Armed Librarians – The Book of Bantorra – 23



So here I thought that I was beginning to understand the story of this series. And then this episode comes and gives a completely different dimension to just about everything. Seriously, is there no end to the Armed Librarians’ awesomeness?

I remember noting a few episodes ago, that the Violet Sinner might be this series’ protagonist. Okay, so that was obviously wrong and incredibly misguided, as this episode showed that she too could be quite the bastard to Hamyuts, and probably turned her into what she is today. I’m very surprised that the creators have decided to show much deeper into the past, to show where everything begun: with the wishes of one of the acting directors to destroy heaven. AKA: that damned tree!

This episode revealed A LOT: as it turns out, the Armed Librarians exist in order to protect heaven, while the Church is there to maintain it: to provide it with good books in its attempt to achieve true happiness. The reason they’re at war is mostly because most members don’t even know about this, and Kachua getting strange ideas and taking these ideals much further than necessary.

Now, about Hamy: the majority of her past hasn’t been revealed yet, but based on what this episode my theory is the following: both she and the Violet Sinner were developed as a way to destroy heaven. Heaven told Makia that it wanted to die, however I believe that this was mostly another one of its attempts to create the ultimate book: Hamy. I have no bloody clue what his wishes are, but I think that the church believed that Hamy’s book was the one that Heaven was looking for, and therefore tried to kill her with all their might. In contrast, the Violent Sinner was meant to destroy heaven: when her love would come true, heaven would be destroyed.

My guess is that whatever Heaven is trying to do, Hamy wants it as well. By ‘wanting to ascend heaven’, she meant that she wanted to have her book absorbed by that tree. She’s basically been living her entire life, trying to make her book as exciting as possible! That’s why she wanted to die: in an as exciting way as possible, so that’s why a simple suicide wouldn’t work: everything about her needed to be glorious in order for her to be the book that grants Heaven’s wishes.

I’m not sure how that ties in with the Violent sinner, though. There are just too many open questions about her at this point. Who did she love? What is her connection to Hamy, and what did she want Hamy to create?

Overall, Armed Librarians has been without a doubt my favourite show during the past Winter Season. The next question is simple: SECOND SEASON WHERE!?
Rating: *** (Awesome)

Durarara – 09



Wikipedia has the following to say about the so-called ‘Westermarck Effect‘:

“When two people live in close domestic proximity during the first few years in the life of either one, both are desensitized to later close sexual attraction. This phenomenon, known as the Westermarck effect, was first formally described by Finnish anthropologist Edvard Westermarck. The Westermarck effect has since been observed in many places and cultures, including in the Israeli kibbutz system, and the Chinese Shim-pua marriage customs, as well as in biological-related families. In the case of the Israeli kibbutzim (collective farms), children were reared somewhat communally in peer groups—based on age, not biological relation. A study of the marriage patterns of these children later in life revealed that out of the nearly 3,000 marriages that occurred across the kibbutz system, only fourteen were between children from the same peer group. Of those fourteen, none had been reared together during the first six years of life. This result provides evidence not only that the Westermarck effect is demonstrable, but that it operates during the critical period from birth to the age of six.”.

Someone, please go to Japan and hit the anime creators over the head with this page.

So yeah, while these two siblings are very likely my least favourite members of the Durarara cast after this episode (they’re a bunch of elitists who can’t see beyond their own ‘love’), I liked the rest of this episode. “Celty’s head” (for a lack of a better name for her at this point) running into Mikado may have been a bit forced, but I guess it’ll do to get him involved with the rest of the storyline.

The interesting thing is of course that while this episode would have been very mundane if the course of this series was only 13 episodes, it creates a ton of possibilities for a 24-episoded series. It’s a pretty nice build-up for whatever is going to happen in that second half of this series. I also loved Izaya’s role in this episode: in this episode we really get confirmed that he’s genuinely interested in people, but he just happens to have a sick mind that can easily lead to trouble.
Rating: (Enjoyable)

Cobra The Animation – Time Drive Review – 80/100



Here’s a quick review. I think that my biggest issue with Cobra is that I unfortunately happened to watch one of the worst Cobra episodes as my introduction to the franchise (the first episode of the Psychogun), and because of that I was reluctant to check out Time Drive. Still, I’m glad I did, because especially that first episode stands out to me as one of the best Cobra episodes I’ve seen.

