Bakuman – 12



Yay second season!

There is one thing that I don’t quite get, though, It’s not specific for this series, but because no DVDs have been sold yet, this clearly was a second season that was planned along with the first season. The same goes with Nurarihyon no Mago: there were hints here and there that the producers were already working on a second season. The same goes for series as Natsume Yuujinchou, Birdy the Mighty and White Album. My question is though: why don’t they immediately announce these sequels like what TWGOK did? It certainly would have saved me a ton of annoyances and opportunities to whine…

Anyway, so yes: Bakuman will at least have 39 episodes, and most likely it’s going for 50. That explains the slow pacing. Just note that my entries will probably be rather short for the upcoming episodes, because so little happens in each episode so there’s very little to say.

This episode was all about middle school graduation. Again, it was nearly completely focused on one topic: Moritaka and Miya. The slice of life around it was the best part of this episode, though. The romance still is too simple at this point and instead I enjoyed the characterization around it.
Rating: * (Good)

MM! Review – 75/100




Out of all the series this season, MM had by far the most bizarre design decisions. It’s not just one thing about this series that’s weird; it’s got an entire washing-list of points that make me wonder what the hell these creators were thinking when they made this, both in good and bad ways. Allow me to elaborate.

Contrary to everything I expected, this series actually starts out pretty good. The main character is bothered by extreme masochism, but instead of glorifying this like most other moe shows that are based on a fetish, it makes it very clear that the lead character hates his condition and wants to be cured of it, and the people around him have similar problems The first four episodes are actually an interesting look at people with these severe disorders that were created by traumatic events in their pasts. It’s a bit overdramatic at times, but works surprisingly well here.

And then… the show becomes completely different. I mean it, they jump a gigantic shark at episode five, and continue on as a show consisting of nothing more than random fillers based on bizarre situations. These episodes are bad in many ways, including the “so bad that it gets good again”. The only possible explanation I can think of this is that Zexcs executives realized too late in what kind of direction the creators were originally planning to go and forced a complete change in the middle of the production here, in order to make this series more sell-able.

By far the weirdest result of these changes is how ridiculously out of character some of the people start acting here, the two lead females being the biggest example. One is a typical tsundere who at completely random times completely loses her “tsun”-part for no other reason than plot convenience. The other is a shy and humble girl who at random points becomes sincerely energetic and shameless. Both make no sense whatsoever considering the way in which their characters were built up.

Bad Xebec has been overshadowing Good Xebec way too much for the past few years. For every Pandora Hearts and The Third they make, they also come with tons of series that are nothing but harem antics. They’re much, much worse than what Gonzo once was. However, I also have to admit here that for a generic Moe shows, MM was actually one of the few that I enjoyed.

The fillers are stupid, filled with fanservice and filled with moe cliches, however they’re not really generic. They’re so ridiculously over the top that they become fun in this “mindless entertainment” way. There are some repeated jokes here and there, but all of the episodes are based on some neat idea that at least keeps the series fresh. The hypnosis episode in particular made me fall of my chair laughing. The other fillers, while nowhere as funny, still managed to keep my attention.

A big help for this series is that for a generic harem, it does have a very good male lead. Half of the time, his masochism is indeed used as a strange gimmick, but his dynamics do manage to carry the entire series. At heart, MM is a series about perverts, but it keeps a healthy balance between showing their positives and negatives, never overly glorifying them like you see in most other otaku shows. Just don’t expect anything to resolve itself, though.

Storytelling: 7/10 – It’s just bad at times, but never really boring, bringing enough creativity to the table to last 12 episodes.
Characters: 8/10 – Quite engaging at some times, ridiculously moe and out of character at others.
Production-Values: 8/10 – Nothing special, but quite solid.
Setting: 7/10 – Never, ever let the creators attempt to treat deep traumas or masochism. Seriously, don’t. And don’t even think about trying any of the “masochism cures”-in this series seriously!

Suggestions:
Ichiban Ushiro no Daimaou
Kenko Zenrakei Suieibu Umisho

Iron Man Review – 52,5/100




Madhouse, they’ve really established themselves as a powerhouse unlike any other animation studio, so when they announced their marvel project, I’m sure many people were looking forward to it: four twelve episode series, focusing on Iron Man, Wolverine, the X-Men and Blade. With two years of hype surrounding it, I was really looking forward to see what they could do with these premises. And then Iron Man finally aired. Oh boy.

Let’s start with the visuals. I usually don’t mind strange character-designs at all. In Iron Man though, people just look silly. The character-designs themselves aren’t particularly the problem, it’s just that all of the characters are drawn off-model 90% of the time. The result isn’t pretty: Tony Stark looks like a goat, one of the reporters looks like a warthog, it just screams uninvolved outsourcing all around. An interview with a Madhouse executive seems to hint at how the highest priority for their staff was spent on finishing the movie Redline, and it really shows that this had its effects on Iron Man.

