in this episode was labeled as a very notorious member, which means that the other members of the Celecao didn’t run off with their money in the way he did. It’s going to be interesting to see how the other ones ended up using their money: are Akira and Yuusei the two worst examples, or are the others the same and also waste the money of the Selecao?

Phantom – 04



Short Synopsis: Ein and Zwei disguise themselves as a teenaged couple in order to get close to their next target.
Episode Rating: 8,5/10 (Awesome)
Whoa! I must say, that while Phantom may be a blatant Noir rip-off, it’s promising to surpass Noir very quickly if this keeps up. From the outside this episode looks like your average random episode, but the cast got so much depth through it. It’s in episodes like this in which Bee-Train’s real strength lies: not the awesome music (though that does help), but the excellent characterization.

It was very strange to see Ein acting so convincingly like your average teenaged girl on a holiday with her first boyfriend. Especially considering how goofy Zwei looked right next to her with his bad acting as her boyfriend. I like how she even commented to Zwei how he still needs to work on his acting a lot. There was quite a bit of subtle fanservice in this episode, but even that had its purpose: to show the sexual tension between Ein and Zwei.

And that’s another point at which this series rocks: Ein and Zwei are really characters who don’t speak what’s on their mind: they leave their feelings and thoughts exactly out of their jobs, but the thing is that we hardly ever get to hear their thoughts. During those above-mentioned fanservice moments, for example: we can only guess what goes on their head at those points, and this gets especially confusing when the two start acting like their complete opposites and at times it gets really hard to point out which a subtle action of the belongs to: their acted personas, or their own intuitions.

And I’m personally a huge fan of series that manage to leave certain things up to the viewer’s imagination. Phantom knows exactly the difference between simply leaving out an important plot point, and just subtly refraining to say things that most people can figure out on their own. And when we finally get a confirmation (or denial in this case) of Ein’s feelings at the end of this episode, it does make impact. Especially considering how this series has only gone on for four episodes, I’m surprised at how far it has already come.

Pandora Hearts – 04



Short Synopsis: When Oz wakes up from the Abyss, he’s greeted by a certain threesome.
Episode Rating: 7,5/10 (Good)
Okay, so this episode was mostly meant as a build-up, to close off the introduction for this series and introduce the rest of the main cast of characters that it’s going to work with: Break, Sharon and Reibun. Obviously not the most exciting episode of this excellent series, but still a really good one.

Here’s one thing that I don’t get though: why the heck does Reibun look like a grown up Gilbert? And if it indeed is Gilbert (hinted at everywhere by the promo art) and lots of years must have passed since Oz was cast into the Abyss, then why hasn’t Sharon grown up as well?

In any case, it’s interesting how Oz and Allies aren’t exactly allies of Break, Sharon and Reibun, but instead they’re just two parties with the same goals, and they were actually nearly enemies if things would have gone a little different. There’s going to be an interesting tension between them for the rest of the series this way.

We learn quite a few things in this episode, including what Alice has been hiding: the fact that she lost her memory. This is why she couldn’t remember strangling Oz when he found the locker, since that memory of her seems to have been erased. It’s interesting how she never wondered why she ended up right with Oz of all people: it’s because he met her before when she was in the abyss, through that watch of his. After that point, something must have happened to wipe out her memories that way.

At the same time, Oz also proves that he’s quite a bright kid in this episode: he’s observant and quickly draws conclusions based on the things around him. That could prove to be interesting in the next couple of episodes, and as an added bonus he seems to move more and more away from your average wimpy lead this way.

Oh, and on a side-note: why exactly is the animation of this show so hated? I mean, I know that it isn’t the best animation out there and all, but I see no reason to dislike this show based on the animation: there are no distorted faces due to inaccuracies, there aren’t many still frames, the character-designs are distinctive and not copy-pasted. What more could you want? What makes the artwork in this show so “atrocious”?

Basquash! – 04



Short Synopsis: ‘boob-san’ organizes a rematch between Iceman, Dan and Sela.
Episode Rating: 7,5/10 (Good)
Now I know for sure: this show is weird.