The main problem with Cobra has always been that he God-moded himself through any sort of problem that he ran into. This OVA shows a unique side of his character, though. It’s not just the fact that we get to see a younger Cobra, but also the older Cobra is much more interesting than he usually is. Not to mention the huge amount of ideas that the creators managed to put in just thirty minutes. It’s an excellent adventure.

The second episode is a bit of a step back. Nowhere near bad or anything, but it lacks the punch and the amount of creativity of the first episode, plus the transitions move a bit awkwardly at times. Nevertheless, it’s a nice conclusion to that excellent first episode.

Storytelling: 8/10 – A bit rough around the edges but packs a great sense of adventure, which is exactly what

this series should be.

Characters: 8/10 – In two episodes, it showed more variety to the characters than the 40 TV-episodes that I’ve seen so

far.

Production-Values: 7/10 – Hmm, lacks the excellent animation of Cobra 1982 or the eye candy of Cobra 2010, and it’s

supposed to be an OVA. Though Yoshihiro Ike kicks ass as usual.

Setting: 9/10 – So. Many. Neat. Ideas.

Just one side-note: what is it with Japanese confusing “dive” with “drive”? First Real Drive, and now this. When characters are clearly diving into

something metaphorical… why call it that way?

Mobile Suit Gundam – Stardust Memory Review – 62,5/100



The Stardust Memory Gundam caught my attention mainly because one of its directors: Mitsuko Kase. While I’m also a bit of a fan of her, her directional style is completely different to the stuff we usually see in Gundam: both the early Tomino Series and the later incarnations.

And seriously, the work that she pulls off here belongs to her best. The animation is beyond incredible, and the battles all know how to not go over the top. The weaknesses of the different pilots in combat play a huge role here, and this makes the battles much more intense than your usual Gundam battles. The tension between the different characters is great, and the characterization, despite throwing in lots of Gundam archetypes (most notably, ignoring orders) gives an entirely new dimension to the Gundam formula.

Oh, how I would have wished to sing these kinds of praises for the entire 13 episodes of this OVa. Unfortunately, Mitsuko Kase only directed the first five of them. Derailing is a big word… but that’s exactly what this show does after that point.

And I’m not kidding here. Few series I’ve seen have transgressed from so good, to so utterly bad in such a short amount of time. I really wish I could, but aside from the animation I just can’t say anything positive about the mess that this show eventually devolves into. As the characters move into space, the show loses all of its subtlety and battles simply turn into the endless repetitions that we’re known of Gundam. The characters all lose their charms and devolve into generic archetypes. The male lead once was an interesting new version of Amuro Ray due to his rookie status, but he soon develops a bad case of constipation, somehow gets to be the only one who can pilot the Uber Gundam of this series and has as much personality as a brick wall.

There is a plot, and it would have been a fairly good one if only the execution wasn’t so ridiculously stupid. Plot twists are pretty much pulled out of the creators’ asses. Is your Gundam destroyed? Well, conveniently people have been developing a brand new one behind the scenes. Need some extra drama? Well, you wouldn’t believe the stuff that this show pulls in order to get there. Not to mention the godawful ‘foreshadowing episode’ (you’ll know which episode I’m referring to, right when you see it due to its elephant-like subtlety). Even for Gundam’s standards, the plot twists are just BAD beyond belief.

I often see people praise the UC Gundam timeline, and how it’s so much better and superior than the other Gundams and stuff, but I disagree. For me, Gundam has been a string of series that actually disappointed in their second halves more often than that they didn’t, often derailing the plot completely into pointless angst or stupid plot twists like this one. Oh, let’s hope that the currently airing Gundam Unicorn can avoid this because for me, it’s likely to be the most overrated franchise in anime at this point.

Storytelling: 6/10 – Starts off tense and realistic. Ends incredibly unbalanced, wastes too much time, and pulls random plot twists from out of nowhere.
Characters: 5/10 – Start off full of promise, ends with a ton of archetypes and caricatures, a ton of emo and pathetic romance.
Production-Values: 8/10 – Starts off amazingly fluid with an excellent soundtrack. The animation dulls in but it’s still very good, aside from a cop-out at the climax. Oh, and the good music somehow disappears.
Setting: 6/10 – You’ve got to love, how at the end some disclaimers and Deus ex Machina are pulled to fix the continuity errors that this show created…

Kobato – 20



You know what this episode reminds me of? That one episode of Touka Gettan: the Lost Episode of Yami to Boushi to Hon no Tabibito. The Tsubasa Chronicle cast drops by, they have nothing to do with the story, and at the end they just say goodbye and leave again to go back to their own story when there don’t seem to be any feathers here (or whatever they’re searching for at this point in the story, since Sakura was absent and all…). At the start of this series, when I found out that this kind of an episode would pop up I was very afraid that they would hog up all the screentime, but this was a really good episode, which made them more than Clamp’s usual cameos, and yet didn’t overdo it.