If the graphics were just the issue then this could have been easily forgiven. But just about everything about Iron Man is just horrible mediocre. Take the plot: the series follows the tried and tested “first half random stories, second half plot”-pattern, and it fails at both of them. The random stories int he first half are just utterly stupid. Things are just there, without ever getting a reason why. They’re a complete mess at stupid decisions made by just about everyone. My favourite was the time in which Tony Stark gets attacked by a hacker, and the hilariously bad way in which he eventually gets defeated. Most of the stories though are so dull that they aren’t even bad enough to be funny.

The main story of this series on the other hand is just so ridiculously corny that it completely saps any kind of creativity that could have been put into it. These are especially the parts that feel like they were written by a twelve year old: it pulls the cheesiest twists in the book, over and over again. The dialogue is full of these cheesy morals without any attempt to give them depth: they’re completely shallow. Especially the final episodes are just one big soap opera that pull the kinds of plot twists that try to be sad but end up horribly corny and predictable.

That kind of a mess of a plot could in theory have been saved by the cast of characters… but no. They suck too. The worst is this reporter girl whose annoying antics have no place in this story, but every single character in this series is bad. Tony Stark has been turned in this moralizing womanizing dork, and the people around them lack any kind of creativity or even characterization.

I’ve been blogging for more than five years now. And seriously: I have never seen a worse season for Madhouse than the current Autumn Season. I wish I could say something positive about this series, and I guess that there is one episode that I actually liked. I mean the one with the psychic girl. It’s still riddled with problems, but at least it tried to be a bit genuine. The rest all is mediocre at best and while it may not be the worst series out there (hey, it’s nowhere as terrible as say KissxSis or Ladies Versus Butlers), this one could have been infinitely better, if it just was handled by a staff that actually cared about it. In the end, I can only say one positive thing about it: the soundtrack rocks. Seriously, go listen to it.

Storytelling: 5/10 – Moderately entertaining at best, cheesy, corny, shallow, superficial and just plain stupid at worst.
Characters: 4/10 – The character development that’s there is terrible, most of the characters are just paper bags.
Production-Values: 7/10 – I very rarely deduct points in this category: I only do that when the graphics actually get in the way of the rest of the series. They do here, making characters who try to be really serious look incredibly silly.
Setting: 5/10 – It’s the kind of setting that tries to be epic but fails horribly.

Suggestions:
Ultraviolet: Code 044 (This is how superhero anime should be done god dammit!)
Testujin 28-Go (Yes, Tetsujin roughly translates to Iron Man)
Mobile Police Patlabor
I mean, there are so many examples this series could have followed. And yet it went with the most generic one.

Kuragehime – 09



This was probably the funniest episode of the entire series. It’s not like a lot of new things happened, and it instead continued to develop things further. as a build-up, this was truly excellent. The portrayal of Shu who is consistently trying to get rid of that woman around him, but the point at which she found out that Shu was only a virgin really took the cake. I really have to applaud the creators for that scene.

As for Tsukimi: that’s going to be the biggest issue for the final two episodes. In this episode, she again spent most of her time sulking about Shu. Something NEEDS to happen to her now. And don’t get me wrong, her angst was quite good here: her feelings of just wanting to disappear were again very well portrayed and engaging. 11 episodes however is not the length where you can just pull this card over and over again if it’s not building up to anything.

Speaking of building up, Kuranosuke did get a great balance between build-up and actually doing something. This guy is constantly trying to pull Tsukimi out of her comfort zone and forcing her to not run away, and I also like how he was inspired by Tsukimi’s drawings. The final scene in this episode was also a nice touch.
Rating: ** (Excellent)

Densetsu no Yuusha no Densetsu Review – 82,5/100




Denyuuden… was definitely an interesting series. It’s the kind of anime that you normally wouldn’t expect anything great of at first sight (or at least I didn’t), and yet delivers some episodes that completely exceed expectations. The first thing I want to say to people who are planning to give this one a chance: wait until episode three.

This series is a typical example of a series with its ups and downs. About half of it is a bit of a boring fantasy, the other half is an excellent character study. The boring half resides unfortunately around the middle of the series, starting at episode five and lasting for around twelve episodes. They’re basically a long string of building up, filled with uninteresting side-characters and scenarios that have potential, but never really get interesting to warrant the amount of time this show devotes on it.