If the woman with the huge bosom at the end of the previous episode wasn’t enough: it now turns out that she’s a famous shoe designer with a feet fetish… yeah. She even goes as far as selecting one of Dan’s friends to accompany her because his face resembles a foot. Not only that, but she also designs shoes for Bigfoots…

The result was an episode full of ‘big’-jokes around her.

My question now is: why the heck am I enjoying this show so much? The premise gets more ridiculous with every single episode, and yet I’m really digging the chemistry between the characters so far. Dan’s ramblings don’t get on my nerves at all, and in fact are hilarious at times. I like how this episode emphasized how broken mechas remain broken until fixed (compare that to your average mecha-series, in which the machines magically fix themselves at the beginning of every episode), and it was especially fun to see a stressed out Miyuki as she tried to get everything fixed properly before the above-mentioned rematch.

I am curious though: where does this series think it’s going in the end? Up till now, there hasn’t been any major storyline popping up: all we’ve seen is a bunch of hints: what role is the moon going to play in the end? Is Coco simply there to give Dan some background or is there more to her? Will this turn into a basketball show with mechas, or is the basketball simply going to be a vehicle to the real meat of the story? What is going to be the role of the little princess that we’ve been seeing now and then?

Ristorante Paradiso – 03



Short Synopsis: Nicoletta tells Claudio about her mother.
Episode Rating: 8/10 (Good)
I’m really not sure what’s up with this show’s tendency to spoil the biggest plot twists of every next episode but for some strange reason it works pretty well. Since this is a series that’s much more about the characters, rather than these fancy plot twists, which are only there in order to get the best out of the characters. In this episode for example, the most important thing wasn’t for Nicoletta to tell Claudio how the girlfriend of the owner is her own mother, but rather how the two of them start to gradually understand each other, and realize that they’re actually quite similar.

But really, this episode was good stuff, and I’m glad to say that the first three episodes of Ristorante have some of the most solid characters of the season. The advantage it has is that since it’s only 11 episodes, it can’t really waste any time building up like most of the other shows this season: while most of the other shows still have three months to go before they can get to the real meat of the story, RisPara is already there, and like Genji Monogatari in the previous season, it’s a very consistent romance show, although in comparison, the focus of RisPara lies more at the characters, when compared to the storytelling that was central in Genji Monogatari.

It’s obviously not a show for everyone, but you have to appreciate that finally we have a show in which the average age of the characters lies above thirty (perhaps even above forty). I can only think of two other anime who achieved the same: Real Drive (simply because two characters were in their eighties) and Millennium Actress.

It’s interesting how Nicoletta finally got a proper talk with her mother in this episode, and yet the two of them got along pretty easily, rather than Nicoletta trying to scratch her mother’s eyes out and it’s interesting how Olga even was worried about Nicoletta going after Claudio, and in the end she even encouraged her. Olga herself was immediately taken in by Lorenzo, and apparently that feeling came from both sides.

It’s also interesting how Claudio and Gabriella split up over a pretty trivial reason: her work became busier and in the end they got into a fight about a misunderstanding, and so they broke up, even though they seem to have settled their differences by now and are not in love anymore.

In any case, I’m glad to have stuck with this series. At one point I considered dropping this show from blogging instead of Natsu no Arashi, but looking back now, the latter is much more a show where you shut up and watch, and even though it’s probably the most underrated show of the season, I don’t think that there would have been much to say about it aside from that. The director of RisPara has a knack of getting the best out of short 13-episode series, and it’s a very interesting effect to see him dealing with a slow-paced romance show, instead of a suspenseful thriller or extremely sad wartime romance. He’s definitely able to show the best side of the original source material this way in only eleven episodes.

07-Ghost – 03



Short Synopsis: Teito tries to sneak out in order to save Mikage.
Episode Rating: 8/10 (Excellent)
I’m still surprised at actually how good this series turned out to be. From the outside it really looks like yet another overly angsty bishie-filled Vampire Knight, but at the same time this show has consistently delivered so far. The characters have impact, the setting looks intriguing and the story is very properly paced. Heck, this episode was mainly just meant for building up, and yet I loved it.