On top of that, the few revelations that their visit brought was interesting. It was a nice way to hint at Ioryogi’s original form. Who knew that he was his world’s Kurogane. I never realized that they had the same voice actor, and exactly for that reason. I also love the way in which Fye wished Ioryogi good luck with Kobato. He clearly seemed to know what was up with her.

In any case, this episode skips about a month and a half forward to Valentine. Predictable, but at this point I don’t care. For me, this show has reached the point where the creators can stuff their characters in any sort of setting, and make it utterly enjoyable. The valentine episode also was surprisingly good for the romance in this series, without going too obvious. You can see that Kiyokazu has grown a lot closer to Kobato during the past months that weren’t shown, and the valentine’s episode wasn’t used as a cheap knock-off getting the two of them together. Speaking of which: I very much approve of series that keep track of their own time: that’s an awesome way of showing the development between the characters, and making it less sudden.

And that ending was very powerful. That’s some great build-up there: this moment was bound to come: Kobato was bound to run short on time because of how easily distracted she can be. As a kid at heart, she constantly needed to be pushed by Ioryogi and yet you can see that she genuinely wants to go to some place. We have no idea why, all we know is that it’s something very important for her and that she’ll never have any more chances after the deadline passes. With four episodes left, I hope she gets there.
strong>Rating: ** (Excellent)
ED: Really weird place for a new ED, but better than the first one and a solid ballad.

Sora no Oto – 09



So, since Kureha was the only one who has yet to get an episode of her own, it’s good to see that this episode focused on her. It’s not as good as the Felicia-arc, but definitely adds to her character. The story between her and Claus, who she decided to admire after the loss of her father made this episode quite worthwhile.

Regarding the main story: I’m surprised that the princess is actually dead. There’s an interesting twist, and probably explains why Rio looked back to her with a sense of nostalgia.

In any case, four episodes left, and this episode just finished all of the preparations that this series needed to do. After this, it’s just a matter of this series closing off well, using the stuff that it’s built up for in the past nine episodes. My biggest fear here is Rio: in this episode she may have been a bit too angsty for her own good. If she was trying to make a difficult decision that we don’t know about, then okay, I can understand that. But please don’t tell me that she was angsting like a teenaged girl who hates her father and who is trying to make her do things she doesn’t want to.
Rating: * (Good)

Seikai no Monshou Review – 85/100



Well, so this is why, at the start of this contest, I only limited the series that you could force me to blog to 14 episodes: so that I wouldn’t be stuck with 60 unblogged episodes of Monster, in the case that it turned out to be a bad idea. I really apologize: with my current schedule, I just can’t watch and blog older series at a consistent pace, like I do with the currently airing series. Because of that, I just ended up marathoning the rest of this series, and here are my impressions on the entire series.

Seikai no Monshou is yet another one of the series that reinforces my beliefs that the Sunrise of around ten years ago rocked beyond belief: they consistently brought out interesting, daring, exciting and innovative science-fiction mecha series with great premises. Seikai no Monshou at first sight is another science fiction series, but it sets itself apart by its imaginative and especially very detailed execution.

The central focus is the chemistry between the two lead characters. Coming from two completely different backgrounds, this series shows both of their backgrounds, and tells in great detail about the history of the universe they’re set in, especially on the race called the Abh. The gem of this series lies in its dialogue: the dialogue between the two lead characters is direct, straight to the point it forces you to confront difficult issues, rather than jumping around them. The difference in their upbringing is shown subtly but powerfully throughout this dialogue.

The battles in this series are also often very down to earth, and focused more at skill rather than just going over the top with explosions. Unfortunately, there are times at which this series does forget that and turns into an action flick. The final episode, instead of closing off with a powerful climax instead just opts for the kind of battle in which the enemy soldiers (both well-trained police and military officers) conveniently miss every shot they fire, yet get killed off instantly when the lead characters shoot at them.