The final third is where the things get interesting, though: those with patience will be rewarded with some excellent character development: just about every character, even the most annoying ones, gets better, the plot finally spices up and develops as well, abandoning most of its generic fantasy tropes in favour of a much more character-based progression. It ends with a strong conclusion, albeit a very open ended one (and unfortunately the chances for a second season are looking slim).

In terms of graphics, this is a Zexcs production, meaning that a lot of the series looks rather generic. They did surpass themselves in this series at several areas, though. For once, some of the background art is just gorgeous, but there are also these select few episodes that finally ditch the generic looking characters that have been plaguing Zexcs for ages now and deliver some really good animation here.

Denyuuden is definitely unbalanced. For a 26 episode series, it spends too much of its time on building up that’s rather boring. It both makes it very hard for people to get through it, and takes time away from the parts in which this series gets really good. It definitely annoyed me for a couple of months when I was blogging it. And yet, I just can’t say that it left a bad taste. While not quite of Kobato-levels, the final third did make up for the boring parts. It’s a recommendation for people with patience who are looking for an interesting fantasy title.

Storytelling: 8/10 – Pacing could be better, but can really pack a punch when it wants to.
Characters: 9/10 – All characters have their moments of annoyance, especially side-characters like Milk will get on your nerves. Yet, the character development here is really good, especially for the three main characters.
Production-Values: 8/10 – Mostly nothing special, with some very notable exceptions.
Setting: 8/10 – Is at its best when it takes a back-seat and lets the plot and characters guide it. Standalone it’s pretty much your average fantasy setting.

Suggestions:
Tytania
Senkou no Night Raid
Pandora Hearts

Densetsu no Yuusha no Densetsu – 24



You know what? If this wasn’t the final episode, it would really have been a great halfway climax. And in fact, I still consider this to be an excellent episode. And as an ending: things could have been much, much worse.

This episode was in no way rushed: it really knew what it wanted to do. The main problem with this ending is that expectedly, it leaves a ton of plot threads unresolved. At the end of this episode, the war is still going on, people are still fighting and people still have plenty of things to do that unfortunately will probably never be animated due to the low DVD sales.

And yet, for a show that just cuts off in the middle, it actually had a very good ending: the things that it wanted to close off were closed off well, and this final episode really feels like a conclusion: it both wraps up Ryner, Shion and Ferris, AND it actually develops them some more. With this episode, it feels like we’ve gotten the final pieces of the development in these three.

Compare that to Koukaku no Regios: that one was put under similar conditions, and what did it do? It pulled a huge amount of desperate plot twists that made no sense whatsoever and didn’t really resolve anything. I’m really impressed at how the creators (both the director and Zexcs as well (because yes, this episode looked really good)).

Oh, and yes. Ferris finally being genuine was awesome as well. Kiefer’s appearance on the other hand was a bit coincidental, but I guess it was a necessary evil to also close off her story a bit.

Overall, Densetsu no Yuusha no Densetsu had its downs, most notably after episode four followed a huge stream of uninteresting episodes. But here’s the thing: Ferris, Ryner and Shion are both well rounded and excellent characters in the end. As for the side-characters, though… they got better. Let’s just keep it at that. ^^;
Rating: ** (Excellent)

Shiki – 20



Holy crap. The finale here turned out as good as I hoped here. It’s not the way in which this episode came with some amazing twists that made it so great; it pretty much continued with the counterattack as it portrayed two sides who are in the middle of a death match in the most literal sense of the expression. But damn, the way in which it did this was just utterly gripping.

Tomio Ookawa… just about everything about this guy is awesome. For most of the series we’ve seen him as this eccentric old man, but he gets absolutely brutal here, being the one who keeps the morale going of the people who are still alive. He’s got enough balls put his own son back into the grave, and is pretty much the co-leader of the counterattack along with Toshio. And at the same time, this episode also turned him into a murderer here, when he even kills the pople under simple hypnosis. I never really expected him to get such a prominent role in the end, but I love it. The tension between him and Toshio should make for a very nice climax that’s really going to make it a close finish. That’s also the beauty of this battle between the humans and the Shiki: neither side feels overwhelming, and both sides continue to successfully kill each other.

On the flip-side, this episode had surprisingly little of Natsuno. I really expected him to play this big role, but it seems that the creators are saving him for last or something. All this episode showed of him was this very weird cliff-hanger in the middle of the episode in which Seishiro was about to get killed. In the rest of the episode, people talk about how something happened, but we never get to see what that exactly was.
Rating: *** (Awesome)

Otome Youkai Zakuro – 11



This is the episode in which the creators decide to reveal the past, and what happened to Zakuro’s mother. It’s pretty much the episode that explains it all, right before the final climax of this series. And with this episode, this series got even more solid than it already was.