This episode also convinced me of something completely different: this show has a weird sense of humour. The scene with the fishy eyeballs was simply mental. I mean, who ever found the idea to make these things tasty? The antics of the three sisters also were simply hilarious. What the heck was up with that Christmas tree?!

On a more serious note, it’s good to see that Teito hasn’t forgotten about Mikage. Although I foresee a dull training arc in the future, it’s good to see him growing that way, and I was also surprised at the brutality of Ayanami’s torture: he’s now willing to involve Mikage’s sister in order to squeeze the information out of him, and it really contrasts with how much of an easy life Teito is leading, protected by all the ghosts and all.

This episode also showed that Ayanami isn’t exactly your average evil overlord, as he too has superiors he has to obey and also doesn’t seem to know why exactly Teito is special. My guess would be that he killed Teito’s father simply because he was ordered to. I’m also intrigued as to why he has so many henchmen, especially since all of them have distinctive character-designs.

Shangri-La – 03



Short Synopsis: Kuniko sneaks into Atlas.
Episode Rating: 7,5/10 (Good)
A solid episode for Shangri-La, and I must say that I’m still intrigued by this show. It may not be the best thing out of all the currently airing shows, but there is potential if the creators manage to push the right buttons. So far, they’ve already done a pretty good job in this, despite the predictability of some points. I mean, in this episode for example we learn that Kuniko’s mother is in Atlas as well…

Gee, I wonder where she could be… [/sarcasm]

What I liked about this episode was the extra bit of depth it gave to the setting. It was a nice touch for that woman of the last episode that yelled at Kuniko to make another appearance in this episode. Atlas was like expected nothing like ‘the promised land’, but looks more like something akin to an anthill.

Right now, Atlas really looks like your average totalitarian empire who oppresses all outsiders, but we’re only three episodes in. I’m interested to see whether the creators can give it a unique touch. Right now the creators seem to be moving in the direction of the huge contrasts between rich and poor, and while this is forming a good base there still seems to be something missing. It also poses an interesting array of questions, though: the Metal-Age are indeed a double-edged sword, but their actions do provide security for the sick and elder who have trouble taking care of themselves. That also begs the question: how are these people coming by in cities that don’t have the Metal-Age?

I also liked the development from Kuniko. This episode establishes her as flawed, rather than the perfect army-commander that the first two episode made her look like. Her big flaw is that she easily gets distracted, even though she probably doesn’t mean any harm. Because she’s lived in the comfort of the detention centre in which she was surrounded by certainty, returning to the uncertain world outside of Atlas has turned her a little insecure.

Guin Saga – 03



Short Synopsis: Guin, Linda and Remus try to escape from the count’s castle.
Episode Rating: 7,5/10 (Good)
In this episode, Guin Saga showed some of its weaknesses, but I’m still a big fan of the show. Sure, it was a bit strange that the count would allow the black-haired guy (I believe his name was Istvan) to keep his sword and whip while in jail, and it was quite convenient for the ape-men to attack the count as well in order to create the diversion that everyone needed to escape, but nothing really got in the way of the really important stuff in this episode. This episode still was as epic as it should be.

And this episode did a nice job of giving a few glimpses on how the rest of the world of Guin Saga looks like. It turns out that Guin isn’t the only were-beast around as this episode shows that the count is some sort of demon, and it introduces a bunch of ape-men who are after revenge because the count killed one of their comrades. Meanwhile, Linda meets another ape-girl from a different tribe and adds her to the main cast of the show. It looks like there are many different countries, counties and all sorts of political fractions, races and parties. As expected from a show with a source material of over 100 volumes. It’s shows like this in which just about everything is big. Well, apart from some of the characters, of course.

I’m also surprised at how I’m not annoyed at all by the antics of Remus. Around the net, the biggest criticism against this show seems to be the annoyingness of the two lead characters, but I find them strangely enjoyable as two small kids dumped into an incredibly big world, totally out of their comfort zone. Sure, it’s not exactly original, but in this show, it works.