Nevertheless, that doesn’t ruin the rest of the series that leads up to it, which is an exceptionally written science fiction story that puts a lot of emphasis on the characterization and dialogue between the two lead characters.

Storytelling: 8/10 – Realistic, down to earth and yet powerful, though the final arc isn’t the best.
Characters: 9/10 –
Production-Values: 8/10 – Solid, but surprisingly dated at this point.
Setting: 9/10 – Well detailed, realistic and imaginative back-stories, both for the characters and the world that this series is set in.

Hanamaru Youchien – 08



Well, thankfully the sister is gone now, and we’re back to what matters: the kindergarten itself. This episode completely lacked originality and it used stories that have become staples of regular romance series, but the characters were nice enough to watch. Especially Anzu has gotten a lot less annoying than what she once was.

However, I’m noticing a disturbing trend. A considerable amount of this episode was also focused on drama. Why? This show is just not good at it.

I can understand the need for conflict, but during the drama part this show abandons all that is enjoyable about it. Up till the arrival of the sister, the drama was always quick and light-hearted, but in this episode the drama hang over the cast like some angry raincloud. If the story around it was good or creative, then okay, I might understand it. But the drama was completely shallow: in the first half we have a random kid we’ve never seen before as she wants to work in her parents’ shop. In the second half we have a rich girl who gets added to Tsuchida’s harem but decides not to marry him but love him from afar because she’s no match for the main love rival.

What I’m missing in this series is creativity. The first five episodes did this so well… but after the sister’s appearance it’s just been one predictable and overused story after the other. I have no idea why. The creators aren’t idiots: they just could have picked out the best chapters of the manga and have fun with it, and instead they chose the most predictable ones for the past three episodes.
Rating: (Enjoyable)

February Summary

Overall, this probably is the season in which I watched the least amount of series since Winter 2006 or something. Nevertheless, this season also has a very nice collection of interesting and engaging series. Especially the kids’ series and the series that put a lot of effort into their settings are doing well. The upcoming spring season seems to be one of opportunities:: there’s a ton of series with a great production-team and a generic premise, or generic production teams and a great premise.

#18 (14) – Hanamaru Youchien – (7,5/10) – Seriously… what happened? Here we have a nice series about a bunch of kids who have fun in a kindergarten… and suddenly this show decides that it also wants a brother complex drama. This series had such a simple formula… so why are the creators forgetting that?
#17 (16) – Ookami Kakushi – (7,75/10) – Yeah, now I’m convinced that this, like most other works of the director, is a wasted potential. The source this time is the “useless lead character”-syndrome: he’s the least interesting character of the entire cast, he never really does anything, his part in the story and especially his central role doesn’t make any sense, and most importantly: he gobbles up all of the precious airtime that could have been focused at the more interesting characters. Right now, the rest of the cast can’t show their best sides because of this guy and the plot events just happen without a lot of meaning to them.
#16 (15) – Kimi ni Todoke – (7,75/10) – The brother arc was nice, PROVIDED that the creators won’t stretch it any further than what they have now. It was a great way to develop these two characters, but I know that my patience is going to break if it gets stretched out any further. Oh, and seriously: is there any reason why Sawako and Kazehaya haven’t hooked up yet? Seriously.
#15 (12) – Katanagatari – (8/10) – There’s still lots and lots of talking in this series, but it’s still interesting and witty. The series does need to think about character-development if it wants to remain interesting for 10 more episodes, though.
#14 (9) – Gag Manga Biyori + – (8/10) – It’s a bit of a shame that out of all the episodes it decides to recap, it picks the dullest ones. Ah well, the original episodes, especially episode five, were just priceless. And I still can’t get enough of that ED.
#13 (8) – Letter Bee – (8/10) – ZOMG Second Season! That one announcement totally re-established my faith in this series. The episodes this month haven’t been among this series’ highlights, but they served their purpose as build-up well.
#12 (18) – Anymaru Tantei Kiruminzoo – (8/10) – Last month I had my fears, but this series picked itself back up again, and is as enjoyable as ever. One thing that also really helps here is the great voice-acting for the lead characters: it’s inspired, fun and creative and continually makes the characters fun to watch.
#11 (13) – Cobra the Animation – (8/10) – This show knows exactly what it is: space adventures, and it delivers on this. The creativity in this series in my opinion beats that of Cobra 1982 by miles and despite the fact that Cobra kicks ass in just about every way imaginable, it’s consistently enjoyable.
#10 (10) – Tentai Senshi Sunred – (8,25/10)

Most comedies would have burned out at this point, but not Sunred: it still keeps fresh jokes coming, and it skilfully knows how long it should repeat certain jokes before they get stale. Or how long it should repeat certain jokes to turn them into running gags. After nearly fifty episodes, it’s still a fresh source of comedy.