This episode was both very tragic, as surprisingly deep. The role of Zakuro and her mother turned out to be much more at the centre of the entire story than I thought, with Zakuro’s mother’s existence even being the reason that these half spirits exist in the first place, all thanks to these disturbing corrupt practices that were going on in order to try and use her powers. I mean, this episode never explicitly stated it, but it’s pretty obvious at this point that Zakuro’s mother was raped multiple times in order to attempt some good off-springs.

There is a bit of the romantic cheese: Zakuro was born out of true love and therefore has inherited some incredible powers. This is obviously a bit of a flaw, but after this backstory I don’t mind, because this episode brought more than enough to make up for it. Especially Omodaka became a much better villain after this episode: after this episode I really hate this guy as an asshole, rather than this cheesy shoujo villain.

I’m also glad to finally see an actually justified hints at incest. Anime with incest nowadays are nearly all of the type “hey we have a boy who has this hot sister. Let’s make them fall in love with each other!” Zakuro’s family in contrast is so completely broken; Omodaka has been corrupted by his father from the start, he now turned out to constantly lust after Zakuro’s powers. It’s miles away from the lazy and shallow incest we usually see.

In any case, in the end this series did turn out to have just 13 episodes, which thankfully means that Mari Okada only has three series to worry about in the upcoming fall season. She’s an amazing writer, as shown by how well she treated Otome Youkai Zakuro, so I really hope that she can give all three of Hourou Musuko, Fractale and Gosick enough justice instead of rushing through all of them. Only once I’ve seen a more extreme version, this was in the Autumn Season of 2007 when Natsuko Takahashi wrote a whopping four series at the same time. The results were still good, but really unbalanced at times (but then again, that’s pretty much Natsuko Takahashi: she’s either really solid or makes really strange design decisions).
Rating: ** (Excellent)

Shinryaku! Ika-Musume – 11




What…. was the inspiration for that first segment? This show has this tendency to sometimes use really creepy jokes, and this was another one of them. I mean, Squid Girl is one thing, but even I would be disturbed if I had to sleep next to such a creepy doll. Just shows the bizarre things that kids get into at a young age. Oh, and of course Eiko as a child was awesome.

The other two segments mainly stood out because of some hilarious standalone jokes. The American researchers have always been a bit corny, but I have to admit that I laughed really hard when that black guy put on that invisibility suit and started toying with Squid Girl and Eiko. In the same way, I loved it when Squid Girl got attacked by all kinds of animals in the third segment. My favourite was the bear.

Oh, and that first segment was also good in the way that we finally saw an entire segment of Sanae without these obsessive tendencies of her. That was really needed to balance out her character, and remind us that she used to be just a normal girl and childhood friend of Eiko.
Rating: ** (Excellent)

Nurarihyon no Mago – 24



As the penultimate episode, this episode convinced me: next week is going to be a really bad point for this series to end. Out of all of the reviews that I’m going to write this month, Nurarihyon no Mago’s will likely be the most difficult one, because while it isn’t exactly a bad series, I also see no way to recommend it in this state. I didn’t really get anything out of these past 24 episodes.

The anime creators really made some crucial mistakes here. The extra time for Rikuo’s classmates was actually very good at first sight. They took what could have been the single most annoying characters of the series, fleshed them out and made them enjoyable. The main problem however is that this series completely failed in terms of building up.

This series spends a lot of time focusing on all kinds of different backstories, creating characters, most notably Gyuki and Rikuo and his classmates. The rest of the cast however is completely ignored, not fleshed out at all and therefore feels as flat as a pancake, not to mention that this finale has ignored just about all of the fleshed out ones. Tamazuki is a horrible villain: we know his backstory, but what do we know about him as a person? He’s evil and wants power; that’s all. We know a lot about small Rikuo now, but how much exactly have we gotten to know big Rikuo? This guy still is this guy who just comes and kills evil youkai. The rest of the cast is the same: beyond their basic personalities, they’re all just the same static people over and over again.

Now, as for this episode: it was a bit of a weird point to suddenly reveal that Rikuo’s classmates have once before been saved the child version of large Rikuo (who sounded really strange with the same voice actor, by the way), but my main issue here lied with the way it tried to wrap up everything, because it exactly illustrates how it completely failed at building up something. In the end, Tamazuki does what most generic villains do and kills off all of his subordinates in order to gain power. The only thing that Rikuo and the other youkai manage to retort this with is that you can’t control people with fear, but with respect. In the end, it’s all come down to these cheesy and shallow morals, after 24 episodes of airtime. I really expected better from this. Both from the anime creators and from the original story. I mean, someone tell me that the manga was more than just “let’s all beat the stereotypically evil Tamazuki here”.
Rating: – (Disappointing)