Konnichiwa Anne – 03



Short Synopsis: Anne gets ‘distracted’ when she accompanies Bert as he sets out to find a job.
Episode Rating: 7,5/10 (Good)
This episode took away a lot of my doubts for this series. So yeah, it’s going to be less realistic than such epics as Anne of Green Gables, Perrine or Porfy, but the writers do have a great feel for the characters. This episode was SO typical of Anne.

The episode starts out as Anne is wondering what her parents would have looked like (there were no pictures back then, were there? And even if there were, Anne’s aunt doesn’t look like the type to save these pictures), as she starts talking to Rokimba (that’s how I’ll spell that cat’s name for now) about how her parents would live in a small house, and have a romantic moment together as Walter suggests Anne’s name to his wife, holding a small Anne in her arms. In the meantime, Rokimba walks away without Anne even noticing, and so she gets made fun of again by Horace and Edward.

At that point, Joanne starts getting impatient and calls Anne back. Without realizing that Anne’s already there, she starts talking about how Walter also used to be like Anne, and how he always had these wings on his back with which he’d fly away in his own world. Being the kid she is, when Anne hears this she takes this literally, and now she genuinely believes that her father had wings on his back. ^^;

Bertha (Anne’s mother) meanwhile was calm and quiet, and always read books after Anne was born. We also learn that Joanne decided not to tell Anne about her parents because it’ll just be unnecessary information. Anne is just there to help her out, and remembering her parents doesn’t fit in that picture and it looks like she also doesn’t like remembering the days of her childhood either. It’s too late though, because Anne is already thinking of lots of possible romantic scenarios in which her father might have played with his ‘wings’.

Joanne then proceeds to wake up and yell at Bert because he was supposed to look out for a job that day again, while all he does is sleep. When he readies his carriage, Joanne sends Anne along with him because it’s obvious that he’s going to end up just drinking away otherwise. The scene in which they rode in the carriage reminds me of the start of Anne of Green Gables, in which Anne was also rambling on and on towards Matthew.

Bert then tells her that he might not have met Walter, but he did know that he once was a teacher (and here we have another reason why Anne would end up liking studying so much), and how he taught at a cute little school in a forest (or that was what it sounded like, I might have missed the exact name for it), which of course gets Anne fired up even more.

When Bert arrives at the office that’s supposed to give him a chance for a job, he finds out that the one he was supposed to was away. He then runs into his friend and they run off to start drinking, and so he orders Anne to stay where she is until he gets back. Anne then sees that as a chance to explore the town a bit in order to find the school at which Walter used to teach. She asks random passers-by for directions, but quickly gets distracted by other pretty things and she gets lost.

She then runs into someone who was a good acquaintance of Bertha and who we’re probably going to see again in a few episodes. This time though, she simply gives Anne directions to where she needs to go to and she does find the house in the end. Johanna meanwhile is not exactly pleased with how both Bert and Anne haven’t turned up, she’s tired and has a headache, but she has to work hard since Bert refuses to get a job. She then notes how she doesn’t like to think back to the past out of jealousy: Bertha and Walter were a very happy couple together, and yet she ended up with an idiot as Bert. It pains her to think back at how happy she could have ended up.

When Anne finally gets back, it’s already dark, but Bert is still waiting for her at that point. He doesn’t scold her, but just tells her to get on the carriage (obviously she’s scolded plenty enough by Johanna).

It’s interesting how people like Bert and Johanna completely shatter the boundaries of good and evil, and this again is typical of nearly all WMT-series (apart from Ie Naki Ko Remi, of course). While it’s easy to simply call Bert pure evil, he’s simply someone who hates his own wife. He’s still an ass because he refuses to help her out, but at the same time he doesn’t antagonize Anne and actually seems to like her. But since neither Johanna nor Bert is willing to make up and get along, the gap between the two of them is only going to grow bigger, and this is probably going to end up with the two of them separating, causing Anne to move into a next family in which she’s going to get even more busy.

In the meantime, the bit about Anne taking Johanna’s proverb felt really nostalgic. When I was a kid I also used to take proverbs way too seriously. Anne really feels like a real little girl at times like these.

It’s also awesome to see that it’s been less than three weeks and we already have a fansub! I posted the link at the shoutbox, and it would be completely awesome if this Underwater group would persist until the end.