#9 (11) – Kaidan Restaurant – (8,25/10)

It’s a kid’s show, yes. But I find myself enjoying this series more and more with every episode. The different horror stories are consistently well told and varied. I can always count on this series to give me a weekly fix of horror.

#8 (new) – Heartcatch Precure – (8,5/10)

Finally another good mahou shoujo appeared again. Heartcatch Precure is miles away from regular Precure series, it’s got a very strong direction, the characters’ expressions are very detailed and varied and the comedy itself is consistently funny as well. Not to mention the gorgeous Casshern-esque character-designs.

#7 (9) – Marie & Gali – (8,5/10)

Noo! Episode 38 showed the beginning of the finale, meaning that this wonderful series is going to end soon. Such a shame, but at least it’s good to see that this series ends at the point where it’s at its height, rather than dying a slow death. And the finale itself also did not dent the quality in any way either: the creators have chosen a very appropriate story for this series.

#6 (6) – Kobato – (8,5/10)

I must praise the creators for how the developed Kobato: she’s gotten downright adorable at this point, and the rest of the cast also has so much charms. This is a simple series, but because of that it’s wonderful to see how well the development has become.

#5 (4) – Cross Game – (8,5/10)

Since the baseball matches never were Cross Game’s strong point, I wasn’t really looking forward to this point. But to my surprise, the characters did not lose their unique charms. In fact, while the series’ mood changed to less subtle, this show avoided jumping the shark and instead still is an utter joy to watch due to these developments.

#4 (7) – Sora no Oto – (8,75/10)

This series has really proven itself to be more than just moe. The characters are well written and down to earth, and yet it also proves that it can hit hard with episodes as episode 7. the direction knows when it needs to be subtle and when it needs to be powerful, I’m very impressed.

#3 (3) – Durarara – (8,75/10)

This series has proven to be excellent at weaving together so many different stories in the same episodes. It’s witty, funny, powerful, touching, engaging, well characterized, varied and the way that every episode is told through the perspective of a different character gives quite a unique dimension to everything.

#2 (2) – Full Metal Alchemist – Brotherhood – (9/10)

The way in which this series really sets itself apart from others is its focus on finding allies:Ed and Al by far aren’t the only ones in the middle of this story; there are so many different characters who are trying to accomplish the same or similar goals to their own, and they all work together to get there. It also of course really helps that the execution is as solid as ever.

#1 (1) – Armed Librarians – The Book of Bantorra – (9,25/10)

Even though this series has been among my favourites of the past five months, it still continues to impress with such a powerful and imaginative plot, along with strong themes and messages. I salute the two central characters that we saw for their beliefs.

Full Metal Alchemist – Brotherhood – 46



This episode was all about the “Promised Day”: the day at which Father is planning to put that huge transmutation circle he’s been preparing to use. We now see the rest of the cast head to Central City, but the doesn’t forget to get developed either. Plus, the start of this episode was just priceless. It was a great way for Ed and Winry to see each other again without the usual melodramatic hugging and stuff.

Oh, and poor Al. In the past few episodes hes been doing fairly well, but in this episode he got captured when father sent Pride after him. Interestingly enough, Pride’s words seem to hint at how Al isn’t needed for the Promised day, but instead they require him for something after that. Could collecting Ed, All, Izumi and that other mysterious person actually be the next step in his plan? After all, their part is the only ones that weren’t hinted at in the Hohenheim flashback.

The end of this episode was also very stylishly done, but that again brings us to the Golden rule of anime: a character isn’t dead unless this is confirmed. I doubt whether a homunculus would die that easily anyway. Considering their regenerative power and all. It also showed what a large amount of people is on Ed and Roy’s side at this point: the amount of soldiers behind the Bradley assassination plan was just huge. On top of that, this episode revealed even more allies: the Ishbal survivors. While the overall story of this series has turned out to be very impressive, I believe that the thing that truly sets this story apart from all other stories is this quest for allies.
Rating: ** (Excellent)